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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 124 53 66 0.65 it is the complementary color RGBA 131 202 189 0.65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 124 53 66 0.65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 124 53 66 0.65: RGBA 129 53 61 0.65, RGBA 146 71 80 0.65, RGBA 163 89 99 0.65, RGBA 180 107 118 0.65 and RGBA 197 125 137 0.65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 124 53 66 0.65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 124 53 66 0.65: RGBA 124 53 66 0.65, RGBA 107 35 47 0.65, RGBA 90 17 28 0.65, RGBA 73 0 9 0.65 and RGBA 56 0 0 0.65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

Complementary color

CMYK 23 / 0 / 4 / 14

HEX #83CABDA5

RGBA 131 202 189 0.65

HSLA 169.01, 0.4%, 0.65%, 0.65

LABA 76.52, -25.15, -0.58, 0.65

 

CMYK 0 / 38 / 34 / 32

HEX #81353DA5

RGBA 129 53 61 0.65

HSLA 353.68, 0.42%, 0.36%, 0.65

LABA 33.03, 33.57, 11.58, 0.65

 

CMYK 0 / 33 / 29 / 28

HEX #924750A5

RGBA 146 71 80 0.65

HSLA 352.8, 0.35%, 0.43%, 0.65

LABA 39.91, 32.5, 9.5, 0.65

 

CMYK 0 / 30 / 26 / 23

HEX #A35963A5

RGBA 163 89 99 0.65

HSLA 351.89, 0.29%, 0.49%, 0.65

LABA 46.75, 31.44, 7.84, 0.65

 

CMYK 0 / 26 / 22 / 19

HEX #B46B76A5

RGBA 180 107 118 0.65

HSLA 350.96, 0.33%, 0.56%, 0.65

LABA 53.52, 30.44, 6.45, 0.65

 

CMYK 0 / 24 / 20 / 15

HEX #C57D89A5

RGBA 197 125 137 0.65

HSLA 350, 0.38%, 0.63%, 0.65

LABA 60.2, 29.52, 5.26, 0.65

 

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

CMYK 0 / 44 / 36 / 38

HEX #6B232FA5

RGBA 107 35 47 0.65

HSLA 350, 0.51%, 0.28%, 0.65

LABA 25.36, 33.06, 9.68, 0.65

 

CMYK 0 / 53 / 45 / 42

HEX #5A111CA5

RGBA 90 17 28 0.65

HSLA 350.96, 0.68%, 0.21%, 0.65

LABA 18.62, 33.34, 13.2, 0.65

 

CMYK 0 / 65 / 57 / 46

HEX #490009A5

RGBA 73 0 9 0.65

HSLA 352.6, 1%, 0.14%, 0.65

LABA 12.2, 32.83, 15.48, 0.65

 

CMYK 0 / 65 / 65 / 51

HEX #380000A5

RGBA 56 0 0 0.65

HSLA 0, 1%, 0.11%, 0.65

LABA 7.59, 27.26, 12, 0.65

 

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

CMYK 0 / 37 / 37 / 33

HEX #7C3536A5

RGBA 124 53 54 0.65

HSLA 359.15, 0.4%, 0.35%, 0.65

LABA 32.03, 30.98, 14.6, 0.65

 

CMYK 0 / 31 / 37 / 33

HEX #7C4035A5

RGBA 124 64 53 0.65

HSLA 9.3, 0.4%, 0.35%, 0.65

LABA 34.41, 24.79, 18.37, 0.65

 

CMYK 0 / 25 / 37 / 33

HEX #7C4C35A5

RGBA 124 76 53 0.65

HSLA 19.44, 0.4%, 0.35%, 0.65

LABA 37.32, 17.76, 22.1, 0.65

 

CMYK 0 / 19 / 37 / 33

HEX #7C5835A5

RGBA 124 88 53 0.65

HSLA 29.58, 0.4%, 0.35%, 0.65

LABA 40.45, 10.59, 26.01, 0.65

 

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

CMYK 0 / 37 / 30 / 20

HEX #AF4B5DA5

RGBA 175 75 93 0.65

HSLA 349.2, 0.4%, 0.49%, 0.65

LABA 45.55, 42.5, 10.04, 0.65

 

CMYK 0 / 37 / 30 / 7

HEX #E26178A5

RGBA 226 97 120 0.65

HSLA 349.3, 0.69%, 0.63%, 0.65

LABA 58.11, 52.21, 12.69, 0.65

 

CMYK 0 / 38 / 30 / 59

HEX #16090CA5

RGBA 22 9 12 0.65

HSLA 346.15, 0.42%, 0.06%, 0.65

LABA 3.55, 4.99, 0.43, 0.65

 

CMYK 0 / 37 / 30 / 46

HEX #491F27A5

RGBA 73 31 39 0.65

HSLA 348.57, 0.4%, 0.2%, 0.65

LABA 18.11, 20.94, 4.17, 0.65

 

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

CMYK 1 / 0 / 37 / 33

HEX #7B7C35A5

RGBA 123 124 53 0.65

HSLA 60.85, 0.4%, 0.35%, 0.65

LABA 50.55, -10.67, 37.93, 0.65

 

CMYK 37 / 15 / 0 / 33

HEX #355F7CA5

RGBA 53 95 124 0.65

HSLA 204.51, 0.4%, 0.35%, 0.65

LABA 38.54, -5.55, -20.75, 0.65

 

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

CMYK 30 / 0 / 37 / 33

HEX #427C35A5

RGBA 66 124 53 0.65

HSLA 109.01, 0.4%, 0.35%, 0.65

LABA 46.75, -33.68, 32.55, 0.65

 

CMYK 37 / 30 / 0 / 33

HEX #35427CA5

RGBA 53 66 124 0.65

HSLA 229.01, 0.4%, 0.35%, 0.65

LABA 29.68, 13.21, -34.69, 0.65

 

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

CMYK 1 / 0 / 37 / 33

HEX #7B7C35A5

RGBA 123 124 53 0.65

HSLA 60.85, 0.4%, 0.35%, 0.65

LABA 50.55, -10.67, 37.93, 0.65

 

CMYK 37 / 0 / 7 / 33

HEX #357C6FA5

RGBA 53 124 111 0.65

HSLA 169.01, 0.4%, 0.35%, 0.65

LABA 47.39, -25.62, 0.39, 0.65

 

CMYK 37 / 37 / 0 / 33

HEX #36357CA5

RGBA 54 53 124 0.65

HSLA 240.85, 0.4%, 0.35%, 0.65

LABA 26.12, 22.23, -40.42, 0.65

 

CMYK 0 / 37 / 30 / 33

HEX #7C3542A5

RGBA 124 53 66 0.65

HSLA 349.01, 0.4%, 0.35%, 0.65

LABA 32.31, 32.19, 7.23, 0.65

 

CMYK 12 / 0 / 37 / 33

HEX #667C35A5

RGBA 102 124 53 0.65

HSLA 78.59, 0.4%, 0.35%, 0.65

LABA 48.88, -19.88, 35.57, 0.65

 

CMYK 37 / 0 / 7 / 33

HEX #357C6FA5

RGBA 53 124 111 0.65

HSLA 169.01, 0.4%, 0.35%, 0.65

LABA 47.39, -25.62, 0.39, 0.65

 

CMYK 25 / 37 / 0 / 33

HEX #4C357CA5

RGBA 76 53 124 0.65

HSLA 259.44, 0.4%, 0.35%, 0.65

LABA 28.22, 27.55, -36.93, 0.65

 

Description

Color code: RGBA 124 53 66 0.65 | qconv.com Color code: RGBA 124 53 66 0.65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 53 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 53 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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