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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 125 188 102 0.55 it is the complementary color RGBA 130 67 153 0.55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 125 188 102 0.55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 125 188 102 0.55: RGBA 130 188 97 0.55, RGBA 147 206 116 0.55, RGBA 164 224 135 0.55, RGBA 181 242 154 0.55 and RGBA 198 255 173 0.55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 125 188 102 0.55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 125 188 102 0.55: RGBA 125 188 102 0.55, RGBA 108 170 83 0.55, RGBA 91 152 64 0.55, RGBA 74 134 45 0.55 and RGBA 57 116 26 0.55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

Complementary color

CMYK 8 / 31 / 0 / 22

HEX #8243998C

RGBA 130 67 153 0.55

HSLA 283.95, 0.39%, 0.43%, 0.55

LABA 39.68, 41.5, -36.1, 0.55

 

CMYK 17 / 0 / 27 / 14

HEX #82BC618C

RGBA 130 188 97 0.55

HSLA 98.24, 0.4%, 0.56%, 0.55

LABA 70.58, -35.23, 39.94, 0.55

 

CMYK 16 / 0 / 24 / 11

HEX #93CE748C

RGBA 147 206 116 0.55

HSLA 99.33, 0.48%, 0.63%, 0.55

LABA 77.05, -35.13, 38.74, 0.55

 

CMYK 15 / 0 / 22 / 7

HEX #A4E0878C

RGBA 164 224 135 0.55

HSLA 100.45, 0.59%, 0.7%, 0.55

LABA 83.42, -35, 37.57, 0.55

 

CMYK 14 / 0 / 20 / 3

HEX #B5F29A8C

RGBA 181 242 154 0.55

HSLA 101.59, 0.77%, 0.78%, 0.55

LABA 89.7, -34.85, 36.44, 0.55

 

CMYK 12 / 0 / 18 / 0

HEX #C6FFAD8C

RGBA 198 255 173 0.55

HSLA 101.71, 1%, 0.84%, 0.55

LABA 94.54, -32.4, 33.53, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 20 / 0 / 28 / 18

HEX #6CAA538C

RGBA 108 170 83 0.55

HSLA 102.76, 0.34%, 0.5%, 0.55

LABA 63.8, -36.43, 38.35, 0.55

 

CMYK 22 / 0 / 32 / 22

HEX #5B98408C

RGBA 91 152 64 0.55

HSLA 101.59, 0.41%, 0.42%, 0.55

LABA 57.12, -36.45, 39.55, 0.55

 

CMYK 25 / 0 / 37 / 26

HEX #4A862D8C

RGBA 74 134 45 0.55

HSLA 100.45, 0.5%, 0.35%, 0.55

LABA 50.33, -36.31, 40.57, 0.55

 

CMYK 28 / 0 / 43 / 30

HEX #39741A8C

RGBA 57 116 26 0.55

HSLA 99.33, 0.63%, 0.28%, 0.55

LABA 43.41, -35.88, 41.09, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 22 / 0 / 25 / 14

HEX #70BC668C

RGBA 112 188 102 0.55

HSLA 113.02, 0.39%, 0.57%, 0.55

LABA 69.73, -40.6, 36.18, 0.55

 

CMYK 25 / 0 / 24 / 14

HEX #66BC6A8C

RGBA 102 188 106 0.55

HSLA 122.79, 0.39%, 0.57%, 0.55

LABA 69.35, -43.04, 33.56, 0.55

 

CMYK 25 / 0 / 20 / 14

HEX #66BC798C

RGBA 102 188 121 0.55

HSLA 133.26, 0.39%, 0.57%, 0.55

LABA 69.59, -40.6, 26.05, 0.55

 

CMYK 25 / 0 / 16 / 14

HEX #66BC878C

RGBA 102 188 135 0.55

HSLA 143.02, 0.39%, 0.57%, 0.55

LABA 69.85, -38.01, 18.93, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 18 / 0 / 25 / 3

HEX #9FEF828C

RGBA 159 239 130 0.55

HSLA 104.04, 0.77%, 0.72%, 0.55

LABA 87.35, -44.01, 44.97, 0.55

 

CMYK 19 / 0 / 25 / 47

HEX #1723138C

RGBA 23 35 19 0.55

HSLA 105, 0.3%, 0.11%, 0.55

LABA 12.16, -9.27, 9.02, 0.55

 

CMYK 19 / 0 / 25 / 36

HEX #39562F8C

RGBA 57 86 47 0.55

HSLA 104.62, 0.29%, 0.26%, 0.55

LABA 33.42, -19.27, 19.33, 0.55

 

CMYK 18 / 0 / 25 / 25

HEX #5B894A8C

RGBA 91 137 74 0.55

HSLA 103.81, 0.3%, 0.41%, 0.55

LABA 52.52, -28.2, 28.84, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 25 / 0 / 2 / 14

HEX #66BCB48C

RGBA 102 188 180 0.55

HSLA 174.42, 0.39%, 0.57%, 0.55

LABA 70.93, -27.95, -4.04, 0.55

 

CMYK 0 / 25 / 8 / 14

HEX #BC66A18C

RGBA 188 102 161 0.55

HSLA 318.84, 0.39%, 0.57%, 0.55

LABA 54.83, 42.25, -16.72, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 25 / 18 / 0 / 14

HEX #667EBC8C

RGBA 102 126 188 0.55

HSLA 223.26, 0.39%, 0.57%, 0.55

LABA 53.36, 8.11, -35.27, 0.55

 

CMYK 0 / 25 / 18 / 14

HEX #BC667E8C

RGBA 188 102 126 0.55

HSLA 343.26, 0.39%, 0.57%, 0.55

LABA 53.71, 37.13, 2.15, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 25 / 0 / 2 / 14

HEX #66BCB48C

RGBA 102 188 180 0.55

HSLA 174.42, 0.39%, 0.57%, 0.55

LABA 70.93, -27.95, -4.04, 0.55

 

CMYK 7 / 25 / 0 / 14

HEX #A366BC8C

RGBA 163 102 188 0.55

HSLA 282.56, 0.39%, 0.57%, 0.55

LABA 52.86, 39.53, -35.67, 0.55

 

CMYK 0 / 25 / 23 / 14

HEX #BC666D8C

RGBA 188 102 109 0.55

HSLA 355.12, 0.39%, 0.57%, 0.55

LABA 53.27, 35.09, 11.55, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 25 / 6 / 0 / 14

HEX #66A9BC8C

RGBA 102 169 188 0.55

HSLA 193.26, 0.39%, 0.57%, 0.55

LABA 65.62, -16.18, -16.39, 0.55

 

CMYK 7 / 25 / 0 / 14

HEX #A366BC8C

RGBA 163 102 188 0.55

HSLA 282.56, 0.39%, 0.57%, 0.55

LABA 52.86, 39.53, -35.67, 0.55

 

CMYK 0 / 20 / 25 / 14

HEX #BC79668C

RGBA 188 121 102 0.55

HSLA 13.26, 0.39%, 0.57%, 0.55

LABA 57.39, 24, 21.26, 0.55

 

Description

Color code: RGBA 125 188 102 0.55 | qconv.com Color code: RGBA 125 188 102 0.55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 188 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 188 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 25 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 25% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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