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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 127 46 192 0.5 it is the complementary color RGBA 128 209 63 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 127 46 192 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 127 46 192 0.5: RGBA 132 46 187 0.5, RGBA 149 64 206 0.5, RGBA 166 82 225 0.5, RGBA 183 100 244 0.5 and RGBA 200 118 255 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 127 46 192 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 127 46 192 0.5: RGBA 127 46 192 0.5, RGBA 110 28 173 0.5, RGBA 93 10 154 0.5, RGBA 76 0 135 0.5 and RGBA 59 0 116 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

Complementary color

CMYK 19 / 0 / 35 / 9

HEX #80D13F7F

RGBA 128 209 63 0.5

HSLA 93.29, 0.61%, 0.53%, 0.5

LABA 76.41, -48.3, 61.49, 0.5

 

CMYK 15 / 38 / 0 / 13

HEX #842EBB7F

RGBA 132 46 187 0.5

HSLA 276.6, 0.61%, 0.46%, 0.5

LABA 38.63, 59.22, -58.02, 0.5

 

CMYK 14 / 34 / 0 / 10

HEX #9540CE7F

RGBA 149 64 206 0.5

HSLA 275.92, 0.59%, 0.53%, 0.5

LABA 44.96, 59.17, -58.74, 0.5

 

CMYK 13 / 32 / 0 / 6

HEX #A652E17F

RGBA 166 82 225 0.5

HSLA 275.24, 0.7%, 0.6%, 0.5

LABA 51.36, 58.71, -59.16, 0.5

 

CMYK 13 / 30 / 0 / 2

HEX #B764F47F

RGBA 183 100 244 0.5

HSLA 274.58, 0.87%, 0.67%, 0.5

LABA 57.76, 58.04, -59.41, 0.5

 

CMYK 11 / 27 / 0 / 0

HEX #C876FF7F

RGBA 200 118 255 0.5

HSLA 275.91, 1%, 0.73%, 0.5

LABA 63.72, 55.52, -55.87, 0.5

 

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

CMYK 18 / 42 / 0 / 16

HEX #6E1CAD7F

RGBA 110 28 173 0.5

HSLA 273.93, 0.72%, 0.39%, 0.5

LABA 32.17, 58.83, -60.37, 0.5

 

CMYK 20 / 47 / 0 / 20

HEX #5D0A9A7F

RGBA 93 10 154 0.5

HSLA 274.58, 0.88%, 0.32%, 0.5

LABA 26.38, 56.89, -58.45, 0.5

 

CMYK 22 / 50 / 0 / 24

HEX #4C00877F

RGBA 76 0 135 0.5

HSLA 273.78, 1%, 0.26%, 0.5

LABA 21.15, 52.91, -55.34, 0.5

 

CMYK 25 / 50 / 0 / 27

HEX #3B00747F

RGBA 59 0 116 0.5

HSLA 270.52, 1%, 0.23%, 0.5

LABA 16.46, 46.89, -51.06, 0.5

 

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

CMYK 11 / 38 / 0 / 12

HEX #972EC07F

RGBA 151 46 192 0.5

HSLA 283.15, 0.61%, 0.47%, 0.5

LABA 41.75, 63.8, -55.78, 0.5

 

CMYK 4 / 38 / 0 / 12

HEX #AF2EC07F

RGBA 175 46 192 0.5

HSLA 293.01, 0.61%, 0.47%, 0.5

LABA 45.46, 68.45, -49.61, 0.5

 

CMYK 0 / 38 / 2 / 12

HEX #C02EB97F

RGBA 192 46 185 0.5

HSLA 302.88, 0.61%, 0.47%, 0.5

LABA 47.83, 70.77, -41.58, 0.5

 

CMYK 0 / 38 / 8 / 12

HEX #C02EA17F

RGBA 192 46 161 0.5

HSLA 312.74, 0.61%, 0.47%, 0.5

LABA 46.62, 67.25, -29.32, 0.5

 

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

CMYK 17 / 38 / 0 / 2

HEX #A13AF37F

RGBA 161 58 243 0.5

HSLA 273.41, 0.89%, 0.59%, 0.5

LABA 48.35, 71.85, -74.19, 0.5

 

CMYK 17 / 38 / 0 / 42

HEX #1A09277F

RGBA 26 9 39 0.5

HSLA 274, 0.63%, 0.09%, 0.5

LABA 5.07, 14.56, -16.27, 0.5

 

CMYK 17 / 38 / 0 / 32

HEX #3C165A7F

RGBA 60 22 90 0.5

HSLA 273.53, 0.61%, 0.22%, 0.5

LABA 16.86, 32.23, -33.29, 0.5

 

CMYK 17 / 38 / 0 / 22

HEX #5D228D7F

RGBA 93 34 141 0.5

HSLA 273.08, 0.61%, 0.34%, 0.5

LABA 27.83, 46.28, -48.06, 0.5

 

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

CMYK 0 / 38 / 28 / 12

HEX #C02E537F

RGBA 192 46 83 0.5

HSLA 344.79, 0.61%, 0.47%, 0.5

LABA 43.92, 58.95, 14.41, 0.5

 

CMYK 38 / 0 / 32 / 12

HEX #2EC0447F

RGBA 46 192 68 0.5

HSLA 129.04, 0.61%, 0.47%, 0.5

LABA 68.53, -61.99, 50.31, 0.5

 

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

CMYK 0 / 17 / 38 / 12

HEX #C07F2E7F

RGBA 192 127 46 0.5

HSLA 33.29, 0.61%, 0.47%, 0.5

LABA 58.59, 18.26, 51.88, 0.5

 

CMYK 38 / 0 / 17 / 12

HEX #2EC07F7F

RGBA 46 192 127 0.5

HSLA 153.29, 0.61%, 0.47%, 0.5

LABA 69.34, -52.65, 22.25, 0.5

 

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

CMYK 0 / 38 / 28 / 12

HEX #C02E537F

RGBA 192 46 83 0.5

HSLA 344.79, 0.61%, 0.47%, 0.5

LABA 43.92, 58.95, 14.41, 0.5

 

CMYK 21 / 0 / 38 / 12

HEX #70C02E7F

RGBA 112 192 46 0.5

HSLA 92.88, 0.61%, 0.47%, 0.5

LABA 70.41, -47.8, 61.25, 0.5

 

CMYK 38 / 0 / 9 / 12

HEX #2EC09C7F

RGBA 46 192 156 0.5

HSLA 165.21, 0.61%, 0.47%, 0.5

LABA 69.95, -46, 7.46, 0.5

 

CMYK 17 / 38 / 0 / 12

HEX #7F2EC07F

RGBA 127 46 192 0.5

HSLA 273.29, 0.61%, 0.47%, 0.5

LABA 38.33, 59.44, -61.49, 0.5

 

CMYK 0 / 36 / 38 / 12

HEX #C0362E7F

RGBA 192 54 46 0.5

HSLA 3.29, 0.61%, 0.47%, 0.5

LABA 44.29, 54.16, 37.17, 0.5

 

CMYK 21 / 0 / 38 / 12

HEX #70C02E7F

RGBA 112 192 46 0.5

HSLA 92.88, 0.61%, 0.47%, 0.5

LABA 70.41, -47.8, 61.25, 0.5

 

CMYK 38 / 2 / 0 / 12

HEX #2EB9C07F

RGBA 46 185 192 0.5

HSLA 182.88, 0.61%, 0.47%, 0.5

LABA 68.81, -32.92, -13.95, 0.5

 

Description

Color code: RGBA 127 46 192 0.5 | qconv.com Color code: RGBA 127 46 192 0.5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 46 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 46 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 38 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 38% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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