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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 116 131 60 0.75 it is the complementary color RGBA 139 124 195 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 116 131 60 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 116 131 60 0.75 shade: RGBA 121 131 55 0.75, RGBA 138 149 74 0.75, RGBA 155 167 93 0.75, RGBA 172 185 112 0.75 and RGBA 189 203 131 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 116 131 60 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 116 131 60 0.75 shade: RGBA 116 131 60 0.75, RGBA 99 113 41 0.75, RGBA 82 95 22 0.75, RGBA 65 77 3 0.75 and RGBA 48 59 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 116 131 60 0.75 shade: RGB 115 129 59, RGB 129 125 59, RGB 129 106 59, RGB 129 88 59 and RGB 129 69 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 116 131 60 0.75 shade: RGB 115 129 59, RGB 96 129 59, RGB 77 129 59, RGB 59 129 61 and RGB 59 129 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 116 131 60 0.75 shade matches the following richer shades: RGB 115 129 59, RGB 123 145 44, RGB 132 160 29 and RGB 141 175 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 116 131 60 0.75 shade: RGB 115 129 59, RGB 106 114 75, RGB 97 99 90, RGB 88 83 105 and RGB 79 68 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 116 131 60 0.75 shade: RGB 129 106 59, RGB 129 125 59, RGB 115 129 59, RGB 97 129 59 and RGB 78 129 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 116 131 60 0.75 shade: RGB 64 73 33, RGB 89 101 46, RGB 115 129 59, RGB 140 158 72 and RGB 161 180 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 116 131 60 0.75 shade: RGB 116 131 60, RGB 59 129 87 and RGB 115 59 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 116 131 60 0.75 shade: RGB 116 131 60, RGB 59 115 129 and RGB 129 59 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 116 131 60 0.75 shade: RGB 116 131 60, RGB 59 129 87, RGB 73 59 129 and RGB 129 59 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 116 131 60 0.75 shade: RGB 116 131 60, RGB 59 129 108, RGB 73 59 129 and RGB 129 59 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 41 / 36

HEX #74833CBF

RGBA 116 131 60 0.75

HSLA 72.68, 0.37%, 0.37%, 0.75

LABA 52.14, -16.87, 36.1, 0.75

 

Complementary color

CMYK 22 / 27 / 0 / 18

HEX #8B7CC3BF

RGBA 139 124 195 0.75

HSLA 252.68, 0.37%, 0.63%, 0.75

LABA 55.93, 21.47, -35.04, 0.75

 

CMYK 6 / 0 / 44 / 36

HEX #798337BF

RGBA 121 131 55 0.75

HSLA 67.89, 0.41%, 0.36%, 0.75

LABA 52.48, -15.17, 39.09, 0.75

 

CMYK 6 / 0 / 38 / 31

HEX #8A954ABF

RGBA 138 149 74 0.75

HSLA 68.8, 0.34%, 0.44%, 0.75

LABA 59.34, -15.58, 37.94, 0.75

 

CMYK 5 / 0 / 33 / 26

HEX #9BA75DBF

RGBA 155 167 93 0.75

HSLA 69.73, 0.3%, 0.51%, 0.75

LABA 66.06, -15.88, 36.73, 0.75

 

CMYK 5 / 0 / 30 / 21

HEX #ACB970BF

RGBA 172 185 112 0.75

HSLA 70.68, 0.34%, 0.58%, 0.75

LABA 72.65, -16.1, 35.53, 0.75

 

CMYK 5 / 0 / 27 / 15

HEX #BDCB83BF

RGBA 189 203 131 0.75

HSLA 71.67, 0.41%, 0.65%, 0.75

LABA 79.14, -16.27, 34.36, 0.75

 

CMYK 9 / 0 / 41 / 36

HEX #74833CBF

RGBA 116 131 60 0.75

HSLA 72.68, 0.37%, 0.37%, 0.75

LABA 52.14, -16.87, 36.1, 0.75

 

CMYK 9 / 0 / 48 / 42

HEX #637129BF

RGBA 99 113 41 0.75

HSLA 71.67, 0.47%, 0.3%, 0.75

LABA 45.11, -16.47, 37.17, 0.75

 

CMYK 10 / 0 / 58 / 47

HEX #525F16BF

RGBA 82 95 22 0.75

HSLA 70.68, 0.62%, 0.23%, 0.75

LABA 37.91, -15.85, 37.74, 0.75

 

CMYK 12 / 0 / 72 / 52

HEX #414D03BF

RGBA 65 77 3 0.75

HSLA 69.73, 0.93%, 0.16%, 0.75

LABA 30.49, -14.94, 37.28, 0.75

 

CMYK 14 / 0 / 75 / 58

HEX #303B00BF

RGBA 48 59 0 0.75

HSLA 71.19, 1%, 0.12%, 0.75

LABA 22.85, -13.34, 31.12, 0.75

 

CMYK 11 / 0 / 54 / 49

HEX #73813B

RGB 115 129 59

HSL 72, 0.37%, 0.37%

LAB 51.45, -16.34, 35.78

 

CMYK 0 / 3 / 54 / 49

HEX #817D3B

RGB 129 125 59

HSL 56.57, 0.37%, 0.37%

LAB 51.44, -8, 36.06

 

CMYK 0 / 18 / 54 / 49

HEX #816A3B

RGB 129 106 59

HSL 40.29, 0.37%, 0.37%

LAB 46.03, 2.81, 29.6

 

CMYK 0 / 32 / 54 / 49

HEX #81583B

RGB 129 88 59

HSL 24.86, 0.37%, 0.37%

LAB 41.16, 13.43, 23.54

 

CMYK 0 / 47 / 54 / 49

HEX #81453B

RGB 129 69 59

HSL 8.57, 0.37%, 0.37%

LAB 36.44, 24.59, 17.44

 

CMYK 11 / 0 / 54 / 49

HEX #73813B

RGB 115 129 59

HSL 72, 0.37%, 0.37%

LAB 51.45, -16.34, 35.78

 

CMYK 26 / 0 / 54 / 49

HEX #60813B

RGB 96 129 59

HSL 88.29, 0.37%, 0.37%

LAB 50.1, -24.28, 33.85

 

CMYK 40 / 0 / 54 / 49

HEX #4D813B

RGB 77 129 59

HSL 104.57, 0.37%, 0.37%

LAB 49, -31.45, 32.27

 

CMYK 54 / 0 / 53 / 49

HEX #3B813D

RGB 59 129 61

HSL 121.71, 0.37%, 0.37%

LAB 48.22, -36.92, 30.08

 

CMYK 54 / 0 / 38 / 49

HEX #3B8150

RGB 59 129 80

HSL 138, 0.37%, 0.37%

LAB 48.52, -33.7, 20.04

 

CMYK 11 / 0 / 54 / 49

HEX #73813B

RGB 115 129 59

HSL 72, 0.37%, 0.37%

LAB 51.45, -16.34, 35.78

 

CMYK 15 / 0 / 70 / 43

HEX #7B912C

RGB 123 145 44

HSL 73.07, 0.53%, 0.37%

LAB 56.73, -22.42, 48.65

 

CMYK 18 / 0 / 82 / 37

HEX #84A01D

RGB 132 160 29

HSL 72.82, 0.69%, 0.37%

LAB 61.77, -26.8, 58.82

 

CMYK 19 / 0 / 92 / 31

HEX #8DAF0E

RGB 141 175 14

HSL 72.67, 0.85%, 0.37%

LAB 66.79, -30.65, 66.46

 

CMYK 11 / 0 / 54 / 49

HEX #73813B

RGB 115 129 59

HSL 72, 0.37%, 0.37%

LAB 51.45, -16.34, 35.78

 

CMYK 7 / 0 / 34 / 55

HEX #6A724B

RGB 106 114 75

HSL 72.31, 0.21%, 0.37%

LAB 46.45, -10.07, 20.65

 

CMYK 2 / 0 / 9 / 61

HEX #61635A

RGB 97 99 90

HSL 73.33, 0.05%, 0.37%

LAB 41.54, -2.61, 4.84

 

CMYK 16 / 21 / 0 / 59

HEX #585369

RGB 88 83 105

HSL 253.64, 0.12%, 0.37%

LAB 36.52, 7.02, -11.92

 

CMYK 35 / 44 / 0 / 53

HEX #4F4479

RGB 79 68 121

HSL 252.45, 0.28%, 0.37%

LAB 32.21, 17.92, -28.67

 

CMYK 0 / 18 / 54 / 49

HEX #816A3B

RGB 129 106 59

HSL 40.29, 0.37%, 0.37%

LAB 46.03, 2.81, 29.6

 

CMYK 0 / 3 / 54 / 49

HEX #817D3B

RGB 129 125 59

HSL 56.57, 0.37%, 0.37%

LAB 51.44, -8, 36.06

 

CMYK 11 / 0 / 54 / 49

HEX #73813B

RGB 115 129 59

HSL 72, 0.37%, 0.37%

LAB 51.45, -16.34, 35.78

 

CMYK 25 / 0 / 54 / 49

HEX #61813B

RGB 97 129 59

HSL 87.43, 0.37%, 0.37%

LAB 50.17, -23.87, 33.94

 

CMYK 40 / 0 / 54 / 49

HEX #4E813B

RGB 78 129 59

HSL 103.71, 0.37%, 0.37%

LAB 49.05, -31.09, 32.34

 

CMYK 12 / 0 / 55 / 71

HEX #404921

RGB 64 73 33

HSL 73.5, 0.38%, 0.21%

LAB 29.32, -10.91, 22.55

 

CMYK 12 / 0 / 54 / 60

HEX #59652E

RGB 89 101 46

HSL 73.09, 0.37%, 0.29%

LAB 40.62, -13.92, 29.3

 

CMYK 11 / 0 / 54 / 49

HEX #73813B

RGB 115 129 59

HSL 72, 0.37%, 0.37%

LAB 51.45, -16.34, 35.78

 

CMYK 11 / 0 / 54 / 38

HEX #8C9E48

RGB 140 158 72

HSL 72.56, 0.37%, 0.45%

LAB 62.08, -19.6, 42.21

 

CMYK 11 / 0 / 49 / 29

HEX #A1B45B

RGB 161 180 91

HSL 72.81, 0.37%, 0.53%

LAB 70.16, -20.28, 42.85

 

CMYK 11 / 0 / 54 / 49

HEX #74833C

RGB 116 131 60

HSL 72.68, 0.37%, 0.37%

LAB 52.14, -16.87, 36.1

 

CMYK 54 / 0 / 33 / 49

HEX #3B8157

RGB 59 129 87

HSL 144, 0.37%, 0.37%

LAB 48.66, -32.31, 16.23

 

CMYK 11 / 54 / 0 / 49

HEX #733B81

RGB 115 59 129

HSL 288, 0.37%, 0.37%

LAB 34.72, 36.31, -29.41

 

CMYK 11 / 0 / 54 / 49

HEX #74833C

RGB 116 131 60

HSL 72.68, 0.37%, 0.37%

LAB 52.14, -16.87, 36.1

 

CMYK 54 / 11 / 0 / 49

HEX #3B7381

RGB 59 115 129

HSL 192, 0.37%, 0.37%

LAB 45.33, -14.23, -13.37

 

CMYK 0 / 54 / 11 / 49

HEX #813B73

RGB 129 59 115

HSL 312, 0.37%, 0.37%

LAB 36.05, 37.89, -18.46

 

CMYK 11 / 0 / 54 / 49

HEX #74833C

RGB 116 131 60

HSL 72.68, 0.37%, 0.37%

LAB 52.14, -16.87, 36.1

 

CMYK 54 / 0 / 33 / 49

HEX #3B8157

RGB 59 129 87

HSL 144, 0.37%, 0.37%

LAB 48.66, -32.31, 16.23

 

CMYK 43 / 54 / 0 / 49

HEX #493B81

RGB 73 59 129

HSL 252, 0.37%, 0.37%

LAB 29.74, 24.46, -37.64

 

CMYK 0 / 54 / 22 / 49

HEX #813B65

RGB 129 59 101

HSL 324, 0.37%, 0.37%

LAB 35.47, 35.55, -10.53

 

CMYK 11 / 0 / 54 / 49

HEX #74833C

RGB 116 131 60

HSL 72.68, 0.37%, 0.37%

LAB 52.14, -16.87, 36.1

 

CMYK 54 / 0 / 16 / 49

HEX #3B816C

RGB 59 129 108

HSL 162, 0.37%, 0.37%

LAB 49.15, -27.48, 4.72

 

CMYK 43 / 54 / 0 / 49

HEX #493B81

RGB 73 59 129

HSL 252, 0.37%, 0.37%

LAB 29.74, 24.46, -37.64

 

CMYK 0 / 54 / 38 / 49

HEX #813B50

RGB 129 59 80

HSL 342, 0.37%, 0.37%

LAB 34.75, 32.53, 1.79

 

Description

Color code: RGBA 116 131 60 0.75 | qconv.com Color code: RGBA 116 131 60 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 131 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 131 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 41 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 41% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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