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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 112 232 134 0.75 it is the complementary color RGBA 143 23 121 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 112 232 134 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 112 232 134 0.75 shade: RGBA 117 232 129 0.75, RGBA 134 250 148 0.75, RGBA 151 255 167 0.75, RGBA 168 255 186 0.75 and RGBA 185 255 205 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 112 232 134 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 112 232 134 0.75 shade: RGBA 112 232 134 0.75, RGBA 95 214 115 0.75, RGBA 78 196 96 0.75, RGBA 61 178 77 0.75 and RGBA 44 160 58 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 112 232 134 0.75 shade: RGB 110 231 132, RGB 121 231 110, RGB 153 231 110, RGB 186 231 110 and RGB 219 231 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 112 232 134 0.75 shade: RGB 110 231 132, RGB 110 231 165, RGB 110 231 198, RGB 110 231 231 and RGB 110 200 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 112 232 134 0.75 shade matches the following richer shades: RGB 110 231 132 and RGB 97 245 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 112 232 134 0.75 shade: RGB 110 231 132, RGB 124 218 141, RGB 137 204 150, RGB 151 191 158 and RGB 165 177 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 112 232 134 0.75 shade: RGB 153 231 110, RGB 120 231 110, RGB 110 231 132, RGB 110 231 165 and RGB 110 231 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 112 232 134 0.75 shade: RGB 39 220 72, RGB 75 226 102, RGB 110 231 132, RGB 146 237 163 and RGB 181 243 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 112 232 134 0.75 shade: RGB 112 232 134, RGB 110 185 231 and RGB 231 110 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 112 232 134 0.75 shade: RGB 112 232 134, RGB 132 110 231 and RGB 231 132 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 112 232 134 0.75 shade: RGB 112 232 134, RGB 110 185 231, RGB 231 110 209 and RGB 231 157 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 112 232 134 0.75 shade: RGB 112 232 134, RGB 110 149 231, RGB 231 110 209 and RGB 231 193 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 32 / 7

HEX #70E886BF

RGBA 112 232 134 0.75

HSLA 131, 0.72%, 0.67%, 0.75

LABA 83.38, -54.16, 37.56, 0.75

 

Complementary color

CMYK 0 / 63 / 12 / 33

HEX #8F1779BF

RGBA 143 23 121 0.75

HSLA 311, 0.72%, 0.33%, 0.75

LABA 33.63, 56.78, -25.81, 0.75

 

CMYK 37 / 0 / 33 / 7

HEX #75E881BF

RGBA 117 232 129 0.75

HSLA 126.26, 0.71%, 0.68%, 0.75

LABA 83.48, -53.63, 40.2, 0.75

 

CMYK 35 / 0 / 31 / 1

HEX #86FA94BF

RGBA 134 250 148 0.75

HSLA 127.24, 0.92%, 0.75%, 0.75

LABA 89.66, -53.54, 38.93, 0.75

 

CMYK 31 / 0 / 26 / 0

HEX #97FFA7BF

RGBA 151 255 167 0.75

HSLA 129.23, 1%, 0.8%, 0.75

LABA 92.08, -47.96, 32.83, 0.75

 

CMYK 26 / 0 / 20 / 0

HEX #A8FFBABF

RGBA 168 255 186 0.75

HSLA 132.41, 1%, 0.83%, 0.75

LABA 93.18, -39.88, 24.88, 0.75

 

CMYK 21 / 0 / 15 / 0

HEX #B9FFCDBF

RGBA 185 255 205 0.75

HSLA 137.14, 1%, 0.86%, 0.75

LABA 94.42, -31.41, 17.03, 0.75

 

CMYK 39 / 0 / 32 / 7

HEX #70E886BF

RGBA 112 232 134 0.75

HSLA 131, 0.72%, 0.67%, 0.75

LABA 83.38, -54.16, 37.56, 0.75

 

CMYK 42 / 0 / 35 / 12

HEX #5FD673BF

RGBA 95 214 115 0.75

HSLA 130.08, 0.59%, 0.61%, 0.75

LABA 77.14, -54.13, 38.89, 0.75

 

CMYK 45 / 0 / 38 / 17

HEX #4EC460BF

RGBA 78 196 96 0.75

HSLA 129.15, 0.5%, 0.54%, 0.75

LABA 70.83, -53.95, 40.26, 0.75

 

CMYK 49 / 0 / 43 / 23

HEX #3DB24DBF

RGBA 61 178 77 0.75

HSLA 128.21, 0.49%, 0.47%, 0.75

LABA 64.46, -53.51, 41.65, 0.75

 

CMYK 54 / 0 / 48 / 28

HEX #2CA03ABF

RGBA 44 160 58 0.75

HSLA 127.24, 0.57%, 0.4%, 0.75

LABA 58.02, -52.67, 42.95, 0.75

 

CMYK 52 / 0 / 43 / 9

HEX #6EE784

RGB 110 231 132

HSL 130.91, 0.72%, 0.67%

LAB 82.98, -54.57, 38.03

 

CMYK 48 / 0 / 52 / 9

HEX #79E76E

RGB 121 231 110

HSL 114.55, 0.72%, 0.67%

LAB 83.1, -54.72, 48.85

 

CMYK 34 / 0 / 52 / 9

HEX #99E76E

RGB 153 231 110

HSL 98.68, 0.72%, 0.67%

LAB 84.51, -44.9, 50.89

 

CMYK 19 / 0 / 52 / 9

HEX #BAE76E

RGB 186 231 110

HSL 82.31, 0.72%, 0.67%

LAB 86.36, -33.23, 53.54

 

CMYK 5 / 0 / 52 / 9

HEX #DBE76E

RGB 219 231 110

HSL 65.95, 0.72%, 0.67%

LAB 88.61, -20.55, 56.74

 

CMYK 52 / 0 / 43 / 9

HEX #6EE784

RGB 110 231 132

HSL 130.91, 0.72%, 0.67%

LAB 82.98, -54.57, 38.03

 

CMYK 52 / 0 / 29 / 9

HEX #6EE7A5

RGB 110 231 165

HSL 147.27, 0.72%, 0.67%

LAB 83.54, -48.82, 22

 

CMYK 52 / 0 / 14 / 9

HEX #6EE7C6

RGB 110 231 198

HSL 163.64, 0.72%, 0.67%

LAB 84.25, -41.83, 5.74

 

CMYK 52 / 0 / 0 / 9

HEX #6EE7E7

RGB 110 231 231

HSL 180, 0.72%, 0.67%

LAB 85.12, -33.76, -10.38

 

CMYK 52 / 13 / 0 / 9

HEX #6EC8E7

RGB 110 200 231

HSL 195.37, 0.72%, 0.67%

LAB 76.31, -18.54, -23.65

 

CMYK 52 / 0 / 43 / 9

HEX #6EE784

RGB 110 231 132

HSL 130.91, 0.72%, 0.67%

LAB 82.98, -54.57, 38.03

 

CMYK 60 / 0 / 49 / 4

HEX #61F57C

RGB 97 245 124

HSL 130.95, 0.88%, 0.67%

LAB 86.65, -64, 46.45

 

CMYK 52 / 0 / 43 / 9

HEX #6EE784

RGB 110 231 132

HSL 130.91, 0.72%, 0.67%

LAB 82.98, -54.57, 38.03

 

CMYK 43 / 0 / 35 / 15

HEX #7CDA8D

RGB 124 218 141

HSL 130.85, 0.56%, 0.67%

LAB 79.81, -44.03, 29.42

 

CMYK 33 / 0 / 26 / 20

HEX #89CC96

RGB 137 204 150

HSL 131.64, 0.4%, 0.67%

LAB 76.5, -32.27, 20.34

 

CMYK 21 / 0 / 17 / 25

HEX #97BF9E

RGB 151 191 158

HSL 130.5, 0.24%, 0.67%

LAB 73.75, -19.9, 12.33

 

CMYK 7 / 0 / 6 / 31

HEX #A5B1A7

RGB 165 177 167

HSL 130, 0.07%, 0.67%

LAB 71.03, -6.1, 3.67

 

CMYK 34 / 0 / 52 / 9

HEX #99E76E

RGB 153 231 110

HSL 98.68, 0.72%, 0.67%

LAB 84.51, -44.9, 50.89

 

CMYK 48 / 0 / 52 / 9

HEX #78E76E

RGB 120 231 110

HSL 115.04, 0.72%, 0.67%

LAB 83.06, -54.99, 48.8

 

CMYK 52 / 0 / 43 / 9

HEX #6EE784

RGB 110 231 132

HSL 130.91, 0.72%, 0.67%

LAB 82.98, -54.57, 38.03

 

CMYK 52 / 0 / 29 / 9

HEX #6EE7A5

RGB 110 231 165

HSL 147.27, 0.72%, 0.67%

LAB 83.54, -48.82, 22

 

CMYK 52 / 0 / 15 / 9

HEX #6EE7C5

RGB 110 231 197

HSL 163.14, 0.72%, 0.67%

LAB 84.22, -42.06, 6.24

 

CMYK 82 / 0 / 67 / 14

HEX #27DC48

RGB 39 220 72

HSL 130.94, 0.72%, 0.51%

LAB 77.33, -71.19, 58.25

 

CMYK 67 / 0 / 55 / 11

HEX #4BE266

RGB 75 226 102

HSL 130.73, 0.72%, 0.59%

LAB 80.09, -64.57, 48.62

 

CMYK 52 / 0 / 43 / 9

HEX #6EE784

RGB 110 231 132

HSL 130.91, 0.72%, 0.67%

LAB 82.98, -54.57, 38.03

 

CMYK 38 / 0 / 31 / 7

HEX #92EDA3

RGB 146 237 163

HSL 131.21, 0.72%, 0.75%

LAB 86.66, -42.28, 27.52

 

CMYK 26 / 0 / 21 / 5

HEX #B5F3C1

RGB 181 243 193

HSL 131.61, 0.72%, 0.83%

LAB 90.68, -29.16, 17.92

 

CMYK 52 / 0 / 42 / 9

HEX #70E886

RGB 112 232 134

HSL 131, 0.72%, 0.67%

LAB 83.38, -54.16, 37.56

 

CMYK 52 / 20 / 0 / 9

HEX #6EB9E7

RGB 110 185 231

HSL 202.81, 0.72%, 0.67%

LAB 72.08, -10.67, -30.12

 

CMYK 0 / 52 / 41 / 9

HEX #E76E89

RGB 231 110 137

HSL 346.61, 0.72%, 0.67%

LAB 61.61, 49.46, 7.88

 

CMYK 52 / 0 / 42 / 9

HEX #70E886

RGB 112 232 134

HSL 131, 0.72%, 0.67%

LAB 83.38, -54.16, 37.56

 

CMYK 43 / 52 / 0 / 9

HEX #846EE7

RGB 132 110 231

HSL 250.91, 0.72%, 0.67%

LAB 53.84, 37.54, -58.73

 

CMYK 0 / 43 / 52 / 9

HEX #E7846E

RGB 231 132 110

HSL 10.91, 0.72%, 0.67%

LAB 65.45, 35.77, 28.45

 

CMYK 52 / 0 / 42 / 9

HEX #70E886

RGB 112 232 134

HSL 131, 0.72%, 0.67%

LAB 83.38, -54.16, 37.56

 

CMYK 52 / 20 / 0 / 9

HEX #6EB9E7

RGB 110 185 231

HSL 202.81, 0.72%, 0.67%

LAB 72.08, -10.67, -30.12

 

CMYK 0 / 52 / 10 / 9

HEX #E76ED1

RGB 231 110 209

HSL 310.91, 0.72%, 0.67%

LAB 63.95, 59.11, -29.69

 

CMYK 0 / 32 / 52 / 9

HEX #E79D6E

RGB 231 157 110

HSL 23.31, 0.72%, 0.67%

LAB 71.03, 22.57, 35.64

 

CMYK 52 / 0 / 42 / 9

HEX #70E886

RGB 112 232 134

HSL 131, 0.72%, 0.67%

LAB 83.38, -54.16, 37.56

 

CMYK 52 / 35 / 0 / 9

HEX #6E95E7

RGB 110 149 231

HSL 220.66, 0.72%, 0.67%

LAB 62.15, 9.53, -45.61

 

CMYK 0 / 52 / 10 / 9

HEX #E76ED1

RGB 231 110 209

HSL 310.91, 0.72%, 0.67%

LAB 63.95, 59.11, -29.69

 

CMYK 0 / 16 / 52 / 9

HEX #E7C16E

RGB 231 193 110

HSL 41.16, 0.72%, 0.67%

LAB 79.76, 3.5, 46.48

 

Description

Color code: RGBA 112 232 134 0.75 | qconv.com Color code: RGBA 112 232 134 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 232 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 232 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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