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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 120 54 8 0.5 it is the complementary color RGBA 135 201 247 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 120 54 8 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 120 54 8 0.5 shade: RGBA 125 54 3 0.5, RGBA 142 72 22 0.5, RGBA 159 90 41 0.5, RGBA 176 108 60 0.5 and RGBA 193 126 79 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 120 54 8 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 120 54 8 0.5 shade: RGBA 120 54 8 0.5, RGBA 103 36 0 0.5, RGBA 86 18 0 0.5, RGBA 69 0 0 0.5 and RGBA 52 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 120 54 8 0.5 shade: RGB 120 54 8, RGB 120 23 8 and RGB 120 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 120 54 8 0.5 shade: RGB 120 54 8, RGB 120 84 8, RGB 120 114 8, RGB 95 120 8 and RGB 65 120 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 120 54 8 0.5 shade matches the following richer shades: RGB 120 54 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 120 54 8 0.5 shade: RGB 120 54 8, RGB 110 56 18, RGB 99 57 28, RGB 89 59 39 and RGB 79 61 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 120 54 8 0.5 shade: RGB 120 8 23, RGB 120 23 8, RGB 120 53 8, RGB 120 82 8 and RGB 120 112 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 120 54 8 0.5 shade: RGB 42 19 3, RGB 81 36 5, RGB 120 54 8, RGB 159 71 10 and RGB 197 88 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 120 54 8 0.5 shade: RGB 120 54 8, RGB 53 120 8 and RGB 8 8 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 120 54 8 0.5 shade: RGB 120 54 8, RGB 8 120 53 and RGB 53 8 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 120 54 8 0.5 shade: RGB 120 54 8, RGB 53 120 8, RGB 8 75 120 and RGB 75 8 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 120 54 8 0.5 shade: RGB 120 54 8, RGB 19 120 8, RGB 8 75 120 and RGB 109 8 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 47 / 26

HEX #7836087F

RGBA 120 54 8 0.5

HSLA 24.64, 0.88%, 0.25%, 0.5

LABA 30.99, 26.25, 38.68, 0.5

 

Complementary color

CMYK 23 / 9 / 0 / 2

HEX #87C9F77F

RGBA 135 201 247 0.5

HSLA 204.64, 0.88%, 0.75%, 0.5

LABA 78.25, -9.01, -29.17, 0.5

 

CMYK 0 / 28 / 49 / 25

HEX #7D36037F

RGBA 125 54 3 0.5

HSLA 25.08, 0.95%, 0.25%, 0.5

LABA 31.82, 28.29, 41.67, 0.5

 

CMYK 0 / 25 / 42 / 22

HEX #8E48167F

RGBA 142 72 22 0.5

HSLA 25, 0.73%, 0.32%, 0.5

LABA 38.63, 26.17, 40.92, 0.5

 

CMYK 0 / 22 / 37 / 19

HEX #9F5A297F

RGBA 159 90 41 0.5

HSLA 24.92, 0.59%, 0.39%, 0.5

LABA 45.42, 24.27, 39.43, 0.5

 

CMYK 0 / 19 / 33 / 15

HEX #B06C3C7F

RGBA 176 108 60 0.5

HSLA 24.83, 0.49%, 0.46%, 0.5

LABA 52.15, 22.62, 37.69, 0.5

 

CMYK 0 / 17 / 30 / 12

HEX #C17E4F7F

RGBA 193 126 79 0.5

HSLA 24.74, 0.48%, 0.53%, 0.5

LABA 58.81, 21.21, 35.98, 0.5

 

CMYK 0 / 28 / 47 / 26

HEX #7836087F

RGBA 120 54 8 0.5

HSLA 24.64, 0.88%, 0.25%, 0.5

LABA 30.99, 26.25, 38.68, 0.5

 

CMYK 0 / 33 / 50 / 30

HEX #6724007F

RGBA 103 36 0 0.5

HSLA 20.97, 1%, 0.2%, 0.5

LABA 24.15, 28.49, 34.88, 0.5

 

CMYK 0 / 40 / 50 / 33

HEX #5612007F

RGBA 86 18 0 0.5

HSLA 12.56, 1%, 0.17%, 0.5

LABA 17.51, 30.25, 26.59, 0.5

 

CMYK 0 / 50 / 50 / 36

HEX #4500007F

RGBA 69 0 0 0.5

HSLA 0, 1%, 0.14%, 0.5

LABA 11.03, 31.28, 17.37, 0.5

 

CMYK 0 / 50 / 50 / 40

HEX #3400007F

RGBA 52 0 0 0.5

HSLA 0, 1%, 0.1%, 0.5

LABA 6.59, 25.64, 10.42, 0.5

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 0 / 81 / 93 / 53

HEX #781708

RGB 120 23 8

HSL 8.04, 0.88%, 0.25%

LAB 25.63, 40.54, 34.25

 

CMYK 0 / 93 / 93 / 53

HEX #780808

RGB 120 8 8

HSL 0, 0.88%, 0.25%

LAB 24.27, 44.4, 32.95

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 0 / 30 / 93 / 53

HEX #785408

RGB 120 84 8

HSL 40.71, 0.88%, 0.25%

LAB 38.47, 8.6, 44.41

 

CMYK 0 / 5 / 93 / 53

HEX #787208

RGB 120 114 8

HSL 56.79, 0.88%, 0.25%

LAB 47.03, -8.86, 51.09

 

CMYK 21 / 0 / 93 / 53

HEX #5F7808

RGB 95 120 8

HSL 73.39, 0.88%, 0.25%

LAB 46.82, -23.63, 50.06

 

CMYK 46 / 0 / 93 / 53

HEX #417808

RGB 65 120 8

HSL 89.46, 0.88%, 0.25%

LAB 45.05, -35.74, 47.87

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 0 / 49 / 84 / 57

HEX #6E3812

RGB 110 56 18

HSL 24.78, 0.72%, 0.25%

LAB 29.88, 20.94, 32.84

 

CMYK 0 / 42 / 72 / 61

HEX #63391C

RGB 99 57 28

HSL 24.51, 0.56%, 0.25%

LAB 28.55, 15.75, 25.55

 

CMYK 0 / 34 / 56 / 65

HEX #593B27

RGB 89 59 39

HSL 24, 0.39%, 0.25%

LAB 27.84, 10.67, 17.68

 

CMYK 0 / 23 / 38 / 69

HEX #4F3D31

RGB 79 61 49

HSL 24, 0.23%, 0.25%

LAB 27.36, 5.9, 10.4

 

CMYK 0 / 93 / 81 / 53

HEX #780817

RGB 120 8 23

HSL 351.96, 0.88%, 0.25%

LAB 24.41, 44.81, 25.1

 

CMYK 0 / 81 / 93 / 53

HEX #781708

RGB 120 23 8

HSL 8.04, 0.88%, 0.25%

LAB 25.63, 40.54, 34.25

 

CMYK 0 / 56 / 93 / 53

HEX #783508

RGB 120 53 8

HSL 24.11, 0.88%, 0.25%

LAB 30.78, 26.8, 38.52

 

CMYK 0 / 32 / 93 / 53

HEX #785208

RGB 120 82 8

HSL 39.64, 0.88%, 0.25%

LAB 37.92, 9.8, 43.99

 

CMYK 0 / 7 / 93 / 53

HEX #787008

RGB 120 112 8

HSL 55.71, 0.88%, 0.25%

LAB 46.44, -7.74, 50.63

 

CMYK 0 / 55 / 93 / 84

HEX #2A1303

RGB 42 19 3

HSL 24.62, 0.87%, 0.09%

LAB 8.69, 10.13, 12

 

CMYK 0 / 56 / 94 / 68

HEX #512405

RGB 81 36 5

HSL 24.47, 0.88%, 0.17%

LAB 20.13, 18.92, 27.37

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 0 / 55 / 94 / 38

HEX #9F470A

RGB 159 71 10

HSL 24.56, 0.88%, 0.33%

LAB 41.06, 33.59, 48.3

 

CMYK 0 / 55 / 93 / 23

HEX #C5580D

RGB 197 88 13

HSL 24.46, 0.88%, 0.41%

LAB 50.55, 40.17, 56.97

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 56 / 0 / 93 / 53

HEX #357808

RGB 53 120 8

HSL 95.89, 0.88%, 0.25%

LAB 44.53, -39.71, 47.23

 

CMYK 93 / 93 / 0 / 53

HEX #080878

RGB 8 8 120

HSL 240, 0.88%, 0.25%

LAB 13.12, 42.06, -59.33

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 93 / 0 / 56 / 53

HEX #087835

RGB 8 120 53

HSL 144.11, 0.88%, 0.25%

LAB 43.86, -43.95, 28.71

 

CMYK 56 / 93 / 0 / 53

HEX #350878

RGB 53 8 120

HSL 264.11, 0.88%, 0.25%

LAB 16.92, 44.74, -52.9

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 56 / 0 / 93 / 53

HEX #357808

RGB 53 120 8

HSL 95.89, 0.88%, 0.25%

LAB 44.53, -39.71, 47.23

 

CMYK 93 / 38 / 0 / 53

HEX #084B78

RGB 8 75 120

HSL 204.11, 0.88%, 0.25%

LAB 30.5, -1.26, -31

 

CMYK 38 / 93 / 0 / 53

HEX #4B0878

RGB 75 8 120

HSL 275.89, 0.88%, 0.25%

LAB 20.15, 47.39, -47.48

 

CMYK 0 / 55 / 93 / 53

HEX #783608

RGB 120 54 8

HSL 24.64, 0.88%, 0.25%

LAB 30.99, 26.25, 38.68

 

CMYK 84 / 0 / 93 / 53

HEX #137808

RGB 19 120 8

HSL 114.11, 0.88%, 0.25%

LAB 43.64, -47.19, 46.11

 

CMYK 93 / 38 / 0 / 53

HEX #084B78

RGB 8 75 120

HSL 204.11, 0.88%, 0.25%

LAB 30.5, -1.26, -31

 

CMYK 9 / 93 / 0 / 53

HEX #6D0878

RGB 109 8 120

HSL 294.11, 0.88%, 0.25%

LAB 26.1, 52.86, -37.53

 

Description

Color code: RGBA 120 54 8 0.5 | qconv.com Color code: RGBA 120 54 8 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 54 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 54 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 47% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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