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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 121 129 131 0 it is the complementary color RGBA 134 126 124 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 121 129 131 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 121 129 131 0 shade: RGBA 126 129 126 0, RGBA 143 147 145 0, RGBA 160 165 164 0, RGBA 177 183 183 0 and RGBA 194 201 202 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 121 129 131 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 121 129 131 0 shade: RGBA 121 129 131 0, RGBA 104 111 112 0, RGBA 87 93 93 0, RGBA 70 75 74 0 and RGBA 53 57 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 121 129 131 0 shade: RGB 120 128 130, RGB 120 125 130, RGB 120 123 130, RGB 120 120 130 and RGB 123 120 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 121 129 131 0 shade: RGB 120 128 130, RGB 120 125 130, RGB 120 123 130 and RGB 120 120 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 121 129 131 0 shade matches the following richer shades: RGB 120 128 130, RGB 100 140 150, RGB 80 152 170, RGB 59 164 191 and RGB 39 176 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 121 129 131 0 shade: RGB 120 128 130, RGB 140 116 110, RGB 160 104 90, RGB 181 92 69 and RGB 201 79 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 121 129 131 0 shade: RGB 120 130 127, RGB 120 130 129, RGB 120 128 130, RGB 120 125 130 and RGB 120 123 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 121 129 131 0 shade: RGB 80 86 87, RGB 100 107 108, RGB 120 128 130, RGB 141 148 150 and RGB 163 168 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 121 129 131 0 shade: RGB 121 129 131, RGB 124 120 130 and RGB 130 128 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 121 129 131 0 shade: RGB 121 129 131, RGB 130 120 128 and RGB 128 130 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 121 129 131 0 shade: RGB 121 129 131, RGB 124 120 130, RGB 130 122 120 and RGB 126 130 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 121 129 131 0 shade: RGB 121 129 131, RGB 127 120 130, RGB 130 122 120 and RGB 123 130 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #79818300

RGBA 121 129 131 0

HSLA 192, 0.04%, 0.49%, 0

LABA 53.39, -2.53, -2.11, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #867E7C00

RGBA 134 126 124 0

HSLA 12, 0.04%, 0.51%, 0

LABA 53.43, 2.66, 2.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7E817E00

RGBA 126 129 126 0

HSLA 120, 0.01%, 0.5%, 0

LABA 53.65, -1.71, 1.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8F939100

RGBA 143 147 145 0

HSLA 150, 0.02%, 0.57%, 0

LABA 60.56, -1.84, 0.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A0A5A400

RGBA 160 165 164 0

HSLA 168, 0.03%, 0.64%, 0

LABA 67.33, -1.97, -0.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B1B7B700

RGBA 177 183 183 0

HSLA 180, 0.04%, 0.71%, 0

LABA 73.95, -2.08, -0.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C2C9CA00

RGBA 194 201 202 0

HSLA 187.5, 0.07%, 0.78%, 0

LABA 80.46, -2.2, -1.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #79818300

RGBA 121 129 131 0

HSLA 192, 0.04%, 0.49%, 0

LABA 53.39, -2.53, -2.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #686F7000

RGBA 104 111 112 0

HSLA 187.5, 0.04%, 0.42%, 0

LABA 46.29, -2.44, -1.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #575D5D00

RGBA 87 93 93 0

HSLA 180, 0.03%, 0.35%, 0

LABA 38.98, -2.34, -0.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #464B4A00

RGBA 70 75 74 0

HSLA 168, 0.03%, 0.28%, 0

LABA 31.41, -2.26, -0.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #35393700

RGBA 53 57 55 0

HSLA 150, 0.04%, 0.22%, 0

LABA 23.54, -2.17, 0.65, 0

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 8 / 4 / 0 / 49

HEX #787D82

RGB 120 125 130

HSL 210, 0.04%, 0.49%

LAB 52.14, -0.81, -3.37

 

CMYK 8 / 5 / 0 / 49

HEX #787B82

RGB 120 123 130

HSL 222, 0.04%, 0.49%

LAB 51.58, 0.34, -4.2

 

CMYK 8 / 8 / 0 / 49

HEX #787882

RGB 120 120 130

HSL 240, 0.04%, 0.49%

LAB 50.73, 2.09, -5.45

 

CMYK 5 / 8 / 0 / 49

HEX #7B7882

RGB 123 120 130

HSL 258, 0.04%, 0.49%

LAB 50.98, 3.18, -5.05

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 8 / 4 / 0 / 49

HEX #787D82

RGB 120 125 130

HSL 210, 0.04%, 0.49%

LAB 52.14, -0.81, -3.37

 

CMYK 8 / 5 / 0 / 49

HEX #787B82

RGB 120 123 130

HSL 222, 0.04%, 0.49%

LAB 51.58, 0.34, -4.2

 

CMYK 8 / 8 / 0 / 49

HEX #787882

RGB 120 120 130

HSL 240, 0.04%, 0.49%

LAB 50.73, 2.09, -5.45

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 33 / 7 / 0 / 41

HEX #648C96

RGB 100 140 150

HSL 192, 0.2%, 0.49%

LAB 55.75, -11.2, -9.76

 

CMYK 53 / 11 / 0 / 33

HEX #5098AA

RGB 80 152 170

HSL 192, 0.36%, 0.49%

LAB 59.03, -17.4, -16.34

 

CMYK 69 / 14 / 0 / 25

HEX #3BA4BF

RGB 59 164 191

HSL 192.27, 0.53%, 0.49%

LAB 62.71, -21.14, -22.63

 

CMYK 82 / 17 / 0 / 17

HEX #27B0D3

RGB 39 176 211

HSL 192.21, 0.69%, 0.49%

LAB 66.66, -23.13, -27.7

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 0 / 17 / 21 / 45

HEX #8C746E

RGB 140 116 110

HSL 12, 0.12%, 0.49%

LAB 50.91, 8.36, 6.81

 

CMYK 0 / 35 / 44 / 37

HEX #A0685A

RGB 160 104 90

HSL 12, 0.28%, 0.49%

LAB 49.63, 20.77, 17.15

 

CMYK 0 / 49 / 62 / 29

HEX #B55C45

RGB 181 92 69

HSL 12.32, 0.45%, 0.49%

LAB 49.38, 34.01, 29.58

 

CMYK 0 / 61 / 76 / 21

HEX #C94F31

RGB 201 79 49

HSL 11.84, 0.61%, 0.49%

LAB 49.78, 46.94, 41.89

 

CMYK 8 / 0 / 2 / 49

HEX #78827F

RGB 120 130 127

HSL 162, 0.04%, 0.49%

LAB 53.48, -4.3, 0.35

 

CMYK 8 / 0 / 1 / 49

HEX #788281

RGB 120 130 129

HSL 174, 0.04%, 0.49%

LAB 53.54, -3.88, -0.73

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 8 / 4 / 0 / 49

HEX #787D82

RGB 120 125 130

HSL 210, 0.04%, 0.49%

LAB 52.14, -0.81, -3.37

 

CMYK 8 / 5 / 0 / 49

HEX #787B82

RGB 120 123 130

HSL 222, 0.04%, 0.49%

LAB 51.58, 0.34, -4.2

 

CMYK 8 / 1 / 0 / 66

HEX #505657

RGB 80 86 87

HSL 188.57, 0.04%, 0.33%

LAB 36.08, -2.15, -1.41

 

CMYK 7 / 1 / 0 / 58

HEX #646B6C

RGB 100 107 108

HSL 187.5, 0.04%, 0.41%

LAB 44.67, -2.45, -1.49

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 6 / 1 / 0 / 41

HEX #8D9496

RGB 141 148 150

HSL 193.33, 0.04%, 0.57%

LAB 60.82, -2.12, -1.94

 

CMYK 4 / 1 / 0 / 33

HEX #A3A8AA

RGB 163 168 170

HSL 197.14, 0.04%, 0.65%

LAB 68.53, -1.38, -1.65

 

CMYK 8 / 2 / 0 / 49

HEX #798183

RGB 121 129 131

HSL 192, 0.04%, 0.49%

LAB 53.39, -2.53, -2.11

 

CMYK 5 / 8 / 0 / 49

HEX #7C7882

RGB 124 120 130

HSL 264, 0.04%, 0.49%

LAB 51.07, 3.55, -4.91

 

CMYK 0 / 2 / 8 / 49

HEX #828078

RGB 130 128 120

HSL 48, 0.04%, 0.49%

LAB 53.54, -0.77, 4.6

 

CMYK 8 / 2 / 0 / 49

HEX #798183

RGB 121 129 131

HSL 192, 0.04%, 0.49%

LAB 53.39, -2.53, -2.11

 

CMYK 0 / 8 / 2 / 49

HEX #827880

RGB 130 120 128

HSL 312, 0.04%, 0.49%

LAB 51.54, 5.38, -2.99

 

CMYK 2 / 0 / 8 / 49

HEX #808278

RGB 128 130 120

HSL 72, 0.04%, 0.49%

LAB 53.93, -2.68, 5.15

 

CMYK 8 / 2 / 0 / 49

HEX #798183

RGB 121 129 131

HSL 192, 0.04%, 0.49%

LAB 53.39, -2.53, -2.11

 

CMYK 5 / 8 / 0 / 49

HEX #7C7882

RGB 124 120 130

HSL 264, 0.04%, 0.49%

LAB 51.07, 3.55, -4.91

 

CMYK 0 / 6 / 8 / 49

HEX #827A78

RGB 130 122 120

HSL 12, 0.04%, 0.49%

LAB 51.86, 2.67, 2.18

 

CMYK 3 / 0 / 8 / 49

HEX #7E8278

RGB 126 130 120

HSL 84, 0.04%, 0.49%

LAB 53.77, -3.44, 4.89

 

CMYK 8 / 2 / 0 / 49

HEX #798183

RGB 121 129 131

HSL 192, 0.04%, 0.49%

LAB 53.39, -2.53, -2.11

 

CMYK 2 / 8 / 0 / 49

HEX #7F7882

RGB 127 120 130

HSL 282, 0.04%, 0.49%

LAB 51.33, 4.66, -4.5

 

CMYK 0 / 6 / 8 / 49

HEX #827A78

RGB 130 122 120

HSL 12, 0.04%, 0.49%

LAB 51.86, 2.67, 2.18

 

CMYK 5 / 0 / 8 / 49

HEX #7B8278

RGB 123 130 120

HSL 102, 0.04%, 0.49%

LAB 53.53, -4.58, 4.51

 

Description

Color code: RGBA 121 129 131 0 | qconv.com Color code: RGBA 121 129 131 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 129 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 129 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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