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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 112 142 89 0.75 it is the complementary color RGBA 143 113 166 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 112 142 89 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 112 142 89 0.75 shade: RGBA 117 142 84 0.75, RGBA 134 160 103 0.75, RGBA 151 178 122 0.75, RGBA 168 196 141 0.75 and RGBA 185 214 160 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 112 142 89 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 112 142 89 0.75 shade: RGBA 112 142 89 0.75, RGBA 95 124 70 0.75, RGBA 78 106 51 0.75, RGBA 61 88 32 0.75 and RGBA 44 70 13 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 112 142 89 0.75 shade: RGB 111 141 88, RGB 126 141 88, RGB 140 141 88, RGB 141 128 88 and RGB 141 114 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 112 142 89 0.75 shade: RGB 111 141 88, RGB 97 141 88, RGB 88 141 94, RGB 88 141 108 and RGB 88 141 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 112 142 89 0.75 shade matches the following richer shades: RGB 111 141 88, RGB 109 160 70, RGB 106 178 51, RGB 104 197 33 and RGB 101 215 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 112 142 89 0.75 shade: RGB 111 141 88, RGB 114 123 107, RGB 116 104 125, RGB 119 85 144 and RGB 121 67 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 112 142 89 0.75 shade: RGB 140 141 88, RGB 126 141 88, RGB 112 141 88, RGB 98 141 88 and RGB 88 141 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 112 142 89 0.75 shade: RGB 71 90 57, RGB 91 116 72, RGB 111 141 88, RGB 132 163 108 and RGB 153 179 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 112 142 89 0.75 shade: RGB 112 142 89, RGB 88 141 128 and RGB 141 88 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 112 142 89 0.75 shade: RGB 112 142 89, RGB 88 112 141 and RGB 141 88 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 112 142 89 0.75 shade: RGB 112 142 89, RGB 88 141 128, RGB 117 88 141 and RGB 141 88 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 112 142 89 0.75 shade: RGB 112 142 89, RGB 88 139 141, RGB 117 88 141 and RGB 141 91 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 28 / 33

HEX #708E59BF

RGBA 112 142 89 0.75

HSLA 93.96, 0.23%, 0.45%, 0.75

LABA 55.6, -20.63, 24.88, 0.75

 

Complementary color

CMYK 10 / 24 / 0 / 26

HEX #8F71A6BF

RGBA 143 113 166 0.75

HSLA 273.96, 0.23%, 0.55%, 0.75

LABA 52.29, 22.18, -23.98, 0.75

 

CMYK 13 / 0 / 31 / 33

HEX #758E54BF

RGBA 117 142 84 0.75

HSLA 85.86, 0.26%, 0.44%, 0.75

LABA 55.85, -19.38, 28.01, 0.75

 

CMYK 12 / 0 / 27 / 28

HEX #86A067BF

RGBA 134 160 103 0.75

HSLA 87.37, 0.23%, 0.52%, 0.75

LABA 62.67, -19.36, 26.81, 0.75

 

CMYK 11 / 0 / 24 / 23

HEX #97B27ABF

RGBA 151 178 122 0.75

HSLA 88.93, 0.27%, 0.59%, 0.75

LABA 69.34, -19.32, 25.66, 0.75

 

CMYK 11 / 0 / 21 / 17

HEX #A8C48DBF

RGBA 168 196 141 0.75

HSLA 90.55, 0.32%, 0.66%, 0.75

LABA 75.9, -19.27, 24.58, 0.75

 

CMYK 10 / 0 / 19 / 12

HEX #B9D6A0BF

RGBA 185 214 160 0.75

HSLA 92.22, 0.4%, 0.73%, 0.75

LABA 82.35, -19.22, 23.56, 0.75

 

CMYK 16 / 0 / 28 / 33

HEX #708E59BF

RGBA 112 142 89 0.75

HSLA 93.96, 0.23%, 0.45%, 0.75

LABA 55.6, -20.63, 24.88, 0.75

 

CMYK 18 / 0 / 33 / 39

HEX #5F7C46BF

RGBA 95 124 70 0.75

HSLA 92.22, 0.28%, 0.38%, 0.75

LABA 48.62, -20.72, 26.13, 0.75

 

CMYK 20 / 0 / 39 / 44

HEX #4E6A33BF

RGBA 78 106 51 0.75

HSLA 90.55, 0.35%, 0.31%, 0.75

LABA 41.48, -20.76, 27.43, 0.75

 

CMYK 23 / 0 / 48 / 49

HEX #3D5820BF

RGBA 61 88 32 0.75

HSLA 88.93, 0.47%, 0.24%, 0.75

LABA 34.14, -20.7, 28.66, 0.75

 

CMYK 28 / 0 / 61 / 54

HEX #2C460DBF

RGBA 44 70 13 0.75

HSLA 87.37, 0.69%, 0.16%, 0.75

LABA 26.58, -20.38, 29.39, 0.75

 

CMYK 21 / 0 / 38 / 45

HEX #6F8D58

RGB 111 141 88

HSL 93.96, 0.23%, 0.45%

LAB 55.21, -20.65, 24.91

 

CMYK 11 / 0 / 38 / 45

HEX #7E8D58

RGB 126 141 88

HSL 76.98, 0.23%, 0.45%

LAB 56.28, -14.69, 26.51

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 0 / 9 / 38 / 45

HEX #8D8058

RGB 141 128 88

HSL 45.28, 0.23%, 0.45%

LAB 53.82, -1.27, 23.53

 

CMYK 0 / 19 / 38 / 45

HEX #8D7258

RGB 141 114 88

HSL 29.43, 0.23%, 0.45%

LAB 49.98, 6.74, 18.42

 

CMYK 21 / 0 / 38 / 45

HEX #6F8D58

RGB 111 141 88

HSL 93.96, 0.23%, 0.45%

LAB 55.21, -20.65, 24.91

 

CMYK 31 / 0 / 38 / 45

HEX #618D58

RGB 97 141 88

HSL 109.81, 0.23%, 0.45%

LAB 54.34, -25.87, 23.6

 

CMYK 38 / 0 / 33 / 45

HEX #588D5E

RGB 88 141 94

HSL 126.79, 0.23%, 0.45%

LAB 53.96, -27.95, 19.66

 

CMYK 38 / 0 / 23 / 45

HEX #588D6C

RGB 88 141 108

HSL 142.64, 0.23%, 0.45%

LAB 54.25, -25.24, 12.13

 

CMYK 38 / 0 / 13 / 45

HEX #588D7A

RGB 88 141 122

HSL 158.49, 0.23%, 0.45%

LAB 54.58, -22.19, 4.58

 

CMYK 21 / 0 / 38 / 45

HEX #6F8D58

RGB 111 141 88

HSL 93.96, 0.23%, 0.45%

LAB 55.21, -20.65, 24.91

 

CMYK 32 / 0 / 56 / 37

HEX #6DA046

RGB 109 160 70

HSL 94, 0.39%, 0.45%

LAB 60.64, -33.02, 40.98

 

CMYK 40 / 0 / 71 / 30

HEX #6AB233

RGB 106 178 51

HSL 94.02, 0.55%, 0.45%

LAB 65.86, -43.72, 54.89

 

CMYK 47 / 0 / 83 / 23

HEX #68C521

RGB 104 197 33

HSL 94.02, 0.71%, 0.45%

LAB 71.55, -52.98, 65.91

 

CMYK 53 / 0 / 93 / 16

HEX #65D70E

RGB 101 215 14

HSL 94.03, 0.88%, 0.45%

LAB 76.92, -61.05, 73.84

 

CMYK 21 / 0 / 38 / 45

HEX #6F8D58

RGB 111 141 88

HSL 93.96, 0.23%, 0.45%

LAB 55.21, -20.65, 24.91

 

CMYK 7 / 0 / 13 / 52

HEX #727B6B

RGB 114 123 107

HSL 93.75, 0.07%, 0.45%

LAB 50.46, -6.54, 7.61

 

CMYK 7 / 17 / 0 / 51

HEX #74687D

RGB 116 104 125

HSL 274.29, 0.09%, 0.45%

LAB 45.76, 9.02, -9.94

 

CMYK 17 / 41 / 0 / 44

HEX #775590

RGB 119 85 144

HSL 274.58, 0.26%, 0.45%

LAB 41.9, 25.9, -27.28

 

CMYK 26 / 59 / 0 / 36

HEX #7943A3

RGB 121 67 163

HSL 273.75, 0.42%, 0.45%

LAB 39.11, 41.39, -43.09

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 11 / 0 / 38 / 45

HEX #7E8D58

RGB 126 141 88

HSL 76.98, 0.23%, 0.45%

LAB 56.28, -14.69, 26.51

 

CMYK 21 / 0 / 38 / 45

HEX #708D58

RGB 112 141 88

HSL 92.83, 0.23%, 0.45%

LAB 55.28, -20.26, 25.01

 

CMYK 30 / 0 / 38 / 45

HEX #628D58

RGB 98 141 88

HSL 108.68, 0.23%, 0.45%

LAB 54.4, -25.51, 23.69

 

CMYK 38 / 0 / 34 / 45

HEX #588D5D

RGB 88 141 93

HSL 125.66, 0.23%, 0.45%

LAB 53.94, -28.13, 20.2

 

CMYK 21 / 0 / 37 / 65

HEX #475A39

RGB 71 90 57

HSL 94.55, 0.22%, 0.29%

LAB 35.88, -14.12, 16.75

 

CMYK 22 / 0 / 38 / 55

HEX #5B7448

RGB 91 116 72

HSL 94.09, 0.23%, 0.37%

LAB 45.88, -17.81, 21.41

 

CMYK 21 / 0 / 38 / 45

HEX #6F8D58

RGB 111 141 88

HSL 93.96, 0.23%, 0.45%

LAB 55.21, -20.65, 24.91

 

CMYK 19 / 0 / 34 / 36

HEX #84A36C

RGB 132 163 108

HSL 93.82, 0.23%, 0.53%

LAB 63.49, -20.93, 25.17

 

CMYK 15 / 0 / 26 / 30

HEX #99B385

RGB 153 179 133

HSL 93.91, 0.23%, 0.61%

LAB 69.97, -17.4, 20.61

 

CMYK 21 / 0 / 37 / 44

HEX #708E59

RGB 112 142 89

HSL 93.96, 0.23%, 0.45%

LAB 55.6, -20.63, 24.88

 

CMYK 38 / 0 / 9 / 45

HEX #588D80

RGB 88 141 128

HSL 165.28, 0.23%, 0.45%

LAB 54.74, -20.78, 1.36

 

CMYK 0 / 38 / 6 / 45

HEX #8D5885

RGB 141 88 133

HSL 309.06, 0.23%, 0.45%

LAB 44.71, 29.16, -16.09

 

CMYK 21 / 0 / 37 / 44

HEX #708E59

RGB 112 142 89

HSL 93.96, 0.23%, 0.45%

LAB 55.6, -20.63, 24.88

 

CMYK 38 / 21 / 0 / 45

HEX #58708D

RGB 88 112 141

HSL 212.83, 0.23%, 0.45%

LAB 46.43, -1.14, -18.69

 

CMYK 0 / 38 / 21 / 45

HEX #8D5870

RGB 141 88 112

HSL 332.83, 0.23%, 0.45%

LAB 43.96, 25.44, -4.48

 

CMYK 21 / 0 / 37 / 44

HEX #708E59

RGB 112 142 89

HSL 93.96, 0.23%, 0.45%

LAB 55.6, -20.63, 24.88

 

CMYK 38 / 0 / 9 / 45

HEX #588D80

RGB 88 141 128

HSL 165.28, 0.23%, 0.45%

LAB 54.74, -20.78, 1.36

 

CMYK 17 / 38 / 0 / 45

HEX #75588D

RGB 117 88 141

HSL 272.83, 0.23%, 0.45%

LAB 42.28, 22.73, -24.89

 

CMYK 0 / 38 / 28 / 45

HEX #8D5866

RGB 141 88 102

HSL 344.15, 0.23%, 0.45%

LAB 43.66, 23.87, 1.18

 

CMYK 21 / 0 / 37 / 44

HEX #708E59

RGB 112 142 89

HSL 93.96, 0.23%, 0.45%

LAB 55.6, -20.63, 24.88

 

CMYK 38 / 1 / 0 / 45

HEX #588B8D

RGB 88 139 141

HSL 182.26, 0.23%, 0.45%

LAB 54.51, -16.47, -6.48

 

CMYK 17 / 38 / 0 / 45

HEX #75588D

RGB 117 88 141

HSL 272.83, 0.23%, 0.45%

LAB 42.28, 22.73, -24.89

 

CMYK 0 / 35 / 38 / 45

HEX #8D5B58

RGB 141 91 88

HSL 3.4, 0.23%, 0.45%

LAB 44.02, 20.16, 10.22

 

Description

Color code: RGBA 112 142 89 0.75 | qconv.com Color code: RGBA 112 142 89 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 142 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 142 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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