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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 116 147 181 0.75 it is the complementary color RGBA 139 108 74 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 116 147 181 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 116 147 181 0.75 shade: RGBA 121 147 176 0.75, RGBA 138 165 195 0.75, RGBA 155 183 214 0.75, RGBA 172 201 233 0.75 and RGBA 189 219 252 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 116 147 181 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 116 147 181 0.75 shade: RGBA 116 147 181 0.75, RGBA 99 129 162 0.75, RGBA 82 111 143 0.75, RGBA 65 93 124 0.75 and RGBA 48 75 105 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 116 147 181 0.75 shade: RGB 115 146 181, RGB 115 128 181, RGB 119 115 181, RGB 137 115 181 and RGB 155 115 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 116 147 181 0.75 shade: RGB 115 146 181, RGB 115 128 181 and RGB 115 115 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 116 147 181 0.75 shade matches the following richer shades: RGB 115 146 181, RGB 97 146 198, RGB 80 145 216, RGB 63 144 233 and RGB 45 143 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 116 147 181 0.75 shade: RGB 115 146 181, RGB 132 147 164, RGB 149 148 146, RGB 167 149 129 and RGB 184 150 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 116 147 181 0.75 shade: RGB 115 181 180, RGB 115 165 181, RGB 115 147 181, RGB 115 129 181 and RGB 118 115 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 116 147 181 0.75 shade: RGB 74 105 140, RGB 88 125 167, RGB 115 146 181, RGB 142 167 195 and RGB 169 188 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 116 147 181 0.75 shade: RGB 116 147 181, RGB 162 115 181 and RGB 173 181 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 116 147 181 0.75 shade: RGB 116 147 181, RGB 181 115 147 and RGB 147 181 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 116 147 181 0.75 shade: RGB 116 147 181, RGB 162 115 181, RGB 181 149 115 and RGB 134 181 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 116 147 181 0.75 shade: RGB 116 147 181, RGB 181 115 180, RGB 181 149 115 and RGB 115 181 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 14 / 0 / 22

HEX #7493B5BF

RGBA 116 147 181 0.75

HSLA 211.38, 0.31%, 0.58%, 0.75

LABA 59.81, -2.3, -21.22, 0.75

 

Complementary color

CMYK 0 / 17 / 35 / 34

HEX #8B6C4ABF

RGBA 139 108 74 0.75

HSLA 31.38, 0.31%, 0.42%, 0.75

LABA 47.89, 7.67, 23.7, 0.75

 

CMYK 23 / 12 / 0 / 23

HEX #7993B0BF

RGBA 121 147 176 0.75

HSLA 211.64, 0.26%, 0.58%, 0.75

LABA 59.95, -2.15, -18.15, 0.75

 

CMYK 22 / 12 / 0 / 18

HEX #8AA5C3BF

RGBA 138 165 195 0.75

HSLA 211.58, 0.32%, 0.65%, 0.75

LABA 66.71, -2.33, -18.44, 0.75

 

CMYK 21 / 11 / 0 / 12

HEX #9BB7D6BF

RGBA 155 183 214 0.75

HSLA 211.53, 0.42%, 0.72%, 0.75

LABA 73.34, -2.5, -18.73, 0.75

 

CMYK 20 / 10 / 0 / 6

HEX #ACC9E9BF

RGBA 172 201 233 0.75

HSLA 211.48, 0.58%, 0.79%, 0.75

LABA 79.86, -2.65, -19.04, 0.75

 

CMYK 19 / 10 / 0 / 1

HEX #BDDBFCBF

RGBA 189 219 252 0.75

HSLA 211.43, 0.91%, 0.86%, 0.75

LABA 86.26, -2.79, -19.35, 0.75

 

CMYK 27 / 14 / 0 / 22

HEX #7493B5BF

RGBA 116 147 181 0.75

HSLA 211.38, 0.31%, 0.58%, 0.75

LABA 59.81, -2.3, -21.22, 0.75

 

CMYK 29 / 15 / 0 / 27

HEX #6381A2BF

RGBA 99 129 162 0.75

HSLA 211.43, 0.25%, 0.51%, 0.75

LABA 52.91, -2.03, -21.01, 0.75

 

CMYK 32 / 17 / 0 / 33

HEX #526F8FBF

RGBA 82 111 143 0.75

HSLA 211.48, 0.27%, 0.44%, 0.75

LABA 45.83, -1.7, -20.82, 0.75

 

CMYK 36 / 19 / 0 / 39

HEX #415D7CBF

RGBA 65 93 124 0.75

HSLA 211.53, 0.31%, 0.37%, 0.75

LABA 38.56, -1.27, -20.67, 0.75

 

CMYK 41 / 21 / 0 / 44

HEX #304B69BF

RGBA 48 75 105 0.75

HSLA 211.58, 0.37%, 0.3%, 0.75

LABA 31.07, -0.69, -20.56, 0.75

 

CMYK 36 / 19 / 0 / 29

HEX #7392B5

RGB 115 146 181

HSL 211.82, 0.31%, 0.58%

LAB 59.47, -2.02, -21.75

 

CMYK 36 / 29 / 0 / 29

HEX #7380B5

RGB 115 128 181

HSL 228.18, 0.31%, 0.58%

LAB 54.47, 8.42, -29.46

 

CMYK 34 / 36 / 0 / 29

HEX #7773B5

RGB 119 115 181

HSL 243.64, 0.31%, 0.58%

LAB 51.29, 17.32, -34.4

 

CMYK 24 / 36 / 0 / 29

HEX #8973B5

RGB 137 115 181

HSL 260, 0.31%, 0.58%

LAB 52.86, 22.65, -31.84

 

CMYK 14 / 36 / 0 / 29

HEX #9B73B5

RGB 155 115 181

HSL 276.36, 0.31%, 0.58%

LAB 54.62, 28.24, -28.95

 

CMYK 36 / 19 / 0 / 29

HEX #7392B5

RGB 115 146 181

HSL 211.82, 0.31%, 0.58%

LAB 59.47, -2.02, -21.75

 

CMYK 36 / 29 / 0 / 29

HEX #7380B5

RGB 115 128 181

HSL 228.18, 0.31%, 0.58%

LAB 54.47, 8.42, -29.46

 

CMYK 36 / 36 / 0 / 29

HEX #7373B5

RGB 115 115 181

HSL 240, 0.31%, 0.58%

LAB 50.97, 16.18, -34.93

 

CMYK 36 / 19 / 0 / 29

HEX #7392B5

RGB 115 146 181

HSL 211.82, 0.31%, 0.58%

LAB 59.47, -2.02, -21.75

 

CMYK 51 / 26 / 0 / 22

HEX #6192C6

RGB 97 146 198

HSL 210.89, 0.47%, 0.58%

LAB 59.14, -1.8, -31.96

 

CMYK 63 / 33 / 0 / 15

HEX #5091D8

RGB 80 145 216

HSL 211.32, 0.64%, 0.58%

LAB 58.89, 1.04, -42.49

 

CMYK 73 / 38 / 0 / 9

HEX #3F90E9

RGB 63 144 233

HSL 211.41, 0.79%, 0.58%

LAB 58.87, 4.88, -52.04

 

CMYK 82 / 43 / 0 / 2

HEX #2D8FFA

RGB 45 143 250

HSL 211.32, 0.95%, 0.58%

LAB 59.07, 9.74, -61.13

 

CMYK 36 / 19 / 0 / 29

HEX #7392B5

RGB 115 146 181

HSL 211.82, 0.31%, 0.58%

LAB 59.47, -2.02, -21.75

 

CMYK 20 / 10 / 0 / 36

HEX #8493A4

RGB 132 147 164

HSL 211.88, 0.15%, 0.58%

LAB 60.3, -1.6, -10.74

 

CMYK 0 / 1 / 2 / 42

HEX #959492

RGB 149 148 146

HSL 40, 0.01%, 0.58%

LAB 61.35, -0.01, 1.18

 

CMYK 0 / 11 / 23 / 35

HEX #A79581

RGB 167 149 129

HSL 31.58, 0.18%, 0.58%

LAB 62.76, 3.39, 13

 

CMYK 0 / 18 / 39 / 28

HEX #B89670

RGB 184 150 112

HSL 31.67, 0.34%, 0.58%

LAB 64.3, 7.41, 24.83

 

CMYK 36 / 0 / 1 / 29

HEX #73B5B4

RGB 115 181 180

HSL 179.09, 0.31%, 0.58%

LAB 69.46, -21.14, -6.15

 

CMYK 36 / 9 / 0 / 29

HEX #73A5B5

RGB 115 165 181

HSL 194.55, 0.31%, 0.58%

LAB 64.88, -12.52, -13.55

 

CMYK 36 / 19 / 0 / 29

HEX #7393B5

RGB 115 147 181

HSL 210.91, 0.31%, 0.58%

LAB 59.75, -2.59, -21.32

 

CMYK 36 / 29 / 0 / 29

HEX #7381B5

RGB 115 129 181

HSL 227.27, 0.31%, 0.58%

LAB 54.74, 7.83, -29.04

 

CMYK 35 / 36 / 0 / 29

HEX #7673B5

RGB 118 115 181

HSL 242.73, 0.31%, 0.58%

LAB 51.21, 17.03, -34.53

 

CMYK 47 / 25 / 0 / 45

HEX #4A698C

RGB 74 105 140

HSL 211.82, 0.31%, 0.42%

LAB 43.44, -1.19, -22.77

 

CMYK 47 / 25 / 0 / 35

HEX #587DA7

RGB 88 125 167

HSL 211.9, 0.31%, 0.5%

LAB 51.3, -1.21, -26.43

 

CMYK 36 / 19 / 0 / 29

HEX #7392B5

RGB 115 146 181

HSL 211.82, 0.31%, 0.58%

LAB 59.47, -2.02, -21.75

 

CMYK 27 / 14 / 0 / 24

HEX #8EA7C3

RGB 142 167 195

HSL 211.7, 0.31%, 0.66%

LAB 67.52, -2.23, -17.18

 

CMYK 20 / 10 / 0 / 18

HEX #A9BCD2

RGB 169 188 210

HSL 212.2, 0.31%, 0.74%

LAB 75.49, -1.83, -13.24

 

CMYK 36 / 19 / 0 / 29

HEX #7493B5

RGB 116 147 181

HSL 211.38, 0.31%, 0.58%

LAB 59.81, -2.3, -21.22

 

CMYK 10 / 36 / 0 / 29

HEX #A273B5

RGB 162 115 181

HSL 282.73, 0.31%, 0.58%

LAB 55.36, 30.46, -27.75

 

CMYK 4 / 0 / 36 / 29

HEX #ADB573

RGB 173 181 115

HSL 67.27, 0.31%, 0.58%

LAB 71.67, -13.29, 32.72

 

CMYK 36 / 19 / 0 / 29

HEX #7493B5

RGB 116 147 181

HSL 211.38, 0.31%, 0.58%

LAB 59.81, -2.3, -21.22

 

CMYK 0 / 36 / 19 / 29

HEX #B57393

RGB 181 115 147

HSL 330.91, 0.31%, 0.58%

LAB 56.28, 30.59, -6.48

 

CMYK 19 / 0 / 36 / 29

HEX #93B573

RGB 147 181 115

HSL 90.91, 0.31%, 0.58%

LAB 69.82, -23.33, 29.95

 

CMYK 36 / 19 / 0 / 29

HEX #7493B5

RGB 116 147 181

HSL 211.38, 0.31%, 0.58%

LAB 59.81, -2.3, -21.22

 

CMYK 10 / 36 / 0 / 29

HEX #A273B5

RGB 162 115 181

HSL 282.73, 0.31%, 0.58%

LAB 55.36, 30.46, -27.75

 

CMYK 0 / 18 / 36 / 29

HEX #B59573

RGB 181 149 115

HSL 30.91, 0.31%, 0.58%

LAB 63.8, 7.09, 22.46

 

CMYK 26 / 0 / 36 / 29

HEX #86B573

RGB 134 181 115

HSL 102.73, 0.31%, 0.58%

LAB 69.01, -28.07, 28.74

 

CMYK 36 / 19 / 0 / 29

HEX #7493B5

RGB 116 147 181

HSL 211.38, 0.31%, 0.58%

LAB 59.81, -2.3, -21.22

 

CMYK 0 / 36 / 1 / 29

HEX #B573B4

RGB 181 115 180

HSL 300.91, 0.31%, 0.58%

LAB 57.44, 36.35, -23.79

 

CMYK 0 / 18 / 36 / 29

HEX #B59573

RGB 181 149 115

HSL 30.91, 0.31%, 0.58%

LAB 63.8, 7.09, 22.46

 

CMYK 36 / 0 / 36 / 29

HEX #73B574

RGB 115 181 116

HSL 120.91, 0.31%, 0.58%

LAB 67.99, -34.36, 26.67

 

Description

Color code: RGBA 116 147 181 0.75 | qconv.com Color code: RGBA 116 147 181 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 147 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 147 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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