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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 101 113 178 0.75 it is the complementary color RGBA 154 142 77 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 101 113 178 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 101 113 178 0.75 shade: RGBA 106 113 173 0.75, RGBA 123 131 192 0.75, RGBA 140 149 211 0.75, RGBA 157 167 230 0.75 and RGBA 174 185 249 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 101 113 178 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 101 113 178 0.75 shade: RGBA 101 113 178 0.75, RGBA 84 95 159 0.75, RGBA 67 77 140 0.75, RGBA 50 59 121 0.75 and RGBA 33 41 102 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 101 113 178 0.75 shade: RGB 102 114 178, RGB 111 102 178, RGB 131 102 178, RGB 152 102 178 and RGB 172 102 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 101 113 178 0.75 shade: RGB 102 114 178 and RGB 102 102 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 101 113 178 0.75 shade matches the following richer shades: RGB 102 114 178, RGB 84 101 197, RGB 65 89 215, RGB 47 76 234 and RGB 28 63 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 101 113 178 0.75 shade: RGB 102 114 178, RGB 121 127 160, RGB 140 140 141, RGB 158 153 122 and RGB 177 165 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 101 113 178 0.75 shade: RGB 102 155 178, RGB 102 135 178, RGB 102 115 178, RGB 110 102 178 and RGB 130 102 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 101 113 178 0.75 shade: RGB 66 77 132, RGB 80 92 159, RGB 102 114 178, RGB 130 140 192 and RGB 157 165 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 101 113 178 0.75 shade: RGB 101 113 178, RGB 178 102 176 and RGB 145 178 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 101 113 178 0.75 shade: RGB 101 113 178, RGB 178 102 115 and RGB 115 178 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 101 113 178 0.75 shade: RGB 101 113 178, RGB 178 102 176, RGB 178 165 102 and RGB 102 178 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 101 113 178 0.75 shade: RGB 101 113 178, RGB 178 102 153, RGB 178 165 102 and RGB 102 178 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 27 / 0 / 23

HEX #6571B2BF

RGBA 101 113 178 0.75

HSLA 230.65, 0.33%, 0.55%, 0.75

LABA 49.24, 12.71, -35.98, 0.75

 

Complementary color

CMYK 0 / 6 / 38 / 30

HEX #9A8E4DBF

RGBA 154 142 77 0.75

HSLA 50.65, 0.33%, 0.45%, 0.75

LABA 58.74, -4.66, 36, 0.75

 

CMYK 29 / 26 / 0 / 24

HEX #6A71ADBF

RGBA 106 113 173 0.75

HSLA 233.73, 0.29%, 0.55%, 0.75

LABA 49.36, 12.61, -32.85, 0.75

 

CMYK 27 / 24 / 0 / 19

HEX #7B83C0BF

RGBA 123 131 192 0.75

HSLA 233.04, 0.35%, 0.62%, 0.75

LABA 56.34, 11.94, -32.8, 0.75

 

CMYK 25 / 22 / 0 / 13

HEX #8C95D3BF

RGBA 140 149 211 0.75

HSLA 232.39, 0.45%, 0.69%, 0.75

LABA 63.16, 11.37, -32.79, 0.75

 

CMYK 24 / 21 / 0 / 7

HEX #9DA7E6BF

RGBA 157 167 230 0.75

HSLA 231.78, 0.59%, 0.76%, 0.75

LABA 69.84, 10.87, -32.83, 0.75

 

CMYK 23 / 19 / 0 / 2

HEX #AEB9F9BF

RGBA 174 185 249 0.75

HSLA 231.2, 0.86%, 0.83%, 0.75

LABA 76.4, 10.42, -32.9, 0.75

 

CMYK 32 / 27 / 0 / 23

HEX #6571B2BF

RGBA 101 113 178 0.75

HSLA 230.65, 0.33%, 0.55%, 0.75

LABA 49.24, 12.71, -35.98, 0.75

 

CMYK 35 / 30 / 0 / 28

HEX #545F9FBF

RGBA 84 95 159 0.75

HSLA 231.2, 0.31%, 0.48%, 0.75

LABA 42.11, 13.62, -36.14, 0.75

 

CMYK 39 / 34 / 0 / 34

HEX #434D8CBF

RGBA 67 77 140 0.75

HSLA 231.78, 0.35%, 0.41%, 0.75

LABA 34.79, 14.75, -36.38, 0.75

 

CMYK 44 / 38 / 0 / 39

HEX #323B79BF

RGBA 50 59 121 0.75

HSLA 232.39, 0.42%, 0.34%, 0.75

LABA 27.26, 16.21, -36.7, 0.75

 

CMYK 51 / 45 / 0 / 45

HEX #212966BF

RGBA 33 41 102 0.75

HSLA 233.04, 0.51%, 0.26%, 0.75

LABA 19.51, 18.19, -37.06, 0.75

 

CMYK 43 / 36 / 0 / 30

HEX #6672B2

RGB 102 114 178

HSL 230.53, 0.33%, 0.55%

LAB 49.59, 12.36, -35.43

 

CMYK 38 / 43 / 0 / 30

HEX #6F66B2

RGB 111 102 178

HSL 247.11, 0.33%, 0.55%

LAB 47.1, 22.11, -39.3

 

CMYK 26 / 43 / 0 / 30

HEX #8366B2

RGB 131 102 178

HSL 262.89, 0.33%, 0.55%

LAB 48.94, 27.78, -36.28

 

CMYK 15 / 43 / 0 / 30

HEX #9866B2

RGB 152 102 178

HSL 279.47, 0.33%, 0.55%

LAB 51.14, 34.06, -32.66

 

CMYK 3 / 43 / 0 / 30

HEX #AC66B2

RGB 172 102 178

HSL 295.26, 0.33%, 0.55%

LAB 53.48, 40.2, -28.85

 

CMYK 43 / 36 / 0 / 30

HEX #6672B2

RGB 102 114 178

HSL 230.53, 0.33%, 0.55%

LAB 49.59, 12.36, -35.43

 

CMYK 43 / 43 / 0 / 30

HEX #6666B2

RGB 102 102 178

HSL 240, 0.33%, 0.55%

LAB 46.37, 19.72, -40.51

 

CMYK 43 / 36 / 0 / 30

HEX #6672B2

RGB 102 114 178

HSL 230.53, 0.33%, 0.55%

LAB 49.59, 12.36, -35.43

 

CMYK 57 / 49 / 0 / 23

HEX #5465C5

RGB 84 101 197

HSL 230.97, 0.49%, 0.55%

LAB 45.94, 22.2, -52.29

 

CMYK 70 / 59 / 0 / 16

HEX #4159D7

RGB 65 89 215

HSL 230.4, 0.65%, 0.55%

LAB 43.03, 32.81, -67.39

 

CMYK 80 / 68 / 0 / 8

HEX #2F4CEA

RGB 47 76 234

HSL 230.7, 0.82%, 0.55%

LAB 40.76, 45.68, -81.95

 

CMYK 89 / 75 / 0 / 1

HEX #1C3FFC

RGB 28 63 252

HSL 230.63, 0.97%, 0.55%

LAB 39.29, 58.2, -94.52

 

CMYK 43 / 36 / 0 / 30

HEX #6672B2

RGB 102 114 178

HSL 230.53, 0.33%, 0.55%

LAB 49.59, 12.36, -35.43

 

CMYK 24 / 21 / 0 / 37

HEX #797FA0

RGB 121 127 160

HSL 230.77, 0.17%, 0.55%

LAB 53.79, 5.31, -18.36

 

CMYK 1 / 1 / 0 / 45

HEX #8C8C8D

RGB 140 140 141

HSL 240, 0%, 0.55%

LAB 58.28, 0.2, -0.54

 

CMYK 0 / 3 / 23 / 38

HEX #9E997A

RGB 158 153 122

HSL 51.67, 0.16%, 0.55%

LAB 62.89, -3.42, 16.99

 

CMYK 0 / 7 / 41 / 31

HEX #B1A568

RGB 177 165 104

HSL 50.14, 0.32%, 0.55%

LAB 67.47, -4.55, 33.16

 

CMYK 43 / 13 / 0 / 30

HEX #669BB2

RGB 102 155 178

HSL 198.16, 0.33%, 0.55%

LAB 61.2, -11.41, -17.48

 

CMYK 43 / 24 / 0 / 30

HEX #6687B2

RGB 102 135 178

HSL 213.95, 0.33%, 0.55%

LAB 55.45, -0.14, -26.3

 

CMYK 43 / 35 / 0 / 30

HEX #6673B2

RGB 102 115 178

HSL 229.74, 0.33%, 0.55%

LAB 49.86, 11.76, -35

 

CMYK 38 / 43 / 0 / 30

HEX #6E66B2

RGB 110 102 178

HSL 246.32, 0.33%, 0.55%

LAB 47.02, 21.84, -39.44

 

CMYK 27 / 43 / 0 / 30

HEX #8266B2

RGB 130 102 178

HSL 262.11, 0.33%, 0.55%

LAB 48.84, 27.49, -36.44

 

CMYK 50 / 42 / 0 / 48

HEX #424D84

RGB 66 77 132

HSL 230, 0.33%, 0.39%

LAB 34.26, 11.83, -32.33

 

CMYK 50 / 42 / 0 / 38

HEX #505C9F

RGB 80 92 159

HSL 230.89, 0.33%, 0.47%

LAB 41, 14.51, -37.92

 

CMYK 43 / 36 / 0 / 30

HEX #6672B2

RGB 102 114 178

HSL 230.53, 0.33%, 0.55%

LAB 49.59, 12.36, -35.43

 

CMYK 32 / 27 / 0 / 25

HEX #828CC0

RGB 130 140 192

HSL 230.32, 0.33%, 0.63%

LAB 59.26, 8.69, -28.22

 

CMYK 24 / 20 / 0 / 19

HEX #9DA5CE

RGB 157 165 206

HSL 230.2, 0.33%, 0.71%

LAB 68.41, 6.1, -21.82

 

CMYK 43 / 37 / 0 / 30

HEX #6571B2

RGB 101 113 178

HSL 230.65, 0.33%, 0.55%

LAB 49.24, 12.71, -35.98

 

CMYK 0 / 43 / 1 / 30

HEX #B266B0

RGB 178 102 176

HSL 301.58, 0.33%, 0.55%

LAB 54.14, 41.67, -26.61

 

CMYK 19 / 0 / 43 / 30

HEX #91B266

RGB 145 178 102

HSL 86.05, 0.33%, 0.55%

LAB 68.62, -24.33, 35.16

 

CMYK 43 / 37 / 0 / 30

HEX #6571B2

RGB 101 113 178

HSL 230.65, 0.33%, 0.55%

LAB 49.24, 12.71, -35.98

 

CMYK 0 / 43 / 35 / 30

HEX #B26673

RGB 178 102 115

HSL 349.74, 0.33%, 0.55%

LAB 52.07, 32.03, 6.11

 

CMYK 35 / 0 / 43 / 30

HEX #73B266

RGB 115 178 102

HSL 109.74, 0.33%, 0.55%

LAB 66.86, -35.14, 32.55

 

CMYK 43 / 37 / 0 / 30

HEX #6571B2

RGB 101 113 178

HSL 230.65, 0.33%, 0.55%

LAB 49.24, 12.71, -35.98

 

CMYK 0 / 43 / 1 / 30

HEX #B266B0

RGB 178 102 176

HSL 301.58, 0.33%, 0.55%

LAB 54.14, 41.67, -26.61

 

CMYK 0 / 7 / 43 / 30

HEX #B2A566

RGB 178 165 102

HSL 49.74, 0.33%, 0.55%

LAB 67.53, -4.35, 34.3

 

CMYK 43 / 0 / 41 / 30

HEX #66B269

RGB 102 178 105

HSL 122.37, 0.33%, 0.55%

LAB 66.28, -38.84, 30.12

 

CMYK 43 / 37 / 0 / 30

HEX #6571B2

RGB 101 113 178

HSL 230.65, 0.33%, 0.55%

LAB 49.24, 12.71, -35.98

 

CMYK 0 / 43 / 14 / 30

HEX #B26699

RGB 178 102 153

HSL 319.74, 0.33%, 0.55%

LAB 53.24, 37.62, -14.58

 

CMYK 0 / 7 / 43 / 30

HEX #B2A566

RGB 178 165 102

HSL 49.74, 0.33%, 0.55%

LAB 67.53, -4.35, 34.3

 

CMYK 43 / 0 / 28 / 30

HEX #66B280

RGB 102 178 128

HSL 140.53, 0.33%, 0.55%

LAB 66.69, -34.81, 18.36

 

Description

Color code: RGBA 101 113 178 0.75 | qconv.com Color code: RGBA 101 113 178 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 113 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 113 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 27 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 27% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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