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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 109 165 153 0.75 it is the complementary color RGBA 146 90 102 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 109 165 153 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 109 165 153 0.75 shade: RGBA 114 165 148 0.75, RGBA 131 183 167 0.75, RGBA 148 201 186 0.75, RGBA 165 219 205 0.75 and RGBA 182 237 224 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 109 165 153 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 109 165 153 0.75 shade: RGBA 109 165 153 0.75, RGBA 92 147 134 0.75, RGBA 75 129 115 0.75, RGBA 58 111 96 0.75 and RGBA 41 93 77 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 109 165 153 0.75 shade: RGB 110 166 154, RGB 110 166 139, RGB 110 166 123, RGB 111 166 110 and RGB 126 166 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 109 165 153 0.75 shade: RGB 110 166 154, RGB 110 163 166, RGB 110 148 166, RGB 110 132 166 and RGB 110 117 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 109 165 153 0.75 shade matches the following richer shades: RGB 110 166 154, RGB 91 185 165, RGB 72 204 175, RGB 53 223 186 and RGB 34 242 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 109 165 153 0.75 shade: RGB 110 166 154, RGB 129 147 143, RGB 148 128 132, RGB 166 109 121 and RGB 185 90 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 109 165 153 0.75 shade: RGB 110 166 124, RGB 110 166 139, RGB 110 166 154, RGB 110 163 166 and RGB 110 148 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 109 165 153 0.75 shade: RGB 73 120 110, RGB 89 145 133, RGB 110 166 154, RGB 135 182 172 and RGB 161 197 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 109 165 153 0.75 shade: RGB 109 165 153, RGB 110 110 166 and RGB 166 131 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 109 165 153 0.75 shade: RGB 109 165 153, RGB 154 110 166 and RGB 166 154 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 109 165 153 0.75 shade: RGB 109 165 153, RGB 110 110 166, RGB 166 110 122 and RGB 166 165 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 109 165 153 0.75 shade: RGB 109 165 153, RGB 126 110 166, RGB 166 110 122 and RGB 150 166 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 5 / 26

HEX #6DA599BF

RGBA 109 165 153 0.75

HSLA 167.14, 0.24%, 0.54%, 0.75

LABA 63.72, -21.1, 0.37, 0.75

 

Complementary color

CMYK 0 / 29 / 23 / 32

HEX #925A66BF

RGBA 146 90 102 0.75

HSLA 347.14, 0.24%, 0.46%, 0.75

LABA 44.78, 24.68, 2.88, 0.75

 

CMYK 23 / 0 / 8 / 26

HEX #72A594BF

RGBA 114 165 148 0.75

HSLA 160, 0.22%, 0.55%, 0.75

LABA 63.86, -20.72, 3.4, 0.75

 

CMYK 21 / 0 / 7 / 21

HEX #83B7A7BF

RGBA 131 183 167 0.75

HSLA 161.54, 0.27%, 0.62%, 0.75

LABA 70.51, -20.53, 2.64, 0.75

 

CMYK 20 / 0 / 6 / 16

HEX #94C9BABF

RGBA 148 201 186 0.75

HSLA 163.02, 0.33%, 0.68%, 0.75

LABA 77.05, -20.35, 1.92, 0.75

 

CMYK 18 / 0 / 5 / 11

HEX #A5DBCDBF

RGBA 165 219 205 0.75

HSLA 164.44, 0.43%, 0.75%, 0.75

LABA 83.48, -20.2, 1.24, 0.75

 

CMYK 17 / 0 / 4 / 5

HEX #B6EDE0BF

RGBA 182 237 224 0.75

HSLA 165.82, 0.6%, 0.82%, 0.75

LABA 89.81, -20.06, 0.58, 0.75

 

CMYK 25 / 0 / 5 / 26

HEX #6DA599BF

RGBA 109 165 153 0.75

HSLA 167.14, 0.24%, 0.54%, 0.75

LABA 63.72, -21.1, 0.37, 0.75

 

CMYK 28 / 0 / 7 / 32

HEX #5C9386BF

RGBA 92 147 134 0.75

HSLA 165.82, 0.23%, 0.47%, 0.75

LABA 56.94, -21.28, 1.14, 0.75

 

CMYK 31 / 0 / 8 / 37

HEX #4B8173BF

RGBA 75 129 115 0.75

HSLA 164.44, 0.26%, 0.4%, 0.75

LABA 50.02, -21.47, 1.97, 0.75

 

CMYK 36 / 0 / 10 / 42

HEX #3A6F60BF

RGBA 58 111 96 0.75

HSLA 163.02, 0.31%, 0.33%, 0.75

LABA 42.93, -21.65, 2.89, 0.75

 

CMYK 42 / 0 / 13 / 48

HEX #295D4DBF

RGBA 41 93 77 0.75

HSLA 161.54, 0.39%, 0.26%, 0.75

LABA 35.67, -21.77, 3.93, 0.75

 

CMYK 34 / 0 / 7 / 35

HEX #6EA69A

RGB 110 166 154

HSL 167.14, 0.24%, 0.54%

LAB 64.1, -21.09, 0.37

 

CMYK 34 / 0 / 16 / 35

HEX #6EA68B

RGB 110 166 139

HSL 151.07, 0.24%, 0.54%

LAB 63.71, -24.41, 8.19

 

CMYK 34 / 0 / 26 / 35

HEX #6EA67B

RGB 110 166 123

HSL 133.93, 0.24%, 0.54%

LAB 63.36, -27.61, 16.56

 

CMYK 33 / 0 / 34 / 35

HEX #6FA66E

RGB 111 166 110

HSL 118.93, 0.24%, 0.54%

LAB 63.16, -29.6, 23.41

 

CMYK 24 / 0 / 34 / 35

HEX #7EA66E

RGB 126 166 110

HSL 102.86, 0.24%, 0.54%

LAB 64.03, -24.35, 24.73

 

CMYK 34 / 0 / 7 / 35

HEX #6EA69A

RGB 110 166 154

HSL 167.14, 0.24%, 0.54%

LAB 64.1, -21.09, 0.37

 

CMYK 34 / 2 / 0 / 35

HEX #6EA3A6

RGB 110 163 166

HSL 183.21, 0.24%, 0.54%

LAB 63.56, -16.65, -7.15

 

CMYK 34 / 11 / 0 / 35

HEX #6E94A6

RGB 110 148 166

HSL 199.29, 0.24%, 0.54%

LAB 59.2, -8.55, -13.67

 

CMYK 34 / 20 / 0 / 35

HEX #6E84A6

RGB 110 132 166

HSL 216.43, 0.24%, 0.54%

LAB 54.63, 0.53, -20.62

 

CMYK 34 / 30 / 0 / 35

HEX #6E75A6

RGB 110 117 166

HSL 232.5, 0.24%, 0.54%

LAB 50.44, 9.39, -27.08

 

CMYK 34 / 0 / 7 / 35

HEX #6EA69A

RGB 110 166 154

HSL 167.14, 0.24%, 0.54%

LAB 64.1, -21.09, 0.37

 

CMYK 51 / 0 / 11 / 27

HEX #5BB9A5

RGB 91 185 165

HSL 167.23, 0.4%, 0.54%

LAB 69.21, -32.81, 1.62

 

CMYK 65 / 0 / 14 / 20

HEX #48CCAF

RGB 72 204 175

HSL 166.82, 0.56%, 0.54%

LAB 74.61, -42.71, 3.93

 

CMYK 76 / 0 / 17 / 13

HEX #35DFBA

RGB 53 223 186

HSL 166.94, 0.73%, 0.54%

LAB 80.22, -50.6, 6.1

 

CMYK 86 / 0 / 19 / 5

HEX #22F2C5

RGB 34 242 197

HSL 167.02, 0.89%, 0.54%

LAB 85.94, -57.1, 8.51

 

CMYK 34 / 0 / 7 / 35

HEX #6EA69A

RGB 110 166 154

HSL 167.14, 0.24%, 0.54%

LAB 64.1, -21.09, 0.37

 

CMYK 12 / 0 / 3 / 42

HEX #81938F

RGB 129 147 143

HSL 166.67, 0.08%, 0.54%

LAB 59.45, -7.25, -0.07

 

CMYK 0 / 14 / 11 / 42

HEX #948084

RGB 148 128 132

HSL 348, 0.09%, 0.54%

LAB 55.48, 8.34, 0.65

 

CMYK 0 / 34 / 27 / 35

HEX #A66D79

RGB 166 109 121

HSL 347.37, 0.24%, 0.54%

LAB 52.31, 24.38, 2.72

 

CMYK 0 / 51 / 41 / 27

HEX #B95A6E

RGB 185 90 110

HSL 347.37, 0.4%, 0.54%

LAB 50.4, 40.36, 6.83

 

CMYK 34 / 0 / 25 / 35

HEX #6EA67C

RGB 110 166 124

HSL 135, 0.24%, 0.54%

LAB 63.38, -27.42, 16.04

 

CMYK 34 / 0 / 16 / 35

HEX #6EA68B

RGB 110 166 139

HSL 151.07, 0.24%, 0.54%

LAB 63.71, -24.41, 8.19

 

CMYK 34 / 0 / 7 / 35

HEX #6EA69A

RGB 110 166 154

HSL 167.14, 0.24%, 0.54%

LAB 64.1, -21.09, 0.37

 

CMYK 34 / 2 / 0 / 35

HEX #6EA3A6

RGB 110 163 166

HSL 183.21, 0.24%, 0.54%

LAB 63.56, -16.65, -7.15

 

CMYK 34 / 11 / 0 / 35

HEX #6E94A6

RGB 110 148 166

HSL 199.29, 0.24%, 0.54%

LAB 59.2, -8.55, -13.67

 

CMYK 39 / 0 / 8 / 53

HEX #49786E

RGB 73 120 110

HSL 167.23, 0.24%, 0.38%

LAB 46.94, -18.54, 0.43

 

CMYK 39 / 0 / 8 / 43

HEX #599185

RGB 89 145 133

HSL 167.14, 0.24%, 0.46%

LAB 56.16, -21.36, 0.55

 

CMYK 34 / 0 / 7 / 35

HEX #6EA69A

RGB 110 166 154

HSL 167.14, 0.24%, 0.54%

LAB 64.1, -21.09, 0.37

 

CMYK 26 / 0 / 5 / 29

HEX #87B6AC

RGB 135 182 172

HSL 167.23, 0.24%, 0.62%

LAB 70.58, -17.69, 0.03

 

CMYK 18 / 0 / 4 / 23

HEX #A1C5BD

RGB 161 197 189

HSL 166.67, 0.24%, 0.7%

LAB 76.79, -13.61, 0.02

 

CMYK 34 / 0 / 7 / 35

HEX #6DA599

RGB 109 165 153

HSL 167.14, 0.24%, 0.54%

LAB 63.72, -21.1, 0.37

 

CMYK 34 / 34 / 0 / 35

HEX #6E6EA6

RGB 110 110 166

HSL 240, 0.24%, 0.54%

LAB 48.54, 13.61, -30.04

 

CMYK 0 / 21 / 34 / 35

HEX #A6836E

RGB 166 131 110

HSL 22.5, 0.24%, 0.54%

LAB 57.53, 10.36, 16.47

 

CMYK 34 / 0 / 7 / 35

HEX #6DA599

RGB 109 165 153

HSL 167.14, 0.24%, 0.54%

LAB 63.72, -21.1, 0.37

 

CMYK 7 / 34 / 0 / 35

HEX #9A6EA6

RGB 154 110 166

HSL 287.14, 0.24%, 0.54%

LAB 52.7, 27.55, -23.25

 

CMYK 0 / 7 / 34 / 35

HEX #A69A6E

RGB 166 154 110

HSL 47.14, 0.24%, 0.54%

LAB 63.63, -2.42, 24.73

 

CMYK 34 / 0 / 7 / 35

HEX #6DA599

RGB 109 165 153

HSL 167.14, 0.24%, 0.54%

LAB 63.72, -21.1, 0.37

 

CMYK 34 / 34 / 0 / 35

HEX #6E6EA6

RGB 110 110 166

HSL 240, 0.24%, 0.54%

LAB 48.54, 13.61, -30.04

 

CMYK 0 / 34 / 27 / 35

HEX #A66E7A

RGB 166 110 122

HSL 347.14, 0.24%, 0.54%

LAB 52.58, 23.96, 2.52

 

CMYK 0 / 1 / 34 / 35

HEX #A6A56E

RGB 166 165 110

HSL 58.93, 0.24%, 0.54%

LAB 66.63, -8.34, 28.7

 

CMYK 34 / 0 / 7 / 35

HEX #6DA599

RGB 109 165 153

HSL 167.14, 0.24%, 0.54%

LAB 63.72, -21.1, 0.37

 

CMYK 24 / 34 / 0 / 35

HEX #7E6EA6

RGB 126 110 166

HSL 257.14, 0.24%, 0.54%

LAB 49.91, 18.49, -27.8

 

CMYK 0 / 34 / 27 / 35

HEX #A66E7A

RGB 166 110 122

HSL 347.14, 0.24%, 0.54%

LAB 52.58, 23.96, 2.52

 

CMYK 10 / 0 / 34 / 35

HEX #96A66E

RGB 150 166 110

HSL 77.14, 0.24%, 0.54%

LAB 65.66, -15.25, 27.18

 

Description

Color code: RGBA 109 165 153 0.75 | qconv.com Color code: RGBA 109 165 153 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 165 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 165 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 5 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 5% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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