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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 124 95 7 0 it is the complementary color RGBA 131 160 248 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 124 95 7 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 124 95 7 0 shade: RGBA 129 95 2 0, RGBA 146 113 21 0, RGBA 163 131 40 0, RGBA 180 149 59 0 and RGBA 197 167 78 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 124 95 7 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 124 95 7 0 shade: RGBA 124 95 7 0, RGBA 107 77 0 0, RGBA 90 59 0 0, RGBA 73 41 0 0 and RGBA 56 23 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 124 95 7 0 shade: RGB 125 96 7, RGB 125 64 7, RGB 125 32 7 and RGB 125 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 124 95 7 0 shade: RGB 125 96 7, RGB 123 125 7, RGB 91 125 7, RGB 59 125 7 and RGB 27 125 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 124 95 7 0 shade matches the following richer shades: RGB 125 96 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 124 95 7 0 shade: RGB 125 96 7, RGB 115 91 18, RGB 104 85 29, RGB 93 80 39 and RGB 82 74 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 124 95 7 0 shade: RGB 125 33 7, RGB 125 64 7, RGB 125 96 7, RGB 123 125 7 and RGB 92 125 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 124 95 7 0 shade: RGB 47 36 3, RGB 86 66 5, RGB 125 96 7, RGB 164 126 10 and RGB 203 156 12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 124 95 7 0 shade: RGB 124 95 7, RGB 13 125 7 and RGB 49 7 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 124 95 7 0 shade: RGB 124 95 7, RGB 7 125 96 and RGB 96 7 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 124 95 7 0 shade: RGB 124 95 7, RGB 13 125 7, RGB 7 37 125 and RGB 119 7 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 124 95 7 0 shade: RGB 124 95 7, RGB 7 125 37, RGB 7 37 125 and RGB 125 7 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #7C5F0700

RGBA 124 95 7 0

HSLA 45.13, 0.89%, 0.26%, 0

LABA 41.98, 3.98, 47.59, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #83A0F800

RGBA 131 160 248 0

HSLA 225.13, 0.89%, 0.74%, 0

LABA 67.08, 13.02, -47.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #815F0200

RGBA 129 95 2 0

HSLA 43.94, 0.97%, 0.26%, 0

LABA 42.55, 6.29, 49.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #92711500

RGBA 146 113 21 0

HSLA 44.16, 0.75%, 0.33%, 0

LABA 49.47, 4.39, 50.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3832800

RGBA 163 131 40 0

HSLA 44.39, 0.61%, 0.4%, 0

LABA 56.26, 2.81, 50.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4953B00

RGBA 180 149 59 0

HSLA 44.63, 0.51%, 0.47%, 0

LABA 62.94, 1.53, 50.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5A74E00

RGBA 197 167 78 0

HSLA 44.87, 0.51%, 0.54%, 0

LABA 69.51, 0.47, 49.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C5F0700

RGBA 124 95 7 0

HSLA 45.13, 0.89%, 0.26%, 0

LABA 41.98, 3.98, 47.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B4D0000

RGBA 107 77 0 0

HSLA 43.18, 1%, 0.21%, 0

LABA 34.87, 6.22, 43.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5A3B0000

RGBA 90 59 0 0

HSLA 39.33, 1%, 0.18%, 0

LABA 27.58, 8.79, 37.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #49290000

RGBA 73 41 0 0

HSLA 33.7, 1%, 0.14%, 0

LABA 20.05, 11.58, 28.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38170000

RGBA 56 23 0 0

HSLA 24.64, 1%, 0.11%, 0

LABA 12.31, 14.56, 18.67, 0

 

CMYK 0 / 23 / 94 / 51

HEX #7D6007

RGB 125 96 7

HSL 45.25, 0.89%, 0.26%

LAB 42.37, 3.88, 47.94

 

CMYK 0 / 49 / 94 / 51

HEX #7D4007

RGB 125 64 7

HSL 28.98, 0.89%, 0.26%

LAB 34.07, 22.78, 41.71

 

CMYK 0 / 74 / 94 / 51

HEX #7D2007

RGB 125 32 7

HSL 12.71, 0.89%, 0.26%

LAB 27.87, 38.92, 37.04

 

CMYK 0 / 94 / 94 / 51

HEX #7D0707

RGB 125 7 7

HSL 0, 0.89%, 0.26%

LAB 25.34, 46.02, 34.78

 

CMYK 0 / 23 / 94 / 51

HEX #7D6007

RGB 125 96 7

HSL 45.25, 0.89%, 0.26%

LAB 42.37, 3.88, 47.94

 

CMYK 2 / 0 / 94 / 51

HEX #7B7D07

RGB 123 125 7

HSL 61.02, 0.89%, 0.26%

LAB 50.56, -13.5, 54.16

 

CMYK 27 / 0 / 94 / 51

HEX #5B7D07

RGB 91 125 7

HSL 77.29, 0.89%, 0.26%

LAB 48.14, -27.85, 51.22

 

CMYK 53 / 0 / 94 / 51

HEX #3B7D07

RGB 59 125 7

HSL 93.56, 0.89%, 0.26%

LAB 46.46, -39.86, 49.15

 

CMYK 78 / 0 / 94 / 51

HEX #1B7D07

RGB 27 125 7

HSL 109.83, 0.89%, 0.26%

LAB 45.52, -47.66, 47.98

 

CMYK 0 / 23 / 94 / 51

HEX #7D6007

RGB 125 96 7

HSL 45.25, 0.89%, 0.26%

LAB 42.37, 3.88, 47.94

 

CMYK 0 / 23 / 94 / 51

HEX #7D6007

RGB 125 96 7

HSL 45.25, 0.89%, 0.26%

LAB 42.37, 3.88, 47.94

 

CMYK 0 / 21 / 84 / 55

HEX #735B12

RGB 115 91 18

HSL 45.15, 0.73%, 0.26%

LAB 39.87, 2.27, 42.24

 

CMYK 0 / 18 / 72 / 59

HEX #68551D

RGB 104 85 29

HSL 44.8, 0.56%, 0.26%

LAB 36.98, 1.02, 34.37

 

CMYK 0 / 14 / 58 / 64

HEX #5D5027

RGB 93 80 39

HSL 45.56, 0.41%, 0.26%

LAB 34.42, -0.51, 25.88

 

CMYK 0 / 10 / 39 / 68

HEX #524A32

RGB 82 74 50

HSL 45, 0.24%, 0.26%

LAB 31.63, -0.78, 15.57

 

CMYK 0 / 74 / 94 / 51

HEX #7D2107

RGB 125 33 7

HSL 13.22, 0.89%, 0.26%

LAB 28.02, 38.51, 37.16

 

CMYK 0 / 49 / 94 / 51

HEX #7D4007

RGB 125 64 7

HSL 28.98, 0.89%, 0.26%

LAB 34.07, 22.78, 41.71

 

CMYK 0 / 23 / 94 / 51

HEX #7D6007

RGB 125 96 7

HSL 45.25, 0.89%, 0.26%

LAB 42.37, 3.88, 47.94

 

CMYK 2 / 0 / 94 / 51

HEX #7B7D07

RGB 123 125 7

HSL 61.02, 0.89%, 0.26%

LAB 50.56, -13.5, 54.16

 

CMYK 26 / 0 / 94 / 51

HEX #5C7D07

RGB 92 125 7

HSL 76.78, 0.89%, 0.26%

LAB 48.21, -27.42, 51.3

 

CMYK 0 / 23 / 94 / 82

HEX #2F2403

RGB 47 36 3

HSL 45, 0.88%, 0.1%

LAB 14.8, 0.98, 20.49

 

CMYK 0 / 23 / 94 / 66

HEX #564205

RGB 86 66 5

HSL 45.19, 0.89%, 0.18%

LAB 29.12, 2.51, 36.29

 

CMYK 0 / 23 / 94 / 51

HEX #7D6007

RGB 125 96 7

HSL 45.25, 0.89%, 0.26%

LAB 42.37, 3.88, 47.94

 

CMYK 0 / 23 / 94 / 36

HEX #A47E0A

RGB 164 126 10

HSL 45.19, 0.89%, 0.34%

LAB 54.9, 5.17, 58.7

 

CMYK 0 / 23 / 94 / 20

HEX #CB9C0C

RGB 203 156 12

HSL 45.24, 0.89%, 0.42%

LAB 66.9, 6.38, 69.16

 

CMYK 0 / 23 / 94 / 51

HEX #7C5F07

RGB 124 95 7

HSL 45.13, 0.89%, 0.26%

LAB 41.98, 3.98, 47.59

 

CMYK 90 / 0 / 94 / 51

HEX #0D7D07

RGB 13 125 7

HSL 116.95, 0.89%, 0.26%

LAB 45.31, -49.47, 47.72

 

CMYK 61 / 94 / 0 / 51

HEX #31077D

RGB 49 7 125

HSL 261.36, 0.89%, 0.26%

LAB 16.92, 46, -56.12

 

CMYK 0 / 23 / 94 / 51

HEX #7C5F07

RGB 124 95 7

HSL 45.13, 0.89%, 0.26%

LAB 41.98, 3.98, 47.59

 

CMYK 94 / 0 / 23 / 51

HEX #077D60

RGB 7 125 96

HSL 165.25, 0.89%, 0.26%

LAB 46.39, -36.61, 7.67

 

CMYK 23 / 94 / 0 / 51

HEX #60077D

RGB 96 7 125

HSL 285.25, 0.89%, 0.26%

LAB 24.06, 51.8, -44.13

 

CMYK 0 / 23 / 94 / 51

HEX #7C5F07

RGB 124 95 7

HSL 45.13, 0.89%, 0.26%

LAB 41.98, 3.98, 47.59

 

CMYK 90 / 0 / 94 / 51

HEX #0D7D07

RGB 13 125 7

HSL 116.95, 0.89%, 0.26%

LAB 45.31, -49.47, 47.72

 

CMYK 94 / 70 / 0 / 51

HEX #07257D

RGB 7 37 125

HSL 224.75, 0.89%, 0.26%

LAB 19.43, 27.51, -52.07

 

CMYK 5 / 94 / 0 / 51

HEX #77077D

RGB 119 7 125

HSL 296.95, 0.89%, 0.26%

LAB 28.26, 55.7, -37.14

 

CMYK 0 / 23 / 94 / 51

HEX #7C5F07

RGB 124 95 7

HSL 45.13, 0.89%, 0.26%

LAB 41.98, 3.98, 47.59

 

CMYK 94 / 0 / 70 / 51

HEX #077D25

RGB 7 125 37

HSL 135.25, 0.89%, 0.26%

LAB 45.42, -47.89, 38.29

 

CMYK 94 / 70 / 0 / 51

HEX #07257D

RGB 7 37 125

HSL 224.75, 0.89%, 0.26%

LAB 19.43, 27.51, -52.07

 

CMYK 0 / 94 / 23 / 51

HEX #7D0760

RGB 125 7 96

HSL 314.75, 0.89%, 0.26%

LAB 27.73, 52.53, -19.25

 

Description

Color code: RGBA 124 95 7 0 | qconv.com Color code: RGBA 124 95 7 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 95 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 95 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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