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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 108 149 128 0.75 it is the complementary color RGBA 147 106 127 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 108 149 128 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 108 149 128 0.75 shade: RGBA 113 149 123 0.75, RGBA 130 167 142 0.75, RGBA 147 185 161 0.75, RGBA 164 203 180 0.75 and RGBA 181 221 199 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 108 149 128 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 108 149 128 0.75 shade: RGBA 108 149 128 0.75, RGBA 91 131 109 0.75, RGBA 74 113 90 0.75, RGBA 57 95 71 0.75 and RGBA 40 77 52 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 108 149 128 0.75 shade: RGB 107 148 127, RGB 107 148 116, RGB 109 148 107, RGB 120 148 107 and RGB 131 148 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 108 149 128 0.75 shade: RGB 107 148 127, RGB 107 148 138, RGB 107 147 148, RGB 107 136 148 and RGB 107 125 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 108 149 128 0.75 shade matches the following richer shades: RGB 107 148 127, RGB 86 169 127, RGB 66 189 126, RGB 45 210 125 and RGB 25 230 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 108 149 128 0.75 shade: RGB 107 148 127, RGB 128 127 128, RGB 148 107 128, RGB 169 86 129 and RGB 190 65 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 108 149 128 0.75 shade: RGB 109 148 107, RGB 107 148 116, RGB 107 148 127, RGB 107 148 138 and RGB 107 147 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 108 149 128 0.75 shade: RGB 72 100 86, RGB 90 124 106, RGB 107 148 127, RGB 131 165 148 and RGB 155 183 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 108 149 128 0.75 shade: RGB 108 149 128, RGB 107 120 148 and RGB 148 111 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 108 149 128 0.75 shade: RGB 108 149 128, RGB 127 107 148 and RGB 148 127 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 108 149 128 0.75 shade: RGB 108 149 128, RGB 107 120 148, RGB 148 107 128 and RGB 148 135 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 108 149 128 0.75 shade: RGB 108 149 128, RGB 107 108 148, RGB 148 107 128 and RGB 148 147 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 11 / 31

HEX #6C9580BF

RGBA 108 149 128 0.75

HSLA 149.27, 0.16%, 0.5%, 0.75

LABA 58.27, -18.67, 6.58, 0.75

 

Complementary color

CMYK 0 / 21 / 10 / 32

HEX #936A7FBF

RGBA 147 106 127 0.75

HSLA 329.27, 0.16%, 0.5%, 0.75

LABA 49.55, 19.82, -5.15, 0.75

 

CMYK 18 / 0 / 13 / 31

HEX #71957BBF

RGBA 113 149 123 0.75

HSLA 136.67, 0.15%, 0.51%, 0.75

LABA 58.45, -17.99, 9.72, 0.75

 

CMYK 17 / 0 / 11 / 26

HEX #82A78EBF

RGBA 130 167 142 0.75

HSLA 139.46, 0.17%, 0.58%, 0.75

LABA 65.23, -17.8, 8.83, 0.75

 

CMYK 15 / 0 / 10 / 21

HEX #93B9A1BF

RGBA 147 185 161 0.75

HSLA 142.11, 0.21%, 0.65%, 0.75

LABA 71.88, -17.63, 8.01, 0.75

 

CMYK 14 / 0 / 8 / 15

HEX #A4CBB4BF

RGBA 164 203 180 0.75

HSLA 144.62, 0.27%, 0.72%, 0.75

LABA 78.4, -17.49, 7.22, 0.75

 

CMYK 14 / 0 / 7 / 10

HEX #B5DDC7BF

RGBA 181 221 199 0.75

HSLA 147, 0.37%, 0.79%, 0.75

LABA 84.82, -17.37, 6.48, 0.75

 

CMYK 21 / 0 / 11 / 31

HEX #6C9580BF

RGBA 108 149 128 0.75

HSLA 149.27, 0.16%, 0.5%, 0.75

LABA 58.27, -18.67, 6.58, 0.75

 

CMYK 23 / 0 / 13 / 36

HEX #5B836DBF

RGBA 91 131 109 0.75

HSLA 147, 0.18%, 0.44%, 0.75

LABA 51.34, -18.9, 7.48, 0.75

 

CMYK 26 / 0 / 15 / 42

HEX #4A715ABF

RGBA 74 113 90 0.75

HSLA 144.62, 0.21%, 0.37%, 0.75

LABA 44.24, -19.17, 8.46, 0.75

 

CMYK 30 / 0 / 19 / 47

HEX #395F47BF

RGBA 57 95 71 0.75

HSLA 142.11, 0.25%, 0.3%, 0.75

LABA 36.95, -19.47, 9.55, 0.75

 

CMYK 36 / 0 / 24 / 52

HEX #284D34BF

RGBA 40 77 52 0.75

HSLA 139.46, 0.32%, 0.23%, 0.75

LABA 29.43, -19.77, 10.81, 0.75

 

CMYK 28 / 0 / 14 / 42

HEX #6B947F

RGB 107 148 127

HSL 149.27, 0.16%, 0.5%

LAB 57.88, -18.69, 6.59

 

CMYK 28 / 0 / 22 / 42

HEX #6B9474

RGB 107 148 116

HSL 133.17, 0.16%, 0.5%

LAB 57.62, -20.91, 12.47

 

CMYK 26 / 0 / 28 / 42

HEX #6D946B

RGB 109 148 107

HSL 117.07, 0.16%, 0.5%

LAB 57.55, -21.89, 17.46

 

CMYK 19 / 0 / 28 / 42

HEX #78946B

RGB 120 148 107

HSL 100.98, 0.16%, 0.5%

LAB 58.26, -17.86, 18.54

 

CMYK 11 / 0 / 28 / 42

HEX #83946B

RGB 131 148 107

HSL 84.88, 0.16%, 0.5%

LAB 59.04, -13.65, 19.72

 

CMYK 28 / 0 / 14 / 42

HEX #6B947F

RGB 107 148 127

HSL 149.27, 0.16%, 0.5%

LAB 57.88, -18.69, 6.59

 

CMYK 28 / 0 / 7 / 42

HEX #6B948A

RGB 107 148 138

HSL 165.37, 0.16%, 0.5%

LAB 58.17, -16.28, 0.74

 

CMYK 28 / 1 / 0 / 42

HEX #6B9394

RGB 107 147 148

HSL 181.46, 0.16%, 0.5%

LAB 58.16, -13.4, -4.98

 

CMYK 28 / 8 / 0 / 42

HEX #6B8894

RGB 107 136 148

HSL 197.56, 0.16%, 0.5%

LAB 54.94, -7.33, -9.78

 

CMYK 28 / 16 / 0 / 42

HEX #6B7D94

RGB 107 125 148

HSL 213.66, 0.16%, 0.5%

LAB 51.76, -1.04, -14.57

 

CMYK 28 / 0 / 14 / 42

HEX #6B947F

RGB 107 148 127

HSL 149.27, 0.16%, 0.5%

LAB 57.88, -18.69, 6.59

 

CMYK 49 / 0 / 25 / 34

HEX #56A97F

RGB 86 169 127

HSL 149.64, 0.33%, 0.5%

LAB 63.25, -35.26, 14.04

 

CMYK 65 / 0 / 33 / 26

HEX #42BD7E

RGB 66 189 126

HSL 149.27, 0.48%, 0.5%

LAB 68.79, -48.54, 22.11

 

CMYK 79 / 0 / 40 / 18

HEX #2DD27D

RGB 45 210 125

HSL 149.09, 0.65%, 0.5%

LAB 74.91, -59.82, 30.74

 

CMYK 89 / 0 / 46 / 10

HEX #19E67D

RGB 25 230 125

HSL 149.27, 0.8%, 0.5%

LAB 80.89, -68.37, 38.46

 

CMYK 28 / 0 / 14 / 42

HEX #6B947F

RGB 107 148 127

HSL 149.27, 0.16%, 0.5%

LAB 57.88, -18.69, 6.59

 

CMYK 0 / 1 / 0 / 50

HEX #807F80

RGB 128 127 128

HSL 300, 0%, 0.5%

LAB 53.3, 0.58, -0.42

 

CMYK 0 / 28 / 14 / 42

HEX #946B80

RGB 148 107 128

HSL 329.27, 0.16%, 0.5%

LAB 49.94, 19.79, -5.14

 

CMYK 0 / 49 / 24 / 34

HEX #A95681

RGB 169 86 129

HSL 328.92, 0.33%, 0.5%

LAB 47.85, 39.29, -8.58

 

CMYK 0 / 66 / 32 / 25

HEX #BE4181

RGB 190 65 129

HSL 329.28, 0.49%, 0.5%

LAB 47.38, 55.84, -8.94

 

CMYK 26 / 0 / 28 / 42

HEX #6D946B

RGB 109 148 107

HSL 117.07, 0.16%, 0.5%

LAB 57.55, -21.89, 17.46

 

CMYK 28 / 0 / 22 / 42

HEX #6B9474

RGB 107 148 116

HSL 133.17, 0.16%, 0.5%

LAB 57.62, -20.91, 12.47

 

CMYK 28 / 0 / 14 / 42

HEX #6B947F

RGB 107 148 127

HSL 149.27, 0.16%, 0.5%

LAB 57.88, -18.69, 6.59

 

CMYK 28 / 0 / 7 / 42

HEX #6B948A

RGB 107 148 138

HSL 165.37, 0.16%, 0.5%

LAB 58.17, -16.28, 0.74

 

CMYK 28 / 1 / 0 / 42

HEX #6B9394

RGB 107 147 148

HSL 181.46, 0.16%, 0.5%

LAB 58.16, -13.4, -4.98

 

CMYK 28 / 0 / 14 / 61

HEX #486456

RGB 72 100 86

HSL 150, 0.16%, 0.34%

LAB 39.86, -13.63, 4.62

 

CMYK 27 / 0 / 15 / 51

HEX #5A7C6A

RGB 90 124 106

HSL 148.24, 0.16%, 0.42%

LAB 49.04, -16.14, 5.95

 

CMYK 28 / 0 / 14 / 42

HEX #6B947F

RGB 107 148 127

HSL 149.27, 0.16%, 0.5%

LAB 57.88, -18.69, 6.59

 

CMYK 21 / 0 / 10 / 35

HEX #83A594

RGB 131 165 148

HSL 150, 0.16%, 0.58%

LAB 64.86, -15.22, 4.98

 

CMYK 15 / 0 / 8 / 28

HEX #9BB7A8

RGB 155 183 168

HSL 147.86, 0.16%, 0.66%

LAB 72, -12.54, 4.43

 

CMYK 28 / 0 / 14 / 42

HEX #6C9580

RGB 108 149 128

HSL 149.27, 0.16%, 0.5%

LAB 58.27, -18.67, 6.58

 

CMYK 28 / 19 / 0 / 42

HEX #6B7894

RGB 107 120 148

HSL 220.98, 0.16%, 0.5%

LAB 50.33, 1.89, -16.74

 

CMYK 0 / 25 / 28 / 42

HEX #946F6B

RGB 148 111 107

HSL 5.85, 0.16%, 0.5%

LAB 50.37, 14.04, 7.92

 

CMYK 28 / 0 / 14 / 42

HEX #6C9580

RGB 108 149 128

HSL 149.27, 0.16%, 0.5%

LAB 58.27, -18.67, 6.58

 

CMYK 14 / 28 / 0 / 42

HEX #7F6B94

RGB 127 107 148

HSL 269.27, 0.16%, 0.5%

LAB 48.47, 16.29, -19.44

 

CMYK 0 / 14 / 28 / 42

HEX #947F6B

RGB 148 127 107

HSL 29.27, 0.16%, 0.5%

LAB 54.59, 4.83, 13.85

 

CMYK 28 / 0 / 14 / 42

HEX #6C9580

RGB 108 149 128

HSL 149.27, 0.16%, 0.5%

LAB 58.27, -18.67, 6.58

 

CMYK 28 / 19 / 0 / 42

HEX #6B7894

RGB 107 120 148

HSL 220.98, 0.16%, 0.5%

LAB 50.33, 1.89, -16.74

 

CMYK 0 / 28 / 14 / 42

HEX #946B80

RGB 148 107 128

HSL 329.27, 0.16%, 0.5%

LAB 49.94, 19.79, -5.14

 

CMYK 0 / 9 / 28 / 42

HEX #94876B

RGB 148 135 107

HSL 40.98, 0.16%, 0.5%

LAB 56.77, 0.3, 16.86

 

CMYK 28 / 0 / 14 / 42

HEX #6C9580

RGB 108 149 128

HSL 149.27, 0.16%, 0.5%

LAB 58.27, -18.67, 6.58

 

CMYK 28 / 27 / 0 / 42

HEX #6B6C94

RGB 107 108 148

HSL 238.54, 0.16%, 0.5%

LAB 46.96, 9.06, -21.91

 

CMYK 0 / 28 / 14 / 42

HEX #946B80

RGB 148 107 128

HSL 329.27, 0.16%, 0.5%

LAB 49.94, 19.79, -5.14

 

CMYK 0 / 1 / 28 / 42

HEX #94936B

RGB 148 147 107

HSL 58.54, 0.16%, 0.5%

LAB 60.09, -6.34, 21.38

 

Description

Color code: RGBA 108 149 128 0.75 | qconv.com Color code: RGBA 108 149 128 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 149 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 149 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 11 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 11% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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