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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 119 237 233 0.75 it is the complementary color RGBA 136 18 22 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 119 237 233 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 119 237 233 0.75 shade: RGBA 124 237 228 0.75, RGBA 141 255 247 0.75, RGBA 158 255 255 0.75, RGBA 175 255 255 0.75 and RGBA 192 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 119 237 233 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 119 237 233 0.75 shade: RGBA 119 237 233 0.75, RGBA 102 219 214 0.75, RGBA 85 201 195 0.75, RGBA 68 183 176 0.75 and RGBA 51 165 157 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 119 237 233 0.75 shade: RGB 120 237 233, RGB 120 237 202, RGB 120 237 170, RGB 120 237 138 and RGB 133 237 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 119 237 233 0.75 shade: RGB 120 237 233, RGB 120 210 237, RGB 120 178 237, RGB 120 146 237 and RGB 120 120 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 119 237 233 0.75 shade matches the following richer shades: RGB 120 237 233 and RGB 107 250 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 119 237 233 0.75 shade: RGB 120 237 233, RGB 132 225 222, RGB 144 213 210, RGB 157 200 199 and RGB 169 188 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 119 237 233 0.75 shade: RGB 120 237 169, RGB 120 237 200, RGB 120 237 232, RGB 120 212 237 and RGB 120 180 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 119 237 233 0.75 shade: RGB 47 228 222, RGB 83 233 228, RGB 120 237 233, RGB 156 242 239 and RGB 193 247 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 119 237 233 0.75 shade: RGB 119 237 233, RGB 137 120 237 and RGB 237 184 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 119 237 233 0.75 shade: RGB 119 237 233, RGB 232 120 237 and RGB 237 232 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 119 237 233 0.75 shade: RGB 119 237 233, RGB 137 120 237, RGB 237 120 125 and RGB 220 237 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 119 237 233 0.75 shade: RGB 119 237 233, RGB 173 120 237, RGB 237 120 125 and RGB 184 237 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 1 / 5

HEX #77EDE9BF

RGBA 119 237 233 0.75

HSLA 177.97, 0.77%, 0.7%, 0.75

LABA 87.18, -34.23, -8.33, 0.75

 

Complementary color

CMYK 0 / 65 / 63 / 35

HEX #881216BF

RGBA 136 18 22 0.75

HSLA 357.97, 0.77%, 0.3%, 0.75

LABA 28.71, 47.32, 31.25, 0.75

 

CMYK 36 / 0 / 3 / 5

HEX #7CEDE4BF

RGBA 124 237 228 0.75

HSLA 175.22, 0.76%, 0.71%, 0.75

LABA 87.22, -34.41, -5.63, 0.75

 

CMYK 34 / 0 / 2 / 0

HEX #8DFFF7BF

RGBA 141 255 247 0.75

HSLA 175.79, 1%, 0.78%, 0.75

LABA 93.41, -34.4, -6.32, 0.75

 

CMYK 29 / 0 / 0 / 0

HEX #9EFFFFBF

RGBA 158 255 255 0.75

HSLA 180, 1%, 0.81%, 0.75

LABA 94.32, -28.51, -9.03, 0.75

 

CMYK 24 / 0 / 0 / 0

HEX #AFFFFFBF

RGBA 175 255 255 0.75

HSLA 180, 1%, 0.84%, 0.75

LABA 95.1, -24.16, -7.78, 0.75

 

CMYK 19 / 0 / 0 / 0

HEX #C0FFFFBF

RGBA 192 255 255 0.75

HSLA 180, 1%, 0.88%, 0.75

LABA 95.97, -19.49, -6.39, 0.75

 

CMYK 37 / 0 / 1 / 5

HEX #77EDE9BF

RGBA 119 237 233 0.75

HSLA 177.97, 0.77%, 0.7%, 0.75

LABA 87.18, -34.23, -8.33, 0.75

 

CMYK 40 / 0 / 2 / 11

HEX #66DBD6BF

RGBA 102 219 214 0.75

HSLA 177.44, 0.62%, 0.63%, 0.75

LABA 80.93, -34.11, -7.62, 0.75

 

CMYK 43 / 0 / 2 / 16

HEX #55C9C3BF

RGBA 85 201 195 0.75

HSLA 176.9, 0.52%, 0.56%, 0.75

LABA 74.6, -33.91, -6.85, 0.75

 

CMYK 47 / 0 / 3 / 21

HEX #44B7B0BF

RGBA 68 183 176 0.75

HSLA 176.35, 0.46%, 0.49%, 0.75

LABA 68.19, -33.58, -6.02, 0.75

 

CMYK 52 / 0 / 4 / 26

HEX #33A59DBF

RGBA 51 165 157 0.75

HSLA 175.79, 0.53%, 0.42%, 0.75

LABA 61.7, -33.08, -5.1, 0.75

 

CMYK 49 / 0 / 2 / 7

HEX #78EDE9

RGB 120 237 233

HSL 177.95, 0.76%, 0.7%

LAB 87.21, -34.03, -8.28

 

CMYK 49 / 0 / 15 / 7

HEX #78EDCA

RGB 120 237 202

HSL 162.05, 0.76%, 0.7%

LAB 86.42, -41.38, 6.81

 

CMYK 49 / 0 / 28 / 7

HEX #78EDAA

RGB 120 237 170

HSL 145.64, 0.76%, 0.7%

LAB 85.74, -48, 22.49

 

CMYK 49 / 0 / 42 / 7

HEX #78ED8A

RGB 120 237 138

HSL 129.23, 0.76%, 0.7%

LAB 85.2, -53.5, 37.98

 

CMYK 44 / 0 / 49 / 7

HEX #85ED78

RGB 133 237 120

HSL 113.33, 0.76%, 0.7%

LAB 85.46, -52.46, 47.14

 

CMYK 49 / 0 / 2 / 7

HEX #78EDE9

RGB 120 237 233

HSL 177.95, 0.76%, 0.7%

LAB 87.21, -34.03, -8.28

 

CMYK 49 / 11 / 0 / 7

HEX #78D2ED

RGB 120 210 237

HSL 193.85, 0.76%, 0.7%

LAB 79.73, -19.83, -21.63

 

CMYK 49 / 25 / 0 / 7

HEX #78B2ED

RGB 120 178 237

HSL 210.26, 0.76%, 0.7%

LAB 70.84, -2.9, -35.28

 

CMYK 49 / 38 / 0 / 7

HEX #7892ED

RGB 120 146 237

HSL 226.67, 0.76%, 0.7%

LAB 62.22, 15.35, -48.77

 

CMYK 49 / 49 / 0 / 7

HEX #7878ED

RGB 120 120 237

HSL 240, 0.76%, 0.7%

LAB 55.62, 30.75, -59.28

 

CMYK 49 / 0 / 2 / 7

HEX #78EDE9

RGB 120 237 233

HSL 177.95, 0.76%, 0.7%

LAB 87.21, -34.03, -8.28

 

CMYK 57 / 0 / 2 / 2

HEX #6BFAF5

RGB 107 250 245

HSL 177.9, 0.93%, 0.7%

LAB 90.82, -39.45, -9.24

 

CMYK 49 / 0 / 2 / 7

HEX #78EDE9

RGB 120 237 233

HSL 177.95, 0.76%, 0.7%

LAB 87.21, -34.03, -8.28

 

CMYK 41 / 0 / 1 / 12

HEX #84E1DE

RGB 132 225 222

HSL 178.06, 0.61%, 0.7%

LAB 83.98, -28.34, -7.22

 

CMYK 32 / 0 / 1 / 16

HEX #90D5D2

RGB 144 213 210

HSL 177.39, 0.45%, 0.7%

LAB 80.83, -22.2, -5.43

 

CMYK 22 / 0 / 0 / 22

HEX #9DC8C7

RGB 157 200 199

HSL 178.6, 0.28%, 0.7%

LAB 77.64, -14.3, -4.17

 

CMYK 10 / 0 / 1 / 26

HEX #A9BCBB

RGB 169 188 187

HSL 176.84, 0.12%, 0.7%

LAB 74.82, -6.69, -1.72

 

CMYK 49 / 0 / 29 / 7

HEX #78EDA9

RGB 120 237 169

HSL 145.13, 0.76%, 0.7%

LAB 85.72, -48.19, 22.98

 

CMYK 49 / 0 / 16 / 7

HEX #78EDC8

RGB 120 237 200

HSL 161.03, 0.76%, 0.7%

LAB 86.37, -41.83, 7.79

 

CMYK 49 / 0 / 2 / 7

HEX #78EDE8

RGB 120 237 232

HSL 177.44, 0.76%, 0.7%

LAB 87.19, -34.28, -7.79

 

CMYK 49 / 11 / 0 / 7

HEX #78D4ED

RGB 120 212 237

HSL 192.82, 0.76%, 0.7%

LAB 80.29, -20.85, -20.78

 

CMYK 49 / 24 / 0 / 7

HEX #78B4ED

RGB 120 180 237

HSL 209.23, 0.76%, 0.7%

LAB 71.38, -4, -34.42

 

CMYK 79 / 0 / 3 / 11

HEX #2FE4DE

RGB 47 228 222

HSL 178.01, 0.77%, 0.54%

LAB 82.57, -43.75, -9.56

 

CMYK 64 / 0 / 2 / 9

HEX #53E9E4

RGB 83 233 228

HSL 178, 0.77%, 0.62%

LAB 84.85, -40.14, -9.27

 

CMYK 49 / 0 / 2 / 7

HEX #78EDE9

RGB 120 237 233

HSL 177.95, 0.76%, 0.7%

LAB 87.21, -34.03, -8.28

 

CMYK 36 / 0 / 1 / 5

HEX #9CF2EF

RGB 156 242 239

HSL 177.91, 0.77%, 0.78%

LAB 90.23, -26.51, -6.78

 

CMYK 22 / 0 / 1 / 3

HEX #C1F7F5

RGB 193 247 245

HSL 177.78, 0.77%, 0.86%

LAB 93.65, -17.38, -4.65

 

CMYK 50 / 0 / 2 / 7

HEX #77EDE9

RGB 119 237 233

HSL 177.97, 0.77%, 0.7%

LAB 87.18, -34.23, -8.33

 

CMYK 42 / 49 / 0 / 7

HEX #8978ED

RGB 137 120 237

HSL 248.72, 0.76%, 0.7%

LAB 56.94, 34.57, -57.09

 

CMYK 0 / 22 / 49 / 7

HEX #EDB878

RGB 237 184 120

HSL 32.82, 0.76%, 0.7%

LAB 78.25, 11.54, 39.71

 

CMYK 50 / 0 / 2 / 7

HEX #77EDE9

RGB 119 237 233

HSL 177.97, 0.77%, 0.7%

LAB 87.18, -34.23, -8.33

 

CMYK 2 / 49 / 0 / 7

HEX #E878ED

RGB 232 120 237

HSL 297.44, 0.76%, 0.7%

LAB 67.05, 59.38, -40.45

 

CMYK 0 / 2 / 49 / 7

HEX #EDE878

RGB 237 232 120

HSL 57.44, 0.76%, 0.7%

LAB 90.36, -13.06, 54.54

 

CMYK 50 / 0 / 2 / 7

HEX #77EDE9

RGB 119 237 233

HSL 177.97, 0.77%, 0.7%

LAB 87.18, -34.23, -8.33

 

CMYK 42 / 49 / 0 / 7

HEX #8978ED

RGB 137 120 237

HSL 248.72, 0.76%, 0.7%

LAB 56.94, 34.57, -57.09

 

CMYK 0 / 49 / 47 / 7

HEX #ED787D

RGB 237 120 125

HSL 357.44, 0.76%, 0.7%

LAB 64.09, 45.45, 18.35

 

CMYK 7 / 0 / 49 / 7

HEX #DCED78

RGB 220 237 120

HSL 68.72, 0.76%, 0.7%

LAB 90.39, -22.17, 54.26

 

CMYK 50 / 0 / 2 / 7

HEX #77EDE9

RGB 119 237 233

HSL 177.97, 0.77%, 0.7%

LAB 87.18, -34.23, -8.33

 

CMYK 27 / 49 / 0 / 7

HEX #AD78ED

RGB 173 120 237

HSL 267.18, 0.76%, 0.7%

LAB 60.28, 43.52, -51.58

 

CMYK 0 / 49 / 47 / 7

HEX #ED787D

RGB 237 120 125

HSL 357.44, 0.76%, 0.7%

LAB 64.09, 45.45, 18.35

 

CMYK 22 / 0 / 49 / 7

HEX #B8ED78

RGB 184 237 120

HSL 87.18, 0.76%, 0.7%

LAB 88.02, -35.7, 50.86

 

Description

Color code: RGBA 119 237 233 0.75 | qconv.com Color code: RGBA 119 237 233 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 237 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 237 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 1 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 1% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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