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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 109 201 152 0.75 it is the complementary color RGBA 146 54 103 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 109 201 152 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 109 201 152 0.75 shade: RGBA 114 201 147 0.75, RGBA 131 219 166 0.75, RGBA 148 237 185 0.75, RGBA 165 255 204 0.75 and RGBA 182 255 223 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 109 201 152 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 109 201 152 0.75 shade: RGBA 109 201 152 0.75, RGBA 92 183 133 0.75, RGBA 75 165 114 0.75, RGBA 58 147 95 0.75 and RGBA 41 129 76 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 109 201 152 0.75 shade: RGB 110 201 153, RGB 110 201 128, RGB 116 201 110, RGB 141 201 110 and RGB 166 201 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 109 201 152 0.75 shade: RGB 110 201 153, RGB 110 201 177, RGB 110 201 201, RGB 110 176 201 and RGB 110 151 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 109 201 152 0.75 shade matches the following richer shades: RGB 110 201 153, RGB 94 217 152, RGB 78 233 150 and RGB 62 250 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 109 201 152 0.75 shade: RGB 110 201 153, RGB 126 185 154, RGB 142 169 155, RGB 158 153 156 and RGB 174 137 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 109 201 152 0.75 shade: RGB 116 201 110, RGB 110 201 128, RGB 110 201 153, RGB 110 201 177 and RGB 110 201 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 109 201 152 0.75 shade: RGB 62 167 111, RGB 80 190 131, RGB 110 201 153, RGB 140 212 174 and RGB 170 224 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 109 201 152 0.75 shade: RGB 109 201 152, RGB 110 140 201 and RGB 201 116 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 109 201 152 0.75 shade: RGB 109 201 152, RGB 153 110 201 and RGB 201 153 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 109 201 152 0.75 shade: RGB 109 201 152, RGB 110 140 201, RGB 201 110 159 and RGB 201 171 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 109 201 152 0.75 shade: RGB 109 201 152, RGB 110 113 201, RGB 201 110 159 and RGB 201 198 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 18 / 16

HEX #6DC998BF

RGBA 109 201 152 0.75

HSLA 148.04, 0.46%, 0.61%, 0.75

LABA 74.38, -38.62, 16.13, 0.75

 

Complementary color

CMYK 0 / 47 / 22 / 32

HEX #923667BF

RGBA 146 54 103 0.75

HSLA 328.04, 0.46%, 0.39%, 0.75

LABA 37.35, 43.92, -8.69, 0.75

 

CMYK 32 / 0 / 20 / 16

HEX #72C993BF

RGBA 114 201 147 0.75

HSLA 142.76, 0.45%, 0.62%, 0.75

LABA 74.48, -38.26, 18.97, 0.75

 

CMYK 30 / 0 / 18 / 11

HEX #83DBA6BF

RGBA 131 219 166 0.75

HSLA 143.86, 0.55%, 0.69%, 0.75

LABA 80.87, -38.01, 17.91, 0.75

 

CMYK 28 / 0 / 16 / 5

HEX #94EDB9BF

RGBA 148 237 185 0.75

HSLA 144.94, 0.71%, 0.75%, 0.75

LABA 87.18, -37.75, 16.91, 0.75

 

CMYK 26 / 0 / 15 / 0

HEX #A5FFCCBF

RGBA 165 255 204 0.75

HSLA 146, 1%, 0.82%, 0.75

LABA 93.4, -37.5, 15.97, 0.75

 

CMYK 21 / 0 / 9 / 0

HEX #B6FFDFBF

RGBA 182 255 223 0.75

HSLA 153.7, 1%, 0.86%, 0.75

LABA 94.65, -28.94, 8.11, 0.75

 

CMYK 34 / 0 / 18 / 16

HEX #6DC998BF

RGBA 109 201 152 0.75

HSLA 148.04, 0.46%, 0.61%, 0.75

LABA 74.38, -38.62, 16.13, 0.75

 

CMYK 37 / 0 / 20 / 21

HEX #5CB785BF

RGBA 92 183 133 0.75

HSLA 147.03, 0.39%, 0.54%, 0.75

LABA 67.9, -38.81, 17.25, 0.75

 

CMYK 41 / 0 / 23 / 26

HEX #4BA572BF

RGBA 75 165 114 0.75

HSLA 146, 0.38%, 0.47%, 0.75

LABA 61.33, -38.94, 18.48, 0.75

 

CMYK 45 / 0 / 27 / 32

HEX #3A935FBF

RGBA 58 147 95 0.75

HSLA 144.94, 0.43%, 0.4%, 0.75

LABA 54.65, -38.94, 19.83, 0.75

 

CMYK 51 / 0 / 31 / 37

HEX #29814CBF

RGBA 41 129 76 0.75

HSLA 143.86, 0.52%, 0.33%, 0.75

LABA 47.87, -38.72, 21.33, 0.75

 

CMYK 45 / 0 / 24 / 21

HEX #6EC999

RGB 110 201 153

HSL 148.35, 0.46%, 0.61%

LAB 74.44, -38.16, 15.68

 

CMYK 45 / 0 / 36 / 21

HEX #6EC980

RGB 110 201 128

HSL 131.87, 0.46%, 0.61%

LAB 73.96, -42.81, 28.26

 

CMYK 42 / 0 / 45 / 21

HEX #74C96E

RGB 116 201 110

HSL 116.04, 0.46%, 0.61%

LAB 73.94, -43.86, 37.5

 

CMYK 30 / 0 / 45 / 21

HEX #8DC96E

RGB 141 201 110

HSL 99.56, 0.46%, 0.61%

LAB 75.18, -35.7, 39.32

 

CMYK 17 / 0 / 45 / 21

HEX #A6C96E

RGB 166 201 110

HSL 83.08, 0.46%, 0.61%

LAB 76.68, -26.6, 41.52

 

CMYK 45 / 0 / 24 / 21

HEX #6EC999

RGB 110 201 153

HSL 148.35, 0.46%, 0.61%

LAB 74.44, -38.16, 15.68

 

CMYK 45 / 0 / 12 / 21

HEX #6EC9B1

RGB 110 201 177

HSL 164.18, 0.46%, 0.61%

LAB 74.99, -32.96, 3.56

 

CMYK 45 / 0 / 0 / 21

HEX #6EC9C9

RGB 110 201 201

HSL 180, 0.46%, 0.61%

LAB 75.64, -27.12, -8.46

 

CMYK 45 / 12 / 0 / 21

HEX #6EB0C9

RGB 110 176 201

HSL 196.48, 0.46%, 0.61%

LAB 68.45, -14.37, -19.27

 

CMYK 45 / 25 / 0 / 21

HEX #6E97C9

RGB 110 151 201

HSL 212.97, 0.46%, 0.61%

LAB 61.36, -0.62, -30.13

 

CMYK 45 / 0 / 24 / 21

HEX #6EC999

RGB 110 201 153

HSL 148.35, 0.46%, 0.61%

LAB 74.44, -38.16, 15.68

 

CMYK 57 / 0 / 30 / 15

HEX #5ED998

RGB 94 217 152

HSL 148.29, 0.62%, 0.61%

LAB 78.62, -49.13, 21.92

 

CMYK 67 / 0 / 36 / 9

HEX #4EE996

RGB 78 233 150

HSL 147.87, 0.78%, 0.61%

LAB 82.97, -58.93, 28.78

 

CMYK 75 / 0 / 40 / 2

HEX #3EFA95

RGB 62 250 149

HSL 147.77, 0.95%, 0.61%

LAB 87.76, -67.62, 35.59

 

CMYK 45 / 0 / 24 / 21

HEX #6EC999

RGB 110 201 153

HSL 148.35, 0.46%, 0.61%

LAB 74.44, -38.16, 15.68

 

CMYK 32 / 0 / 17 / 27

HEX #7EB99A

RGB 126 185 154

HSL 148.47, 0.3%, 0.61%

LAB 70.5, -25.79, 9.7

 

CMYK 16 / 0 / 8 / 34

HEX #8EA99B

RGB 142 169 155

HSL 148.89, 0.14%, 0.61%

LAB 66.9, -12.17, 4.11

 

CMYK 0 / 3 / 1 / 38

HEX #9E999C

RGB 158 153 156

HSL 324, 0.03%, 0.61%

LAB 63.71, 2.39, -0.93

 

CMYK 0 / 21 / 10 / 32

HEX #AE899D

RGB 174 137 157

HSL 327.57, 0.19%, 0.61%

LAB 61.07, 17.41, -5.23

 

CMYK 42 / 0 / 45 / 21

HEX #74C96E

RGB 116 201 110

HSL 116.04, 0.46%, 0.61%

LAB 73.94, -43.86, 37.5

 

CMYK 45 / 0 / 36 / 21

HEX #6EC980

RGB 110 201 128

HSL 131.87, 0.46%, 0.61%

LAB 73.96, -42.81, 28.26

 

CMYK 45 / 0 / 24 / 21

HEX #6EC999

RGB 110 201 153

HSL 148.35, 0.46%, 0.61%

LAB 74.44, -38.16, 15.68

 

CMYK 45 / 0 / 12 / 21

HEX #6EC9B1

RGB 110 201 177

HSL 164.18, 0.46%, 0.61%

LAB 74.99, -32.96, 3.56

 

CMYK 45 / 0 / 0 / 21

HEX #6EC9C9

RGB 110 201 201

HSL 180, 0.46%, 0.61%

LAB 75.64, -27.12, -8.46

 

CMYK 63 / 0 / 34 / 35

HEX #3EA76F

RGB 62 167 111

HSL 148, 0.46%, 0.45%

LAB 61.49, -43.33, 20.28

 

CMYK 58 / 0 / 31 / 25

HEX #50BE83

RGB 80 190 131

HSL 147.82, 0.46%, 0.53%

LAB 69.59, -45.11, 20.59

 

CMYK 45 / 0 / 24 / 21

HEX #6EC999

RGB 110 201 153

HSL 148.35, 0.46%, 0.61%

LAB 74.44, -38.16, 15.68

 

CMYK 34 / 0 / 18 / 17

HEX #8CD4AE

RGB 140 212 174

HSL 148.33, 0.46%, 0.69%

LAB 79.45, -30.6, 11.74

 

CMYK 24 / 0 / 13 / 12

HEX #AAE0C3

RGB 170 224 195

HSL 147.78, 0.47%, 0.77%

LAB 84.89, -23.12, 8.6

 

CMYK 46 / 0 / 24 / 21

HEX #6DC998

RGB 109 201 152

HSL 148.04, 0.46%, 0.61%

LAB 74.38, -38.62, 16.13

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 0 / 42 / 45 / 21

HEX #C9746E

RGB 201 116 110

HSL 3.96, 0.46%, 0.61%

LAB 58.07, 32.68, 17.88

 

CMYK 46 / 0 / 24 / 21

HEX #6DC998

RGB 109 201 152

HSL 148.04, 0.46%, 0.61%

LAB 74.38, -38.62, 16.13

 

CMYK 24 / 45 / 0 / 21

HEX #996EC9

RGB 153 110 201

HSL 268.35, 0.46%, 0.61%

LAB 54.18, 35.11, -41.12

 

CMYK 0 / 24 / 45 / 21

HEX #C9996E

RGB 201 153 110

HSL 28.35, 0.46%, 0.61%

LAB 66.77, 12.53, 29.5

 

CMYK 46 / 0 / 24 / 21

HEX #6DC998

RGB 109 201 152

HSL 148.04, 0.46%, 0.61%

LAB 74.38, -38.62, 16.13

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 0 / 45 / 21 / 21

HEX #C96E9F

RGB 201 110 159

HSL 327.69, 0.46%, 0.61%

LAB 58.11, 42.08, -10.45

 

CMYK 0 / 15 / 45 / 21

HEX #C9AB6E

RGB 201 171 110

HSL 40.22, 0.46%, 0.61%

LAB 71.33, 2.79, 35.38

 

CMYK 46 / 0 / 24 / 21

HEX #6DC998

RGB 109 201 152

HSL 148.04, 0.46%, 0.61%

LAB 74.38, -38.62, 16.13

 

CMYK 45 / 44 / 0 / 21

HEX #6E71C9

RGB 110 113 201

HSL 238.02, 0.46%, 0.61%

LAB 51.09, 21.87, -46.26

 

CMYK 0 / 45 / 21 / 21

HEX #C96E9F

RGB 201 110 159

HSL 327.69, 0.46%, 0.61%

LAB 58.11, 42.08, -10.45

 

CMYK 0 / 1 / 45 / 21

HEX #C9C66E

RGB 201 198 110

HSL 58.02, 0.46%, 0.61%

LAB 78.42, -11.33, 44.24

 

Description

Color code: RGBA 109 201 152 0.75 | qconv.com Color code: RGBA 109 201 152 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 201 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 201 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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