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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 109 54 169 0.75 it is the complementary color RGBA 146 201 86 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 109 54 169 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 109 54 169 0.75: RGBA 114 54 164 0.75, RGBA 131 72 183 0.75, RGBA 148 90 202 0.75, RGBA 165 108 221 0.75 and RGBA 182 126 240 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 109 54 169 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 109 54 169 0.75: RGBA 109 54 169 0.75, RGBA 92 36 150 0.75, RGBA 75 18 131 0.75, RGBA 58 0 112 0.75 and RGBA 41 0 93 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

Complementary color

CMYK 21 / 0 / 43 / 16

HEX #92C956BF

RGBA 146 201 86 0.75

HSLA 88.7, 0.52%, 0.56%, 0.75

LABA 75.17, -36.6, 50.87, 0.75

 

CMYK 23 / 50 / 0 / 27

HEX #7236A4BF

RGBA 114 54 164 0.75

HSLA 272.73, 0.5%, 0.43%, 0.75

LABA 35.78, 46.75, -49.08, 0.75

 

CMYK 21 / 45 / 0 / 21

HEX #8348B7BF

RGBA 131 72 183 0.75

HSLA 271.89, 0.44%, 0.5%, 0.75

LABA 42.58, 46, -49.31, 0.75

 

CMYK 20 / 42 / 0 / 16

HEX #945ACABF

RGBA 148 90 202 0.75

HSLA 271.07, 0.51%, 0.57%, 0.75

LABA 49.34, 45.12, -49.4, 0.75

 

CMYK 19 / 38 / 0 / 10

HEX #A56CDDBF

RGBA 165 108 221 0.75

HSLA 270.27, 0.62%, 0.65%, 0.75

LABA 56.03, 44.21, -49.43, 0.75

 

CMYK 18 / 36 / 0 / 4

HEX #B67EF0BF

RGBA 182 126 240 0.75

HSLA 269.47, 0.79%, 0.72%, 0.75

LABA 62.64, 43.32, -49.44, 0.75

 

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

CMYK 29 / 57 / 0 / 31

HEX #5C2496BF

RGBA 92 36 150 0.75

HSLA 269.47, 0.61%, 0.36%, 0.75

LABA 28.74, 47.43, -52.13, 0.75

 

CMYK 32 / 65 / 0 / 36

HEX #4B1283BF

RGBA 75 18 131 0.75

HSLA 270.27, 0.76%, 0.29%, 0.75

LABA 22.19, 47.11, -51.13, 0.75

 

CMYK 36 / 75 / 0 / 42

HEX #3A0070BF

RGBA 58 0 112 0.75

HSLA 271.07, 1%, 0.22%, 0.75

LABA 15.85, 45.85, -49.48, 0.75

 

CMYK 42 / 75 / 0 / 48

HEX #29005DBF

RGBA 41 0 93 0.75

HSLA 266.45, 1%, 0.18%, 0.75

LABA 11.01, 39.66, -45, 0.75

 

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

CMYK 19 / 52 / 0 / 25

HEX #7F35AABF

RGBA 127 53 170 0.75

HSLA 277.95, 0.52%, 0.44%, 0.75

LABA 37.77, 51.48, -49.38, 0.75

 

CMYK 10 / 52 / 0 / 25

HEX #9335AABF

RGBA 147 53 170 0.75

HSLA 288.21, 0.52%, 0.44%, 0.75

LABA 40.66, 55.94, -44.59, 0.75

 

CMYK 2 / 52 / 0 / 25

HEX #A635AABF

RGBA 166 53 170 0.75

HSLA 297.95, 0.52%, 0.44%, 0.75

LABA 43.59, 60.3, -39.74, 0.75

 

CMYK 0 / 52 / 7 / 25

HEX #AA359ABF

RGBA 170 53 154 0.75

HSLA 308.21, 0.52%, 0.44%, 0.75

LABA 43.4, 58.61, -30.44, 0.75

 

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

CMYK 27 / 51 / 0 / 10

HEX #8E46DCBF

RGBA 142 70 220 0.75

HSLA 268.8, 0.68%, 0.57%, 0.75

LABA 46.04, 58.25, -65.05, 0.75

 

CMYK 28 / 52 / 0 / 70

HEX #0A0510BF

RGBA 10 5 16 0.75

HSLA 267.27, 0.52%, 0.04%, 0.75

LABA 1.9, 2.99, -4.11, 0.75

 

CMYK 27 / 51 / 0 / 55

HEX #2B1543BF

RGBA 43 21 67 0.75

HSLA 268.7, 0.52%, 0.17%, 0.75

LABA 12.32, 22.08, -24.97, 0.75

 

CMYK 27 / 51 / 0 / 40

HEX #4C2676BF

RGBA 76 38 118 0.75

HSLA 268.5, 0.51%, 0.31%, 0.75

LABA 24.42, 34.79, -39.24, 0.75

 

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

CMYK 0 / 52 / 34 / 25

HEX #AA355CBF

RGBA 170 53 92 0.75

HSLA 340, 0.52%, 0.44%, 0.75

LABA 41, 50.62, 4.09, 0.75

 

CMYK 52 / 0 / 48 / 25

HEX #35AA3DBF

RGBA 53 170 61 0.75

HSLA 124.1, 0.52%, 0.44%, 0.75

LABA 61.52, -54.17, 45.59, 0.75

 

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

CMYK 0 / 27 / 52 / 25

HEX #AA6C35BF

RGBA 170 108 53 0.75

HSLA 28.21, 0.52%, 0.44%, 0.75

LABA 51.3, 19.6, 40.15, 0.75

 

CMYK 52 / 0 / 27 / 25

HEX #35AA6CBF

RGBA 53 170 108 0.75

HSLA 148.21, 0.52%, 0.44%, 0.75

LABA 62.16, -46.87, 22.77, 0.75

 

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

CMYK 0 / 52 / 34 / 25

HEX #AA355CBF

RGBA 170 53 92 0.75

HSLA 340, 0.52%, 0.44%, 0.75

LABA 41, 50.62, 4.09, 0.75

 

CMYK 24 / 0 / 52 / 25

HEX #74AA35BF

RGBA 116 170 53 0.75

HSLA 87.69, 0.52%, 0.44%, 0.75

LABA 63.93, -36.53, 52.3, 0.75

 

CMYK 52 / 0 / 17 / 25

HEX #35AA83BF

RGBA 53 170 131 0.75

HSLA 160, 0.52%, 0.44%, 0.75

LABA 62.63, -41.83, 10.8, 0.75

 

CMYK 27 / 51 / 0 / 25

HEX #6D36A9BF

RGBA 109 54 169 0.75

HSLA 268.7, 0.52%, 0.44%, 0.75

LABA 35.51, 46.91, -52.56, 0.75

 

CMYK 0 / 52 / 50 / 25

HEX #AA3539BF

RGBA 170 53 57 0.75

HSLA 357.95, 0.52%, 0.44%, 0.75

LABA 40.23, 47.88, 24.9, 0.75

 

CMYK 24 / 0 / 52 / 25

HEX #74AA35BF

RGBA 116 170 53 0.75

HSLA 87.69, 0.52%, 0.44%, 0.75

LABA 63.93, -36.53, 52.3, 0.75

 

CMYK 52 / 0 / 2 / 25

HEX #35AAA6BF

RGBA 53 170 166 0.75

HSLA 177.95, 0.52%, 0.44%, 0.75

LABA 63.56, -32.58, -7.38, 0.75

 

Description

Color code: RGBA 109 54 169 0.75 | qconv.com Color code: RGBA 109 54 169 0.75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 54 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 54 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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