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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 113 160 171 0.75 it is the complementary color RGBA 142 95 84 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 113 160 171 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 113 160 171 0.75 shade: RGBA 118 160 166 0.75, RGBA 135 178 185 0.75, RGBA 152 196 204 0.75, RGBA 169 214 223 0.75 and RGBA 186 232 242 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 113 160 171 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 113 160 171 0.75 shade: RGBA 113 160 171 0.75, RGBA 96 142 152 0.75, RGBA 79 124 133 0.75, RGBA 62 106 114 0.75 and RGBA 45 88 95 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 113 160 171 0.75 shade: RGB 114 161 172, RGB 114 145 172, RGB 114 129 172, RGB 114 114 172 and RGB 129 114 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 113 160 171 0.75 shade: RGB 114 161 172, RGB 114 145 172, RGB 114 129 172 and RGB 114 114 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 113 160 171 0.75 shade matches the following richer shades: RGB 114 161 172, RGB 95 172 190, RGB 77 183 208, RGB 59 195 226 and RGB 41 206 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 113 160 171 0.75 shade: RGB 114 161 172, RGB 132 150 154, RGB 150 138 136, RGB 168 127 118 and RGB 186 116 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 113 160 171 0.75 shade: RGB 114 172 152, RGB 114 172 167, RGB 114 161 172, RGB 114 146 172 and RGB 114 130 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 113 160 171 0.75 shade: RGB 75 118 128, RGB 90 142 154, RGB 114 161 172, RGB 140 178 187 and RGB 166 196 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 113 160 171 0.75 shade: RGB 113 160 171, RGB 136 114 172 and RGB 172 159 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 113 160 171 0.75 shade: RGB 113 160 171, RGB 172 114 161 and RGB 161 172 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 113 160 171 0.75 shade: RGB 113 160 171, RGB 136 114 172, RGB 172 124 114 and RGB 150 172 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 113 160 171 0.75 shade: RGB 113 160 171, RGB 153 114 172, RGB 172 124 114 and RGB 132 172 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 5 / 0 / 25

HEX #71A0ABBF

RGBA 113 160 171 0.75

HSLA 191.38, 0.26%, 0.56%, 0.75

LABA 63, -12.95, -10.77, 0.75

 

Complementary color

CMYK 0 / 25 / 31 / 33

HEX #8E5F54BF

RGBA 142 95 84 0.75

HSLA 11.38, 0.26%, 0.44%, 0.75

LABA 45.05, 17.74, 14.09, 0.75

 

CMYK 22 / 3 / 0 / 26

HEX #76A0A6BF

RGBA 118 160 166 0.75

HSLA 187.5, 0.21%, 0.56%, 0.75

LABA 63.13, -12.71, -7.73, 0.75

 

CMYK 20 / 3 / 0 / 21

HEX #87B2B9BF

RGBA 135 178 185 0.75

HSLA 188.4, 0.26%, 0.63%, 0.75

LABA 69.82, -12.67, -8.25, 0.75

 

CMYK 19 / 3 / 0 / 15

HEX #98C4CCBF

RGBA 152 196 204 0.75

HSLA 189.23, 0.34%, 0.7%, 0.75

LABA 76.38, -12.63, -8.76, 0.75

 

CMYK 18 / 3 / 0 / 9

HEX #A9D6DFBF

RGBA 169 214 223 0.75

HSLA 190, 0.46%, 0.77%, 0.75

LABA 82.84, -12.6, -9.25, 0.75

 

CMYK 17 / 3 / 0 / 4

HEX #BAE8F2BF

RGBA 186 232 242 0.75

HSLA 190.71, 0.68%, 0.84%, 0.75

LABA 89.19, -12.58, -9.73, 0.75

 

CMYK 25 / 5 / 0 / 25

HEX #71A0ABBF

RGBA 113 160 171 0.75

HSLA 191.38, 0.26%, 0.56%, 0.75

LABA 63, -12.95, -10.77, 0.75

 

CMYK 28 / 5 / 0 / 30

HEX #608E98BF

RGBA 96 142 152 0.75

HSLA 190.71, 0.23%, 0.49%, 0.75

LABA 56.19, -12.95, -10.28, 0.75

 

CMYK 30 / 5 / 0 / 36

HEX #4F7C85BF

RGBA 79 124 133 0.75

HSLA 190, 0.25%, 0.42%, 0.75

LABA 49.22, -12.93, -9.78, 0.75

 

CMYK 34 / 5 / 0 / 41

HEX #3E6A72BF

RGBA 62 106 114 0.75

HSLA 189.23, 0.3%, 0.35%, 0.75

LABA 42.07, -12.88, -9.24, 0.75

 

CMYK 39 / 6 / 0 / 47

HEX #2D585FBF

RGBA 45 88 95 0.75

HSLA 188.4, 0.36%, 0.27%, 0.75

LABA 34.73, -12.76, -8.67, 0.75

 

CMYK 34 / 6 / 0 / 33

HEX #72A1AC

RGB 114 161 172

HSL 191.38, 0.26%, 0.56%

LAB 63.38, -12.94, -10.76

 

CMYK 34 / 16 / 0 / 33

HEX #7291AC

RGB 114 145 172

HSL 207.93, 0.26%, 0.56%

LAB 58.8, -4.13, -17.68

 

CMYK 34 / 25 / 0 / 33

HEX #7281AC

RGB 114 129 172

HSL 224.48, 0.26%, 0.56%

LAB 54.3, 5.08, -24.56

 

CMYK 34 / 34 / 0 / 33

HEX #7272AC

RGB 114 114 172

HSL 240, 0.26%, 0.56%

LAB 50.2, 14.01, -30.91

 

CMYK 25 / 34 / 0 / 33

HEX #8172AC

RGB 129 114 172

HSL 255.52, 0.26%, 0.56%

LAB 51.47, 18.55, -28.84

 

CMYK 34 / 6 / 0 / 33

HEX #72A1AC

RGB 114 161 172

HSL 191.38, 0.26%, 0.56%

LAB 63.38, -12.94, -10.76

 

CMYK 34 / 16 / 0 / 33

HEX #7291AC

RGB 114 145 172

HSL 207.93, 0.26%, 0.56%

LAB 58.8, -4.13, -17.68

 

CMYK 34 / 25 / 0 / 33

HEX #7281AC

RGB 114 129 172

HSL 224.48, 0.26%, 0.56%

LAB 54.3, 5.08, -24.56

 

CMYK 34 / 34 / 0 / 33

HEX #7272AC

RGB 114 114 172

HSL 240, 0.26%, 0.56%

LAB 50.2, 14.01, -30.91

 

CMYK 34 / 6 / 0 / 33

HEX #72A1AC

RGB 114 161 172

HSL 191.38, 0.26%, 0.56%

LAB 63.38, -12.94, -10.76

 

CMYK 50 / 9 / 0 / 25

HEX #5FACBE

RGB 95 172 190

HSL 191.37, 0.42%, 0.56%

LAB 66.26, -18.85, -16.57

 

CMYK 63 / 12 / 0 / 18

HEX #4DB7D0

RGB 77 183 208

HSL 191.45, 0.58%, 0.56%

LAB 69.47, -22.83, -21.68

 

CMYK 74 / 14 / 0 / 11

HEX #3BC3E2

RGB 59 195 226

HSL 191.14, 0.74%, 0.56%

LAB 73.19, -25.89, -25.85

 

CMYK 83 / 16 / 0 / 4

HEX #29CEF5

RGB 41 206 245

HSL 191.47, 0.91%, 0.56%

LAB 76.8, -26.99, -30.56

 

CMYK 34 / 6 / 0 / 33

HEX #72A1AC

RGB 114 161 172

HSL 191.38, 0.26%, 0.56%

LAB 63.38, -12.94, -10.76

 

CMYK 14 / 3 / 0 / 40

HEX #84969A

RGB 132 150 154

HSL 190.91, 0.1%, 0.56%

LAB 60.83, -5.52, -4.28

 

CMYK 0 / 8 / 9 / 41

HEX #968A88

RGB 150 138 136

HSL 8.57, 0.06%, 0.56%

LAB 58.45, 4.12, 2.68

 

CMYK 0 / 24 / 30 / 34

HEX #A87F76

RGB 168 127 118

HSL 10.8, 0.22%, 0.56%

LAB 56.89, 14.53, 11.04

 

CMYK 0 / 38 / 47 / 27

HEX #BA7463

RGB 186 116 99

HSL 11.72, 0.39%, 0.56%

LAB 55.92, 25.64, 20.96

 

CMYK 34 / 0 / 12 / 33

HEX #72AC98

RGB 114 172 152

HSL 159.31, 0.26%, 0.56%

LAB 66.02, -23.4, 4.3

 

CMYK 34 / 0 / 3 / 33

HEX #72ACA7

RGB 114 172 167

HSL 174.83, 0.26%, 0.56%

LAB 66.42, -19.96, -3.45

 

CMYK 34 / 6 / 0 / 33

HEX #72A1AC

RGB 114 161 172

HSL 191.38, 0.26%, 0.56%

LAB 63.38, -12.94, -10.76

 

CMYK 34 / 15 / 0 / 33

HEX #7292AC

RGB 114 146 172

HSL 206.9, 0.26%, 0.56%

LAB 59.08, -4.7, -17.25

 

CMYK 34 / 24 / 0 / 33

HEX #7282AC

RGB 114 130 172

HSL 223.45, 0.26%, 0.56%

LAB 54.58, 4.49, -24.13

 

CMYK 41 / 8 / 0 / 50

HEX #4B7680

RGB 75 118 128

HSL 191.32, 0.26%, 0.4%

LAB 46.99, -12.08, -10.19

 

CMYK 42 / 8 / 0 / 40

HEX #5A8E9A

RGB 90 142 154

HSL 191.25, 0.26%, 0.48%

LAB 55.94, -14.07, -11.83

 

CMYK 34 / 6 / 0 / 33

HEX #72A1AC

RGB 114 161 172

HSL 191.38, 0.26%, 0.56%

LAB 63.38, -12.94, -10.76

 

CMYK 25 / 5 / 0 / 27

HEX #8CB2BB

RGB 140 178 187

HSL 191.49, 0.26%, 0.64%

LAB 70.18, -10.69, -8.79

 

CMYK 18 / 3 / 0 / 20

HEX #A6C4CB

RGB 166 196 203

HSL 191.35, 0.26%, 0.72%

LAB 77.22, -8.55, -6.88

 

CMYK 34 / 6 / 0 / 33

HEX #71A0AB

RGB 113 160 171

HSL 191.38, 0.26%, 0.56%

LAB 63, -12.95, -10.77

 

CMYK 21 / 34 / 0 / 33

HEX #8872AC

RGB 136 114 172

HSL 262.76, 0.26%, 0.56%

LAB 52.12, 20.74, -27.79

 

CMYK 0 / 8 / 34 / 33

HEX #AC9F72

RGB 172 159 114

HSL 46.55, 0.26%, 0.56%

LAB 65.58, -2.18, 25.24

 

CMYK 34 / 6 / 0 / 33

HEX #71A0AB

RGB 113 160 171

HSL 191.38, 0.26%, 0.56%

LAB 63, -12.95, -10.77

 

CMYK 0 / 34 / 6 / 33

HEX #AC72A1

RGB 172 114 161

HSL 311.38, 0.26%, 0.56%

LAB 55.46, 30.37, -15.95

 

CMYK 6 / 0 / 34 / 33

HEX #A1AC72

RGB 161 172 114

HSL 71.38, 0.26%, 0.56%

LAB 68.24, -13.51, 28.6

 

CMYK 34 / 6 / 0 / 33

HEX #71A0AB

RGB 113 160 171

HSL 191.38, 0.26%, 0.56%

LAB 63, -12.95, -10.77

 

CMYK 21 / 34 / 0 / 33

HEX #8872AC

RGB 136 114 172

HSL 262.76, 0.26%, 0.56%

LAB 52.12, 20.74, -27.79

 

CMYK 0 / 28 / 34 / 33

HEX #AC7C72

RGB 172 124 114

HSL 10.34, 0.26%, 0.56%

LAB 56.49, 17.28, 12.84

 

CMYK 13 / 0 / 34 / 33

HEX #96AC72

RGB 150 172 114

HSL 82.76, 0.26%, 0.56%

LAB 67.43, -17.79, 27.38

 

CMYK 34 / 6 / 0 / 33

HEX #71A0AB

RGB 113 160 171

HSL 191.38, 0.26%, 0.56%

LAB 63, -12.95, -10.77

 

CMYK 11 / 34 / 0 / 33

HEX #9972AC

RGB 153 114 172

HSL 280.34, 0.26%, 0.56%

LAB 53.8, 26.2, -25.05

 

CMYK 0 / 28 / 34 / 33

HEX #AC7C72

RGB 172 124 114

HSL 10.34, 0.26%, 0.56%

LAB 56.49, 17.28, 12.84

 

CMYK 23 / 0 / 34 / 33

HEX #84AC72

RGB 132 172 114

HSL 101.38, 0.26%, 0.56%

LAB 66.23, -24.53, 25.58

 

Description

Color code: RGBA 113 160 171 0.75 | qconv.com Color code: RGBA 113 160 171 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 160 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 160 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 5 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 5% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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