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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 210 134 it is the complementary color RGB 246 45 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 210 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 210 134 shade: RGB 14 210 129, RGB 31 228 148, RGB 48 246 167, RGB 65 255 186 and RGB 82 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 210 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 210 134 shade: RGB 9 210 134, RGB 0 192 115, RGB 0 174 96, RGB 0 156 77 and RGB 0 138 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 210 134 shade: RGB 9 211 134, RGB 9 211 80, RGB 9 211 25, RGB 47 211 9 and RGB 101 211 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 210 134 shade: RGB 9 211 134, RGB 9 211 189, RGB 9 178 211, RGB 9 124 211 and RGB 9 69 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 210 134 shade matches the following richer shades: RGB 9 211 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 210 134 shade: RGB 9 211 134, RGB 27 193 130, RGB 44 175 126, RGB 62 157 121 and RGB 80 140 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 210 134 shade: RGB 9 211 26, RGB 9 211 79, RGB 9 211 133, RGB 9 211 187 and RGB 9 180 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 210 134 shade: RGB 5 131 84, RGB 7 171 109, RGB 9 211 134, RGB 16 245 158 and RGB 55 247 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 210 134 shade: RGB 9 210 134, RGB 9 46 211 and RGB 211 52 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 210 134 shade: RGB 9 210 134, RGB 133 9 211 and RGB 211 133 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 210 134 shade: RGB 9 210 134, RGB 9 46 211, RGB 211 9 86 and RGB 211 174 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 210 134 shade: RGB 9 210 134, RGB 32 9 211, RGB 211 9 86 and RGB 187 211 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 36 / 18

HEX #09D286

RGB 9 210 134

HSL 157.31, 0.92%, 0.43%

LAB 74.74, -60.59, 25.81

 

Complementary color

CMYK 0 / 82 / 51 / 4

HEX #F62D79

RGB 246 45 121

HSL 337.31, 0.92%, 0.57%

LAB 54.92, 76.35, 8.08

 

CMYK 93 / 0 / 39 / 18

HEX #0ED281

RGB 14 210 129

HSL 155.2, 0.88%, 0.44%

LAB 74.68, -61.41, 28.33

 

CMYK 86 / 0 / 35 / 11

HEX #1FE494

RGB 31 228 148

HSL 155.63, 0.78%, 0.51%

LAB 80.69, -63.05, 26.62

 

CMYK 80 / 0 / 32 / 4

HEX #30F6A7

RGB 48 246 167

HSL 156.06, 0.92%, 0.58%

LAB 86.67, -64.28, 25.04

 

CMYK 75 / 0 / 27 / 0

HEX #41FFBA

RGB 65 255 186

HSL 158.21, 1%, 0.63%

LAB 89.95, -61.83, 19.9

 

CMYK 68 / 0 / 20 / 0

HEX #52FFCD

RGB 82 255 205

HSL 162.66, 1%, 0.66%

LAB 90.65, -55.39, 11.18

 

CMYK 96 / 0 / 36 / 18

HEX #09D286

RGB 9 210 134

HSL 157.31, 0.92%, 0.43%

LAB 74.74, -60.59, 25.81

 

CMYK 100 / 0 / 40 / 25

HEX #00C073

RGB 0 192 115

HSL 155.94, 1%, 0.38%

LAB 68.71, -58.38, 27.66

 

CMYK 100 / 0 / 45 / 32

HEX #00AE60

RGB 0 174 96

HSL 153.1, 1%, 0.34%

LAB 62.61, -55.75, 29.63

 

CMYK 100 / 0 / 51 / 39

HEX #009C4D

RGB 0 156 77

HSL 149.62, 1%, 0.31%

LAB 56.4, -52.95, 31.63

 

CMYK 100 / 0 / 58 / 46

HEX #008A3A

RGB 0 138 58

HSL 145.22, 1%, 0.27%

LAB 50.08, -49.94, 33.61

 

CMYK 96 / 0 / 36 / 17

HEX #09D386

RGB 9 211 134

HSL 157.13, 0.92%, 0.43%

LAB 75.06, -60.94, 26.23

 

CMYK 96 / 0 / 62 / 17

HEX #09D350

RGB 9 211 80

HSL 141.09, 0.92%, 0.43%

LAB 74.33, -69.63, 51.56

 

CMYK 96 / 0 / 88 / 17

HEX #09D319

RGB 9 211 25

HSL 124.75, 0.92%, 0.43%

LAB 74.01, -73.78, 69.06

 

CMYK 78 / 0 / 96 / 17

HEX #2FD309

RGB 47 211 9

HSL 108.71, 0.92%, 0.43%

LAB 74.33, -71.06, 71.69

 

CMYK 52 / 0 / 96 / 17

HEX #65D309

RGB 101 211 9

HSL 92.67, 0.92%, 0.43%

LAB 75.68, -59.71, 73.36

 

CMYK 96 / 0 / 36 / 17

HEX #09D386

RGB 9 211 134

HSL 157.13, 0.92%, 0.43%

LAB 75.06, -60.94, 26.23

 

CMYK 96 / 0 / 10 / 17

HEX #09D3BD

RGB 9 211 189

HSL 173.47, 0.92%, 0.43%

LAB 76.27, -47.73, -1.29

 

CMYK 96 / 16 / 0 / 17

HEX #09B2D3

RGB 9 178 211

HSL 189.8, 0.92%, 0.43%

LAB 66.98, -25.8, -27.24

 

CMYK 96 / 41 / 0 / 17

HEX #097CD3

RGB 9 124 211

HSL 205.84, 0.92%, 0.43%

LAB 50.89, 4.42, -52.48

 

CMYK 96 / 67 / 0 / 17

HEX #0945D3

RGB 9 69 211

HSL 222.18, 0.92%, 0.43%

LAB 36.02, 39.83, -76.64

 

CMYK 96 / 0 / 36 / 17

HEX #09D386

RGB 9 211 134

HSL 157.13, 0.92%, 0.43%

LAB 75.06, -60.94, 26.23

 

CMYK 96 / 0 / 36 / 17

HEX #09D386

RGB 9 211 134

HSL 157.13, 0.92%, 0.43%

LAB 75.06, -60.94, 26.23

 

CMYK 86 / 0 / 33 / 24

HEX #1BC182

RGB 27 193 130

HSL 157.23, 0.75%, 0.43%

LAB 69.46, -54.31, 20.77

 

CMYK 75 / 0 / 28 / 31

HEX #2CAF7E

RGB 44 175 126

HSL 157.56, 0.6%, 0.43%

LAB 63.92, -46.42, 15.34

 

CMYK 61 / 0 / 23 / 38

HEX #3E9D79

RGB 62 157 121

HSL 157.26, 0.43%, 0.43%

LAB 58.53, -36.81, 10.63

 

CMYK 43 / 0 / 16 / 45

HEX #508C75

RGB 80 140 117

HSL 157, 0.27%, 0.43%

LAB 53.76, -25.19, 6.22

 

CMYK 96 / 0 / 88 / 17

HEX #09D31A

RGB 9 211 26

HSL 125.05, 0.92%, 0.43%

LAB 74.01, -73.74, 68.88

 

CMYK 96 / 0 / 63 / 17

HEX #09D34F

RGB 9 211 79

HSL 140.79, 0.92%, 0.43%

LAB 74.32, -69.75, 51.98

 

CMYK 96 / 0 / 37 / 17

HEX #09D385

RGB 9 211 133

HSL 156.83, 0.92%, 0.43%

LAB 75.04, -61.15, 26.73

 

CMYK 96 / 0 / 11 / 17

HEX #09D3BB

RGB 9 211 187

HSL 172.87, 0.92%, 0.43%

LAB 76.21, -48.28, -0.3

 

CMYK 96 / 15 / 0 / 17

HEX #09B4D3

RGB 9 180 211

HSL 189.21, 0.92%, 0.43%

LAB 67.58, -26.8, -26.32

 

CMYK 96 / 0 / 36 / 49

HEX #058354

RGB 5 131 84

HSL 157.62, 0.93%, 0.27%

LAB 48.14, -42.17, 17.06

 

CMYK 96 / 0 / 36 / 33

HEX #07AB6D

RGB 7 171 109

HSL 157.32, 0.92%, 0.35%

LAB 61.89, -51.77, 21.77

 

CMYK 96 / 0 / 36 / 17

HEX #09D386

RGB 9 211 134

HSL 157.13, 0.92%, 0.43%

LAB 75.06, -60.94, 26.23

 

CMYK 93 / 0 / 36 / 4

HEX #10F59E

RGB 16 245 158

HSL 157.21, 0.92%, 0.51%

LAB 85.95, -67.77, 28.59

 

CMYK 78 / 0 / 30 / 3

HEX #37F7AE

RGB 55 247 174

HSL 157.19, 0.92%, 0.59%

LAB 87.19, -62.5, 22.19

 

CMYK 96 / 0 / 36 / 18

HEX #09D286

RGB 9 210 134

HSL 157.31, 0.92%, 0.43%

LAB 74.74, -60.59, 25.81

 

CMYK 96 / 78 / 0 / 17

HEX #092ED3

RGB 9 46 211

HSL 229.01, 0.92%, 0.43%

LAB 31.15, 53.37, -84.7

 

CMYK 0 / 75 / 96 / 17

HEX #D33409

RGB 211 52 9

HSL 12.77, 0.92%, 0.43%

LAB 47.4, 59.99, 57.19

 

CMYK 96 / 0 / 36 / 18

HEX #09D286

RGB 9 210 134

HSL 157.31, 0.92%, 0.43%

LAB 74.74, -60.59, 25.81

 

CMYK 37 / 96 / 0 / 17

HEX #8509D3

RGB 133 9 211

HSL 276.83, 0.92%, 0.43%

LAB 37.64, 73.6, -73.65

 

CMYK 0 / 37 / 96 / 17

HEX #D38509

RGB 211 133 9

HSL 36.83, 0.92%, 0.43%

LAB 62.21, 22.31, 66.66

 

CMYK 96 / 0 / 36 / 18

HEX #09D286

RGB 9 210 134

HSL 157.31, 0.92%, 0.43%

LAB 74.74, -60.59, 25.81

 

CMYK 96 / 78 / 0 / 17

HEX #092ED3

RGB 9 46 211

HSL 229.01, 0.92%, 0.43%

LAB 31.15, 53.37, -84.7

 

CMYK 0 / 96 / 59 / 17

HEX #D30956

RGB 211 9 86

HSL 337.13, 0.92%, 0.43%

LAB 45.24, 71.24, 14.95

 

CMYK 0 / 18 / 96 / 17

HEX #D3AE09

RGB 211 174 9

HSL 49.01, 0.92%, 0.43%

LAB 72.32, 0.29, 73.87

 

CMYK 96 / 0 / 36 / 18

HEX #09D286

RGB 9 210 134

HSL 157.31, 0.92%, 0.43%

LAB 74.74, -60.59, 25.81

 

CMYK 85 / 96 / 0 / 17

HEX #2009D3

RGB 32 9 211

HSL 246.83, 0.92%, 0.43%

LAB 27.31, 67.25, -91.07

 

CMYK 0 / 96 / 59 / 17

HEX #D30956

RGB 211 9 86

HSL 337.13, 0.92%, 0.43%

LAB 45.24, 71.24, 14.95

 

CMYK 11 / 0 / 96 / 17

HEX #BBD309

RGB 187 211 9

HSL 67.13, 0.92%, 0.43%

LAB 80.28, -28.67, 78.93

 

Description

Color code: RGB 9 210 134 | qconv.com Color code: RGB 9 210 134 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 210 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 210 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 36 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 36% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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