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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 112 185 128 0.75 it is the complementary color RGBA 143 70 127 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 112 185 128 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 112 185 128 0.75 shade: RGBA 117 185 123 0.75, RGBA 134 203 142 0.75, RGBA 151 221 161 0.75, RGBA 168 239 180 0.75 and RGBA 185 255 199 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 112 185 128 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 112 185 128 0.75 shade: RGBA 112 185 128 0.75, RGBA 95 167 109 0.75, RGBA 78 149 90 0.75, RGBA 61 131 71 0.75 and RGBA 44 113 52 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 112 185 128 0.75 shade: RGB 111 184 127, RGB 115 184 111, RGB 135 184 111, RGB 154 184 111 and RGB 174 184 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 112 185 128 0.75 shade: RGB 111 184 127, RGB 111 184 147, RGB 111 184 167, RGB 111 182 184 and RGB 111 163 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 112 185 128 0.75 shade matches the following richer shades: RGB 111 184 127, RGB 94 202 118, RGB 77 219 108, RGB 59 236 98 and RGB 42 254 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 112 185 128 0.75 shade: RGB 111 184 127, RGB 129 167 137, RGB 146 150 147, RGB 163 132 157 and RGB 181 115 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 112 185 128 0.75 shade: RGB 135 184 111, RGB 115 184 111, RGB 111 184 127, RGB 111 184 147 and RGB 111 184 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 112 185 128 0.75 shade: RGB 70 143 86, RGB 84 171 103, RGB 111 184 127, RGB 139 198 152 and RGB 167 212 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 112 185 128 0.75 shade: RGB 112 185 128, RGB 111 154 184 and RGB 184 111 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 112 185 128 0.75 shade: RGB 112 185 128, RGB 127 111 184 and RGB 184 127 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 112 185 128 0.75 shade: RGB 112 185 128, RGB 111 154 184, RGB 184 111 169 and RGB 184 142 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 112 185 128 0.75 shade: RGB 112 185 128, RGB 111 132 184, RGB 184 111 169 and RGB 184 164 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 23 / 21

HEX #70B980BF

RGBA 112 185 128 0.75

HSLA 133.15, 0.34%, 0.58%, 0.75

LABA 69.26, -35.08, 21.95, 0.75

 

Complementary color

CMYK 0 / 38 / 8 / 33

HEX #8F467FBF

RGBA 143 70 127 0.75

HSLA 313.15, 0.34%, 0.42%, 0.75

LABA 40.82, 38.71, -18.38, 0.75

 

CMYK 28 / 0 / 25 / 21

HEX #75B97BBF

RGBA 117 185 123 0.75

HSLA 125.29, 0.33%, 0.59%, 0.75

LABA 69.41, -34.41, 24.86, 0.75

 

CMYK 25 / 0 / 23 / 15

HEX #86CB8EBF

RGBA 134 203 142 0.75

HSLA 126.96, 0.4%, 0.66%, 0.75

LABA 75.91, -34.15, 23.72, 0.75

 

CMYK 24 / 0 / 20 / 10

HEX #97DDA1BF

RGBA 151 221 161 0.75

HSLA 128.57, 0.51%, 0.73%, 0.75

LABA 82.31, -33.89, 22.65, 0.75

 

CMYK 22 / 0 / 19 / 5

HEX #A8EFB4BF

RGBA 168 239 180 0.75

HSLA 130.14, 0.69%, 0.8%, 0.75

LABA 88.62, -33.64, 21.65, 0.75

 

CMYK 21 / 0 / 16 / 0

HEX #B9FFC7BF

RGBA 185 255 199 0.75

HSLA 132, 1%, 0.86%, 0.75

LABA 94.29, -32.47, 19.93, 0.75

 

CMYK 30 / 0 / 23 / 21

HEX #70B980BF

RGBA 112 185 128 0.75

HSLA 133.15, 0.34%, 0.58%, 0.75

LABA 69.26, -35.08, 21.95, 0.75

 

CMYK 32 / 0 / 26 / 26

HEX #5FA76DBF

RGBA 95 167 109 0.75

HSLA 131.67, 0.29%, 0.51%, 0.75

LABA 62.65, -35.33, 23.14, 0.75

 

CMYK 36 / 0 / 30 / 31

HEX #4E955ABF

RGBA 78 149 90 0.75

HSLA 130.14, 0.31%, 0.45%, 0.75

LABA 55.94, -35.54, 24.43, 0.75

 

CMYK 40 / 0 / 34 / 36

HEX #3D8347BF

RGBA 61 131 71 0.75

HSLA 128.57, 0.36%, 0.38%, 0.75

LABA 49.11, -35.66, 25.83, 0.75

 

CMYK 46 / 0 / 40 / 42

HEX #2C7134BF

RGBA 44 113 52 0.75

HSLA 126.96, 0.44%, 0.31%, 0.75

LABA 42.14, -35.56, 27.31, 0.75

 

CMYK 40 / 0 / 31 / 28

HEX #6FB87F

RGB 111 184 127

HSL 133.15, 0.34%, 0.58%

LAB 68.89, -35.1, 21.98

 

CMYK 38 / 0 / 40 / 28

HEX #73B86F

RGB 115 184 111

HSL 116.71, 0.34%, 0.58%

LAB 68.8, -36.53, 30.38

 

CMYK 27 / 0 / 40 / 28

HEX #87B86F

RGB 135 184 111

HSL 100.27, 0.34%, 0.58%

LAB 69.88, -29.74, 31.99

 

CMYK 16 / 0 / 40 / 28

HEX #9AB86F

RGB 154 184 111

HSL 84.66, 0.34%, 0.58%

LAB 71.08, -22.72, 33.77

 

CMYK 5 / 0 / 40 / 28

HEX #AEB86F

RGB 174 184 111

HSL 68.22, 0.34%, 0.58%

LAB 72.51, -14.92, 35.89

 

CMYK 40 / 0 / 31 / 28

HEX #6FB87F

RGB 111 184 127

HSL 133.15, 0.34%, 0.58%

LAB 68.89, -35.1, 21.98

 

CMYK 40 / 0 / 20 / 28

HEX #6FB893

RGB 111 184 147

HSL 149.59, 0.34%, 0.58%

LAB 69.3, -31.22, 11.72

 

CMYK 40 / 0 / 9 / 28

HEX #6FB8A7

RGB 111 184 167

HSL 166.03, 0.34%, 0.58%

LAB 69.79, -26.83, 1.46

 

CMYK 40 / 1 / 0 / 28

HEX #6FB6B8

RGB 111 182 184

HSL 181.64, 0.34%, 0.58%

LAB 69.68, -21.71, -8.05

 

CMYK 40 / 11 / 0 / 28

HEX #6FA3B8

RGB 111 163 184

HSL 197.26, 0.34%, 0.58%

LAB 64.19, -11.75, -16.28

 

CMYK 40 / 0 / 31 / 28

HEX #6FB87F

RGB 111 184 127

HSL 133.15, 0.34%, 0.58%

LAB 68.89, -35.1, 21.98

 

CMYK 53 / 0 / 42 / 21

HEX #5ECA76

RGB 94 202 118

HSL 133.33, 0.5%, 0.58%

LAB 73.5, -49.14, 32.7

 

CMYK 65 / 0 / 51 / 14

HEX #4DDB6C

RGB 77 219 108

HSL 133.1, 0.66%, 0.58%

LAB 78.07, -60.92, 43.35

 

CMYK 75 / 0 / 58 / 7

HEX #3BEC62

RGB 59 236 98

HSL 133.22, 0.82%, 0.58%

LAB 82.81, -70.95, 53.55

 

CMYK 83 / 0 / 65 / 0

HEX #2AFE59

RGB 42 254 89

HSL 133.3, 0.99%, 0.58%

LAB 88.02, -79.35, 63.14

 

CMYK 40 / 0 / 31 / 28

HEX #6FB87F

RGB 111 184 127

HSL 133.15, 0.34%, 0.58%

LAB 68.89, -35.1, 21.98

 

CMYK 23 / 0 / 18 / 35

HEX #81A789

RGB 129 167 137

HSL 132.63, 0.18%, 0.58%

LAB 65.05, -19.11, 11.35

 

CMYK 3 / 0 / 2 / 41

HEX #929693

RGB 146 150 147

HSL 135, 0.02%, 0.58%

LAB 61.68, -2.03, 1.07

 

CMYK 0 / 19 / 4 / 36

HEX #A3849D

RGB 163 132 157

HSL 311.61, 0.14%, 0.58%

LAB 58.72, 16.25, -8.84

 

CMYK 0 / 36 / 8 / 29

HEX #B573A6

RGB 181 115 166

HSL 313.64, 0.31%, 0.58%

LAB 56.92, 33.79, -16.53

 

CMYK 27 / 0 / 40 / 28

HEX #87B86F

RGB 135 184 111

HSL 100.27, 0.34%, 0.58%

LAB 69.88, -29.74, 31.99

 

CMYK 38 / 0 / 40 / 28

HEX #73B86F

RGB 115 184 111

HSL 116.71, 0.34%, 0.58%

LAB 68.8, -36.53, 30.38

 

CMYK 40 / 0 / 31 / 28

HEX #6FB87F

RGB 111 184 127

HSL 133.15, 0.34%, 0.58%

LAB 68.89, -35.1, 21.98

 

CMYK 40 / 0 / 20 / 28

HEX #6FB893

RGB 111 184 147

HSL 149.59, 0.34%, 0.58%

LAB 69.3, -31.22, 11.72

 

CMYK 40 / 0 / 10 / 28

HEX #6FB8A6

RGB 111 184 166

HSL 165.21, 0.34%, 0.58%

LAB 69.76, -27.06, 1.97

 

CMYK 51 / 0 / 40 / 44

HEX #468F56

RGB 70 143 86

HSL 133.15, 0.34%, 0.42%

LAB 53.62, -35.85, 23.52

 

CMYK 51 / 0 / 40 / 33

HEX #54AB67

RGB 84 171 103

HSL 133.1, 0.34%, 0.5%

LAB 63.33, -41.29, 27.19

 

CMYK 40 / 0 / 31 / 28

HEX #6FB87F

RGB 111 184 127

HSL 133.15, 0.34%, 0.58%

LAB 68.89, -35.1, 21.98

 

CMYK 30 / 0 / 23 / 22

HEX #8BC698

RGB 139 198 152

HSL 133.22, 0.34%, 0.66%

LAB 74.92, -28.42, 17.09

 

CMYK 21 / 0 / 17 / 17

HEX #A7D4B1

RGB 167 212 177

HSL 133.33, 0.34%, 0.74%

LAB 81, -21.57, 12.55

 

CMYK 39 / 0 / 31 / 27

HEX #70B980

RGB 112 185 128

HSL 133.15, 0.34%, 0.58%

LAB 69.26, -35.08, 21.95

 

CMYK 40 / 16 / 0 / 28

HEX #6F9AB8

RGB 111 154 184

HSL 204.66, 0.34%, 0.58%

LAB 61.61, -6.82, -20.2

 

CMYK 0 / 40 / 32 / 28

HEX #B86F7D

RGB 184 111 125

HSL 348.49, 0.34%, 0.58%

LAB 55.11, 30.68, 4.7

 

CMYK 39 / 0 / 31 / 27

HEX #70B980

RGB 112 185 128

HSL 133.15, 0.34%, 0.58%

LAB 69.26, -35.08, 21.95

 

CMYK 31 / 40 / 0 / 28

HEX #7F6FB8

RGB 127 111 184

HSL 253.15, 0.34%, 0.58%

LAB 51.08, 22.82, -36.41

 

CMYK 0 / 31 / 40 / 28

HEX #B87F6F

RGB 184 127 111

HSL 13.15, 0.34%, 0.58%

LAB 58.52, 20.06, 17.59

 

CMYK 39 / 0 / 31 / 27

HEX #70B980

RGB 112 185 128

HSL 133.15, 0.34%, 0.58%

LAB 69.26, -35.08, 21.95

 

CMYK 40 / 16 / 0 / 28

HEX #6F9AB8

RGB 111 154 184

HSL 204.66, 0.34%, 0.58%

LAB 61.61, -6.82, -20.2

 

CMYK 0 / 40 / 8 / 28

HEX #B86FA9

RGB 184 111 169

HSL 312.33, 0.34%, 0.58%

LAB 56.51, 37.5, -18.85

 

CMYK 0 / 23 / 40 / 28

HEX #B88E6F

RGB 184 142 111

HSL 25.48, 0.34%, 0.58%

LAB 62.24, 11.71, 22.63

 

CMYK 39 / 0 / 31 / 27

HEX #70B980

RGB 112 185 128

HSL 133.15, 0.34%, 0.58%

LAB 69.26, -35.08, 21.95

 

CMYK 40 / 28 / 0 / 28

HEX #6F84B8

RGB 111 132 184

HSL 222.74, 0.34%, 0.58%

LAB 55.42, 5.77, -29.72

 

CMYK 0 / 40 / 8 / 28

HEX #B86FA9

RGB 184 111 169

HSL 312.33, 0.34%, 0.58%

LAB 56.51, 37.5, -18.85

 

CMYK 0 / 11 / 40 / 28

HEX #B8A46F

RGB 184 164 111

HSL 43.56, 0.34%, 0.58%

LAB 67.94, -0.34, 30.17

 

Description

Color code: RGBA 112 185 128 0.75 | qconv.com Color code: RGBA 112 185 128 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 185 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 185 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 23 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 23% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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