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Color name
RGBA 118 142 26 0.75

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 118 142 26 0.75 it is the complementary color RGBA 137 113 229 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 118 142 26 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 118 142 26 0.75 shade: RGBA 123 142 21 0.75, RGBA 140 160 40 0.75, RGBA 157 178 59 0.75, RGBA 174 196 78 0.75 and RGBA 191 214 97 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 118 142 26 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 118 142 26 0.75 shade: RGBA 118 142 26 0.75, RGBA 101 124 7 0.75, RGBA 84 106 0 0.75, RGBA 67 88 0 0.75 and RGBA 50 70 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 118 142 26 0.75 shade: RGB 118 142 26, RGB 142 135 26, RGB 142 104 26, RGB 142 72 26 and RGB 142 41 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 118 142 26 0.75 shade: RGB 118 142 26, RGB 87 142 26, RGB 56 142 26, RGB 26 142 28 and RGB 26 142 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 118 142 26 0.75 shade matches the following richer shades: RGB 118 142 26 and RGB 126 156 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 118 142 26 0.75 shade: RGB 118 142 26, RGB 110 129 40, RGB 102 115 53, RGB 94 101 67 and RGB 86 88 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 118 142 26 0.75 shade: RGB 142 104 26, RGB 142 134 26, RGB 119 142 26, RGB 88 142 26 and RGB 57 142 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 118 142 26 0.75 shade: RGB 60 72 13, RGB 89 107 20, RGB 118 142 26, RGB 147 177 32 and RGB 176 212 39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 118 142 26 0.75 shade: RGB 118 142 26, RGB 26 142 73 and RGB 119 26 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 118 142 26 0.75 shade: RGB 118 142 26, RGB 26 119 142 and RGB 142 26 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 118 142 26 0.75 shade: RGB 118 142 26, RGB 26 142 73, RGB 49 26 142 and RGB 142 26 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 118 142 26 0.75 shade: RGB 118 142 26, RGB 26 142 107, RGB 49 26 142 and RGB 142 26 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 61 / 33

HEX #768E1ABF

RGBA 118 142 26 0.75

HSLA 72.41, 0.69%, 0.33%, 0.75

LABA 55.35, -24.02, 53.59, 0.75

 

Complementary color

CMYK 30 / 38 / 0 / 8

HEX #8971E5BF

RGBA 137 113 229 0.75

HSLA 252.41, 0.69%, 0.67%, 0.75

LABA 54.85, 36.41, -55.97, 0.75

 

CMYK 10 / 0 / 64 / 33

HEX #7B8E15BF

RGBA 123 142 21 0.75

HSLA 69.42, 0.74%, 0.32%, 0.75

LABA 55.7, -22.03, 55.4, 0.75

 

CMYK 9 / 0 / 56 / 28

HEX #8CA028BF

RGBA 140 160 40 0.75

HSLA 70, 0.6%, 0.39%, 0.75

LABA 62.4, -22.91, 56.16, 0.75

 

CMYK 9 / 0 / 50 / 23

HEX #9DB23BBF

RGBA 157 178 59 0.75

HSLA 70.59, 0.5%, 0.46%, 0.75

LABA 68.99, -23.58, 55.95, 0.75

 

CMYK 8 / 0 / 45 / 17

HEX #AEC44EBF

RGBA 174 196 78 0.75

HSLA 71.19, 0.5%, 0.54%, 0.75

LABA 75.47, -24.09, 55.25, 0.75

 

CMYK 8 / 0 / 41 / 12

HEX #BFD661BF

RGBA 191 214 97 0.75

HSLA 71.79, 0.59%, 0.61%, 0.75

LABA 81.86, -24.48, 54.31, 0.75

 

CMYK 13 / 0 / 61 / 33

HEX #768E1ABF

RGBA 118 142 26 0.75

HSLA 72.41, 0.69%, 0.33%, 0.75

LABA 55.35, -24.02, 53.59, 0.75

 

CMYK 14 / 0 / 71 / 39

HEX #657C07BF

RGBA 101 124 7 0.75

HSLA 71.79, 0.89%, 0.26%, 0.75

LABA 48.51, -23.02, 51.8, 0.75

 

CMYK 16 / 0 / 75 / 44

HEX #546A00BF

RGBA 84 106 0 0.75

HSLA 72.45, 1%, 0.21%, 0.75

LABA 41.52, -21.65, 47.4, 0.75

 

CMYK 18 / 0 / 75 / 49

HEX #435800BF

RGBA 67 88 0 0.75

HSLA 74.32, 1%, 0.17%, 0.75

LABA 34.34, -20.08, 41.42, 0.75

 

CMYK 21 / 0 / 75 / 54

HEX #324600BF

RGBA 50 70 0 0.75

HSLA 77.14, 1%, 0.14%, 0.75

LABA 26.9, -18.48, 35.06, 0.75

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 0 / 5 / 82 / 44

HEX #8E871A

RGB 142 135 26

HSL 56.38, 0.69%, 0.33%

LAB 55.23, -9.6, 54.22

 

CMYK 0 / 27 / 82 / 44

HEX #8E681A

RGB 142 104 26

HSL 40.34, 0.69%, 0.33%

LAB 46.61, 7.86, 46.53

 

CMYK 0 / 49 / 82 / 44

HEX #8E481A

RGB 142 72 26

HSL 23.79, 0.69%, 0.33%

LAB 38.66, 26.31, 39.14

 

CMYK 0 / 71 / 82 / 44

HEX #8E291A

RGB 142 41 26

HSL 7.76, 0.69%, 0.33%

LAB 32.73, 41.74, 33.36

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 39 / 0 / 82 / 44

HEX #578E1A

RGB 87 142 26

HSL 88.45, 0.69%, 0.33%

LAB 53.44, -36.56, 51.13

 

CMYK 61 / 0 / 82 / 44

HEX #388E1A

RGB 56 142 26

HSL 104.48, 0.69%, 0.33%

LAB 52.13, -46.44, 49.45

 

CMYK 82 / 0 / 80 / 44

HEX #1A8E1C

RGB 26 142 28

HSL 121.03, 0.69%, 0.33%

LAB 51.44, -52.24, 47.91

 

CMYK 82 / 0 / 58 / 44

HEX #1A8E3B

RGB 26 142 59

HSL 137.07, 0.69%, 0.33%

LAB 51.7, -48.99, 35.11

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 19 / 0 / 92 / 39

HEX #7E9C0C

RGB 126 156 12

HSL 72.5, 0.86%, 0.33%

LAB 60.1, -27.89, 60.98

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 15 / 0 / 69 / 49

HEX #6E8128

RGB 110 129 40

HSL 72.81, 0.53%, 0.33%

LAB 50.88, -20.13, 44.01

 

CMYK 11 / 0 / 54 / 55

HEX #667335

RGB 102 115 53

HSL 72.58, 0.37%, 0.33%

LAB 46.1, -15.09, 32.32

 

CMYK 7 / 0 / 34 / 60

HEX #5E6543

RGB 94 101 67

HSL 72.35, 0.2%, 0.33%

LAB 41.36, -9, 18.39

 

CMYK 2 / 0 / 8 / 65

HEX #565851

RGB 86 88 81

HSL 77.14, 0.04%, 0.33%

LAB 37.03, -2.26, 3.78

 

CMYK 0 / 27 / 82 / 44

HEX #8E681A

RGB 142 104 26

HSL 40.34, 0.69%, 0.33%

LAB 46.61, 7.86, 46.53

 

CMYK 0 / 6 / 82 / 44

HEX #8E861A

RGB 142 134 26

HSL 55.86, 0.69%, 0.33%

LAB 54.94, -9.06, 53.97

 

CMYK 16 / 0 / 82 / 44

HEX #778E1A

RGB 119 142 26

HSL 71.9, 0.69%, 0.33%

LAB 55.42, -23.59, 53.68

 

CMYK 38 / 0 / 82 / 44

HEX #588E1A

RGB 88 142 26

HSL 87.93, 0.69%, 0.33%

LAB 53.49, -36.19, 51.2

 

CMYK 60 / 0 / 82 / 44

HEX #398E1A

RGB 57 142 26

HSL 103.97, 0.69%, 0.33%

LAB 52.16, -46.18, 49.49

 

CMYK 17 / 0 / 82 / 72

HEX #3C480D

RGB 60 72 13

HSL 72.2, 0.69%, 0.17%

LAB 28.44, -14.05, 31.6

 

CMYK 17 / 0 / 81 / 58

HEX #596B14

RGB 89 107 20

HSL 72.41, 0.69%, 0.25%

LAB 42.29, -19.19, 42.83

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 17 / 0 / 82 / 31

HEX #93B120

RGB 147 177 32

HSL 72.41, 0.69%, 0.41%

LAB 67.84, -28.61, 63.76

 

CMYK 17 / 0 / 82 / 17

HEX #B0D427

RGB 176 212 39

HSL 72.49, 0.69%, 0.49%

LAB 79.88, -32.99, 73.26

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 82 / 0 / 49 / 44

HEX #1A8E49

RGB 26 142 73

HSL 144.31, 0.69%, 0.33%

LAB 51.89, -46.76, 28.11

 

CMYK 16 / 82 / 0 / 44

HEX #771A8E

RGB 119 26 142

HSL 288.1, 0.69%, 0.33%

LAB 30.91, 54.48, -43.5

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 82 / 16 / 0 / 44

HEX #1A778E

RGB 26 119 142

HSL 191.9, 0.69%, 0.33%

LAB 46.13, -17.64, -19.95

 

CMYK 0 / 82 / 16 / 44

HEX #8E1A77

RGB 142 26 119

HSL 311.9, 0.69%, 0.33%

LAB 33.61, 55.5, -24.6

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 82 / 0 / 49 / 44

HEX #1A8E49

RGB 26 142 73

HSL 144.31, 0.69%, 0.33%

LAB 51.89, -46.76, 28.11

 

CMYK 65 / 82 / 0 / 44

HEX #311A8E

RGB 49 26 142

HSL 251.9, 0.69%, 0.33%

LAB 21.37, 43.56, -59.47

 

CMYK 0 / 82 / 32 / 44

HEX #8E1A60

RGB 142 26 96

HSL 323.79, 0.69%, 0.33%

LAB 32.56, 52.46, -11.54

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 82 / 0 / 25 / 44

HEX #1A8E6B

RGB 26 142 107

HSL 161.9, 0.69%, 0.33%

LAB 52.54, -39.45, 10.02

 

CMYK 65 / 82 / 0 / 44

HEX #311A8E

RGB 49 26 142

HSL 251.9, 0.69%, 0.33%

LAB 21.37, 43.56, -59.47

 

CMYK 0 / 82 / 57 / 44

HEX #8E1A3D

RGB 142 26 61

HSL 341.9, 0.69%, 0.33%

LAB 31.41, 49.02, 9.74

 

Description

Color code: RGBA 118 142 26 0.75 | qconv.com Color code: RGBA 118 142 26 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 142 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 142 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 61 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 61% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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