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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 199 239 it is the complementary color RGB 246 56 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 199 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 199 239 shade: RGB 14 199 234, RGB 31 217 253, RGB 48 235 255, RGB 65 253 255 and RGB 82 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 199 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 199 239 shade: RGB 9 199 239, RGB 0 181 220, RGB 0 163 201, RGB 0 145 182 and RGB 0 127 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 199 239 shade: RGB 8 200 241, RGB 8 138 241, RGB 8 75 241, RGB 8 12 241 and RGB 67 8 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 199 239 shade: RGB 8 200 241, RGB 8 138 241, RGB 8 75 241, RGB 8 12 241 and RGB 8 8 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 199 239 shade matches the following richer shades: RGB 8 200 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 199 239 shade: RGB 8 200 241, RGB 28 187 220, RGB 49 174 200, RGB 69 161 180 and RGB 89 148 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 199 239 shade: RGB 8 241 155, RGB 8 241 217, RGB 8 202 241, RGB 8 140 241 and RGB 8 78 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 199 239 shade: RGB 5 134 161, RGB 7 167 201, RGB 8 200 241, RGB 43 211 247 and RGB 83 220 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 199 239 shade: RGB 9 199 239, RGB 93 8 241 and RGB 241 186 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 199 239 shade: RGB 9 199 239, RGB 241 8 202 and RGB 202 241 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 199 239 shade: RGB 9 199 239, RGB 93 8 241, RGB 241 47 8 and RGB 155 241 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 199 239 shade: RGB 9 199 239, RGB 163 8 241, RGB 241 47 8 and RGB 86 241 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 17 / 0 / 6

HEX #09C7EF

RGB 9 199 239

HSL 190.43, 0.93%, 0.49%

LAB 74.28, -26.97, -31.25

 

Complementary color

CMYK 0 / 77 / 93 / 4

HEX #F63810

RGB 246 56 16

HSL 10.43, 0.93%, 0.51%

LAB 54.51, 69.25, 62.94

 

CMYK 94 / 15 / 0 / 8

HEX #0EC7EA

RGB 14 199 234

HSL 189.55, 0.89%, 0.49%

LAB 74.11, -28.49, -28.8

 

CMYK 88 / 14 / 0 / 1

HEX #1FD9FD

RGB 31 217 253

HSL 189.73, 0.98%, 0.56%

LAB 80.18, -30.43, -29.64

 

CMYK 81 / 8 / 0 / 0

HEX #30EBFF

RGB 48 235 255

HSL 185.8, 1%, 0.59%

LAB 85.64, -37.24, -22.36

 

CMYK 75 / 1 / 0 / 0

HEX #41FDFF

RGB 65 253 255

HSL 180.63, 1%, 0.63%

LAB 91.05, -43.87, -14.18

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 17 / 0 / 6

HEX #09C7EF

RGB 9 199 239

HSL 190.43, 0.93%, 0.49%

LAB 74.28, -26.97, -31.25

 

CMYK 100 / 18 / 0 / 14

HEX #00B5DC

RGB 0 181 220

HSL 190.64, 1%, 0.43%

LAB 68.18, -24.53, -30.34

 

CMYK 100 / 19 / 0 / 21

HEX #00A3C9

RGB 0 163 201

HSL 191.34, 1%, 0.39%

LAB 62.01, -21.8, -29.37

 

CMYK 100 / 20 / 0 / 29

HEX #0091B6

RGB 0 145 182

HSL 192.2, 1%, 0.36%

LAB 55.71, -18.98, -28.4

 

CMYK 100 / 22 / 0 / 36

HEX #007FA3

RGB 0 127 163

HSL 193.25, 1%, 0.32%

LAB 49.28, -16.07, -27.44

RGB 0 127 163

CMYK 97 / 17 / 0 / 5

HEX #08C8F1

RGB 8 200 241

HSL 190.56, 0.94%, 0.49%

LAB 74.64, -26.83, -31.76

 

CMYK 97 / 43 / 0 / 5

HEX #088AF1

RGB 8 138 241

HSL 206.52, 0.94%, 0.49%

LAB 56.66, 7.44, -60.05

 

CMYK 97 / 69 / 0 / 5

HEX #084BF1

RGB 8 75 241

HSL 222.75, 0.94%, 0.49%

LAB 40.3, 47.05, -86.68

 

CMYK 97 / 95 / 0 / 5

HEX #080CF1

RGB 8 12 241

HSL 238.97, 0.94%, 0.49%

LAB 31.03, 73.97, -102.09

 

CMYK 72 / 97 / 0 / 5

HEX #4308F1

RGB 67 8 241

HSL 255.19, 0.94%, 0.49%

LAB 33.39, 75.73, -98.09

 

CMYK 97 / 17 / 0 / 5

HEX #08C8F1

RGB 8 200 241

HSL 190.56, 0.94%, 0.49%

LAB 74.64, -26.83, -31.76

 

CMYK 97 / 43 / 0 / 5

HEX #088AF1

RGB 8 138 241

HSL 206.52, 0.94%, 0.49%

LAB 56.66, 7.44, -60.05

 

CMYK 97 / 69 / 0 / 5

HEX #084BF1

RGB 8 75 241

HSL 222.75, 0.94%, 0.49%

LAB 40.3, 47.05, -86.68

 

CMYK 97 / 95 / 0 / 5

HEX #080CF1

RGB 8 12 241

HSL 238.97, 0.94%, 0.49%

LAB 31.03, 73.97, -102.09

 

CMYK 97 / 97 / 0 / 5

HEX #0808F1

RGB 8 8 241

HSL 240, 0.94%, 0.49%

LAB 30.82, 74.63, -102.44

 

CMYK 97 / 17 / 0 / 5

HEX #08C8F1

RGB 8 200 241

HSL 190.56, 0.94%, 0.49%

LAB 74.64, -26.83, -31.76

 

CMYK 97 / 17 / 0 / 5

HEX #08C8F1

RGB 8 200 241

HSL 190.56, 0.94%, 0.49%

LAB 74.64, -26.83, -31.76

 

CMYK 87 / 15 / 0 / 14

HEX #1CBBDC

RGB 28 187 220

HSL 190.31, 0.77%, 0.49%

LAB 70.14, -26.52, -27.29

 

CMYK 76 / 13 / 0 / 22

HEX #31AEC8

RGB 49 174 200

HSL 190.33, 0.61%, 0.49%

LAB 65.82, -24.7, -22.9

 

CMYK 62 / 11 / 0 / 29

HEX #45A1B4

RGB 69 161 180

HSL 190.27, 0.45%, 0.49%

LAB 61.7, -21.36, -17.98

 

CMYK 44 / 7 / 0 / 37

HEX #5994A0

RGB 89 148 160

HSL 190.14, 0.29%, 0.49%

LAB 57.89, -15.94, -12.35

 

CMYK 97 / 0 / 36 / 5

HEX #08F19B

RGB 8 241 155

HSL 157.85, 0.94%, 0.49%

LAB 84.65, -67.22, 28.36

 

CMYK 97 / 0 / 10 / 5

HEX #08F1D9

RGB 8 241 217

HSL 173.82, 0.94%, 0.49%

LAB 85.99, -52.6, -1.91

 

CMYK 97 / 16 / 0 / 5

HEX #08CAF1

RGB 8 202 241

HSL 190.04, 0.94%, 0.49%

LAB 75.23, -27.82, -30.86

 

CMYK 97 / 42 / 0 / 5

HEX #088CF1

RGB 8 140 241

HSL 206.01, 0.94%, 0.49%

LAB 57.23, 6.22, -59.14

 

CMYK 97 / 68 / 0 / 5

HEX #084EF1

RGB 8 78 241

HSL 221.97, 0.94%, 0.49%

LAB 40.98, 45.22, -85.57

 

CMYK 97 / 17 / 0 / 37

HEX #0586A1

RGB 5 134 161

HSL 190.38, 0.94%, 0.33%

LAB 51.45, -20.39, -22.93

 

CMYK 97 / 17 / 0 / 21

HEX #07A7C9

RGB 7 167 201

HSL 190.52, 0.93%, 0.41%

LAB 63.26, -23.65, -27.43

 

CMYK 97 / 17 / 0 / 5

HEX #08C8F1

RGB 8 200 241

HSL 190.56, 0.94%, 0.49%

LAB 74.64, -26.83, -31.76

 

CMYK 83 / 15 / 0 / 3

HEX #2BD3F7

RGB 43 211 247

HSL 190.59, 0.93%, 0.57%

LAB 78.36, -28.67, -29.24

 

CMYK 67 / 11 / 0 / 3

HEX #53DCF8

RGB 83 220 248

HSL 190.18, 0.92%, 0.65%

LAB 81.73, -28.4, -24.55

 

CMYK 96 / 17 / 0 / 6

HEX #09C7EF

RGB 9 199 239

HSL 190.43, 0.93%, 0.49%

LAB 74.28, -26.97, -31.25

 

CMYK 61 / 97 / 0 / 5

HEX #5D08F1

RGB 93 8 241

HSL 261.89, 0.94%, 0.49%

LAB 35.7, 76.91, -94.19

 

CMYK 0 / 23 / 97 / 5

HEX #F1BA08

RGB 241 186 8

HSL 45.84, 0.94%, 0.49%

LAB 78.37, 7.05, 79.7

 

CMYK 96 / 17 / 0 / 6

HEX #09C7EF

RGB 9 199 239

HSL 190.43, 0.93%, 0.49%

LAB 74.28, -26.97, -31.25

 

CMYK 0 / 97 / 16 / 5

HEX #F108CA

RGB 241 8 202

HSL 310.04, 0.94%, 0.49%

LAB 55.21, 88.49, -39.22

 

CMYK 16 / 0 / 97 / 5

HEX #CAF108

RGB 202 241 8

HSL 70.04, 0.94%, 0.49%

LAB 89.62, -36.45, 86.6

 

CMYK 96 / 17 / 0 / 6

HEX #09C7EF

RGB 9 199 239

HSL 190.43, 0.93%, 0.49%

LAB 74.28, -26.97, -31.25

 

CMYK 61 / 97 / 0 / 5

HEX #5D08F1

RGB 93 8 241

HSL 261.89, 0.94%, 0.49%

LAB 35.7, 76.91, -94.19

 

CMYK 0 / 80 / 97 / 5

HEX #F12F08

RGB 241 47 8

HSL 10.04, 0.94%, 0.49%

LAB 52.68, 70.17, 63.38

 

CMYK 36 / 0 / 97 / 5

HEX #9BF108

RGB 155 241 8

HSL 82.15, 0.94%, 0.49%

LAB 86.95, -53.99, 83.37

 

CMYK 96 / 17 / 0 / 6

HEX #09C7EF

RGB 9 199 239

HSL 190.43, 0.93%, 0.49%

LAB 74.28, -26.97, -31.25

 

CMYK 32 / 97 / 0 / 5

HEX #A308F1

RGB 163 8 241

HSL 279.91, 0.94%, 0.49%

LAB 44.68, 82.89, -79.07

 

CMYK 0 / 80 / 97 / 5

HEX #F12F08

RGB 241 47 8

HSL 10.04, 0.94%, 0.49%

LAB 52.68, 70.17, 63.38

 

CMYK 64 / 0 / 97 / 5

HEX #56F108

RGB 86 241 8

HSL 99.91, 0.94%, 0.49%

LAB 84.44, -73.38, 80.31

 

Description

Color code: RGB 9 199 239 | qconv.com Color code: RGB 9 199 239 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 199 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 199 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 17 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 17% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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