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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 11 23 76 0.75 it is the complementary color RGBA 244 232 179 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 11 23 76 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 11 23 76 0.75 shade: RGBA 16 23 71 0.75, RGBA 33 41 90 0.75, RGBA 50 59 109 0.75, RGBA 67 77 128 0.75 and RGBA 84 95 147 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 11 23 76 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 11 23 76 0.75 shade: RGBA 11 23 76 0.75, RGBA 0 5 57 0.75, RGBA 0 0 38 0.75, RGBA 0 0 19 0.75 and RGBA 0 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 11 23 76 0.75 shade: RGB 11 23 76, RGB 16 11 76, RGB 34 11 76, RGB 51 11 76 and RGB 69 11 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 11 23 76 0.75 shade: RGB 11 23 76 and RGB 11 11 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 11 23 76 0.75 shade matches the following richer shades: RGB 11 23 76 and RGB 4 18 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 11 23 76 0.75 shade: RGB 11 23 76, RGB 18 27 69, RGB 25 32 62, RGB 32 36 55 and RGB 39 41 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 11 23 76 0.75 shade: RGB 11 59 76, RGB 11 41 76, RGB 11 24 76, RGB 15 11 76 and RGB 33 11 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 11 23 76 0.75 shade: RGB 1 1 4, RGB 6 12 40, RGB 11 23 76, RGB 16 34 112 and RGB 21 45 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 11 23 76 0.75 shade: RGB 11 23 76, RGB 76 11 76 and RGB 50 76 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 11 23 76 0.75 shade: RGB 11 23 76, RGB 76 11 24 and RGB 24 76 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 11 23 76 0.75 shade: RGB 11 23 76, RGB 76 11 76, RGB 76 63 11 and RGB 11 76 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 11 23 76 0.75 shade: RGB 11 23 76, RGB 76 11 56, RGB 76 63 11 and RGB 11 76 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 52 / 0 / 53

HEX #0B174CBF

RGBA 11 23 76 0.75

HSLA 228.92, 0.75%, 0.17%, 0.75

LABA 10.6, 17.35, -34.17, 0.75

 

Complementary color

CMYK 0 / 4 / 20 / 3

HEX #F4E8B3BF

RGBA 244 232 179 0.75

HSLA 48.92, 0.75%, 0.83%, 0.75

LABA 91.77, -3.95, 27.3, 0.75

 

CMYK 58 / 51 / 0 / 54

HEX #101747BF

RGBA 16 23 71 0.75

HSLA 232.36, 0.63%, 0.17%, 0.75

LABA 10.39, 15.89, -31.03, 0.75

 

CMYK 48 / 41 / 0 / 49

HEX #21295ABF

RGBA 33 41 90 0.75

HSLA 231.58, 0.46%, 0.24%, 0.75

LABA 18.57, 13.53, -30.66, 0.75

 

CMYK 41 / 34 / 0 / 43

HEX #323B6DBF

RGBA 50 59 109 0.75

HSLA 230.85, 0.37%, 0.31%, 0.75

LABA 26.48, 11.93, -30.33, 0.75

 

CMYK 36 / 30 / 0 / 37

HEX #434D80BF

RGBA 67 77 128 0.75

HSLA 230.16, 0.31%, 0.38%, 0.75

LABA 34.11, 10.77, -30.09, 0.75

 

CMYK 32 / 27 / 0 / 32

HEX #545F93BF

RGBA 84 95 147 0.75

HSLA 229.52, 0.27%, 0.45%, 0.75

LABA 41.49, 9.89, -29.95, 0.75

 

CMYK 64 / 52 / 0 / 53

HEX #0B174CBF

RGBA 11 23 76 0.75

HSLA 228.92, 0.75%, 0.17%, 0.75

LABA 10.6, 17.35, -34.17, 0.75

 

CMYK 75 / 68 / 0 / 58

HEX #000539BF

RGBA 0 5 57 0.75

HSLA 234.74, 1%, 0.11%, 0.75

LABA 3.65, 16.75, -32.09, 0.75

 

CMYK 75 / 75 / 0 / 64

HEX #000026BF

RGBA 0 0 38 0.75

HSLA 240, 1%, 0.07%, 0.75

LABA 1.26, 8.88, -21.58, 0.75

 

CMYK 75 / 75 / 0 / 69

HEX #000013BF

RGBA 0 0 19 0.75

HSLA 240, 1%, 0.04%, 0.75

LABA 0.42, 2.98, -8.12, 0.75

 

CMYK 0 / 0 / 0 / 100

HEX #000000BF

RGBA 0 0 0 0.75

HSLA 0, 0%, 0%, 0.75

LABA 0, 0, 0, 0.75

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 79 / 86 / 0 / 70

HEX #100B4C

RGB 16 11 76

HSL 244.62, 0.75%, 0.17%

LAB 7.87, 26.26, -38.66

 

CMYK 55 / 86 / 0 / 70

HEX #220B4C

RGB 34 11 76

HSL 261.23, 0.75%, 0.17%

LAB 9.81, 28.7, -35.4

 

CMYK 33 / 86 / 0 / 70

HEX #330B4C

RGB 51 11 76

HSL 276.92, 0.75%, 0.17%

LAB 12.38, 31.88, -31.08

 

CMYK 9 / 86 / 0 / 70

HEX #450B4C

RGB 69 11 76

HSL 293.54, 0.75%, 0.17%

LAB 15.62, 35.82, -25.69

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 86 / 86 / 0 / 70

HEX #0B0B4C

RGB 11 11 76

HSL 240, 0.75%, 0.17%

LAB 7.52, 25.76, -39.25

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 95 / 78 / 0 / 67

HEX #041253

RGB 4 18 83

HSL 229.37, 0.91%, 0.17%

LAB 9.66, 23.33, -40.54

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 74 / 61 / 0 / 73

HEX #121B45

RGB 18 27 69

HSL 229.41, 0.59%, 0.17%

LAB 11.57, 12.33, -27.72

 

CMYK 60 / 48 / 0 / 76

HEX #19203E

RGB 25 32 62

HSL 228.65, 0.43%, 0.17%

LAB 13.15, 7.29, -20.24

 

CMYK 42 / 35 / 0 / 78

HEX #202437

RGB 32 36 55

HSL 229.57, 0.26%, 0.17%

LAB 14.65, 3.97, -12.91

 

CMYK 19 / 15 / 0 / 81

HEX #272930

RGB 39 41 48

HSL 226.67, 0.1%, 0.17%

LAB 16.65, 0.95, -4.86

 

CMYK 86 / 22 / 0 / 70

HEX #0B3B4C

RGB 11 59 76

HSL 195.69, 0.75%, 0.17%

LAB 22.73, -8.8, -14.84

 

CMYK 86 / 46 / 0 / 70

HEX #0B294C

RGB 11 41 76

HSL 212.31, 0.75%, 0.17%

LAB 16.4, 3.6, -24.79

 

CMYK 86 / 68 / 0 / 70

HEX #0B184C

RGB 11 24 76

HSL 228, 0.75%, 0.17%

LAB 10.89, 16.59, -33.69

 

CMYK 80 / 86 / 0 / 70

HEX #0F0B4C

RGB 15 11 76

HSL 243.69, 0.75%, 0.17%

LAB 7.79, 26.15, -38.79

 

CMYK 57 / 86 / 0 / 70

HEX #210B4C

RGB 33 11 76

HSL 260.31, 0.75%, 0.17%

LAB 9.68, 28.54, -35.62

 

CMYK 75 / 75 / 0 / 98

HEX #010104

RGB 1 1 4

HSL 240, 0.6%, 0.01%

LAB 0.33, 0.42, -1.14

 

CMYK 85 / 70 / 0 / 84

HEX #060C28

RGB 6 12 40

HSL 229.41, 0.74%, 0.09%

LAB 4.11, 6.44, -18.66

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 86 / 70 / 0 / 56

HEX #102270

RGB 16 34 112

HSL 228.75, 0.75%, 0.25%

LAB 17.57, 24.91, -46.77

 

CMYK 86 / 70 / 0 / 42

HEX #152D94

RGB 21 45 148

HSL 228.66, 0.75%, 0.33%

LAB 24.24, 31.99, -58.52

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 0 / 86 / 0 / 70

HEX #4C0B4C

RGB 76 11 76

HSL 300, 0.75%, 0.17%

LAB 16.98, 37.45, -23.45

 

CMYK 34 / 0 / 86 / 70

HEX #324C0B

RGB 50 76 11

HSL 84, 0.75%, 0.17%

LAB 29.09, -20.99, 32.72

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 0 / 86 / 68 / 70

HEX #4C0B18

RGB 76 11 24

HSL 348, 0.75%, 0.17%

LAB 14.63, 30.49, 10.28

 

CMYK 68 / 0 / 86 / 70

HEX #184C0B

RGB 24 76 11

HSL 108, 0.75%, 0.17%

LAB 27.81, -30.45, 31.06

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 0 / 86 / 0 / 70

HEX #4C0B4C

RGB 76 11 76

HSL 300, 0.75%, 0.17%

LAB 16.98, 37.45, -23.45

 

CMYK 0 / 17 / 86 / 70

HEX #4C3F0B

RGB 76 63 11

HSL 48, 0.75%, 0.17%

LAB 27.06, -0.56, 31.67

 

CMYK 86 / 0 / 86 / 70

HEX #0B4C0B

RGB 11 76 11

HSL 120, 0.75%, 0.17%

LAB 27.47, -33.28, 30.62

 

CMYK 86 / 70 / 0 / 70

HEX #0B174C

RGB 11 23 76

HSL 228.92, 0.75%, 0.17%

LAB 10.6, 17.35, -34.17

 

CMYK 0 / 86 / 26 / 70

HEX #4C0B38

RGB 76 11 56

HSL 318.46, 0.75%, 0.17%

LAB 15.81, 34.08, -11.3

 

CMYK 0 / 17 / 86 / 70

HEX #4C3F0B

RGB 76 63 11

HSL 48, 0.75%, 0.17%

LAB 27.06, -0.56, 31.67

 

CMYK 86 / 0 / 61 / 70

HEX #0B4C1E

RGB 11 76 30

HSL 137.54, 0.75%, 0.17%

LAB 27.67, -30.96, 21.63

 

Description

Color code: RGBA 11 23 76 0.75 | qconv.com Color code: RGBA 11 23 76 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 23 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 23 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 52 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 52% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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