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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 119 136 144 0.75 it is the complementary color RGBA 136 119 111 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 119 136 144 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 119 136 144 0.75 shade: RGBA 124 136 139 0.75, RGBA 141 154 158 0.75, RGBA 158 172 177 0.75, RGBA 175 190 196 0.75 and RGBA 192 208 215 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 119 136 144 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 119 136 144 0.75 shade: RGBA 119 136 144 0.75, RGBA 102 118 125 0.75, RGBA 85 100 106 0.75, RGBA 68 82 87 0.75 and RGBA 51 64 68 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 119 136 144 0.75 shade: RGB 120 137 145, RGB 120 130 145, RGB 120 124 145, RGB 124 120 145 and RGB 130 120 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 119 136 144 0.75 shade: RGB 120 137 145, RGB 120 130 145, RGB 120 124 145 and RGB 120 120 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 119 136 144 0.75 shade matches the following richer shades: RGB 120 137 145, RGB 101 144 165, RGB 81 151 184, RGB 61 158 204 and RGB 41 166 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 119 136 144 0.75 shade: RGB 120 137 145, RGB 140 130 125, RGB 160 123 105, RGB 180 116 85 and RGB 200 108 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 119 136 144 0.75 shade: RGB 120 145 140, RGB 120 144 145, RGB 120 137 145, RGB 120 131 145 and RGB 120 124 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 119 136 144 0.75 shade: RGB 82 95 100, RGB 101 116 123, RGB 120 137 145, RGB 143 157 163 and RGB 166 177 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 119 136 144 0.75 shade: RGB 119 136 144, RGB 133 120 145 and RGB 145 143 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 119 136 144 0.75 shade: RGB 119 136 144, RGB 145 120 137 and RGB 137 145 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 119 136 144 0.75 shade: RGB 119 136 144, RGB 133 120 145, RGB 145 128 120 and RGB 132 145 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 119 136 144 0.75 shade: RGB 119 136 144, RGB 140 120 145, RGB 145 128 120 and RGB 125 145 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 4 / 0 / 33

HEX #778890BF

RGBA 119 136 144 0.75

HSLA 199.2, 0.1%, 0.52%, 0.75

LABA 55.63, -4.35, -6.35, 0.75

 

Complementary color

CMYK 0 / 9 / 14 / 35

HEX #88776FBF

RGBA 136 119 111 0.75

HSLA 19.2, 0.1%, 0.48%, 0.75

LABA 51.35, 5.18, 6.8, 0.75

 

CMYK 8 / 2 / 0 / 34

HEX #7C888BBF

RGBA 124 136 139 0.75

HSLA 192, 0.06%, 0.52%, 0.75

LABA 55.84, -3.72, -3.11, 0.75

 

CMYK 8 / 2 / 0 / 29

HEX #8D9A9EBF

RGBA 141 154 158 0.75

HSLA 194.12, 0.08%, 0.59%, 0.75

LABA 62.71, -3.79, -3.69, 0.75

 

CMYK 8 / 2 / 0 / 23

HEX #9EACB1BF

RGBA 158 172 177 0.75

HSLA 195.79, 0.11%, 0.66%, 0.75

LABA 69.43, -3.86, -4.24, 0.75

 

CMYK 8 / 2 / 0 / 17

HEX #AFBEC4BF

RGBA 175 190 196 0.75

HSLA 197.14, 0.15%, 0.73%, 0.75

LABA 76.02, -3.93, -4.79, 0.75

 

CMYK 8 / 2 / 0 / 12

HEX #C0D0D7BF

RGBA 192 208 215 0.75

HSLA 198.26, 0.22%, 0.8%, 0.75

LABA 82.5, -4.01, -5.32, 0.75

 

CMYK 13 / 4 / 0 / 33

HEX #778890BF

RGBA 119 136 144 0.75

HSLA 199.2, 0.1%, 0.52%, 0.75

LABA 55.63, -4.35, -6.35, 0.75

 

CMYK 14 / 4 / 0 / 38

HEX #66767DBF

RGBA 102 118 125 0.75

HSLA 198.26, 0.1%, 0.45%, 0.75

LABA 48.59, -4.3, -5.84, 0.75

 

CMYK 15 / 4 / 0 / 44

HEX #55646ABF

RGBA 85 100 106 0.75

HSLA 197.14, 0.11%, 0.37%, 0.75

LABA 41.35, -4.25, -5.31, 0.75

 

CMYK 16 / 4 / 0 / 49

HEX #445257BF

RGBA 68 82 87 0.75

HSLA 195.79, 0.12%, 0.3%, 0.75

LABA 33.88, -4.22, -4.76, 0.75

 

CMYK 19 / 4 / 0 / 55

HEX #334044BF

RGBA 51 64 68 0.75

HSLA 194.12, 0.14%, 0.23%, 0.75

LABA 26.12, -4.2, -4.19, 0.75

 

CMYK 17 / 6 / 0 / 43

HEX #788991

RGB 120 137 145

HSL 199.2, 0.1%, 0.52%

LAB 56.02, -4.34, -6.35

 

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

CMYK 17 / 14 / 0 / 43

HEX #787C91

RGB 120 124 145

HSL 230.4, 0.1%, 0.52%

LAB 52.35, 3.12, -11.84

 

CMYK 14 / 17 / 0 / 43

HEX #7C7891

RGB 124 120 145

HSL 249.6, 0.1%, 0.52%

LAB 51.57, 6.85, -12.98

 

CMYK 10 / 17 / 0 / 43

HEX #827891

RGB 130 120 145

HSL 264, 0.1%, 0.52%

LAB 52.09, 8.95, -12.14

 

CMYK 17 / 6 / 0 / 43

HEX #788991

RGB 120 137 145

HSL 199.2, 0.1%, 0.52%

LAB 56.02, -4.34, -6.35

 

CMYK 17 / 10 / 0 / 43

HEX #788291

RGB 120 130 145

HSL 216, 0.1%, 0.52%

LAB 54.03, -0.35, -9.31

 

CMYK 17 / 14 / 0 / 43

HEX #787C91

RGB 120 124 145

HSL 230.4, 0.1%, 0.52%

LAB 52.35, 3.12, -11.84

 

CMYK 17 / 17 / 0 / 43

HEX #787891

RGB 120 120 145

HSL 240, 0.1%, 0.52%

LAB 51.23, 5.47, -13.52

 

CMYK 17 / 6 / 0 / 43

HEX #788991

RGB 120 137 145

HSL 199.2, 0.1%, 0.52%

LAB 56.02, -4.34, -6.35

 

CMYK 39 / 13 / 0 / 35

HEX #6590A5

RGB 101 144 165

HSL 199.69, 0.26%, 0.52%

LAB 57.49, -9.17, -15.74

 

CMYK 56 / 18 / 0 / 28

HEX #5197B8

RGB 81 151 184

HSL 199.22, 0.42%, 0.52%

LAB 59.29, -12.45, -23.88

 

CMYK 70 / 23 / 0 / 20

HEX #3D9ECC

RGB 61 158 204

HSL 199.3, 0.58%, 0.52%

LAB 61.49, -13.42, -31.78

 

CMYK 82 / 26 / 0 / 12

HEX #29A6E0

RGB 41 166 224

HSL 199.02, 0.75%, 0.52%

LAB 64.26, -13.25, -38.59

 

CMYK 17 / 6 / 0 / 43

HEX #788991

RGB 120 137 145

HSL 199.2, 0.1%, 0.52%

LAB 56.02, -4.34, -6.35

 

CMYK 0 / 7 / 11 / 45

HEX #8C827D

RGB 140 130 125

HSL 20, 0.06%, 0.52%

LAB 55.09, 2.86, 4.06

 

CMYK 0 / 23 / 34 / 37

HEX #A07B69

RGB 160 123 105

HSL 19.64, 0.22%, 0.52%

LAB 54.72, 11.77, 15.37

 

CMYK 0 / 36 / 53 / 29

HEX #B47455

RGB 180 116 85

HSL 19.58, 0.39%, 0.52%

LAB 54.92, 21.81, 27.47

 

CMYK 0 / 46 / 67 / 22

HEX #C86C42

RGB 200 108 66

HSL 18.81, 0.55%, 0.52%

LAB 55.48, 32.95, 39.19

 

CMYK 17 / 0 / 3 / 43

HEX #78918C

RGB 120 145 140

HSL 168, 0.1%, 0.52%

LAB 58.17, -9.9, -0.31

 

CMYK 17 / 1 / 0 / 43

HEX #789091

RGB 120 144 145

HSL 182.4, 0.1%, 0.52%

LAB 58.02, -8.25, -3.38

 

CMYK 17 / 6 / 0 / 43

HEX #788991

RGB 120 137 145

HSL 199.2, 0.1%, 0.52%

LAB 56.02, -4.34, -6.35

 

CMYK 17 / 10 / 0 / 43

HEX #788391

RGB 120 131 145

HSL 213.6, 0.1%, 0.52%

LAB 54.31, -0.93, -8.89

 

CMYK 17 / 14 / 0 / 43

HEX #787C91

RGB 120 124 145

HSL 230.4, 0.1%, 0.52%

LAB 52.35, 3.12, -11.84

 

CMYK 18 / 5 / 0 / 61

HEX #525F64

RGB 82 95 100

HSL 196.67, 0.1%, 0.36%

LAB 39.41, -3.8, -4.54

 

CMYK 18 / 6 / 0 / 52

HEX #65747B

RGB 101 116 123

HSL 199.09, 0.1%, 0.44%

LAB 47.86, -3.95, -5.74

 

CMYK 17 / 6 / 0 / 43

HEX #788991

RGB 120 137 145

HSL 199.2, 0.1%, 0.52%

LAB 56.02, -4.34, -6.35

 

CMYK 12 / 4 / 0 / 36

HEX #8F9DA3

RGB 143 157 163

HSL 198, 0.1%, 0.6%

LAB 63.83, -3.7, -4.83

 

CMYK 9 / 3 / 0 / 29

HEX #A6B1B6

RGB 166 177 182

HSL 198.75, 0.1%, 0.68%

LAB 71.51, -2.83, -3.88

 

CMYK 17 / 6 / 0 / 44

HEX #778890

RGB 119 136 144

HSL 199.2, 0.1%, 0.52%

LAB 55.63, -4.35, -6.35

 

CMYK 8 / 17 / 0 / 43

HEX #857891

RGB 133 120 145

HSL 271.2, 0.1%, 0.52%

LAB 52.36, 10.01, -11.71

 

CMYK 0 / 1 / 17 / 43

HEX #918F78

RGB 145 143 120

HSL 55.2, 0.1%, 0.52%

LAB 58.99, -3.36, 12.52

 

CMYK 17 / 6 / 0 / 44

HEX #778890

RGB 119 136 144

HSL 199.2, 0.1%, 0.52%

LAB 55.63, -4.35, -6.35

 

CMYK 0 / 17 / 6 / 43

HEX #917889

RGB 145 120 137

HSL 319.2, 0.1%, 0.52%

LAB 53.23, 12.75, -5.6

 

CMYK 6 / 0 / 17 / 43

HEX #899178

RGB 137 145 120

HSL 79.2, 0.1%, 0.52%

LAB 58.91, -7.58, 12.3

 

CMYK 17 / 6 / 0 / 44

HEX #778890

RGB 119 136 144

HSL 199.2, 0.1%, 0.52%

LAB 55.63, -4.35, -6.35

 

CMYK 8 / 17 / 0 / 43

HEX #857891

RGB 133 120 145

HSL 271.2, 0.1%, 0.52%

LAB 52.36, 10.01, -11.71

 

CMYK 0 / 12 / 17 / 43

HEX #918078

RGB 145 128 120

HSL 19.2, 0.1%, 0.52%

LAB 54.88, 5.09, 6.71

 

CMYK 9 / 0 / 17 / 43

HEX #849178

RGB 132 145 120

HSL 91.2, 0.1%, 0.52%

LAB 58.52, -9.49, 11.71

 

CMYK 17 / 6 / 0 / 44

HEX #778890

RGB 119 136 144

HSL 199.2, 0.1%, 0.52%

LAB 55.63, -4.35, -6.35

 

CMYK 3 / 17 / 0 / 43

HEX #8C7891

RGB 140 120 145

HSL 288, 0.1%, 0.52%

LAB 53.01, 12.51, -10.67

 

CMYK 0 / 12 / 17 / 43

HEX #918078

RGB 145 128 120

HSL 19.2, 0.1%, 0.52%

LAB 54.88, 5.09, 6.71

 

CMYK 14 / 0 / 17 / 43

HEX #7D9178

RGB 125 145 120

HSL 108, 0.1%, 0.52%

LAB 58.01, -12.12, 10.91

 

Description

Color code: RGBA 119 136 144 0.75 | qconv.com Color code: RGBA 119 136 144 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 136 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 136 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 4 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 4% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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