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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 11 99 53 0.25 it is the complementary color RGBA 244 156 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 11 99 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 11 99 53 0.25 shade: RGBA 16 99 48 0.25, RGBA 33 117 67 0.25, RGBA 50 135 86 0.25, RGBA 67 153 105 0.25 and RGBA 84 171 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 11 99 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 11 99 53 0.25 shade: RGBA 11 99 53 0.25, RGBA 0 81 34 0.25, RGBA 0 63 15 0.25, RGBA 0 45 0 0.25 and RGBA 0 27 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 11 99 53 0.25 shade: RGB 11 101 54, RGB 11 101 30, RGB 17 101 11, RGB 41 101 11 and RGB 65 101 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 11 99 53 0.25 shade: RGB 11 101 54, RGB 11 101 78, RGB 11 99 101, RGB 11 75 101 and RGB 11 51 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 11 99 53 0.25 shade matches the following richer shades: RGB 11 101 54 and RGB 2 110 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 11 99 53 0.25 shade: RGB 11 101 54, RGB 20 92 54, RGB 29 83 55, RGB 38 74 55 and RGB 48 65 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 11 99 53 0.25 shade: RGB 17 101 11, RGB 11 101 29, RGB 11 101 53, RGB 11 101 77 and RGB 11 101 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 11 99 53 0.25 shade: RGB 3 27 14, RGB 7 64 34, RGB 11 101 54, RGB 15 138 74 and RGB 19 175 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 11 99 53 0.25 shade: RGB 11 99 53, RGB 11 41 101 and RGB 101 17 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 11 99 53 0.25 shade: RGB 11 99 53, RGB 53 11 101 and RGB 101 53 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 11 99 53 0.25 shade: RGB 11 99 53, RGB 11 41 101, RGB 101 11 59 and RGB 101 71 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 11 99 53 0.25 shade: RGB 11 99 53, RGB 11 14 101, RGB 101 11 59 and RGB 101 98 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 12 / 15

HEX #0B63353F

RGBA 11 99 53 0.25

HSLA 148.64, 0.8%, 0.22%, 0.25

LABA 36.46, -35.81, 19.43, 0.25

 

Complementary color

CMYK 0 / 9 / 4 / 1

HEX #F49CCA3F

RGBA 244 156 202 0.25

HSLA 328.64, 0.8%, 0.78%, 0.25

LABA 74.36, 39.07, -9.83, 0.25

 

CMYK 21 / 0 / 13 / 15

HEX #1063303F

RGBA 16 99 48 0.25

HSLA 143.13, 0.72%, 0.23%, 0.25

LABA 36.46, -36.18, 22.3, 0.25

 

CMYK 18 / 0 / 11 / 14

HEX #2175433F

RGBA 33 117 67 0.25

HSLA 144.29, 0.56%, 0.29%, 0.25

LABA 43.44, -37.05, 20.55, 0.25

 

CMYK 16 / 0 / 9 / 12

HEX #3287563F

RGBA 50 135 86 0.25

HSLA 145.41, 0.46%, 0.36%, 0.25

LABA 50.31, -37.38, 18.98, 0.25

 

CMYK 14 / 0 / 8 / 10

HEX #4399693F

RGBA 67 153 105 0.25

HSLA 146.51, 0.39%, 0.43%, 0.25

LABA 57.07, -37.42, 17.59, 0.25

 

CMYK 13 / 0 / 7 / 8

HEX #54AB7C3F

RGBA 84 171 124 0.25

HSLA 147.59, 0.34%, 0.5%, 0.25

LABA 63.73, -37.32, 16.34, 0.25

 

CMYK 22 / 0 / 12 / 15

HEX #0B63353F

RGBA 11 99 53 0.25

HSLA 148.64, 0.8%, 0.22%, 0.25

LABA 36.46, -35.81, 19.43, 0.25

 

CMYK 25 / 0 / 15 / 17

HEX #0051223F

RGBA 0 81 34 0.25

HSLA 145.19, 1%, 0.16%, 0.25

LABA 29.41, -33.77, 21.44, 0.25

 

CMYK 25 / 0 / 19 / 19

HEX #003F0F3F

RGBA 0 63 15 0.25

HSLA 134.29, 1%, 0.12%, 0.25

LABA 22.27, -30.11, 23.45, 0.25

 

CMYK 25 / 0 / 25 / 21

HEX #002D003F

RGBA 0 45 0 0.25

HSLA 120, 1%, 0.09%, 0.25

LABA 14.83, -25.61, 21.09, 0.25

 

CMYK 25 / 0 / 25 / 22

HEX #001B003F

RGBA 0 27 0 0.25

HSLA 120, 1%, 0.05%, 0.25

LABA 7.08, -14.46, 10.34, 0.25

 

CMYK 89 / 0 / 47 / 60

HEX #0B6536

RGB 11 101 54

HSL 148.67, 0.8%, 0.22%

LAB 37.2, -36.4, 19.8

 

CMYK 89 / 0 / 70 / 60

HEX #0B651E

RGB 11 101 30

HSL 132.67, 0.8%, 0.22%

LAB 36.88, -40.25, 32.19

 

CMYK 83 / 0 / 89 / 60

HEX #11650B

RGB 17 101 11

HSL 116, 0.8%, 0.22%

LAB 36.84, -41.09, 39.41

 

CMYK 59 / 0 / 89 / 60

HEX #29650B

RGB 41 101 11

HSL 100, 0.8%, 0.22%

LAB 37.49, -35.66, 40.23

 

CMYK 36 / 0 / 89 / 60

HEX #41650B

RGB 65 101 11

HSL 84, 0.8%, 0.22%

LAB 38.65, -27.03, 41.7

 

CMYK 89 / 0 / 47 / 60

HEX #0B6536

RGB 11 101 54

HSL 148.67, 0.8%, 0.22%

LAB 37.2, -36.4, 19.8

 

CMYK 89 / 0 / 23 / 60

HEX #0B654E

RGB 11 101 78

HSL 164.67, 0.8%, 0.22%

LAB 37.71, -30.61, 6.14

 

CMYK 89 / 2 / 0 / 60

HEX #0B6365

RGB 11 99 101

HSL 181.33, 0.8%, 0.22%

LAB 37.72, -22.5, -7.99

 

CMYK 89 / 26 / 0 / 60

HEX #0B4B65

RGB 11 75 101

HSL 197.33, 0.8%, 0.22%

LAB 29.52, -8.82, -20.54

 

CMYK 89 / 50 / 0 / 60

HEX #0B3365

RGB 11 51 101

HSL 213.33, 0.8%, 0.22%

LAB 21.5, 7.37, -33.24

 

CMYK 89 / 0 / 47 / 60

HEX #0B6536

RGB 11 101 54

HSL 148.67, 0.8%, 0.22%

LAB 37.2, -36.4, 19.8

 

CMYK 98 / 0 / 51 / 57

HEX #026E36

RGB 2 110 54

HSL 148.89, 0.96%, 0.22%

LAB 40.3, -40.67, 23.74

 

CMYK 89 / 0 / 47 / 60

HEX #0B6536

RGB 11 101 54

HSL 148.67, 0.8%, 0.22%

LAB 37.2, -36.4, 19.8

 

CMYK 78 / 0 / 41 / 64

HEX #145C36

RGB 20 92 54

HSL 148.33, 0.64%, 0.22%

LAB 34.13, -31.49, 15.8

 

CMYK 65 / 0 / 34 / 67

HEX #1D5337

RGB 29 83 55

HSL 148.89, 0.48%, 0.22%

LAB 31.17, -25.3, 11.24

 

CMYK 49 / 0 / 26 / 71

HEX #264A37

RGB 38 74 55

HSL 148.33, 0.32%, 0.22%

LAB 28.34, -18.12, 7.38

 

CMYK 26 / 0 / 14 / 75

HEX #304138

RGB 48 65 56

HSL 148.24, 0.15%, 0.22%

LAB 25.85, -9.06, 3.28

 

CMYK 83 / 0 / 89 / 60

HEX #11650B

RGB 17 101 11

HSL 116, 0.8%, 0.22%

LAB 36.84, -41.09, 39.41

 

CMYK 89 / 0 / 71 / 60

HEX #0B651D

RGB 11 101 29

HSL 132, 0.8%, 0.22%

LAB 36.87, -40.37, 32.65

 

CMYK 89 / 0 / 48 / 60

HEX #0B6535

RGB 11 101 53

HSL 148, 0.8%, 0.22%

LAB 37.18, -36.6, 20.35

 

CMYK 89 / 0 / 24 / 60

HEX #0B654D

RGB 11 101 77

HSL 164, 0.8%, 0.22%

LAB 37.69, -30.89, 6.72

 

CMYK 89 / 0 / 0 / 60

HEX #0B6565

RGB 11 101 101

HSL 180, 0.8%, 0.22%

LAB 38.41, -23.54, -6.96

 

CMYK 89 / 0 / 48 / 89

HEX #031B0E

RGB 3 27 14

HSL 147.5, 0.8%, 0.06%

LAB 7.54, -11.67, 5.14

 

CMYK 89 / 0 / 47 / 75

HEX #074022

RGB 7 64 34

HSL 148.42, 0.8%, 0.14%

LAB 23.09, -25.8, 13.46

 

CMYK 89 / 0 / 47 / 60

HEX #0B6536

RGB 11 101 54

HSL 148.67, 0.8%, 0.22%

LAB 37.2, -36.4, 19.8

 

CMYK 89 / 0 / 46 / 46

HEX #0F8A4A

RGB 15 138 74

HSL 148.78, 0.8%, 0.3%

LAB 50.42, -46.22, 25.66

 

CMYK 89 / 0 / 46 / 31

HEX #13AF5E

RGB 19 175 94

HSL 148.85, 0.8%, 0.38%

LAB 63.02, -55.5, 31.22

 

CMYK 89 / 0 / 46 / 61

HEX #0B6335

RGB 11 99 53

HSL 148.64, 0.8%, 0.22%

LAB 36.46, -35.81, 19.43

 

CMYK 89 / 59 / 0 / 60

HEX #0B2965

RGB 11 41 101

HSL 220, 0.8%, 0.22%

LAB 18.35, 14.72, -38.34

 

CMYK 0 / 83 / 89 / 60

HEX #65110B

RGB 101 17 11

HSL 4, 0.8%, 0.22%

LAB 20.8, 36.28, 26.76

 

CMYK 89 / 0 / 46 / 61

HEX #0B6335

RGB 11 99 53

HSL 148.64, 0.8%, 0.22%

LAB 36.46, -35.81, 19.43

 

CMYK 48 / 89 / 0 / 60

HEX #350B65

RGB 53 11 101

HSL 268, 0.8%, 0.22%

LAB 15.15, 38.74, -43.44

 

CMYK 0 / 48 / 89 / 60

HEX #65350B

RGB 101 53 11

HSL 28, 0.8%, 0.22%

LAB 27.67, 18.3, 33.51

 

CMYK 89 / 0 / 46 / 61

HEX #0B6335

RGB 11 99 53

HSL 148.64, 0.8%, 0.22%

LAB 36.46, -35.81, 19.43

 

CMYK 89 / 59 / 0 / 60

HEX #0B2965

RGB 11 41 101

HSL 220, 0.8%, 0.22%

LAB 18.35, 14.72, -38.34

 

CMYK 0 / 89 / 42 / 60

HEX #650B3B

RGB 101 11 59

HSL 328, 0.8%, 0.22%

LAB 21.29, 41.36, -4.59

 

CMYK 0 / 30 / 89 / 60

HEX #65470B

RGB 101 71 11

HSL 40, 0.8%, 0.22%

LAB 32.47, 7.22, 37.63

 

CMYK 89 / 0 / 46 / 61

HEX #0B6335

RGB 11 99 53

HSL 148.64, 0.8%, 0.22%

LAB 36.46, -35.81, 19.43

 

CMYK 89 / 86 / 0 / 60

HEX #0B0E65

RGB 11 14 101

HSL 238, 0.8%, 0.22%

LAB 11.45, 33.19, -49.69

 

CMYK 0 / 89 / 42 / 60

HEX #650B3B

RGB 101 11 59

HSL 328, 0.8%, 0.22%

LAB 21.29, 41.36, -4.59

 

CMYK 0 / 3 / 89 / 60

HEX #65620B

RGB 101 98 11

HSL 58, 0.8%, 0.22%

LAB 40.45, -8.91, 44.34

 

Description

Color code: RGBA 11 99 53 0.25 | qconv.com Color code: RGBA 11 99 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 99 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 99 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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