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Color name
RGBA 119 99 53 0.25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 119 99 53 0.25 it is the complementary color RGBA 136 156 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 119 99 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 119 99 53 0.25 shade: RGBA 124 99 48 0.25, RGBA 141 117 67 0.25, RGBA 158 135 86 0.25, RGBA 175 153 105 0.25 and RGBA 192 171 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 119 99 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 119 99 53 0.25 shade: RGBA 119 99 53 0.25, RGBA 102 81 34 0.25, RGBA 85 63 15 0.25, RGBA 68 45 0 0.25 and RGBA 51 27 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 119 99 53 0.25 shade: RGB 120 100 54, RGB 120 82 54, RGB 120 64 54 and RGB 120 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 119 99 53 0.25 shade: RGB 120 100 54, RGB 120 117 54, RGB 104 120 54, RGB 86 120 54 and RGB 69 120 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 119 99 53 0.25 shade matches the following richer shades: RGB 120 100 54, RGB 134 105 40, RGB 148 111 26 and RGB 162 116 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 119 99 53 0.25 shade: RGB 120 100 54, RGB 106 94 68, RGB 92 89 82, RGB 78 83 96 and RGB 64 78 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 119 99 53 0.25 shade: RGB 120 64 54, RGB 120 81 54, RGB 120 99 54, RGB 120 116 54 and RGB 105 120 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 119 99 53 0.25 shade: RGB 63 52 28, RGB 91 76 41, RGB 120 100 54, RGB 148 123 67 and RGB 176 147 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 119 99 53 0.25 shade: RGB 119 99 53, RGB 61 120 54 and RGB 72 54 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 119 99 53 0.25 shade: RGB 119 99 53, RGB 54 120 99 and RGB 99 54 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 119 99 53 0.25 shade: RGB 119 99 53, RGB 61 120 54, RGB 54 75 120 and RGB 112 54 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 119 99 53 0.25 shade: RGB 119 99 53, RGB 54 120 66, RGB 54 75 120 and RGB 120 54 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 14 / 13

HEX #7763353F

RGBA 119 99 53 0.25

HSLA 41.82, 0.38%, 0.34%, 0.25

LABA 42.92, 1.75, 28.89, 0.25

 

Complementary color

CMYK 8 / 6 / 0 / 5

HEX #889CCA3F

RGBA 136 156 202 0.25

HSLA 221.82, 0.38%, 0.66%, 0.25

LABA 64.38, 3.88, -25.9, 0.25

 

CMYK 0 / 5 / 15 / 13

HEX #7C63303F

RGBA 124 99 48 0.25

HSLA 40.26, 0.44%, 0.34%, 0.25

LABA 43.39, 3.63, 32.31, 0.25

 

CMYK 0 / 4 / 13 / 11

HEX #8D75433F

RGBA 141 117 67 0.25

HSLA 40.54, 0.36%, 0.41%, 0.25

LABA 50.44, 2.64, 30.89, 0.25

 

CMYK 0 / 4 / 11 / 10

HEX #9E87563F

RGBA 158 135 86 0.25

HSLA 40.83, 0.3%, 0.48%, 0.25

LABA 57.34, 1.86, 29.52, 0.25

 

CMYK 0 / 3 / 10 / 8

HEX #AF99693F

RGBA 175 153 105 0.25

HSLA 41.14, 0.3%, 0.55%, 0.25

LABA 64.09, 1.23, 28.22, 0.25

 

CMYK 0 / 3 / 9 / 6

HEX #C0AB7C3F

RGBA 192 171 124 0.25

HSLA 41.47, 0.35%, 0.62%, 0.25

LABA 70.72, 0.69, 27.01, 0.25

 

CMYK 0 / 4 / 14 / 13

HEX #7763353F

RGBA 119 99 53 0.25

HSLA 41.82, 0.38%, 0.34%, 0.25

LABA 42.92, 1.75, 28.89, 0.25

 

CMYK 0 / 5 / 17 / 15

HEX #6651223F

RGBA 102 81 34 0.25

HSLA 41.47, 0.5%, 0.27%, 0.25

LABA 35.65, 2.82, 30.31, 0.25

 

CMYK 0 / 6 / 21 / 17

HEX #553F0F3F

RGBA 85 63 15 0.25

HSLA 41.14, 0.7%, 0.2%, 0.25

LABA 28.17, 4.29, 31.38, 0.25

 

CMYK 0 / 8 / 25 / 18

HEX #442D003F

RGBA 68 45 0 0.25

HSLA 39.71, 1%, 0.13%, 0.25

LABA 20.46, 6.32, 29.21, 0.25

 

CMYK 0 / 12 / 25 / 20

HEX #331B003F

RGBA 51 27 0 0.25

HSLA 31.76, 1%, 0.1%, 0.25

LABA 12.53, 9.24, 18.82, 0.25

 

CMYK 0 / 17 / 55 / 53

HEX #786436

RGB 120 100 54

HSL 41.82, 0.38%, 0.34%

LAB 43.32, 1.71, 28.85

 

CMYK 0 / 32 / 55 / 53

HEX #785236

RGB 120 82 54

HSL 25.45, 0.38%, 0.34%

LAB 38.36, 12.46, 22.72

 

CMYK 0 / 47 / 55 / 53

HEX #784036

RGB 120 64 54

HSL 9.09, 0.38%, 0.34%

LAB 33.83, 23.18, 16.87

 

CMYK 0 / 55 / 55 / 53

HEX #783636

RGB 120 54 54

HSL 0, 0.38%, 0.34%

LAB 31.57, 28.85, 13.87

 

CMYK 0 / 17 / 55 / 53

HEX #786436

RGB 120 100 54

HSL 41.82, 0.38%, 0.34%

LAB 43.32, 1.71, 28.85

 

CMYK 0 / 3 / 55 / 53

HEX #787536

RGB 120 117 54

HSL 57.27, 0.38%, 0.34%

LAB 48.24, -8.05, 34.69

 

CMYK 13 / 0 / 55 / 53

HEX #687836

RGB 104 120 54

HSL 74.55, 0.38%, 0.34%

LAB 47.81, -16.81, 33.85

 

CMYK 28 / 0 / 55 / 53

HEX #567836

RGB 86 120 54

HSL 90.91, 0.38%, 0.34%

LAB 46.55, -24.33, 32.05

 

CMYK 43 / 0 / 55 / 53

HEX #457836

RGB 69 120 54

HSL 106.36, 0.38%, 0.34%

LAB 45.59, -30.71, 30.67

 

CMYK 0 / 17 / 55 / 53

HEX #786436

RGB 120 100 54

HSL 41.82, 0.38%, 0.34%

LAB 43.32, 1.71, 28.85

 

CMYK 0 / 22 / 70 / 47

HEX #866928

RGB 134 105 40

HSL 41.49, 0.54%, 0.34%

LAB 46.08, 4.22, 39.66

 

CMYK 0 / 25 / 82 / 42

HEX #946F1A

RGB 148 111 26

HSL 41.8, 0.7%, 0.34%

LAB 49.18, 6.63, 49.1

 

CMYK 0 / 28 / 93 / 36

HEX #A2740C

RGB 162 116 12

HSL 41.6, 0.86%, 0.34%

LAB 52.06, 9.92, 56.09

 

CMYK 0 / 17 / 55 / 53

HEX #786436

RGB 120 100 54

HSL 41.82, 0.38%, 0.34%

LAB 43.32, 1.71, 28.85

 

CMYK 0 / 11 / 36 / 58

HEX #6A5E44

RGB 106 94 68

HSL 41.05, 0.22%, 0.34%

LAB 40.39, 0.53, 16.7

 

CMYK 0 / 3 / 11 / 64

HEX #5C5952

RGB 92 89 82

HSL 42, 0.06%, 0.34%

LAB 37.89, -0.19, 4.47

 

CMYK 19 / 14 / 0 / 62

HEX #4E5360

RGB 78 83 96

HSL 223.33, 0.1%, 0.34%

LAB 35.3, 1.11, -8.22

 

CMYK 42 / 29 / 0 / 57

HEX #404E6E

RGB 64 78 110

HSL 221.74, 0.26%, 0.34%

LAB 33.27, 3.52, -20.2

 

CMYK 0 / 47 / 55 / 53

HEX #784036

RGB 120 64 54

HSL 9.09, 0.38%, 0.34%

LAB 33.83, 23.18, 16.87

 

CMYK 0 / 33 / 55 / 53

HEX #785136

RGB 120 81 54

HSL 24.55, 0.38%, 0.34%

LAB 38.1, 13.06, 22.38

 

CMYK 0 / 18 / 55 / 53

HEX #786336

RGB 120 99 54

HSL 40.91, 0.38%, 0.34%

LAB 43.04, 2.3, 28.51

 

CMYK 0 / 3 / 55 / 53

HEX #787436

RGB 120 116 54

HSL 56.36, 0.38%, 0.34%

LAB 47.94, -7.49, 34.35

 

CMYK 13 / 0 / 55 / 53

HEX #697836

RGB 105 120 54

HSL 73.64, 0.38%, 0.34%

LAB 47.88, -16.38, 33.96

 

CMYK 0 / 17 / 56 / 75

HEX #3F341C

RGB 63 52 28

HSL 41.14, 0.38%, 0.18%

LAB 22.29, 1.1, 16.94

 

CMYK 0 / 16 / 55 / 64

HEX #5B4C29

RGB 91 76 41

HSL 42, 0.38%, 0.26%

LAB 33.03, 1.17, 23.01

 

CMYK 0 / 17 / 55 / 53

HEX #786436

RGB 120 100 54

HSL 41.82, 0.38%, 0.34%

LAB 43.32, 1.71, 28.85

 

CMYK 0 / 17 / 55 / 42

HEX #947B43

RGB 148 123 67

HSL 41.48, 0.38%, 0.42%

LAB 52.8, 2.35, 33.94

 

CMYK 0 / 16 / 55 / 31

HEX #B09350

RGB 176 147 80

HSL 41.88, 0.38%, 0.5%

LAB 62.23, 2.41, 39.15

 

CMYK 0 / 17 / 55 / 53

HEX #776335

RGB 119 99 53

HSL 41.82, 0.38%, 0.34%

LAB 42.92, 1.75, 28.89

 

CMYK 49 / 0 / 55 / 53

HEX #3D7836

RGB 61 120 54

HSL 113.64, 0.38%, 0.34%

LAB 45.21, -33.37, 30.13

 

CMYK 40 / 55 / 0 / 53

HEX #483678

RGB 72 54 120

HSL 256.36, 0.38%, 0.34%

LAB 27.77, 24.66, -35.14

 

CMYK 0 / 17 / 55 / 53

HEX #776335

RGB 119 99 53

HSL 41.82, 0.38%, 0.34%

LAB 42.92, 1.75, 28.89

 

CMYK 55 / 0 / 18 / 53

HEX #367863

RGB 54 120 99

HSL 160.91, 0.38%, 0.34%

LAB 45.8, -26.52, 5.19

 

CMYK 18 / 55 / 0 / 53

HEX #633678

RGB 99 54 120

HSL 280.91, 0.38%, 0.34%

LAB 30.99, 32.35, -29.82

 

CMYK 0 / 17 / 55 / 53

HEX #776335

RGB 119 99 53

HSL 41.82, 0.38%, 0.34%

LAB 42.92, 1.75, 28.89

 

CMYK 49 / 0 / 55 / 53

HEX #3D7836

RGB 61 120 54

HSL 113.64, 0.38%, 0.34%

LAB 45.21, -33.37, 30.13

 

CMYK 55 / 38 / 0 / 53

HEX #364B78

RGB 54 75 120

HSL 220.91, 0.38%, 0.34%

LAB 32.2, 6.02, -28.2

 

CMYK 7 / 55 / 0 / 53

HEX #703678

RGB 112 54 120

HSL 292.73, 0.38%, 0.34%

LAB 32.79, 36.23, -26.87

 

CMYK 0 / 17 / 55 / 53

HEX #776335

RGB 119 99 53

HSL 41.82, 0.38%, 0.34%

LAB 42.92, 1.75, 28.89

 

CMYK 55 / 0 / 45 / 53

HEX #367842

RGB 54 120 66

HSL 130.91, 0.38%, 0.34%

LAB 45.1, -33.6, 23.4

 

CMYK 55 / 38 / 0 / 53

HEX #364B78

RGB 54 75 120

HSL 220.91, 0.38%, 0.34%

LAB 32.2, 6.02, -28.2

 

CMYK 0 / 55 / 10 / 53

HEX #78366C

RGB 120 54 108

HSL 310.91, 0.38%, 0.34%

LAB 33.38, 36.39, -18.28

 

Description

Color code: RGBA 119 99 53 0.25 | qconv.com Color code: RGBA 119 99 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 99 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 99 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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