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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 121 162 158 0.75 it is the complementary color RGBA 134 93 97 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 121 162 158 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 121 162 158 0.75 shade: RGBA 126 162 153 0.75, RGBA 143 180 172 0.75, RGBA 160 198 191 0.75, RGBA 177 216 210 0.75 and RGBA 194 234 229 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 121 162 158 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 121 162 158 0.75 shade: RGBA 121 162 158 0.75, RGBA 104 144 139 0.75, RGBA 87 126 120 0.75, RGBA 70 108 101 0.75 and RGBA 53 90 82 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 121 162 158 0.75 shade: RGB 120 161 157, RGB 120 161 146, RGB 120 161 135, RGB 120 161 123 and RGB 127 161 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 121 162 158 0.75 shade: RGB 120 161 157, RGB 120 154 161, RGB 120 143 161, RGB 120 132 161 and RGB 120 120 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 121 162 158 0.75 shade matches the following richer shades: RGB 120 161 157, RGB 101 179 172, RGB 82 198 187, RGB 64 217 202 and RGB 45 235 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 121 162 158 0.75 shade: RGB 120 161 157, RGB 138 142 142, RGB 157 124 127, RGB 175 105 112 and RGB 194 87 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 121 162 158 0.75 shade: RGB 120 161 135, RGB 120 161 146, RGB 120 161 157, RGB 120 154 161 and RGB 120 143 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 121 162 158 0.75 shade: RGB 81 117 113, RGB 98 141 137, RGB 120 161 157, RGB 144 178 175 and RGB 168 195 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 121 162 158 0.75 shade: RGB 121 162 158, RGB 124 120 161 and RGB 161 140 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 121 162 158 0.75 shade: RGB 121 162 158, RGB 157 120 161 and RGB 161 157 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 121 162 158 0.75 shade: RGB 121 162 158, RGB 124 120 161, RGB 161 120 124 and RGB 157 161 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 121 162 158 0.75 shade: RGB 121 162 158, RGB 136 120 161, RGB 161 120 124 and RGB 144 161 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 2 / 27

HEX #79A29EBF

RGBA 121 162 158 0.75

HSLA 174.15, 0.18%, 0.55%, 0.75

LABA 63.65, -14.73, -2.46, 0.75

 

Complementary color

CMYK 0 / 23 / 21 / 36

HEX #865D61BF

RGBA 134 93 97 0.75

HSLA 354.15, 0.18%, 0.45%, 0.75

LABA 43.89, 17.39, 4.45, 0.75

 

CMYK 17 / 0 / 4 / 27

HEX #7EA299BF

RGBA 126 162 153 0.75

HSLA 165, 0.16%, 0.56%, 0.75

LABA 63.82, -14.24, 0.63, 0.75

 

CMYK 15 / 0 / 3 / 22

HEX #8FB4ACBF

RGBA 143 180 172 0.75

HSLA 167.03, 0.2%, 0.63%, 0.75

LABA 70.5, -14.13, -0.04, 0.75

 

CMYK 14 / 0 / 3 / 17

HEX #A0C6BFBF

RGBA 160 198 191 0.75

HSLA 168.95, 0.25%, 0.7%, 0.75

LABA 77.06, -14.03, -0.68, 0.75

 

CMYK 14 / 0 / 2 / 11

HEX #B1D8D2BF

RGBA 177 216 210 0.75

HSLA 170.77, 0.33%, 0.77%, 0.75

LABA 83.5, -13.95, -1.3, 0.75

 

CMYK 13 / 0 / 2 / 6

HEX #C2EAE5BF

RGBA 194 234 229 0.75

HSLA 172.5, 0.49%, 0.84%, 0.75

LABA 89.85, -13.89, -1.89, 0.75

 

CMYK 19 / 0 / 2 / 27

HEX #79A29EBF

RGBA 121 162 158 0.75

HSLA 174.15, 0.18%, 0.55%, 0.75

LABA 63.65, -14.73, -2.46, 0.75

 

CMYK 21 / 0 / 3 / 33

HEX #68908BBF

RGBA 104 144 139 0.75

HSLA 172.5, 0.16%, 0.49%, 0.75

LABA 56.83, -14.86, -1.81, 0.75

 

CMYK 23 / 0 / 4 / 38

HEX #577E78BF

RGBA 87 126 120 0.75

HSLA 170.77, 0.18%, 0.42%, 0.75

LABA 49.86, -15.01, -1.12, 0.75

 

CMYK 26 / 0 / 5 / 43

HEX #466C65BF

RGBA 70 108 101 0.75

HSLA 168.95, 0.21%, 0.35%, 0.75

LABA 42.71, -15.18, -0.37, 0.75

 

CMYK 31 / 0 / 7 / 49

HEX #355A52BF

RGBA 53 90 82 0.75

HSLA 167.03, 0.26%, 0.28%, 0.75

LABA 35.36, -15.37, 0.45, 0.75

 

CMYK 25 / 0 / 2 / 37

HEX #78A19D

RGB 120 161 157

HSL 174.15, 0.18%, 0.55%

LAB 63.27, -14.74, -2.45

 

CMYK 25 / 0 / 9 / 37

HEX #78A192

RGB 120 161 146

HSL 158.05, 0.18%, 0.55%

LAB 62.98, -17.18, 3.29

 

CMYK 25 / 0 / 16 / 37

HEX #78A187

RGB 120 161 135

HSL 141.95, 0.18%, 0.55%

LAB 62.7, -19.46, 9.06

 

CMYK 25 / 0 / 24 / 37

HEX #78A17B

RGB 120 161 123

HSL 124.39, 0.18%, 0.55%

LAB 62.43, -21.76, 15.37

 

CMYK 21 / 0 / 25 / 37

HEX #7FA178

RGB 127 161 120

HSL 109.76, 0.18%, 0.55%

LAB 62.81, -19.81, 17.62

 

CMYK 25 / 0 / 2 / 37

HEX #78A19D

RGB 120 161 157

HSL 174.15, 0.18%, 0.55%

LAB 63.27, -14.74, -2.45

 

CMYK 25 / 4 / 0 / 37

HEX #789AA1

RGB 120 154 161

HSL 190.24, 0.18%, 0.55%

LAB 61.37, -10.05, -7.52

 

CMYK 25 / 11 / 0 / 37

HEX #788FA1

RGB 120 143 161

HSL 206.34, 0.18%, 0.55%

LAB 58.24, -3.95, -12.21

 

CMYK 25 / 18 / 0 / 37

HEX #7884A1

RGB 120 132 161

HSL 222.44, 0.18%, 0.55%

LAB 55.14, 2.33, -16.89

 

CMYK 25 / 25 / 0 / 37

HEX #7878A1

RGB 120 120 161

HSL 240, 0.18%, 0.55%

LAB 51.84, 9.37, -21.95

 

CMYK 25 / 0 / 2 / 37

HEX #78A19D

RGB 120 161 157

HSL 174.15, 0.18%, 0.55%

LAB 63.27, -14.74, -2.45

 

CMYK 44 / 0 / 4 / 30

HEX #65B3AC

RGB 101 179 172

HSL 174.62, 0.34%, 0.55%

LAB 68.01, -25.76, -3.95

 

CMYK 59 / 0 / 6 / 22

HEX #52C6BB

RGB 82 198 187

HSL 174.31, 0.5%, 0.55%

LAB 73.4, -35.18, -4.3

 

CMYK 71 / 0 / 7 / 15

HEX #40D9CA

RGB 64 217 202

HSL 174.12, 0.67%, 0.55%

LAB 79.03, -42.6, -4.13

 

CMYK 81 / 0 / 8 / 8

HEX #2DEBD9

RGB 45 235 217

HSL 174.32, 0.83%, 0.55%

LAB 84.48, -48.31, -4.1

 

CMYK 25 / 0 / 2 / 37

HEX #78A19D

RGB 120 161 157

HSL 174.15, 0.18%, 0.55%

LAB 63.27, -14.74, -2.45

 

CMYK 3 / 0 / 0 / 44

HEX #8A8E8E

RGB 138 142 142

HSL 180, 0.02%, 0.55%

LAB 58.7, -1.46, -0.52

 

CMYK 0 / 21 / 19 / 38

HEX #9D7C7F

RGB 157 124 127

HSL 354.55, 0.14%, 0.55%

LAB 55.19, 13.26, 3.24

 

CMYK 0 / 40 / 36 / 31

HEX #AF6970

RGB 175 105 112

HSL 354, 0.3%, 0.55%

LAB 52.27, 28.86, 8.12

 

CMYK 0 / 55 / 50 / 24

HEX #C25761

RGB 194 87 97

HSL 354.39, 0.47%, 0.55%

LAB 50.86, 43.76, 15.45

 

CMYK 25 / 0 / 16 / 37

HEX #78A187

RGB 120 161 135

HSL 141.95, 0.18%, 0.55%

LAB 62.7, -19.46, 9.06

 

CMYK 25 / 0 / 9 / 37

HEX #78A192

RGB 120 161 146

HSL 158.05, 0.18%, 0.55%

LAB 62.98, -17.18, 3.29

 

CMYK 25 / 0 / 2 / 37

HEX #78A19D

RGB 120 161 157

HSL 174.15, 0.18%, 0.55%

LAB 63.27, -14.74, -2.45

 

CMYK 25 / 4 / 0 / 37

HEX #789AA1

RGB 120 154 161

HSL 190.24, 0.18%, 0.55%

LAB 61.37, -10.05, -7.52

 

CMYK 25 / 11 / 0 / 37

HEX #788FA1

RGB 120 143 161

HSL 206.34, 0.18%, 0.55%

LAB 58.24, -3.95, -12.21

 

CMYK 31 / 0 / 3 / 54

HEX #517571

RGB 81 117 113

HSL 173.33, 0.18%, 0.39%

LAB 46.53, -13.67, -1.9

 

CMYK 30 / 0 / 3 / 45

HEX #628D89

RGB 98 141 137

HSL 174.42, 0.18%, 0.47%

LAB 55.54, -15.59, -2.6

 

CMYK 25 / 0 / 2 / 37

HEX #78A19D

RGB 120 161 157

HSL 174.15, 0.18%, 0.55%

LAB 63.27, -14.74, -2.45

 

CMYK 19 / 0 / 2 / 30

HEX #90B2AF

RGB 144 178 175

HSL 174.71, 0.18%, 0.63%

LAB 70.08, -12.11, -2.3

 

CMYK 14 / 0 / 2 / 24

HEX #A8C3C0

RGB 168 195 192

HSL 173.33, 0.18%, 0.71%

LAB 76.78, -9.69, -1.57

 

CMYK 25 / 0 / 2 / 36

HEX #79A29E

RGB 121 162 158

HSL 174.15, 0.18%, 0.55%

LAB 63.65, -14.73, -2.46

 

CMYK 23 / 25 / 0 / 37

HEX #7C78A1

RGB 124 120 161

HSL 245.85, 0.18%, 0.55%

LAB 52.16, 10.66, -21.41

 

CMYK 0 / 13 / 25 / 37

HEX #A18C78

RGB 161 140 120

HSL 29.27, 0.18%, 0.55%

LAB 59.61, 4.67, 13.59

 

CMYK 25 / 0 / 2 / 36

HEX #79A29E

RGB 121 162 158

HSL 174.15, 0.18%, 0.55%

LAB 63.65, -14.73, -2.46

 

CMYK 2 / 25 / 0 / 37

HEX #9D78A1

RGB 157 120 161

HSL 294.15, 0.18%, 0.55%

LAB 55.25, 21.79, -16.42

 

CMYK 0 / 2 / 25 / 37

HEX #A19D78

RGB 161 157 120

HSL 54.15, 0.18%, 0.55%

LAB 64.2, -4.71, 19.93

 

CMYK 25 / 0 / 2 / 36

HEX #79A29E

RGB 121 162 158

HSL 174.15, 0.18%, 0.55%

LAB 63.65, -14.73, -2.46

 

CMYK 23 / 25 / 0 / 37

HEX #7C78A1

RGB 124 120 161

HSL 245.85, 0.18%, 0.55%

LAB 52.16, 10.66, -21.41

 

CMYK 0 / 25 / 23 / 37

HEX #A1787C

RGB 161 120 124

HSL 354.15, 0.18%, 0.55%

LAB 54.52, 16.63, 4.07

 

CMYK 2 / 0 / 25 / 37

HEX #9DA178

RGB 157 161 120

HSL 65.85, 0.18%, 0.55%

LAB 64.97, -8.44, 20.93

 

CMYK 25 / 0 / 2 / 36

HEX #79A29E

RGB 121 162 158

HSL 174.15, 0.18%, 0.55%

LAB 63.65, -14.73, -2.46

 

CMYK 16 / 25 / 0 / 37

HEX #8878A1

RGB 136 120 161

HSL 263.41, 0.18%, 0.55%

LAB 53.21, 14.61, -19.72

 

CMYK 0 / 25 / 23 / 37

HEX #A1787C

RGB 161 120 124

HSL 354.15, 0.18%, 0.55%

LAB 54.52, 16.63, 4.07

 

CMYK 11 / 0 / 25 / 37

HEX #90A178

RGB 144 161 120

HSL 84.88, 0.18%, 0.55%

LAB 63.98, -13.49, 19.41

 

Description

Color code: RGBA 121 162 158 0.75 | qconv.com Color code: RGBA 121 162 158 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 162 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 162 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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