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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 109 129 103 0.75 it is the complementary color RGBA 146 126 152 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 109 129 103 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 109 129 103 0.75 shade: RGBA 114 129 98 0.75, RGBA 131 147 117 0.75, RGBA 148 165 136 0.75, RGBA 165 183 155 0.75 and RGBA 182 201 174 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 109 129 103 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 109 129 103 0.75 shade: RGBA 109 129 103 0.75, RGBA 92 111 84 0.75, RGBA 75 93 65 0.75, RGBA 58 75 46 0.75 and RGBA 41 57 27 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 109 129 103 0.75 shade: RGB 108 127 102, RGB 115 127 102, RGB 122 127 102, RGB 127 126 102 and RGB 127 120 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 109 129 103 0.75 shade: RGB 108 127 102, RGB 102 127 103, RGB 102 127 110, RGB 102 127 117 and RGB 102 127 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 109 129 103 0.75 shade matches the following richer shades: RGB 108 127 102, RGB 98 146 84, RGB 88 165 65, RGB 78 183 46 and RGB 68 202 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 109 129 103 0.75 shade: RGB 108 127 102, RGB 118 109 121, RGB 128 90 139, RGB 138 72 158 and RGB 148 53 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 109 129 103 0.75 shade: RGB 121 127 102, RGB 115 127 102, RGB 108 127 102, RGB 102 127 103 and RGB 102 127 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 109 129 103 0.75 shade: RGB 69 82 65, RGB 89 104 84, RGB 108 127 102, RGB 128 149 122 and RGB 150 167 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 109 129 103 0.75 shade: RGB 109 129 103, RGB 102 127 127 and RGB 127 102 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 109 129 103 0.75 shade: RGB 109 129 103, RGB 102 108 127 and RGB 127 102 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 109 129 103 0.75 shade: RGB 109 129 103, RGB 102 127 127, RGB 121 102 127 and RGB 127 102 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 109 129 103 0.75 shade: RGB 109 129 103, RGB 102 121 127, RGB 121 102 127 and RGB 127 109 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 15 / 37

HEX #6D8167BF

RGBA 109 129 103 0.75

HSLA 106.15, 0.11%, 0.45%, 0.75

LABA 51.76, -12.55, 11.72, 0.75

 

Complementary color

CMYK 3 / 13 / 0 / 30

HEX #927E98BF

RGBA 146 126 152 0.75

HSLA 286.15, 0.11%, 0.55%, 0.75

LABA 55.38, 12.61, -11.12, 0.75

 

CMYK 9 / 0 / 18 / 37

HEX #728162BF

RGBA 114 129 98 0.75

HSLA 89.03, 0.14%, 0.45%, 0.75

LABA 52.02, -11.5, 15.02, 0.75

 

CMYK 8 / 0 / 15 / 32

HEX #839375BF

RGBA 131 147 117 0.75

HSLA 92, 0.12%, 0.52%, 0.75

LABA 58.95, -11.47, 14, 0.75

 

CMYK 8 / 0 / 13 / 26

HEX #94A588BF

RGBA 148 165 136 0.75

HSLA 95.17, 0.14%, 0.59%, 0.75

LABA 65.74, -11.46, 13.05, 0.75

 

CMYK 7 / 0 / 11 / 21

HEX #A5B79BBF

RGBA 165 183 155 0.75

HSLA 98.57, 0.16%, 0.66%, 0.75

LABA 72.38, -11.44, 12.16, 0.75

 

CMYK 7 / 0 / 10 / 16

HEX #B6C9AEBF

RGBA 182 201 174 0.75

HSLA 102.22, 0.2%, 0.74%, 0.75

LABA 78.91, -11.43, 11.32, 0.75

 

CMYK 12 / 0 / 15 / 37

HEX #6D8167BF

RGBA 109 129 103 0.75

HSLA 106.15, 0.11%, 0.45%, 0.75

LABA 51.76, -12.55, 11.72, 0.75

 

CMYK 13 / 0 / 18 / 42

HEX #5C6F54BF

RGBA 92 111 84 0.75

HSLA 102.22, 0.14%, 0.38%, 0.75

LABA 44.64, -12.66, 12.75, 0.75

 

CMYK 15 / 0 / 23 / 48

HEX #4B5D41BF

RGBA 75 93 65 0.75

HSLA 98.57, 0.18%, 0.31%, 0.75

LABA 37.31, -12.78, 13.89, 0.75

 

CMYK 17 / 0 / 29 / 53

HEX #3A4B2EBF

RGBA 58 75 46 0.75

HSLA 95.17, 0.24%, 0.24%, 0.75

LABA 29.74, -12.91, 15.16, 0.75

 

CMYK 21 / 0 / 39 / 58

HEX #29391BBF

RGBA 41 57 27 0.75

HSLA 92, 0.36%, 0.16%, 0.75

LABA 21.86, -13.01, 16.57, 0.75

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 4 / 0 / 20 / 50

HEX #7A7F66

RGB 122 127 102

HSL 72, 0.11%, 0.45%

LAB 52.15, -6.53, 12.99

 

CMYK 0 / 1 / 20 / 50

HEX #7F7E66

RGB 127 126 102

HSL 57.6, 0.11%, 0.45%

LAB 52.28, -3.96, 13.24

 

CMYK 0 / 6 / 20 / 50

HEX #7F7866

RGB 127 120 102

HSL 43.2, 0.11%, 0.45%

LAB 50.58, -0.54, 10.86

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 20 / 0 / 19 / 50

HEX #667F67

RGB 102 127 103

HSL 122.4, 0.11%, 0.45%

LAB 50.67, -14.09, 10.12

 

CMYK 20 / 0 / 13 / 50

HEX #667F6E

RGB 102 127 110

HSL 139.2, 0.11%, 0.45%

LAB 50.84, -12.69, 6.28

 

CMYK 20 / 0 / 8 / 50

HEX #667F75

RGB 102 127 117

HSL 156, 0.11%, 0.45%

LAB 51.02, -11.21, 2.45

 

CMYK 20 / 0 / 2 / 50

HEX #667F7C

RGB 102 127 124

HSL 172.8, 0.11%, 0.45%

LAB 51.22, -9.66, -1.36

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 33 / 0 / 42 / 43

HEX #629254

RGB 98 146 84

HSL 106.45, 0.27%, 0.45%

LAB 55.88, -28.59, 27.81

 

CMYK 47 / 0 / 61 / 35

HEX #58A541

RGB 88 165 65

HSL 106.2, 0.43%, 0.45%

LAB 61.1, -42.92, 43.62

 

CMYK 57 / 0 / 75 / 28

HEX #4EB72E

RGB 78 183 46

HSL 105.99, 0.6%, 0.45%

LAB 66.28, -54.46, 56.76

 

CMYK 66 / 0 / 86 / 21

HEX #44CA1C

RGB 68 202 28

HSL 106.21, 0.76%, 0.45%

LAB 71.93, -64.24, 66.95

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 2 / 10 / 0 / 53

HEX #766D79

RGB 118 109 121

HSL 285, 0.05%, 0.45%

LAB 47.2, 5.91, -5.38

 

CMYK 8 / 35 / 0 / 45

HEX #805A8B

RGB 128 90 139

HSL 286.53, 0.21%, 0.45%

LAB 43.89, 24.75, -21.09

 

CMYK 13 / 54 / 0 / 38

HEX #8A489E

RGB 138 72 158

HSL 286.05, 0.37%, 0.45%

LAB 42.01, 42.16, -35.35

 

CMYK 16 / 70 / 0 / 31

HEX #9435B0

RGB 148 53 176

HSL 286.34, 0.54%, 0.45%

LAB 41.18, 57.35, -47.31

 

CMYK 5 / 0 / 20 / 50

HEX #797F66

RGB 121 127 102

HSL 74.4, 0.11%, 0.45%

LAB 52.07, -6.93, 12.86

 

CMYK 9 / 0 / 20 / 50

HEX #737F66

RGB 115 127 102

HSL 88.8, 0.11%, 0.45%

LAB 51.59, -9.31, 12.13

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 20 / 0 / 19 / 50

HEX #667F67

RGB 102 127 103

HSL 122.4, 0.11%, 0.45%

LAB 50.67, -14.09, 10.12

 

CMYK 20 / 0 / 13 / 50

HEX #667F6E

RGB 102 127 110

HSL 139.2, 0.11%, 0.45%

LAB 50.84, -12.69, 6.28

 

CMYK 16 / 0 / 21 / 68

HEX #455241

RGB 69 82 65

HSL 105.88, 0.12%, 0.29%

LAB 33.31, -8.86, 8.3

 

CMYK 14 / 0 / 19 / 59

HEX #596854

RGB 89 104 84

HSL 105, 0.11%, 0.37%

LAB 42.25, -9.89, 9.4

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 14 / 0 / 18 / 42

HEX #80957A

RGB 128 149 122

HSL 106.67, 0.11%, 0.53%

LAB 59.42, -12.8, 11.8

 

CMYK 10 / 0 / 13 / 35

HEX #96A791

RGB 150 167 145

HSL 106.36, 0.11%, 0.61%

LAB 66.65, -10.19, 9.37

 

CMYK 16 / 0 / 20 / 49

HEX #6D8167

RGB 109 129 103

HSL 106.15, 0.11%, 0.45%

LAB 51.76, -12.55, 11.72

 

CMYK 20 / 0 / 0 / 50

HEX #667F7F

RGB 102 127 127

HSL 180, 0.11%, 0.45%

LAB 51.31, -8.96, -2.99

 

CMYK 0 / 20 / 7 / 50

HEX #7F6676

RGB 127 102 118

HSL 321.6, 0.11%, 0.45%

LAB 46.07, 12.9, -5.16

 

CMYK 16 / 0 / 20 / 49

HEX #6D8167

RGB 109 129 103

HSL 106.15, 0.11%, 0.45%

LAB 51.76, -12.55, 11.72

 

CMYK 20 / 15 / 0 / 50

HEX #666C7F

RGB 102 108 127

HSL 225.6, 0.11%, 0.45%

LAB 45.75, 2.07, -11.28

 

CMYK 0 / 20 / 15 / 50

HEX #7F666C

RGB 127 102 108

HSL 345.6, 0.11%, 0.45%

LAB 45.77, 11.04, 0.42

 

CMYK 16 / 0 / 20 / 49

HEX #6D8167

RGB 109 129 103

HSL 106.15, 0.11%, 0.45%

LAB 51.76, -12.55, 11.72

 

CMYK 20 / 0 / 0 / 50

HEX #667F7F

RGB 102 127 127

HSL 180, 0.11%, 0.45%

LAB 51.31, -8.96, -2.99

 

CMYK 5 / 20 / 0 / 50

HEX #79667F

RGB 121 102 127

HSL 285.6, 0.11%, 0.45%

LAB 45.77, 12.49, -11.08

 

CMYK 0 / 20 / 19 / 50

HEX #7F6667

RGB 127 102 103

HSL 357.6, 0.11%, 0.45%

LAB 45.63, 10.17, 3.22

 

CMYK 16 / 0 / 20 / 49

HEX #6D8167

RGB 109 129 103

HSL 106.15, 0.11%, 0.45%

LAB 51.76, -12.55, 11.72

 

CMYK 20 / 5 / 0 / 50

HEX #66797F

RGB 102 121 127

HSL 194.4, 0.11%, 0.45%

LAB 49.53, -5.55, -5.61

 

CMYK 5 / 20 / 0 / 50

HEX #79667F

RGB 121 102 127

HSL 285.6, 0.11%, 0.45%

LAB 45.77, 12.49, -11.08

 

CMYK 0 / 14 / 20 / 50

HEX #7F6D66

RGB 127 109 102

HSL 16.8, 0.11%, 0.45%

LAB 47.51, 5.86, 6.52

 

Description

Color code: RGBA 109 129 103 0.75 | qconv.com Color code: RGBA 109 129 103 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 129 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 129 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 15 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 15% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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