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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 109 142 91 0.75 it is the complementary color RGBA 146 113 164 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 109 142 91 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 109 142 91 0.75 shade: RGBA 114 142 86 0.75, RGBA 131 160 105 0.75, RGBA 148 178 124 0.75, RGBA 165 196 143 0.75 and RGBA 182 214 162 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 109 142 91 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 109 142 91 0.75 shade: RGBA 109 142 91 0.75, RGBA 92 124 72 0.75, RGBA 75 106 53 0.75, RGBA 58 88 34 0.75 and RGBA 41 70 15 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 109 142 91 0.75 shade: RGB 110 143 91, RGB 124 143 91, RGB 138 143 91, RGB 143 135 91 and RGB 143 121 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 109 142 91 0.75 shade: RGB 110 143 91, RGB 96 143 91, RGB 91 143 101, RGB 91 143 115 and RGB 91 143 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 109 142 91 0.75 shade matches the following richer shades: RGB 110 143 91, RGB 104 162 73, RGB 99 181 54, RGB 93 200 35 and RGB 87 219 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 109 142 91 0.75 shade: RGB 110 143 91, RGB 115 124 110, RGB 121 105 129, RGB 126 86 148 and RGB 132 67 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 109 142 91 0.75 shade: RGB 138 143 91, RGB 124 143 91, RGB 110 143 91, RGB 97 143 91 and RGB 91 143 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 109 142 91 0.75 shade: RGB 71 93 59, RGB 90 118 75, RGB 110 143 91, RGB 130 164 112 and RGB 152 180 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 109 142 91 0.75 shade: RGB 109 142 91, RGB 91 143 135 and RGB 143 91 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 109 142 91 0.75 shade: RGB 109 142 91, RGB 91 110 143 and RGB 143 91 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 109 142 91 0.75 shade: RGB 109 142 91, RGB 91 143 135, RGB 124 91 143 and RGB 143 91 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 109 142 91 0.75 shade: RGB 109 142 91, RGB 91 136 143, RGB 124 91 143 and RGB 143 98 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 27 / 33

HEX #6D8E5BBF

RGBA 109 142 91 0.75

HSLA 98.82, 0.22%, 0.46%, 0.75

LABA 55.43, -21.48, 23.52, 0.75

 

Complementary color

CMYK 8 / 23 / 0 / 27

HEX #9271A4BF

RGBA 146 113 164 0.75

HSLA 278.82, 0.22%, 0.54%, 0.75

LABA 52.51, 22.73, -22.45, 0.75

 

CMYK 15 / 0 / 30 / 33

HEX #728E56BF

RGBA 114 142 86 0.75

HSLA 90, 0.25%, 0.45%, 0.75

LABA 55.68, -20.29, 26.66, 0.75

 

CMYK 14 / 0 / 26 / 28

HEX #83A069BF

RGBA 131 160 105 0.75

HSLA 91.64, 0.22%, 0.52%, 0.75

LABA 62.5, -20.22, 25.46, 0.75

 

CMYK 13 / 0 / 23 / 23

HEX #94B27CBF

RGBA 148 178 124 0.75

HSLA 93.33, 0.26%, 0.59%, 0.75

LABA 69.18, -20.14, 24.33, 0.75

 

CMYK 12 / 0 / 20 / 17

HEX #A5C48FBF

RGBA 165 196 143 0.75

HSLA 95.09, 0.31%, 0.66%, 0.75

LABA 75.74, -20.06, 23.27, 0.75

 

CMYK 11 / 0 / 18 / 12

HEX #B6D6A2BF

RGBA 182 214 162 0.75

HSLA 96.92, 0.39%, 0.74%, 0.75

LABA 82.19, -19.98, 22.26, 0.75

 

CMYK 17 / 0 / 27 / 33

HEX #6D8E5BBF

RGBA 109 142 91 0.75

HSLA 98.82, 0.22%, 0.46%, 0.75

LABA 55.43, -21.48, 23.52, 0.75

 

CMYK 19 / 0 / 31 / 39

HEX #5C7C48BF

RGBA 92 124 72 0.75

HSLA 96.92, 0.27%, 0.38%, 0.75

LABA 48.46, -21.61, 24.77, 0.75

 

CMYK 22 / 0 / 38 / 44

HEX #4B6A35BF

RGBA 75 106 53 0.75

HSLA 95.09, 0.33%, 0.31%, 0.75

LABA 41.31, -21.72, 26.08, 0.75

 

CMYK 26 / 0 / 46 / 49

HEX #3A5822BF

RGBA 58 88 34 0.75

HSLA 93.33, 0.44%, 0.24%, 0.75

LABA 33.97, -21.73, 27.37, 0.75

 

CMYK 31 / 0 / 59 / 54

HEX #29460FBF

RGBA 41 70 15 0.75

HSLA 91.64, 0.65%, 0.17%, 0.75

LABA 26.41, -21.5, 28.28, 0.75

 

CMYK 23 / 0 / 36 / 44

HEX #6E8F5B

RGB 110 143 91

HSL 98.08, 0.22%, 0.46%

LAB 55.8, -21.61, 24.02

 

CMYK 13 / 0 / 36 / 44

HEX #7C8F5B

RGB 124 143 91

HSL 81.92, 0.22%, 0.46%

LAB 56.77, -16.14, 25.47

 

CMYK 3 / 0 / 36 / 44

HEX #8A8F5B

RGB 138 143 91

HSL 65.77, 0.22%, 0.46%

LAB 57.85, -10.43, 27.09

 

CMYK 0 / 6 / 36 / 44

HEX #8F875B

RGB 143 135 91

HSL 50.77, 0.22%, 0.46%

LAB 56.01, -3.95, 24.77

 

CMYK 0 / 15 / 36 / 44

HEX #8F795B

RGB 143 121 91

HSL 34.62, 0.22%, 0.46%

LAB 52.14, 3.95, 19.63

 

CMYK 23 / 0 / 36 / 44

HEX #6E8F5B

RGB 110 143 91

HSL 98.08, 0.22%, 0.46%

LAB 55.8, -21.61, 24.02

 

CMYK 33 / 0 / 36 / 44

HEX #608F5B

RGB 96 143 91

HSL 114.23, 0.22%, 0.46%

LAB 54.96, -26.73, 22.75

 

CMYK 36 / 0 / 29 / 44

HEX #5B8F65

RGB 91 143 101

HSL 131.54, 0.22%, 0.46%

LAB 54.87, -26.65, 17

 

CMYK 36 / 0 / 20 / 44

HEX #5B8F73

RGB 91 143 115

HSL 147.69, 0.22%, 0.46%

LAB 55.18, -23.83, 9.47

 

CMYK 36 / 0 / 10 / 44

HEX #5B8F81

RGB 91 143 129

HSL 163.85, 0.22%, 0.46%

LAB 55.54, -20.69, 1.96

 

CMYK 23 / 0 / 36 / 44

HEX #6E8F5B

RGB 110 143 91

HSL 98.08, 0.22%, 0.46%

LAB 55.8, -21.61, 24.02

 

CMYK 36 / 0 / 55 / 36

HEX #68A249

RGB 104 162 73

HSL 99.1, 0.38%, 0.46%

LAB 61.01, -35.4, 39.9

 

CMYK 45 / 0 / 70 / 29

HEX #63B536

RGB 99 181 54

HSL 98.74, 0.54%, 0.46%

LAB 66.49, -47.03, 54.3

 

CMYK 54 / 0 / 83 / 22

HEX #5DC823

RGB 93 200 35

HSL 98.91, 0.7%, 0.46%

LAB 72.07, -57.23, 65.72

 

CMYK 60 / 0 / 93 / 14

HEX #57DB10

RGB 87 219 16

HSL 99.01, 0.86%, 0.46%

LAB 77.71, -65.96, 74.07

 

CMYK 23 / 0 / 36 / 44

HEX #6E8F5B

RGB 110 143 91

HSL 98.08, 0.22%, 0.46%

LAB 55.8, -21.61, 24.02

 

CMYK 7 / 0 / 11 / 51

HEX #737C6E

RGB 115 124 110

HSL 98.57, 0.06%, 0.46%

LAB 50.9, -6.16, 6.5

 

CMYK 6 / 19 / 0 / 49

HEX #796981

RGB 121 105 129

HSL 280, 0.1%, 0.46%

LAB 46.65, 11.12, -10.96

 

CMYK 15 / 42 / 0 / 42

HEX #7E5694

RGB 126 86 148

HSL 278.71, 0.26%, 0.46%

LAB 43.11, 28.47, -27.74

 

CMYK 21 / 60 / 0 / 35

HEX #8443A7

RGB 132 67 167

HSL 279, 0.43%, 0.46%

LAB 40.75, 45.14, -42.77

 

CMYK 3 / 0 / 36 / 44

HEX #8A8F5B

RGB 138 143 91

HSL 65.77, 0.22%, 0.46%

LAB 57.85, -10.43, 27.09

 

CMYK 13 / 0 / 36 / 44

HEX #7C8F5B

RGB 124 143 91

HSL 81.92, 0.22%, 0.46%

LAB 56.77, -16.14, 25.47

 

CMYK 23 / 0 / 36 / 44

HEX #6E8F5B

RGB 110 143 91

HSL 98.08, 0.22%, 0.46%

LAB 55.8, -21.61, 24.02

 

CMYK 32 / 0 / 36 / 44

HEX #618F5B

RGB 97 143 91

HSL 113.08, 0.22%, 0.46%

LAB 55.01, -26.37, 22.83

 

CMYK 36 / 0 / 30 / 44

HEX #5B8F64

RGB 91 143 100

HSL 130.38, 0.22%, 0.46%

LAB 54.85, -26.84, 17.53

 

CMYK 24 / 0 / 37 / 64

HEX #475D3B

RGB 71 93 59

HSL 98.82, 0.22%, 0.3%

LAB 36.9, -15.46, 16.9

 

CMYK 24 / 0 / 36 / 54

HEX #5A764B

RGB 90 118 75

HSL 99.07, 0.22%, 0.38%

LAB 46.5, -18.79, 20.49

 

CMYK 23 / 0 / 36 / 44

HEX #6E8F5B

RGB 110 143 91

HSL 98.08, 0.22%, 0.46%

LAB 55.8, -21.61, 24.02

 

CMYK 21 / 0 / 32 / 36

HEX #82A470

RGB 130 164 112

HSL 99.23, 0.22%, 0.54%

LAB 63.73, -21.57, 23.29

 

CMYK 16 / 0 / 24 / 29

HEX #98B489

RGB 152 180 137

HSL 99.07, 0.22%, 0.62%

LAB 70.26, -17.63, 18.84

 

CMYK 23 / 0 / 36 / 44

HEX #6D8E5B

RGB 109 142 91

HSL 98.82, 0.22%, 0.46%

LAB 55.43, -21.48, 23.52

 

CMYK 36 / 0 / 6 / 44

HEX #5B8F87

RGB 91 143 135

HSL 170.77, 0.22%, 0.46%

LAB 55.7, -19.25, -1.25

 

CMYK 0 / 36 / 8 / 44

HEX #8F5B83

RGB 143 91 131

HSL 313.85, 0.22%, 0.46%

LAB 45.58, 27.77, -13.54

 

CMYK 23 / 0 / 36 / 44

HEX #6D8E5B

RGB 109 142 91

HSL 98.82, 0.22%, 0.46%

LAB 55.43, -21.48, 23.52

 

CMYK 36 / 23 / 0 / 44

HEX #5B6E8F

RGB 91 110 143

HSL 218.08, 0.22%, 0.46%

LAB 46.12, 1.52, -20.33

 

CMYK 0 / 36 / 23 / 44

HEX #8F5B6E

RGB 143 91 110

HSL 338.08, 0.22%, 0.46%

LAB 44.87, 24.15, -1.89

 

CMYK 23 / 0 / 36 / 44

HEX #6D8E5B

RGB 109 142 91

HSL 98.82, 0.22%, 0.46%

LAB 55.43, -21.48, 23.52

 

CMYK 36 / 0 / 6 / 44

HEX #5B8F87

RGB 91 143 135

HSL 170.77, 0.22%, 0.46%

LAB 55.7, -19.25, -1.25

 

CMYK 13 / 36 / 0 / 44

HEX #7C5B8F

RGB 124 91 143

HSL 278.08, 0.22%, 0.46%

LAB 43.87, 23.7, -23.57

 

CMYK 0 / 36 / 30 / 44

HEX #8F5B64

RGB 143 91 100

HSL 349.62, 0.22%, 0.46%

LAB 44.58, 22.63, 3.76

 

CMYK 23 / 0 / 36 / 44

HEX #6D8E5B

RGB 109 142 91

HSL 98.82, 0.22%, 0.46%

LAB 55.43, -21.48, 23.52

 

CMYK 36 / 5 / 0 / 44

HEX #5B888F

RGB 91 136 143

HSL 188.08, 0.22%, 0.46%

LAB 53.83, -13.46, -8.64

 

CMYK 13 / 36 / 0 / 44

HEX #7C5B8F

RGB 124 91 143

HSL 278.08, 0.22%, 0.46%

LAB 43.87, 23.7, -23.57

 

CMYK 0 / 31 / 36 / 44

HEX #8F625B

RGB 143 98 91

HSL 8.08, 0.22%, 0.46%

LAB 46.08, 17.3, 11.34

 

Description

Color code: RGBA 109 142 91 0.75 | qconv.com Color code: RGBA 109 142 91 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 142 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 142 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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