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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 126 178 142 0.75 it is the complementary color RGBA 129 77 113 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 126 178 142 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 126 178 142 0.75 shade: RGBA 131 178 137 0.75, RGBA 148 196 156 0.75, RGBA 165 214 175 0.75, RGBA 182 232 194 0.75 and RGBA 199 250 213 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 126 178 142 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 126 178 142 0.75 shade: RGBA 126 178 142 0.75, RGBA 109 160 123 0.75, RGBA 92 142 104 0.75, RGBA 75 124 85 0.75 and RGBA 58 106 66 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 126 178 142 0.75 shade: RGB 128 179 143, RGB 128 179 129, RGB 139 179 128, RGB 153 179 128 and RGB 167 179 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 126 178 142 0.75 shade: RGB 128 179 143, RGB 128 179 157, RGB 128 179 171, RGB 128 173 179 and RGB 128 159 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 126 178 142 0.75 shade matches the following richer shades: RGB 128 179 143, RGB 111 195 137, RGB 94 212 130, RGB 78 228 124 and RGB 61 245 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 126 178 142 0.75 shade: RGB 128 179 143, RGB 144 162 150, RGB 161 145 156, RGB 177 129 162 and RGB 194 112 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 126 178 142 0.75 shade: RGB 139 179 128, RGB 128 179 129, RGB 128 179 143, RGB 128 179 156 and RGB 128 179 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 126 178 142 0.75 shade: RGB 84 140 101, RGB 102 163 121, RGB 128 179 143, RGB 153 194 166 and RGB 179 209 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 126 178 142 0.75 shade: RGB 126 178 142, RGB 128 153 179 and RGB 179 128 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 126 178 142 0.75 shade: RGB 126 178 142, RGB 143 128 179 and RGB 179 143 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 126 178 142 0.75 shade: RGB 126 178 142, RGB 128 153 179, RGB 179 128 163 and RGB 179 153 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 126 178 142 0.75 shade: RGB 126 178 142, RGB 128 138 179, RGB 179 128 163 and RGB 179 168 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 15 / 23

HEX #7EB28EBF

RGBA 126 178 142 0.75

HSLA 138.46, 0.25%, 0.6%, 0.75

LABA 68.19, -24.71, 12.99, 0.75

 

Complementary color

CMYK 0 / 30 / 9 / 37

HEX #814D71BF

RGBA 129 77 113 0.75

HSLA 318.46, 0.25%, 0.4%, 0.75

LABA 39.86, 27.54, -11.39, 0.75

 

CMYK 20 / 0 / 17 / 23

HEX #83B289BF

RGBA 131 178 137 0.75

HSLA 127.66, 0.23%, 0.61%, 0.75

LABA 68.37, -23.99, 16.01, 0.75

 

CMYK 18 / 0 / 15 / 17

HEX #94C49CBF

RGBA 148 196 156 0.75

HSLA 130, 0.29%, 0.67%, 0.75

LABA 74.94, -23.77, 15.05, 0.75

 

CMYK 17 / 0 / 14 / 12

HEX #A5D6AFBF

RGBA 165 214 175 0.75

HSLA 132.24, 0.37%, 0.74%, 0.75

LABA 81.39, -23.57, 14.15, 0.75

 

CMYK 16 / 0 / 12 / 7

HEX #B6E8C2BF

RGBA 182 232 194 0.75

HSLA 134.4, 0.52%, 0.81%, 0.75

LABA 87.75, -23.39, 13.29, 0.75

 

CMYK 15 / 0 / 11 / 1

HEX #C7FAD5BF

RGBA 199 250 213 0.75

HSLA 136.47, 0.84%, 0.88%, 0.75

LABA 94.02, -23.23, 12.48, 0.75

 

CMYK 22 / 0 / 15 / 23

HEX #7EB28EBF

RGBA 126 178 142 0.75

HSLA 138.46, 0.25%, 0.6%, 0.75

LABA 68.19, -24.71, 12.99, 0.75

 

CMYK 24 / 0 / 17 / 28

HEX #6DA07BBF

RGBA 109 160 123 0.75

HSLA 136.47, 0.21%, 0.53%, 0.75

LABA 61.5, -24.97, 13.98, 0.75

 

CMYK 26 / 0 / 20 / 33

HEX #5C8E68BF

RGBA 92 142 104 0.75

HSLA 134.4, 0.21%, 0.46%, 0.75

LABA 54.68, -25.25, 15.04, 0.75

 

CMYK 30 / 0 / 24 / 39

HEX #4B7C55BF

RGBA 75 124 85 0.75

HSLA 132.24, 0.25%, 0.39%, 0.75

LABA 47.71, -25.54, 16.21, 0.75

 

CMYK 34 / 0 / 28 / 44

HEX #3A6A42BF

RGBA 58 106 66 0.75

HSLA 130, 0.29%, 0.32%, 0.75

LABA 40.57, -25.81, 17.51, 0.75

 

CMYK 28 / 0 / 20 / 30

HEX #80B38F

RGB 128 179 143

HSL 137.65, 0.25%, 0.6%

LAB 68.62, -24.36, 13.06

 

CMYK 28 / 0 / 28 / 30

HEX #80B381

RGB 128 179 129

HSL 121.18, 0.25%, 0.6%

LAB 68.32, -26.92, 20.27

 

CMYK 22 / 0 / 28 / 30

HEX #8BB380

RGB 139 179 128

HSL 107.06, 0.25%, 0.6%

LAB 68.96, -23.28, 21.79

 

CMYK 15 / 0 / 28 / 30

HEX #99B380

RGB 153 179 128

HSL 90.59, 0.25%, 0.6%

LAB 69.87, -18.18, 23.18

 

CMYK 7 / 0 / 28 / 30

HEX #A7B380

RGB 167 179 128

HSL 74.12, 0.25%, 0.6%

LAB 70.88, -12.88, 24.71

 

CMYK 28 / 0 / 20 / 30

HEX #80B38F

RGB 128 179 143

HSL 137.65, 0.25%, 0.6%

LAB 68.62, -24.36, 13.06

 

CMYK 28 / 0 / 12 / 30

HEX #80B39D

RGB 128 179 157

HSL 154.12, 0.25%, 0.6%

LAB 68.94, -21.56, 5.84

 

CMYK 28 / 0 / 4 / 30

HEX #80B3AB

RGB 128 179 171

HSL 170.59, 0.25%, 0.6%

LAB 69.31, -18.51, -1.34

 

CMYK 28 / 3 / 0 / 30

HEX #80ADB3

RGB 128 173 179

HSL 187.06, 0.25%, 0.6%

LAB 67.82, -13.53, -7.95

 

CMYK 28 / 11 / 0 / 30

HEX #809FB3

RGB 128 159 179

HSL 203.53, 0.25%, 0.6%

LAB 63.87, -5.97, -13.87

 

CMYK 28 / 0 / 20 / 30

HEX #80B38F

RGB 128 179 143

HSL 137.65, 0.25%, 0.6%

LAB 68.62, -24.36, 13.06

 

CMYK 43 / 0 / 30 / 24

HEX #6FC389

RGB 111 195 137

HSL 138.57, 0.41%, 0.6%

LAB 72.37, -38.28, 21.38

 

CMYK 56 / 0 / 39 / 17

HEX #5ED482

RGB 94 212 130

HSL 138.31, 0.58%, 0.6%

LAB 76.73, -51.16, 30.78

 

CMYK 66 / 0 / 46 / 11

HEX #4EE47C

RGB 78 228 124

HSL 138.4, 0.74%, 0.6%

LAB 81.05, -61.57, 39.31

 

CMYK 75 / 0 / 52 / 4

HEX #3DF576

RGB 61 245 118

HSL 138.59, 0.9%, 0.6%

LAB 85.81, -70.98, 48.06

 

CMYK 28 / 0 / 20 / 30

HEX #80B38F

RGB 128 179 143

HSL 137.65, 0.25%, 0.6%

LAB 68.62, -24.36, 13.06

 

CMYK 11 / 0 / 7 / 36

HEX #90A296

RGB 144 162 150

HSL 140, 0.09%, 0.6%

LAB 64.94, -8.72, 4.09

 

CMYK 0 / 10 / 3 / 37

HEX #A1919C

RGB 161 145 156

HSL 318.75, 0.08%, 0.6%

LAB 61.85, 7.96, -3.64

 

CMYK 0 / 27 / 8 / 31

HEX #B181A2

RGB 177 129 162

HSL 318.75, 0.24%, 0.6%

LAB 59.58, 23.89, -10.27

 

CMYK 0 / 42 / 13 / 24

HEX #C270A9

RGB 194 112 169

HSL 318.29, 0.4%, 0.6%

LAB 57.96, 40.27, -16.53

 

CMYK 22 / 0 / 28 / 30

HEX #8BB380

RGB 139 179 128

HSL 107.06, 0.25%, 0.6%

LAB 68.96, -23.28, 21.79

 

CMYK 28 / 0 / 28 / 30

HEX #80B381

RGB 128 179 129

HSL 121.18, 0.25%, 0.6%

LAB 68.32, -26.92, 20.27

 

CMYK 28 / 0 / 20 / 30

HEX #80B38F

RGB 128 179 143

HSL 137.65, 0.25%, 0.6%

LAB 68.62, -24.36, 13.06

 

CMYK 28 / 0 / 13 / 30

HEX #80B39C

RGB 128 179 156

HSL 152.94, 0.25%, 0.6%

LAB 68.92, -21.76, 6.36

 

CMYK 28 / 0 / 5 / 30

HEX #80B3AA

RGB 128 179 170

HSL 169.41, 0.25%, 0.6%

LAB 69.28, -18.74, -0.83

 

CMYK 40 / 0 / 28 / 45

HEX #548C65

RGB 84 140 101

HSL 138.21, 0.25%, 0.44%

LAB 53.58, -27.43, 15.16

 

CMYK 37 / 0 / 26 / 36

HEX #66A379

RGB 102 163 121

HSL 138.69, 0.25%, 0.52%

LAB 62, -29.07, 15.72

 

CMYK 28 / 0 / 20 / 30

HEX #80B38F

RGB 128 179 143

HSL 137.65, 0.25%, 0.6%

LAB 68.62, -24.36, 13.06

 

CMYK 21 / 0 / 14 / 24

HEX #99C2A6

RGB 153 194 166

HSL 139.02, 0.25%, 0.68%

LAB 74.89, -19.25, 9.65

 

CMYK 14 / 0 / 10 / 18

HEX #B3D1BC

RGB 179 209 188

HSL 138, 0.25%, 0.76%

LAB 81.19, -14.04, 7.07

 

CMYK 29 / 0 / 20 / 30

HEX #7EB28E

RGB 126 178 142

HSL 138.46, 0.25%, 0.6%

LAB 68.19, -24.71, 12.99

 

CMYK 28 / 15 / 0 / 30

HEX #8099B3

RGB 128 153 179

HSL 210.59, 0.25%, 0.6%

LAB 62.19, -2.64, -16.4

 

CMYK 0 / 28 / 26 / 30

HEX #B38085

RGB 179 128 133

HSL 354.12, 0.25%, 0.6%

LAB 58.71, 20.45, 5.15

 

CMYK 29 / 0 / 20 / 30

HEX #7EB28E

RGB 126 178 142

HSL 138.46, 0.25%, 0.6%

LAB 68.19, -24.71, 12.99

 

CMYK 20 / 28 / 0 / 30

HEX #8F80B3

RGB 143 128 179

HSL 257.65, 0.25%, 0.6%

LAB 56.62, 16.42, -24.81

 

CMYK 0 / 20 / 28 / 30

HEX #B38F80

RGB 179 143 128

HSL 17.65, 0.25%, 0.6%

LAB 62.33, 11.33, 13.13

 

CMYK 29 / 0 / 20 / 30

HEX #7EB28E

RGB 126 178 142

HSL 138.46, 0.25%, 0.6%

LAB 68.19, -24.71, 12.99

 

CMYK 28 / 15 / 0 / 30

HEX #8099B3

RGB 128 153 179

HSL 210.59, 0.25%, 0.6%

LAB 62.19, -2.64, -16.4

 

CMYK 0 / 28 / 9 / 30

HEX #B380A3

RGB 179 128 163

HSL 318.82, 0.25%, 0.6%

LAB 59.59, 25.34, -10.81

 

CMYK 0 / 15 / 28 / 30

HEX #B39980

RGB 179 153 128

HSL 29.41, 0.25%, 0.6%

LAB 64.9, 5.79, 16.72

 

CMYK 29 / 0 / 20 / 30

HEX #7EB28E

RGB 126 178 142

HSL 138.46, 0.25%, 0.6%

LAB 68.19, -24.71, 12.99

 

CMYK 28 / 23 / 0 / 30

HEX #808AB3

RGB 128 138 179

HSL 228.24, 0.25%, 0.6%

LAB 58.06, 5.89, -22.7

 

CMYK 0 / 28 / 9 / 30

HEX #B380A3

RGB 179 128 163

HSL 318.82, 0.25%, 0.6%

LAB 59.59, 25.34, -10.81

 

CMYK 0 / 6 / 28 / 30

HEX #B3A880

RGB 179 168 128

HSL 47.06, 0.25%, 0.6%

LAB 68.86, -2.37, 22.14

 

Description

Color code: RGBA 126 178 142 0.75 | qconv.com Color code: RGBA 126 178 142 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 178 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 178 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 15 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 15% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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