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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 112 232 211 0.75 it is the complementary color RGBA 143 23 44 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 112 232 211 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 112 232 211 0.75 shade: RGBA 117 232 206 0.75, RGBA 134 250 225 0.75, RGBA 151 255 244 0.75, RGBA 168 255 255 0.75 and RGBA 185 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 112 232 211 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 112 232 211 0.75 shade: RGBA 112 232 211 0.75, RGBA 95 214 192 0.75, RGBA 78 196 173 0.75, RGBA 61 178 154 0.75 and RGBA 44 160 135 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 112 232 211 0.75 shade: RGB 110 231 210, RGB 110 231 178, RGB 110 231 145, RGB 110 231 112 and RGB 141 231 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 112 232 211 0.75 shade: RGB 110 231 210, RGB 110 220 231, RGB 110 187 231, RGB 110 155 231 and RGB 110 122 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 112 232 211 0.75 shade matches the following richer shades: RGB 110 231 210 and RGB 97 245 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 112 232 211 0.75 shade: RGB 110 231 210, RGB 124 218 201, RGB 137 204 193, RGB 151 191 184 and RGB 165 177 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 112 232 211 0.75 shade: RGB 110 231 145, RGB 110 231 177, RGB 110 231 209, RGB 110 221 231 and RGB 110 189 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 112 232 211 0.75 shade: RGB 39 220 188, RGB 75 226 199, RGB 110 231 210, RGB 146 237 221 and RGB 181 243 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 112 232 211 0.75 shade: RGB 112 232 211, RGB 112 110 231 and RGB 231 161 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 112 232 211 0.75 shade: RGB 112 232 211, RGB 209 110 231 and RGB 231 209 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 112 232 211 0.75 shade: RGB 112 232 211, RGB 112 110 231, RGB 231 110 132 and RGB 229 231 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 112 232 211 0.75 shade: RGB 112 232 211, RGB 149 110 231, RGB 231 110 132 and RGB 193 231 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 7 / 7

HEX #70E8D3BF

RGBA 112 232 211 0.75

HSLA 169.5, 0.72%, 0.67%, 0.75

LABA 84.93, -38.81, -0.11, 0.75

 

Complementary color

CMYK 0 / 63 / 52 / 33

HEX #8F172CBF

RGBA 143 23 44 0.75

HSLA 349.5, 0.72%, 0.33%, 0.75

LABA 30.96, 49.04, 20.38, 0.75

 

CMYK 37 / 0 / 8 / 7

HEX #75E8CEBF

RGBA 117 232 206 0.75

HSLA 166.43, 0.71%, 0.68%, 0.75

LABA 84.97, -38.9, 2.61, 0.75

 

CMYK 35 / 0 / 8 / 1

HEX #86FAE1BF

RGBA 134 250 225 0.75

HSLA 167.07, 0.92%, 0.75%, 0.75

LABA 91.18, -38.83, 1.78, 0.75

 

CMYK 31 / 0 / 3 / 0

HEX #97FFF4BF

RGBA 151 255 244 0.75

HSLA 173.65, 1%, 0.8%, 0.75

LABA 93.72, -32.77, -4.25, 0.75

 

CMYK 26 / 0 / 0 / 0

HEX #A8FFFFBF

RGBA 168 255 255 0.75

HSLA 180, 1%, 0.83%, 0.75

LABA 94.77, -25.99, -8.31, 0.75

 

CMYK 21 / 0 / 0 / 0

HEX #B9FFFFBF

RGBA 185 255 255 0.75

HSLA 180, 1%, 0.86%, 0.75

LABA 95.6, -21.45, -6.98, 0.75

 

CMYK 39 / 0 / 7 / 7

HEX #70E8D3BF

RGBA 112 232 211 0.75

HSLA 169.5, 0.72%, 0.67%, 0.75

LABA 84.93, -38.81, -0.11, 0.75

 

CMYK 42 / 0 / 8 / 12

HEX #5FD6C0BF

RGBA 95 214 192 0.75

HSLA 168.91, 0.59%, 0.61%, 0.75

LABA 78.65, -38.75, 0.76, 0.75

 

CMYK 45 / 0 / 9 / 17

HEX #4EC4ADBF

RGBA 78 196 173 0.75

HSLA 168.31, 0.5%, 0.54%, 0.75

LABA 72.31, -38.6, 1.7, 0.75

 

CMYK 49 / 0 / 10 / 23

HEX #3DB29ABF

RGBA 61 178 154 0.75

HSLA 167.69, 0.49%, 0.47%, 0.75

LABA 65.88, -38.31, 2.73, 0.75

 

CMYK 54 / 0 / 12 / 28

HEX #2CA087BF

RGBA 44 160 135 0.75

HSLA 167.07, 0.57%, 0.4%, 0.75

LABA 59.37, -37.82, 3.88, 0.75

 

CMYK 52 / 0 / 9 / 9

HEX #6EE7D2

RGB 110 231 210

HSL 169.59, 0.72%, 0.67%

LAB 84.55, -39.01, -0.15

 

CMYK 52 / 0 / 23 / 9

HEX #6EE7B2

RGB 110 231 178

HSL 153.72, 0.72%, 0.67%

LAB 83.8, -46.21, 15.59

 

CMYK 52 / 0 / 37 / 9

HEX #6EE791

RGB 110 231 145

HSL 137.36, 0.72%, 0.67%

LAB 83.18, -52.46, 31.77

 

CMYK 52 / 0 / 52 / 9

HEX #6EE770

RGB 110 231 112

HSL 120.99, 0.72%, 0.67%

LAB 82.72, -57.4, 47.37

 

CMYK 39 / 0 / 52 / 9

HEX #8DE76E

RGB 141 231 110

HSL 104.63, 0.72%, 0.67%

LAB 83.93, -48.79, 50.06

 

CMYK 52 / 0 / 9 / 9

HEX #6EE7D2

RGB 110 231 210

HSL 169.59, 0.72%, 0.67%

LAB 84.55, -39.01, -0.15

 

CMYK 52 / 5 / 0 / 9

HEX #6EDCE7

RGB 110 220 231

HSL 185.45, 0.72%, 0.67%

LAB 81.99, -28.52, -15.06

 

CMYK 52 / 19 / 0 / 9

HEX #6EBBE7

RGB 110 187 231

HSL 201.82, 0.72%, 0.67%

LAB 72.64, -11.74, -29.26

 

CMYK 52 / 33 / 0 / 9

HEX #6E9BE7

RGB 110 155 231

HSL 217.69, 0.72%, 0.67%

LAB 63.78, 6.05, -43.05

 

CMYK 52 / 47 / 0 / 9

HEX #6E7AE7

RGB 110 122 231

HSL 234.05, 0.72%, 0.67%

LAB 55.08, 25.59, -56.85

 

CMYK 52 / 0 / 9 / 9

HEX #6EE7D2

RGB 110 231 210

HSL 169.59, 0.72%, 0.67%

LAB 84.55, -39.01, -0.15

 

CMYK 60 / 0 / 11 / 4

HEX #61F5DB

RGB 97 245 219

HSL 169.46, 0.88%, 0.67%

LAB 88.43, -45.51, 0.76

 

CMYK 52 / 0 / 9 / 9

HEX #6EE7D2

RGB 110 231 210

HSL 169.59, 0.72%, 0.67%

LAB 84.55, -39.01, -0.15

 

CMYK 43 / 0 / 8 / 15

HEX #7CDAC9

RGB 124 218 201

HSL 169.15, 0.56%, 0.67%

LAB 81.1, -31.94, -0.36

 

CMYK 33 / 0 / 5 / 20

HEX #89CCC1

RGB 137 204 193

HSL 170.15, 0.4%, 0.67%

LAB 77.49, -23.56, -1.27

 

CMYK 21 / 0 / 4 / 25

HEX #97BFB8

RGB 151 191 184

HSL 169.5, 0.24%, 0.67%

LAB 74.38, -14.74, -0.87

 

CMYK 7 / 0 / 1 / 31

HEX #A5B1AF

RGB 165 177 175

HSL 170, 0.07%, 0.67%

LAB 71.24, -4.57, -0.43

 

CMYK 52 / 0 / 37 / 9

HEX #6EE791

RGB 110 231 145

HSL 137.36, 0.72%, 0.67%

LAB 83.18, -52.46, 31.77

 

CMYK 52 / 0 / 23 / 9

HEX #6EE7B1

RGB 110 231 177

HSL 153.22, 0.72%, 0.67%

LAB 83.78, -46.42, 16.09

 

CMYK 52 / 0 / 10 / 9

HEX #6EE7D1

RGB 110 231 209

HSL 169.09, 0.72%, 0.67%

LAB 84.52, -39.25, 0.34

 

CMYK 52 / 4 / 0 / 9

HEX #6EDDE7

RGB 110 221 231

HSL 184.96, 0.72%, 0.67%

LAB 82.27, -29, -14.63

 

CMYK 52 / 18 / 0 / 9

HEX #6EBDE7

RGB 110 189 231

HSL 200.83, 0.72%, 0.67%

LAB 73.21, -12.8, -28.4

 

CMYK 82 / 0 / 15 / 14

HEX #27DCBC

RGB 39 220 188

HSL 169.39, 0.72%, 0.51%

LAB 79.18, -50.17, 3.52

 

CMYK 67 / 0 / 12 / 11

HEX #4BE2C7

RGB 75 226 199

HSL 169.27, 0.72%, 0.59%

LAB 81.84, -45.78, 1.61

 

CMYK 52 / 0 / 9 / 9

HEX #6EE7D2

RGB 110 231 210

HSL 169.59, 0.72%, 0.67%

LAB 84.55, -39.01, -0.15

 

CMYK 38 / 0 / 7 / 7

HEX #92EDDD

RGB 146 237 221

HSL 169.45, 0.72%, 0.75%

LAB 87.92, -30.8, -0.83

 

CMYK 26 / 0 / 5 / 5

HEX #B5F3E8

RGB 181 243 232

HSL 169.35, 0.72%, 0.83%

LAB 91.57, -21.65, -1.02

 

CMYK 52 / 0 / 9 / 9

HEX #70E8D3

RGB 112 232 211

HSL 169.5, 0.72%, 0.67%

LAB 84.93, -38.81, -0.11

 

CMYK 52 / 52 / 0 / 9

HEX #706EE7

RGB 112 110 231

HSL 240.99, 0.72%, 0.67%

LAB 52.25, 33.21, -61.38

 

CMYK 0 / 30 / 52 / 9

HEX #E7A16E

RGB 231 161 110

HSL 25.29, 0.72%, 0.67%

LAB 71.96, 20.44, 36.82

 

CMYK 52 / 0 / 9 / 9

HEX #70E8D3

RGB 112 232 211

HSL 169.5, 0.72%, 0.67%

LAB 84.93, -38.81, -0.11

 

CMYK 10 / 52 / 0 / 9

HEX #D16EE7

RGB 209 110 231

HSL 289.09, 0.72%, 0.67%

LAB 62.06, 56.92, -45.16

 

CMYK 0 / 10 / 52 / 9

HEX #E7D16E

RGB 231 209 110

HSL 49.09, 0.72%, 0.67%

LAB 83.82, -4.76, 51.35

 

CMYK 52 / 0 / 9 / 9

HEX #70E8D3

RGB 112 232 211

HSL 169.5, 0.72%, 0.67%

LAB 84.93, -38.81, -0.11

 

CMYK 52 / 52 / 0 / 9

HEX #706EE7

RGB 112 110 231

HSL 240.99, 0.72%, 0.67%

LAB 52.25, 33.21, -61.38

 

CMYK 0 / 52 / 43 / 9

HEX #E76E84

RGB 231 110 132

HSL 349.09, 0.72%, 0.67%

LAB 61.49, 48.93, 10.59

 

CMYK 1 / 0 / 52 / 9

HEX #E5E76E

RGB 229 231 110

HSL 60.99, 0.72%, 0.67%

LAB 89.36, -16.58, 57.81

 

CMYK 52 / 0 / 9 / 9

HEX #70E8D3

RGB 112 232 211

HSL 169.5, 0.72%, 0.67%

LAB 84.93, -38.81, -0.11

 

CMYK 35 / 52 / 0 / 9

HEX #956EE7

RGB 149 110 231

HSL 259.34, 0.72%, 0.67%

LAB 55.39, 41.54, -56.17

 

CMYK 0 / 52 / 43 / 9

HEX #E76E84

RGB 231 110 132

HSL 349.09, 0.72%, 0.67%

LAB 61.49, 48.93, 10.59

 

CMYK 16 / 0 / 52 / 9

HEX #C1E76E

RGB 193 231 110

HSL 78.84, 0.72%, 0.67%

LAB 86.81, -30.6, 54.18

 

Description

Color code: RGBA 112 232 211 0.75 | qconv.com Color code: RGBA 112 232 211 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 232 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 232 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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