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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 186 162 it is the complementary color RGB 246 69 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 186 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 186 162 shade: RGB 14 186 157, RGB 31 204 176, RGB 48 222 195, RGB 65 240 214 and RGB 82 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 186 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 186 162 shade: RGB 9 186 162, RGB 0 168 143, RGB 0 150 124, RGB 0 132 105 and RGB 0 114 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 186 162 shade: RGB 9 185 161, RGB 9 185 114, RGB 9 185 66, RGB 9 185 18 and RGB 47 185 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 186 162 shade: RGB 9 185 161, RGB 9 161 185, RGB 9 114 185, RGB 9 66 185 and RGB 9 19 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 186 162 shade matches the following richer shades: RGB 9 185 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 186 162 shade: RGB 9 185 161, RGB 24 169 150, RGB 40 154 138, RGB 56 138 127 and RGB 71 122 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 186 162 shade: RGB 9 185 65, RGB 9 185 112, RGB 9 185 159, RGB 9 165 185 and RGB 9 117 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 186 162 shade: RGB 5 106 93, RGB 7 146 127, RGB 9 185 161, RGB 11 224 195 and RGB 32 244 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 186 162 shade: RGB 9 186 162, RGB 18 9 185 and RGB 185 88 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 186 162 shade: RGB 9 186 162, RGB 159 9 185 and RGB 185 159 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 186 162 shade: RGB 9 186 162, RGB 18 9 185, RGB 185 9 35 and RGB 176 185 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 186 162 shade: RGB 9 186 162, RGB 70 9 185, RGB 185 9 35 and RGB 123 185 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 13 / 27

HEX #09BAA2

RGB 9 186 162

HSL 171.86, 0.91%, 0.38%

LAB 67.86, -44.6, 1.11

 

Complementary color

CMYK 0 / 72 / 62 / 4

HEX #F6455D

RGB 246 69 93

HSL 351.86, 0.91%, 0.62%

LAB 56.72, 67.71, 27.17

 

CMYK 92 / 0 / 16 / 27

HEX #0EBA9D

RGB 14 186 157

HSL 169.88, 0.86%, 0.39%

LAB 67.76, -45.77, 3.71

 

CMYK 85 / 0 / 14 / 20

HEX #1FCCB0

RGB 31 204 176

HSL 170.29, 0.74%, 0.46%

LAB 73.94, -47.26, 2.34

 

CMYK 78 / 0 / 12 / 13

HEX #30DEC3

RGB 48 222 195

HSL 170.69, 0.73%, 0.53%

LAB 80.07, -48.4, 1.1

 

CMYK 73 / 0 / 11 / 6

HEX #41F0D6

RGB 65 240 214

HSL 171.09, 0.85%, 0.6%

LAB 86.16, -49.25, -0.03

 

CMYK 68 / 0 / 9 / 0

HEX #52FFE9

RGB 82 255 233

HSL 172.37, 1%, 0.66%

LAB 91.32, -48.62, -2.33

 

CMYK 95 / 0 / 13 / 27

HEX #09BAA2

RGB 9 186 162

HSL 171.86, 0.91%, 0.38%

LAB 67.86, -44.6, 1.11

 

CMYK 100 / 0 / 15 / 34

HEX #00A88F

RGB 0 168 143

HSL 171.07, 1%, 0.33%

LAB 61.64, -42.52, 2.62

 

CMYK 100 / 0 / 17 / 41

HEX #00967C

RGB 0 150 124

HSL 169.6, 1%, 0.29%

LAB 55.35, -40.09, 4.26

 

CMYK 100 / 0 / 20 / 48

HEX #008469

RGB 0 132 105

HSL 167.73, 1%, 0.26%

LAB 48.91, -37.61, 5.99

 

CMYK 100 / 0 / 25 / 55

HEX #007256

RGB 0 114 86

HSL 165.26, 1%, 0.22%

LAB 42.32, -35.05, 7.82

 

CMYK 95 / 0 / 13 / 27

HEX #09B9A1

RGB 9 185 161

HSL 171.82, 0.91%, 0.38%

LAB 67.52, -44.45, 1.17

 

CMYK 95 / 0 / 38 / 27

HEX #09B972

RGB 9 185 114

HSL 155.8, 0.91%, 0.38%

LAB 66.5, -55.75, 25.27

 

CMYK 95 / 0 / 64 / 27

HEX #09B942

RGB 9 185 66

HSL 139.43, 0.91%, 0.38%

LAB 65.86, -63.39, 48.09

 

CMYK 95 / 0 / 90 / 27

HEX #09B912

RGB 9 185 18

HSL 123.07, 0.91%, 0.38%

LAB 65.59, -66.86, 63.06

 

CMYK 75 / 0 / 95 / 27

HEX #2FB909

RGB 47 185 9

HSL 107.05, 0.91%, 0.38%

LAB 66, -63.31, 64.86

 

CMYK 95 / 0 / 13 / 27

HEX #09B9A1

RGB 9 185 161

HSL 171.82, 0.91%, 0.38%

LAB 67.52, -44.45, 1.17

 

CMYK 95 / 13 / 0 / 27

HEX #09A1B9

RGB 9 161 185

HSL 188.18, 0.91%, 0.38%

LAB 60.83, -25.96, -22.22

 

CMYK 95 / 38 / 0 / 27

HEX #0972B9

RGB 9 114 185

HSL 204.2, 0.91%, 0.38%

LAB 46.44, 0.39, -44.69

 

CMYK 95 / 64 / 0 / 27

HEX #0942B9

RGB 9 66 185

HSL 220.57, 0.91%, 0.38%

LAB 32.83, 31.85, -66.72

 

CMYK 95 / 90 / 0 / 27

HEX #0913B9

RGB 9 19 185

HSL 236.59, 0.91%, 0.38%

LAB 23.76, 57.38, -81.73

 

CMYK 95 / 0 / 13 / 27

HEX #09B9A1

RGB 9 185 161

HSL 171.82, 0.91%, 0.38%

LAB 67.52, -44.45, 1.17

 

CMYK 95 / 0 / 13 / 27

HEX #09B9A1

RGB 9 185 161

HSL 171.82, 0.91%, 0.38%

LAB 67.52, -44.45, 1.17

 

CMYK 86 / 0 / 11 / 34

HEX #18A996

RGB 24 169 150

HSL 172.14, 0.75%, 0.38%

LAB 62.31, -39.82, -0.31

 

CMYK 74 / 0 / 10 / 40

HEX #289A8A

RGB 40 154 138

HSL 171.58, 0.59%, 0.38%

LAB 57.46, -34.83, -0.6

 

CMYK 59 / 0 / 8 / 46

HEX #388A7F

RGB 56 138 127

HSL 171.95, 0.42%, 0.38%

LAB 52.45, -27.59, -1.57

 

CMYK 42 / 0 / 6 / 52

HEX #477A73

RGB 71 122 115

HSL 171.76, 0.26%, 0.38%

LAB 47.62, -18.92, -1.56

 

CMYK 95 / 0 / 65 / 27

HEX #09B941

RGB 9 185 65

HSL 139.09, 0.91%, 0.38%

LAB 65.86, -63.5, 48.51

 

CMYK 95 / 0 / 39 / 27

HEX #09B970

RGB 9 185 112

HSL 155.11, 0.91%, 0.38%

LAB 66.46, -56.15, 26.28

 

CMYK 95 / 0 / 14 / 27

HEX #09B99F

RGB 9 185 159

HSL 171.14, 0.91%, 0.38%

LAB 67.47, -44.99, 2.19

 

CMYK 95 / 11 / 0 / 27

HEX #09A5B9

RGB 9 165 185

HSL 186.82, 0.91%, 0.38%

LAB 62.06, -27.96, -20.34

 

CMYK 95 / 37 / 0 / 27

HEX #0975B9

RGB 9 117 185

HSL 203.18, 0.91%, 0.38%

LAB 47.34, -1.45, -43.25

 

CMYK 95 / 0 / 12 / 58

HEX #056A5D

RGB 5 106 93

HSL 172.28, 0.91%, 0.22%

LAB 39.8, -29.03, -0.02

 

CMYK 95 / 0 / 13 / 43

HEX #07927F

RGB 7 146 127

HSL 171.8, 0.91%, 0.3%

LAB 54.17, -37.16, 0.84

 

CMYK 95 / 0 / 13 / 27

HEX #09B9A1

RGB 9 185 161

HSL 171.82, 0.91%, 0.38%

LAB 67.52, -44.45, 1.17

 

CMYK 95 / 0 / 13 / 12

HEX #0BE0C3

RGB 11 224 195

HSL 171.83, 0.91%, 0.46%

LAB 80.36, -51.44, 1.48

 

CMYK 87 / 0 / 11 / 4

HEX #20F4D8

RGB 32 244 216

HSL 172.08, 0.91%, 0.54%

LAB 86.98, -53.2, 0.08

 

CMYK 95 / 0 / 13 / 27

HEX #09BAA2

RGB 9 186 162

HSL 171.86, 0.91%, 0.38%

LAB 67.86, -44.6, 1.11

 

CMYK 90 / 95 / 0 / 27

HEX #1209B9

RGB 18 9 185

HSL 243.07, 0.91%, 0.38%

LAB 23.09, 60.28, -82.85

 

CMYK 0 / 52 / 95 / 27

HEX #B95809

RGB 185 88 9

HSL 26.93, 0.91%, 0.38%

LAB 48.65, 35.35, 55.71

 

CMYK 95 / 0 / 13 / 27

HEX #09BAA2

RGB 9 186 162

HSL 171.86, 0.91%, 0.38%

LAB 67.86, -44.6, 1.11

 

CMYK 14 / 95 / 0 / 27

HEX #9F09B9

RGB 159 9 185

HSL 291.14, 0.91%, 0.38%

LAB 39.7, 72.19, -54.92

 

CMYK 0 / 14 / 95 / 27

HEX #B99F09

RGB 185 159 9

HSL 51.14, 0.91%, 0.38%

LAB 65.85, -3.33, 67.96

 

CMYK 95 / 0 / 13 / 27

HEX #09BAA2

RGB 9 186 162

HSL 171.86, 0.91%, 0.38%

LAB 67.86, -44.6, 1.11

 

CMYK 90 / 95 / 0 / 27

HEX #1209B9

RGB 18 9 185

HSL 243.07, 0.91%, 0.38%

LAB 23.09, 60.28, -82.85

 

CMYK 0 / 95 / 81 / 27

HEX #B90923

RGB 185 9 35

HSL 351.14, 0.91%, 0.38%

LAB 38.95, 62.55, 37.4

 

CMYK 5 / 0 / 95 / 27

HEX #B0B909

RGB 176 185 9

HSL 63.07, 0.91%, 0.38%

LAB 72.19, -20.73, 72.4

 

CMYK 95 / 0 / 13 / 27

HEX #09BAA2

RGB 9 186 162

HSL 171.86, 0.91%, 0.38%

LAB 67.86, -44.6, 1.11

 

CMYK 62 / 95 / 0 / 27

HEX #4609B9

RGB 70 9 185

HSL 260.8, 0.91%, 0.38%

LAB 26.74, 62.23, -76.68

 

CMYK 0 / 95 / 81 / 27

HEX #B90923

RGB 185 9 35

HSL 351.14, 0.91%, 0.38%

LAB 38.95, 62.55, 37.4

 

CMYK 34 / 0 / 95 / 27

HEX #7BB909

RGB 123 185 9

HSL 81.14, 0.91%, 0.38%

LAB 68.7, -42.32, 68.17

 

Description

Color code: RGB 9 186 162 | qconv.com Color code: RGB 9 186 162 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 186 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 186 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 13 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 13% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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