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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 116 142 165 0.75 it is the complementary color RGBA 139 113 90 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 116 142 165 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 116 142 165 0.75 shade: RGBA 121 142 160 0.75, RGBA 138 160 179 0.75, RGBA 155 178 198 0.75, RGBA 172 196 217 0.75 and RGBA 189 214 236 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 116 142 165 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 116 142 165 0.75 shade: RGBA 116 142 165 0.75, RGBA 99 124 146 0.75, RGBA 82 106 127 0.75, RGBA 65 88 108 0.75 and RGBA 48 70 89 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 116 142 165 0.75 shade: RGB 116 142 164, RGB 116 129 164, RGB 117 116 164, RGB 130 116 164 and RGB 143 116 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 116 142 165 0.75 shade: RGB 116 142 164, RGB 116 129 164 and RGB 116 116 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 116 142 165 0.75 shade matches the following richer shades: RGB 116 142 164, RGB 98 143 183, RGB 79 144 201, RGB 60 145 220 and RGB 42 146 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 116 142 165 0.75 shade: RGB 116 142 164, RGB 135 141 146, RGB 153 139 127, RGB 172 138 109 and RGB 190 137 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 116 142 165 0.75 shade: RGB 116 164 161, RGB 116 155 164, RGB 116 142 164, RGB 116 129 164 and RGB 116 116 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 116 142 165 0.75 shade: RGB 78 100 120, RGB 95 121 145, RGB 116 142 164, RGB 141 162 181 and RGB 166 182 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 116 142 165 0.75 shade: RGB 116 142 165, RGB 148 116 164 and RGB 161 164 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 116 142 165 0.75 shade: RGB 116 142 165, RGB 164 116 142 and RGB 142 164 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 116 142 165 0.75 shade: RGB 116 142 165, RGB 148 116 164, RGB 164 139 116 and RGB 132 164 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 116 142 165 0.75 shade: RGB 116 142 165, RGB 163 116 164, RGB 164 139 116 and RGB 118 164 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 10 / 0 / 26

HEX #748EA5BF

RGBA 116 142 165 0.75

HSLA 208.16, 0.21%, 0.55%, 0.75

LABA 57.82, -3.64, -15.15, 0.75

 

Complementary color

CMYK 0 / 14 / 26 / 34

HEX #8B715ABF

RGBA 139 113 90 0.75

HSLA 28.16, 0.21%, 0.45%, 0.75

LABA 49.54, 6.73, 16.62, 0.75

 

CMYK 18 / 8 / 0 / 28

HEX #798EA0BF

RGBA 121 142 160 0.75

HSLA 207.69, 0.17%, 0.55%, 0.75

LABA 57.99, -3.31, -12.01, 0.75

 

CMYK 17 / 8 / 0 / 22

HEX #8AA0B3BF

RGBA 138 160 179 0.75

HSLA 207.8, 0.21%, 0.62%, 0.75

LABA 64.8, -3.42, -12.4, 0.75

 

CMYK 16 / 8 / 0 / 17

HEX #9BB2C6BF

RGBA 155 178 198 0.75

HSLA 207.91, 0.27%, 0.69%, 0.75

LABA 71.48, -3.52, -12.79, 0.75

 

CMYK 16 / 7 / 0 / 11

HEX #ACC4D9BF

RGBA 172 196 217 0.75

HSLA 208, 0.37%, 0.76%, 0.75

LABA 78.03, -3.62, -13.19, 0.75

 

CMYK 15 / 7 / 0 / 6

HEX #BDD6ECBF

RGBA 189 214 236 0.75

HSLA 208.09, 0.55%, 0.83%, 0.75

LABA 84.47, -3.72, -13.59, 0.75

 

CMYK 22 / 10 / 0 / 26

HEX #748EA5BF

RGBA 116 142 165 0.75

HSLA 208.16, 0.21%, 0.55%, 0.75

LABA 57.82, -3.64, -15.15, 0.75

 

CMYK 24 / 11 / 0 / 32

HEX #637C92BF

RGBA 99 124 146 0.75

HSLA 208.09, 0.19%, 0.48%, 0.75

LABA 50.85, -3.49, -14.82, 0.75

 

CMYK 27 / 12 / 0 / 38

HEX #526A7FBF

RGBA 82 106 127 0.75

HSLA 208, 0.22%, 0.41%, 0.75

LABA 43.7, -3.32, -14.52, 0.75

 

CMYK 30 / 14 / 0 / 43

HEX #41586CBF

RGBA 65 88 108 0.75

HSLA 207.91, 0.25%, 0.34%, 0.75

LABA 36.34, -3.1, -14.23, 0.75

 

CMYK 35 / 16 / 0 / 49

HEX #304659BF

RGBA 48 70 89 0.75

HSLA 207.8, 0.3%, 0.27%, 0.75

LABA 28.72, -2.8, -13.97, 0.75

 

CMYK 29 / 13 / 0 / 36

HEX #748EA4

RGB 116 142 164

HSL 207.5, 0.21%, 0.55%

LAB 57.79, -3.9, -14.63

 

CMYK 29 / 21 / 0 / 36

HEX #7481A4

RGB 116 129 164

HSL 223.75, 0.21%, 0.55%

LAB 54.13, 3.58, -20.2

 

CMYK 29 / 29 / 0 / 36

HEX #7574A4

RGB 117 116 164

HSL 241.25, 0.21%, 0.55%

LAB 50.63, 11.58, -25.57

 

CMYK 21 / 29 / 0 / 36

HEX #8274A4

RGB 130 116 164

HSL 257.5, 0.21%, 0.55%

LAB 51.74, 15.7, -23.76

 

CMYK 13 / 29 / 0 / 36

HEX #8F74A4

RGB 143 116 164

HSL 273.75, 0.21%, 0.55%

LAB 52.96, 19.98, -21.79

 

CMYK 29 / 13 / 0 / 36

HEX #748EA4

RGB 116 142 164

HSL 207.5, 0.21%, 0.55%

LAB 57.79, -3.9, -14.63

 

CMYK 29 / 21 / 0 / 36

HEX #7481A4

RGB 116 129 164

HSL 223.75, 0.21%, 0.55%

LAB 54.13, 3.58, -20.2

 

CMYK 29 / 29 / 0 / 36

HEX #7474A4

RGB 116 116 164

HSL 240, 0.21%, 0.55%

LAB 50.55, 11.27, -25.7

 

CMYK 29 / 13 / 0 / 36

HEX #748EA4

RGB 116 142 164

HSL 207.5, 0.21%, 0.55%

LAB 57.79, -3.9, -14.63

 

CMYK 46 / 22 / 0 / 28

HEX #628FB7

RGB 98 143 183

HSL 208.24, 0.37%, 0.55%

LAB 57.71, -4.33, -25.67

 

CMYK 61 / 28 / 0 / 21

HEX #4F90C9

RGB 79 144 201

HSL 208.03, 0.53%, 0.55%

LAB 57.87, -3.53, -35.68

 

CMYK 73 / 34 / 0 / 14

HEX #3C91DC

RGB 60 145 220

HSL 208.13, 0.7%, 0.55%

LAB 58.39, -0.71, -45.56

 

CMYK 82 / 39 / 0 / 6

HEX #2A92EF

RGB 42 146 239

HSL 208.32, 0.86%, 0.55%

LAB 59.23, 3.64, -54.81

 

CMYK 29 / 13 / 0 / 36

HEX #748EA4

RGB 116 142 164

HSL 207.5, 0.21%, 0.55%

LAB 57.79, -3.9, -14.63

 

CMYK 8 / 3 / 0 / 43

HEX #878D92

RGB 135 141 146

HSL 207.27, 0.05%, 0.55%

LAB 58.3, -1.16, -3.42

 

CMYK 0 / 9 / 17 / 40

HEX #998B7F

RGB 153 139 127

HSL 27.69, 0.11%, 0.55%

LAB 58.76, 3.16, 8.31

 

CMYK 0 / 20 / 37 / 33

HEX #AC8A6D

RGB 172 138 109

HSL 27.62, 0.28%, 0.55%

LAB 59.94, 8.76, 20.43

 

CMYK 0 / 28 / 53 / 25

HEX #BE895A

RGB 190 137 90

HSL 28.2, 0.43%, 0.55%

LAB 61.29, 14.8, 33.05

 

CMYK 29 / 0 / 2 / 36

HEX #74A4A1

RGB 116 164 161

HSL 176.25, 0.21%, 0.55%

LAB 64.03, -16.63, -3.61

 

CMYK 29 / 5 / 0 / 36

HEX #749BA4

RGB 116 155 164

HSL 191.25, 0.21%, 0.55%

LAB 61.51, -11.1, -9.03

 

CMYK 29 / 13 / 0 / 36

HEX #748EA4

RGB 116 142 164

HSL 207.5, 0.21%, 0.55%

LAB 57.79, -3.9, -14.63

 

CMYK 29 / 21 / 0 / 36

HEX #7481A4

RGB 116 129 164

HSL 223.75, 0.21%, 0.55%

LAB 54.13, 3.58, -20.2

 

CMYK 29 / 29 / 0 / 36

HEX #7474A4

RGB 116 116 164

HSL 240, 0.21%, 0.55%

LAB 50.55, 11.27, -25.7

 

CMYK 35 / 17 / 0 / 53

HEX #4E6478

RGB 78 100 120

HSL 208.57, 0.21%, 0.39%

LAB 41.36, -2.92, -13.87

 

CMYK 34 / 17 / 0 / 43

HEX #5F7991

RGB 95 121 145

HSL 208.8, 0.21%, 0.47%

LAB 49.68, -3.24, -16.05

 

CMYK 29 / 13 / 0 / 36

HEX #748EA4

RGB 116 142 164

HSL 207.5, 0.21%, 0.55%

LAB 57.79, -3.9, -14.63

 

CMYK 22 / 10 / 0 / 29

HEX #8DA2B5

RGB 141 162 181

HSL 208.5, 0.21%, 0.63%

LAB 65.62, -3.1, -12.26

 

CMYK 16 / 8 / 0 / 23

HEX #A6B6C5

RGB 166 182 197

HSL 209.03, 0.21%, 0.71%

LAB 73.28, -2.39, -9.47

 

CMYK 30 / 14 / 0 / 35

HEX #748EA5

RGB 116 142 165

HSL 208.16, 0.21%, 0.55%

LAB 57.82, -3.64, -15.15

 

CMYK 10 / 29 / 0 / 36

HEX #9474A4

RGB 148 116 164

HSL 280, 0.21%, 0.55%

LAB 53.46, 21.65, -20.98

 

CMYK 2 / 0 / 29 / 36

HEX #A1A474

RGB 161 164 116

HSL 63.75, 0.21%, 0.55%

LAB 66.05, -9.03, 24.62

 

CMYK 30 / 14 / 0 / 35

HEX #748EA5

RGB 116 142 165

HSL 208.16, 0.21%, 0.55%

LAB 57.82, -3.64, -15.15

 

CMYK 0 / 29 / 13 / 36

HEX #A4748E

RGB 164 116 142

HSL 327.5, 0.21%, 0.55%

LAB 54.38, 23.02, -6.6

 

CMYK 13 / 0 / 29 / 36

HEX #8EA474

RGB 142 164 116

HSL 87.5, 0.21%, 0.55%

LAB 64.61, -16.44, 22.44

 

CMYK 30 / 14 / 0 / 35

HEX #748EA5

RGB 116 142 165

HSL 208.16, 0.21%, 0.55%

LAB 57.82, -3.64, -15.15

 

CMYK 10 / 29 / 0 / 36

HEX #9474A4

RGB 148 116 164

HSL 280, 0.21%, 0.55%

LAB 53.46, 21.65, -20.98

 

CMYK 0 / 15 / 29 / 36

HEX #A48B74

RGB 164 139 116

HSL 28.75, 0.21%, 0.55%

LAB 59.54, 5.86, 15.81

 

CMYK 20 / 0 / 29 / 36

HEX #84A474

RGB 132 164 116

HSL 100, 0.21%, 0.55%

LAB 63.93, -20.19, 21.4

 

CMYK 30 / 14 / 0 / 35

HEX #748EA5

RGB 116 142 165

HSL 208.16, 0.21%, 0.55%

LAB 57.82, -3.64, -15.15

 

CMYK 1 / 29 / 0 / 36

HEX #A374A4

RGB 163 116 164

HSL 298.75, 0.21%, 0.55%

LAB 55.03, 26.73, -18.44

 

CMYK 0 / 15 / 29 / 36

HEX #A48B74

RGB 164 139 116

HSL 28.75, 0.21%, 0.55%

LAB 59.54, 5.86, 15.81

 

CMYK 28 / 0 / 29 / 36

HEX #76A474

RGB 118 164 116

HSL 117.5, 0.21%, 0.55%

LAB 63.06, -25.21, 20.08

 

Description

Color code: RGBA 116 142 165 0.75 | qconv.com Color code: RGBA 116 142 165 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 142 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 142 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 10 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 10% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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