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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 125 188 102 0.55 it is the complementary color RGBA 130 67 153 0.55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 125 188 102 0.55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 125 188 102 0.55 shade: RGBA 130 188 97 0.55, RGBA 147 206 116 0.55, RGBA 164 224 135 0.55, RGBA 181 242 154 0.55 and RGBA 198 255 173 0.55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 125 188 102 0.55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 125 188 102 0.55 shade: RGBA 125 188 102 0.55, RGBA 108 170 83 0.55, RGBA 91 152 64 0.55, RGBA 74 134 45 0.55 and RGBA 57 116 26 0.55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 125 188 102 0.55 shade: RGB 125 188 102, RGB 148 188 102, RGB 171 188 102, RGB 188 181 102 and RGB 188 158 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 125 188 102 0.55 shade: RGB 125 188 102, RGB 102 188 102, RGB 102 188 125, RGB 102 188 148 and RGB 102 188 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 125 188 102 0.55 shade matches the following richer shades: RGB 125 188 102, RGB 117 205 84, RGB 108 223 67 and RGB 100 241 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 125 188 102 0.55 shade: RGB 125 188 102, RGB 133 170 120, RGB 141 152 138, RGB 150 134 155 and RGB 158 117 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 125 188 102 0.55 shade: RGB 172 188 102, RGB 149 188 102, RGB 126 188 102, RGB 104 188 102 and RGB 102 188 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 125 188 102 0.55 shade: RGB 85 144 63, RGB 102 173 76, RGB 125 188 102, RGB 149 200 131 and RGB 174 213 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 125 188 102 0.55 shade: RGB 125 188 102, RGB 102 188 180 and RGB 188 102 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 125 188 102 0.55 shade: RGB 125 188 102, RGB 102 126 188 and RGB 188 102 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 125 188 102 0.55 shade: RGB 125 188 102, RGB 102 188 180, RGB 163 102 188 and RGB 188 102 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 125 188 102 0.55 shade: RGB 125 188 102, RGB 102 169 188, RGB 163 102 188 and RGB 188 121 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

Complementary color

CMYK 8 / 31 / 0 / 22

HEX #8243998C

RGBA 130 67 153 0.55

HSLA 283.95, 0.39%, 0.43%, 0.55

LABA 39.68, 41.5, -36.1, 0.55

 

CMYK 17 / 0 / 27 / 14

HEX #82BC618C

RGBA 130 188 97 0.55

HSLA 98.24, 0.4%, 0.56%, 0.55

LABA 70.58, -35.23, 39.94, 0.55

 

CMYK 16 / 0 / 24 / 11

HEX #93CE748C

RGBA 147 206 116 0.55

HSLA 99.33, 0.48%, 0.63%, 0.55

LABA 77.05, -35.13, 38.74, 0.55

 

CMYK 15 / 0 / 22 / 7

HEX #A4E0878C

RGBA 164 224 135 0.55

HSLA 100.45, 0.59%, 0.7%, 0.55

LABA 83.42, -35, 37.57, 0.55

 

CMYK 14 / 0 / 20 / 3

HEX #B5F29A8C

RGBA 181 242 154 0.55

HSLA 101.59, 0.77%, 0.78%, 0.55

LABA 89.7, -34.85, 36.44, 0.55

 

CMYK 12 / 0 / 18 / 0

HEX #C6FFAD8C

RGBA 198 255 173 0.55

HSLA 101.71, 1%, 0.84%, 0.55

LABA 94.54, -32.4, 33.53, 0.55

 

CMYK 18 / 0 / 25 / 14

HEX #7DBC668C

RGBA 125 188 102 0.55

HSLA 103.95, 0.39%, 0.57%, 0.55

LABA 70.38, -36.33, 37.12, 0.55

 

CMYK 20 / 0 / 28 / 18

HEX #6CAA538C

RGBA 108 170 83 0.55

HSLA 102.76, 0.34%, 0.5%, 0.55

LABA 63.8, -36.43, 38.35, 0.55

 

CMYK 22 / 0 / 32 / 22

HEX #5B98408C

RGBA 91 152 64 0.55

HSLA 101.59, 0.41%, 0.42%, 0.55

LABA 57.12, -36.45, 39.55, 0.55

 

CMYK 25 / 0 / 37 / 26

HEX #4A862D8C

RGBA 74 134 45 0.55

HSLA 100.45, 0.5%, 0.35%, 0.55

LABA 50.33, -36.31, 40.57, 0.55

 

CMYK 28 / 0 / 43 / 30

HEX #39741A8C

RGBA 57 116 26 0.55

HSLA 99.33, 0.63%, 0.28%, 0.55

LABA 43.41, -35.88, 41.09, 0.55

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 21 / 0 / 46 / 26

HEX #94BC66

RGB 148 188 102

HSL 87.91, 0.39%, 0.57%

LAB 71.71, -28.06, 39.07

 

CMYK 9 / 0 / 46 / 26

HEX #ABBC66

RGB 171 188 102

HSL 71.86, 0.39%, 0.57%

LAB 73.27, -19.14, 41.36

 

CMYK 0 / 4 / 46 / 26

HEX #BCB566

RGB 188 181 102

HSL 55.12, 0.39%, 0.57%

LAB 72.69, -8.66, 40.95

 

CMYK 0 / 16 / 46 / 26

HEX #BC9E66

RGB 188 158 102

HSL 39.07, 0.39%, 0.57%

LAB 66.6, 3.59, 33.31

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 46 / 0 / 46 / 26

HEX #66BC66

RGB 102 188 102

HSL 120, 0.39%, 0.57%

LAB 69.29, -43.64, 35.53

 

CMYK 46 / 0 / 34 / 26

HEX #66BC7D

RGB 102 188 125

HSL 136.05, 0.39%, 0.57%

LAB 69.66, -39.89, 24.02

 

CMYK 46 / 0 / 21 / 26

HEX #66BC94

RGB 102 188 148

HSL 152.09, 0.39%, 0.57%

LAB 70.13, -35.37, 12.28

 

CMYK 46 / 0 / 9 / 26

HEX #66BCAB

RGB 102 188 171

HSL 168.14, 0.39%, 0.57%

LAB 70.69, -30.16, 0.53

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 43 / 0 / 59 / 20

HEX #75CD54

RGB 117 205 84

HSL 103.64, 0.55%, 0.57%

LAB 74.88, -48.4, 51.04

 

CMYK 52 / 0 / 70 / 13

HEX #6CDF43

RGB 108 223 67

HSL 104.23, 0.71%, 0.57%

LAB 79.82, -59.54, 63.27

 

CMYK 59 / 0 / 80 / 5

HEX #64F131

RGB 100 241 49

HSL 104.06, 0.87%, 0.57%

LAB 84.92, -69.03, 73.89

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 22 / 0 / 29 / 33

HEX #85AA78

RGB 133 170 120

HSL 104.4, 0.23%, 0.57%

LAB 65.82, -22.22, 21.79

 

CMYK 7 / 0 / 9 / 40

HEX #8D988A

RGB 141 152 138

HSL 107.14, 0.06%, 0.57%

LAB 61.61, -6.67, 6.01

 

CMYK 3 / 14 / 0 / 39

HEX #96869B

RGB 150 134 155

HSL 285.71, 0.1%, 0.57%

LAB 57.94, 10.04, -8.97

 

CMYK 9 / 32 / 0 / 32

HEX #9E75AD

RGB 158 117 173

HSL 283.93, 0.25%, 0.57%

LAB 55.08, 26.33, -23.61

 

CMYK 9 / 0 / 46 / 26

HEX #ACBC66

RGB 172 188 102

HSL 71.16, 0.39%, 0.57%

LAB 73.35, -18.74, 41.47

 

CMYK 21 / 0 / 46 / 26

HEX #95BC66

RGB 149 188 102

HSL 87.21, 0.39%, 0.57%

LAB 71.77, -27.69, 39.17

 

CMYK 33 / 0 / 46 / 26

HEX #7EBC66

RGB 126 188 102

HSL 103.26, 0.39%, 0.57%

LAB 70.43, -35.98, 37.2

 

CMYK 45 / 0 / 46 / 26

HEX #68BC66

RGB 104 188 102

HSL 118.6, 0.39%, 0.57%

LAB 69.38, -43.05, 35.65

 

CMYK 46 / 0 / 35 / 26

HEX #66BC7B

RGB 102 188 123

HSL 134.65, 0.39%, 0.57%

LAB 69.63, -40.24, 25.04

 

CMYK 41 / 0 / 56 / 44

HEX #55903F

RGB 85 144 63

HSL 103.7, 0.39%, 0.41%

LAB 54.28, -35.04, 36.62

 

CMYK 41 / 0 / 56 / 32

HEX #66AD4C

RGB 102 173 76

HSL 103.92, 0.39%, 0.49%

LAB 64.35, -40.61, 42.36

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 26 / 0 / 35 / 22

HEX #95C883

RGB 149 200 131

HSL 104.35, 0.39%, 0.65%

LAB 75.66, -29.53, 29.3

 

CMYK 18 / 0 / 25 / 16

HEX #AED59F

RGB 174 213 159

HSL 103.33, 0.39%, 0.73%

LAB 81.34, -22.77, 22.59

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 46 / 0 / 4 / 26

HEX #66BCB4

RGB 102 188 180

HSL 174.42, 0.39%, 0.57%

LAB 70.93, -27.95, -4.04

 

CMYK 0 / 46 / 14 / 26

HEX #BC66A1

RGB 188 102 161

HSL 318.84, 0.39%, 0.57%

LAB 54.83, 42.25, -16.72

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 46 / 33 / 0 / 26

HEX #667EBC

RGB 102 126 188

HSL 223.26, 0.39%, 0.57%

LAB 53.36, 8.11, -35.27

 

CMYK 0 / 46 / 33 / 26

HEX #BC667E

RGB 188 102 126

HSL 343.26, 0.39%, 0.57%

LAB 53.71, 37.13, 2.15

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 46 / 0 / 4 / 26

HEX #66BCB4

RGB 102 188 180

HSL 174.42, 0.39%, 0.57%

LAB 70.93, -27.95, -4.04

 

CMYK 13 / 46 / 0 / 26

HEX #A366BC

RGB 163 102 188

HSL 282.56, 0.39%, 0.57%

LAB 52.86, 39.53, -35.67

 

CMYK 0 / 46 / 42 / 26

HEX #BC666D

RGB 188 102 109

HSL 355.12, 0.39%, 0.57%

LAB 53.27, 35.09, 11.55

 

CMYK 34 / 0 / 46 / 26

HEX #7DBC66

RGB 125 188 102

HSL 103.95, 0.39%, 0.57%

LAB 70.38, -36.33, 37.12

 

CMYK 46 / 10 / 0 / 26

HEX #66A9BC

RGB 102 169 188

HSL 193.26, 0.39%, 0.57%

LAB 65.62, -16.18, -16.39

 

CMYK 13 / 46 / 0 / 26

HEX #A366BC

RGB 163 102 188

HSL 282.56, 0.39%, 0.57%

LAB 52.86, 39.53, -35.67

 

CMYK 0 / 36 / 46 / 26

HEX #BC7966

RGB 188 121 102

HSL 13.26, 0.39%, 0.57%

LAB 57.39, 24, 21.26

 

Description

Color code: RGBA 125 188 102 0.55 | qconv.com Color code: RGBA 125 188 102 0.55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 188 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 188 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 25 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 25% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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