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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 121 201 134 0.75 it is the complementary color RGBA 134 54 121 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 121 201 134 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 121 201 134 0.75 shade: RGBA 126 201 129 0.75, RGBA 143 219 148 0.75, RGBA 160 237 167 0.75, RGBA 177 255 186 0.75 and RGBA 194 255 205 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 121 201 134 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 121 201 134 0.75 shade: RGBA 121 201 134 0.75, RGBA 104 183 115 0.75, RGBA 87 165 96 0.75, RGBA 70 147 77 0.75 and RGBA 53 129 58 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 121 201 134 0.75 shade: RGB 120 201 133, RGB 129 201 120, RGB 151 201 120, RGB 173 201 120 and RGB 194 201 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 121 201 134 0.75 shade: RGB 120 201 133, RGB 120 201 155, RGB 120 201 177, RGB 120 201 199 and RGB 120 182 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 121 201 134 0.75 shade matches the following richer shades: RGB 120 201 133, RGB 105 216 123, RGB 90 232 113 and RGB 74 247 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 121 201 134 0.75 shade: RGB 120 201 133, RGB 135 186 144, RGB 151 171 154, RGB 166 155 164 and RGB 181 140 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 121 201 134 0.75 shade: RGB 151 201 120, RGB 130 201 120, RGB 120 201 132, RGB 120 201 154 and RGB 120 201 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 121 201 134 0.75 shade: RGB 68 171 85, RGB 91 189 107, RGB 120 201 133, RGB 150 213 160 and RGB 179 225 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 121 201 134 0.75 shade: RGB 121 201 134, RGB 120 173 201 and RGB 201 120 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 121 201 134 0.75 shade: RGB 121 201 134, RGB 132 120 201 and RGB 201 132 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 121 201 134 0.75 shade: RGB 121 201 134, RGB 120 173 201, RGB 201 120 189 and RGB 201 148 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 121 201 134 0.75 shade: RGB 121 201 134, RGB 120 148 201, RGB 201 120 189 and RGB 201 173 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 25 / 16

HEX #79C986BF

RGBA 121 201 134 0.75

HSLA 129.75, 0.43%, 0.63%, 0.75

LABA 74.55, -38.6, 25.99, 0.75

 

Complementary color

CMYK 0 / 45 / 7 / 36

HEX #863679BF

RGBA 134 54 121 0.75

HSLA 309.75, 0.43%, 0.37%, 0.75

LABA 36.15, 43, -21.99, 0.75

 

CMYK 28 / 0 / 27 / 16

HEX #7EC981BF

RGBA 126 201 129 0.75

HSLA 122.4, 0.41%, 0.64%, 0.75

LABA 74.69, -37.9, 28.84, 0.75

 

CMYK 26 / 0 / 24 / 11

HEX #8FDB94BF

RGBA 143 219 148 0.75

HSLA 123.95, 0.51%, 0.71%, 0.75

LABA 81.09, -37.66, 27.68, 0.75

 

CMYK 24 / 0 / 22 / 5

HEX #A0EDA7BF

RGBA 160 237 167 0.75

HSLA 125.45, 0.68%, 0.78%, 0.75

LABA 87.4, -37.4, 26.59, 0.75

 

CMYK 23 / 0 / 20 / 0

HEX #B1FFBABF

RGBA 177 255 186 0.75

HSLA 126.92, 1%, 0.85%, 0.75

LABA 93.63, -37.16, 25.56, 0.75

 

CMYK 18 / 0 / 15 / 0

HEX #C2FFCDBF

RGBA 194 255 205 0.75

HSLA 130.82, 1%, 0.88%, 0.75

LABA 94.91, -28.61, 17.8, 0.75

 

CMYK 30 / 0 / 25 / 16

HEX #79C986BF

RGBA 121 201 134 0.75

HSLA 129.75, 0.43%, 0.63%, 0.75

LABA 74.55, -38.6, 25.99, 0.75

 

CMYK 32 / 0 / 28 / 21

HEX #68B773BF

RGBA 104 183 115 0.75

HSLA 128.35, 0.35%, 0.56%, 0.75

LABA 68.06, -38.83, 27.2, 0.75

 

CMYK 35 / 0 / 31 / 26

HEX #57A560BF

RGBA 87 165 96 0.75

HSLA 126.92, 0.31%, 0.49%, 0.75

LABA 61.46, -39.02, 28.49, 0.75

 

CMYK 39 / 0 / 36 / 32

HEX #46934DBF

RGBA 70 147 77 0.75

HSLA 125.45, 0.35%, 0.43%, 0.75

LABA 54.77, -39.11, 29.86, 0.75

 

CMYK 44 / 0 / 41 / 37

HEX #35813ABF

RGBA 53 129 58 0.75

HSLA 123.95, 0.42%, 0.36%, 0.75

LABA 47.96, -39, 31.29, 0.75

 

CMYK 40 / 0 / 34 / 21

HEX #78C985

RGB 120 201 133

HSL 129.63, 0.43%, 0.63%

LAB 74.48, -39.07, 26.42

 

CMYK 36 / 0 / 40 / 21

HEX #81C978

RGB 129 201 120

HSL 113.33, 0.43%, 0.63%

LAB 74.7, -38.34, 33.52

 

CMYK 25 / 0 / 40 / 21

HEX #97C978

RGB 151 201 120

HSL 97.04, 0.43%, 0.63%

LAB 75.89, -30.87, 35.29

 

CMYK 14 / 0 / 40 / 21

HEX #ADC978

RGB 173 201 120

HSL 80.74, 0.43%, 0.63%

LAB 77.29, -22.76, 37.37

 

CMYK 3 / 0 / 40 / 21

HEX #C2C978

RGB 194 201 120

HSL 65.19, 0.43%, 0.63%

LAB 78.81, -14.61, 39.61

 

CMYK 40 / 0 / 34 / 21

HEX #78C985

RGB 120 201 133

HSL 129.63, 0.43%, 0.63%

LAB 74.48, -39.07, 26.42

 

CMYK 40 / 0 / 23 / 21

HEX #78C99B

RGB 120 201 155

HSL 145.93, 0.43%, 0.63%

LAB 74.91, -35.01, 15.34

 

CMYK 40 / 0 / 12 / 21

HEX #78C9B1

RGB 120 201 177

HSL 162.22, 0.43%, 0.63%

LAB 75.41, -30.37, 4.23

 

CMYK 40 / 0 / 1 / 21

HEX #78C9C7

RGB 120 201 199

HSL 178.52, 0.43%, 0.63%

LAB 76, -25.2, -6.8

 

CMYK 40 / 9 / 0 / 21

HEX #78B6C9

RGB 120 182 201

HSL 194.07, 0.43%, 0.63%

LAB 70.64, -15.01, -15.9

 

CMYK 40 / 0 / 34 / 21

HEX #78C985

RGB 120 201 133

HSL 129.63, 0.43%, 0.63%

LAB 74.48, -39.07, 26.42

 

CMYK 51 / 0 / 43 / 15

HEX #69D87B

RGB 105 216 123

HSL 129.73, 0.59%, 0.63%

LAB 78.2, -51.23, 36.32

 

CMYK 61 / 0 / 51 / 9

HEX #5AE871

RGB 90 232 113

HSL 129.72, 0.76%, 0.63%

LAB 82.42, -62.29, 46.39

 

CMYK 70 / 0 / 59 / 3

HEX #4AF766

RGB 74 247 102

HSL 129.71, 0.92%, 0.63%

LAB 86.47, -71.8, 56.12

 

CMYK 40 / 0 / 34 / 21

HEX #78C985

RGB 120 201 133

HSL 129.63, 0.43%, 0.63%

LAB 74.48, -39.07, 26.42

 

CMYK 27 / 0 / 23 / 27

HEX #87BA90

RGB 135 186 144

HSL 130.59, 0.27%, 0.63%

LAB 71.07, -25.34, 16

 

CMYK 12 / 0 / 10 / 33

HEX #97AB9A

RGB 151 171 154

HSL 129, 0.11%, 0.63%

LAB 68.05, -10.3, 6.4

 

CMYK 0 / 7 / 1 / 35

HEX #A69BA4

RGB 166 155 164

HSL 310.91, 0.06%, 0.63%

LAB 65.14, 5.69, -3.25

 

CMYK 0 / 23 / 4 / 29

HEX #B58CAE

RGB 181 140 174

HSL 310.24, 0.22%, 0.63%

LAB 63.04, 21.32, -11.87

 

CMYK 25 / 0 / 40 / 21

HEX #97C978

RGB 151 201 120

HSL 97.04, 0.43%, 0.63%

LAB 75.89, -30.87, 35.29

 

CMYK 35 / 0 / 40 / 21

HEX #82C978

RGB 130 201 120

HSL 112.59, 0.43%, 0.63%

LAB 74.75, -38.02, 33.59

 

CMYK 40 / 0 / 34 / 21

HEX #78C984

RGB 120 201 132

HSL 128.89, 0.43%, 0.63%

LAB 74.47, -39.24, 26.92

 

CMYK 40 / 0 / 23 / 21

HEX #78C99A

RGB 120 201 154

HSL 145.19, 0.43%, 0.63%

LAB 74.89, -35.21, 15.84

 

CMYK 40 / 0 / 12 / 21

HEX #78C9B0

RGB 120 201 176

HSL 161.48, 0.43%, 0.63%

LAB 75.39, -30.59, 4.73

 

CMYK 60 / 0 / 50 / 33

HEX #44AB55

RGB 68 171 85

HSL 129.9, 0.43%, 0.47%

LAB 62.52, -48.22, 35.4

 

CMYK 52 / 0 / 43 / 26

HEX #5BBD6B

RGB 91 189 107

HSL 129.8, 0.43%, 0.55%

LAB 69.24, -46.35, 32.82

 

CMYK 40 / 0 / 34 / 21

HEX #78C985

RGB 120 201 133

HSL 129.63, 0.43%, 0.63%

LAB 74.48, -39.07, 26.42

 

CMYK 30 / 0 / 25 / 16

HEX #96D5A0

RGB 150 213 160

HSL 129.52, 0.43%, 0.71%

LAB 79.96, -30.63, 19.94

 

CMYK 20 / 0 / 17 / 12

HEX #B3E1BA

RGB 179 225 186

HSL 129.13, 0.43%, 0.79%

LAB 85.49, -22.39, 14.26

 

CMYK 40 / 0 / 33 / 21

HEX #79C986

RGB 121 201 134

HSL 129.75, 0.43%, 0.63%

LAB 74.55, -38.6, 25.99

 

CMYK 40 / 14 / 0 / 21

HEX #78ADC9

RGB 120 173 201

HSL 200.74, 0.43%, 0.63%

LAB 68.09, -10.22, -19.76

 

CMYK 0 / 40 / 30 / 21

HEX #C9788C

RGB 201 120 140

HSL 345.19, 0.43%, 0.63%

LAB 59.66, 34.1, 2.82

 

CMYK 40 / 0 / 33 / 21

HEX #79C986

RGB 121 201 134

HSL 129.75, 0.43%, 0.63%

LAB 74.55, -38.6, 25.99

 

CMYK 34 / 40 / 0 / 21

HEX #8478C9

RGB 132 120 201

HSL 248.89, 0.43%, 0.63%

LAB 54.61, 23.41, -40.57

 

CMYK 0 / 34 / 40 / 21

HEX #C98478

RGB 201 132 120

HSL 8.89, 0.43%, 0.63%

LAB 61.89, 25.11, 17.42

 

CMYK 40 / 0 / 33 / 21

HEX #79C986

RGB 121 201 134

HSL 129.75, 0.43%, 0.63%

LAB 74.55, -38.6, 25.99

 

CMYK 40 / 14 / 0 / 21

HEX #78ADC9

RGB 120 173 201

HSL 200.74, 0.43%, 0.63%

LAB 68.09, -10.22, -19.76

 

CMYK 0 / 40 / 6 / 21

HEX #C978BD

RGB 201 120 189

HSL 308.89, 0.43%, 0.63%

LAB 61.24, 41.72, -22.89

 

CMYK 0 / 26 / 40 / 21

HEX #C99478

RGB 201 148 120

HSL 20.74, 0.43%, 0.63%

LAB 65.71, 16.35, 22.62

 

CMYK 40 / 0 / 33 / 21

HEX #79C986

RGB 121 201 134

HSL 129.75, 0.43%, 0.63%

LAB 74.55, -38.6, 25.99

 

CMYK 40 / 26 / 0 / 21

HEX #7894C9

RGB 120 148 201

HSL 219.26, 0.43%, 0.63%

LAB 61.12, 3.7, -30.46

 

CMYK 0 / 40 / 6 / 21

HEX #C978BD

RGB 201 120 189

HSL 308.89, 0.43%, 0.63%

LAB 61.24, 41.72, -22.89

 

CMYK 0 / 14 / 40 / 21

HEX #C9AD78

RGB 201 173 120

HSL 39.26, 0.43%, 0.63%

LAB 72, 2.79, 30.98

 

Description

Color code: RGBA 121 201 134 0.75 | qconv.com Color code: RGBA 121 201 134 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 201 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 201 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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