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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 124 109 89 0 it is the complementary color RGBA 131 146 166 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 124 109 89 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 124 109 89 0 shade: RGBA 129 109 84 0, RGBA 146 127 103 0, RGBA 163 145 122 0, RGBA 180 163 141 0 and RGBA 197 181 160 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 124 109 89 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 124 109 89 0 shade: RGBA 124 109 89 0, RGBA 107 91 70 0, RGBA 90 73 51 0, RGBA 73 55 32 0 and RGBA 56 37 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 124 109 89 0 shade: RGB 124 110 90, RGB 124 100 90, RGB 124 91 90 and RGB 124 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 124 109 89 0 shade: RGB 124 110 90, RGB 124 119 90, RGB 120 124 90, RGB 111 124 90 and RGB 102 124 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 124 109 89 0 shade matches the following richer shades: RGB 124 110 90, RGB 142 112 73, RGB 159 115 55, RGB 176 117 38 and RGB 194 119 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 124 109 89 0 shade: RGB 124 110 90, RGB 107 107 107, RGB 90 105 125, RGB 72 102 142 and RGB 55 100 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 124 109 89 0 shade: RGB 124 91 90, RGB 124 100 90, RGB 124 109 90, RGB 124 119 90 and RGB 121 124 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 124 109 89 0 shade: RGB 76 67 55, RGB 100 88 73, RGB 124 110 90, RGB 148 131 107 and RGB 165 151 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 124 109 89 0 shade: RGB 124 109 89, RGB 98 124 90 and RGB 96 90 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 124 109 89 0 shade: RGB 124 109 89, RGB 90 124 109 and RGB 109 90 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 124 109 89 0 shade: RGB 124 109 89, RGB 98 124 90, RGB 90 105 124 and RGB 116 90 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 124 109 89 0 shade: RGB 124 109 89, RGB 90 124 92, RGB 90 105 124 and RGB 124 90 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #7C6D5900

RGBA 124 109 89 0

HSLA 34.29, 0.16%, 0.42%, 0

LABA 46.9, 2.54, 13.35, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #8392A600

RGBA 131 146 166 0

HSLA 214.29, 0.16%, 0.58%, 0

LABA 60.01, -0.9, -12.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #816D5400

RGBA 129 109 84 0

HSLA 33.33, 0.21%, 0.42%, 0

LABA 47.29, 3.96, 16.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #927F6700

RGBA 146 127 103 0

HSLA 33.49, 0.17%, 0.49%, 0

LABA 54.31, 3.42, 15.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3917A00

RGBA 163 145 122 0

HSLA 33.66, 0.18%, 0.56%, 0

LABA 61.17, 2.98, 14.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4A38D00

RGBA 180 163 141 0

HSLA 33.85, 0.21%, 0.63%, 0

LABA 67.89, 2.6, 13.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5B5A000

RGBA 197 181 160 0

HSLA 34.05, 0.24%, 0.7%, 0

LABA 74.48, 2.26, 12.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C6D5900

RGBA 124 109 89 0

HSLA 34.29, 0.16%, 0.42%, 0

LABA 46.9, 2.54, 13.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B5B4600

RGBA 107 91 70 0

HSLA 34.05, 0.21%, 0.35%, 0

LABA 39.66, 3.06, 14.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5A493300

RGBA 90 73 51 0

HSLA 33.85, 0.28%, 0.28%, 0

LABA 32.21, 3.73, 15.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #49372000

RGBA 73 55 32 0

HSLA 33.66, 0.39%, 0.21%, 0

LABA 24.49, 4.65, 17.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38250D00

RGBA 56 37 13 0

HSLA 33.49, 0.62%, 0.14%, 0

LABA 16.47, 6.02, 18.68, 0

 

CMYK 0 / 11 / 27 / 51

HEX #7C6E5A

RGB 124 110 90

HSL 35.29, 0.16%, 0.42%

LAB 47.2, 2.11, 13.17

 

CMYK 0 / 19 / 27 / 51

HEX #7C645A

RGB 124 100 90

HSL 17.65, 0.16%, 0.42%

LAB 44.43, 8.01, 9.31

 

CMYK 0 / 27 / 27 / 51

HEX #7C5B5A

RGB 124 91 90

HSL 1.76, 0.16%, 0.42%

LAB 42.01, 13.38, 5.88

 

CMYK 0 / 27 / 27 / 51

HEX #7C5A5A

RGB 124 90 90

HSL 0, 0.16%, 0.42%

LAB 41.74, 13.98, 5.5

 

CMYK 0 / 11 / 27 / 51

HEX #7C6E5A

RGB 124 110 90

HSL 35.29, 0.16%, 0.42%

LAB 47.2, 2.11, 13.17

 

CMYK 0 / 4 / 27 / 51

HEX #7C775A

RGB 124 119 90

HSL 51.18, 0.16%, 0.42%

LAB 49.76, -3.09, 16.68

 

CMYK 3 / 0 / 27 / 51

HEX #787C5A

RGB 120 124 90

HSL 67.06, 0.16%, 0.42%

LAB 50.86, -7.58, 18.11

 

CMYK 10 / 0 / 27 / 51

HEX #6F7C5A

RGB 111 124 90

HSL 82.94, 0.16%, 0.42%

LAB 50.14, -11.26, 17.01

 

CMYK 18 / 0 / 27 / 51

HEX #667C5A

RGB 102 124 90

HSL 98.82, 0.16%, 0.42%

LAB 49.47, -14.83, 16

 

CMYK 0 / 11 / 27 / 51

HEX #7C6E5A

RGB 124 110 90

HSL 35.29, 0.16%, 0.42%

LAB 47.2, 2.11, 13.17

 

CMYK 0 / 21 / 49 / 44

HEX #8E7049

RGB 142 112 73

HSL 33.91, 0.32%, 0.42%

LAB 49.28, 6.57, 26.12

 

CMYK 0 / 28 / 65 / 38

HEX #9F7337

RGB 159 115 55

HSL 34.62, 0.49%, 0.42%

LAB 51.73, 10.88, 39.25

 

CMYK 0 / 34 / 78 / 31

HEX #B07526

RGB 176 117 38

HSL 34.35, 0.64%, 0.42%

LAB 54.13, 16.45, 50.25

 

CMYK 0 / 39 / 89 / 24

HEX #C27715

RGB 194 119 21

HSL 33.99, 0.8%, 0.42%

LAB 56.8, 22.74, 59.29

 

CMYK 0 / 11 / 27 / 51

HEX #7C6E5A

RGB 124 110 90

HSL 35.29, 0.16%, 0.42%

LAB 47.2, 2.11, 13.17

 

CMYK 0 / 0 / 0 / 58

HEX #6B6B6B

RGB 107 107 107

HSL 0, 0%, 0.42%

LAB 45.22, 0, -0.01

 

CMYK 28 / 16 / 0 / 51

HEX #5A697D

RGB 90 105 125

HSL 214.29, 0.16%, 0.42%

LAB 43.88, -0.7, -12.99

 

CMYK 49 / 28 / 0 / 44

HEX #48668E

RGB 72 102 142

HSL 214.29, 0.33%, 0.42%

LAB 42.51, 0.75, -25.42

 

CMYK 65 / 37 / 0 / 38

HEX #37649F

RGB 55 100 159

HSL 214.04, 0.49%, 0.42%

LAB 41.89, 4, -36.6

 

CMYK 0 / 27 / 27 / 51

HEX #7C5B5A

RGB 124 91 90

HSL 1.76, 0.16%, 0.42%

LAB 42.01, 13.38, 5.88

 

CMYK 0 / 19 / 27 / 51

HEX #7C645A

RGB 124 100 90

HSL 17.65, 0.16%, 0.42%

LAB 44.43, 8.01, 9.31

 

CMYK 0 / 12 / 27 / 51

HEX #7C6D5A

RGB 124 109 90

HSL 33.53, 0.16%, 0.42%

LAB 46.92, 2.69, 12.78

 

CMYK 0 / 4 / 27 / 51

HEX #7C775A

RGB 124 119 90

HSL 51.18, 0.16%, 0.42%

LAB 49.76, -3.09, 16.68

 

CMYK 2 / 0 / 27 / 51

HEX #797C5A

RGB 121 124 90

HSL 65.29, 0.16%, 0.42%

LAB 50.94, -7.17, 18.24

 

CMYK 0 / 12 / 28 / 70

HEX #4C4337

RGB 76 67 55

HSL 34.29, 0.16%, 0.26%

LAB 28.97, 1.61, 8.7

 

CMYK 0 / 12 / 27 / 61

HEX #645849

RGB 100 88 73

HSL 33.33, 0.16%, 0.34%

LAB 38.15, 2.25, 10.5

 

CMYK 0 / 11 / 27 / 51

HEX #7C6E5A

RGB 124 110 90

HSL 35.29, 0.16%, 0.42%

LAB 47.2, 2.11, 13.17

 

CMYK 0 / 11 / 28 / 42

HEX #94836B

RGB 148 131 107

HSL 35.12, 0.16%, 0.5%

LAB 55.67, 2.56, 15.35

 

CMYK 0 / 8 / 21 / 35

HEX #A59783

RGB 165 151 131

HSL 35.29, 0.16%, 0.58%

LAB 63.15, 1.81, 12.41

 

CMYK 0 / 12 / 28 / 51

HEX #7C6D59

RGB 124 109 89

HSL 34.29, 0.16%, 0.42%

LAB 46.9, 2.54, 13.35

 

CMYK 21 / 0 / 27 / 51

HEX #627C5A

RGB 98 124 90

HSL 105.88, 0.16%, 0.42%

LAB 49.19, -16.37, 15.57

 

CMYK 23 / 27 / 0 / 51

HEX #605A7C

RGB 96 90 124

HSL 250.59, 0.16%, 0.42%

LAB 40.01, 10.25, -18.26

 

CMYK 0 / 12 / 28 / 51

HEX #7C6D59

RGB 124 109 89

HSL 34.29, 0.16%, 0.42%

LAB 46.9, 2.54, 13.35

 

CMYK 27 / 0 / 12 / 51

HEX #5A7C6D

RGB 90 124 109

HSL 153.53, 0.16%, 0.42%

LAB 49.12, -15.48, 4.3

 

CMYK 12 / 27 / 0 / 51

HEX #6D5A7C

RGB 109 90 124

HSL 273.53, 0.16%, 0.42%

LAB 41.25, 14.78, -16.25

 

CMYK 0 / 12 / 28 / 51

HEX #7C6D59

RGB 124 109 89

HSL 34.29, 0.16%, 0.42%

LAB 46.9, 2.54, 13.35

 

CMYK 21 / 0 / 27 / 51

HEX #627C5A

RGB 98 124 90

HSL 105.88, 0.16%, 0.42%

LAB 49.19, -16.37, 15.57

 

CMYK 27 / 15 / 0 / 51

HEX #5A697C

RGB 90 105 124

HSL 213.53, 0.16%, 0.42%

LAB 43.85, -0.96, -12.44

 

CMYK 6 / 27 / 0 / 51

HEX #745A7C

RGB 116 90 124

HSL 285.88, 0.16%, 0.42%

LAB 41.97, 17.27, -15.08

 

CMYK 0 / 12 / 28 / 51

HEX #7C6D59

RGB 124 109 89

HSL 34.29, 0.16%, 0.42%

LAB 46.9, 2.54, 13.35

 

CMYK 27 / 0 / 26 / 51

HEX #5A7C5C

RGB 90 124 92

HSL 123.53, 0.16%, 0.42%

LAB 48.71, -18.99, 13.67

 

CMYK 27 / 15 / 0 / 51

HEX #5A697C

RGB 90 105 124

HSL 213.53, 0.16%, 0.42%

LAB 43.85, -0.96, -12.44

 

CMYK 0 / 27 / 2 / 51

HEX #7C5A7A

RGB 124 90 122

HSL 303.53, 0.16%, 0.42%

LAB 42.77, 19.75, -12.57

 

Description

Color code: RGBA 124 109 89 0 | qconv.com Color code: RGBA 124 109 89 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 109 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 109 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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