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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 176 188 it is the complementary color RGB 246 79 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 176 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 176 188 shade: RGB 14 176 183, RGB 31 194 202, RGB 48 212 221, RGB 65 230 240 and RGB 82 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 176 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 176 188 shade: RGB 9 176 188, RGB 0 158 169, RGB 0 140 150, RGB 0 122 131 and RGB 0 104 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 176 188 shade: RGB 8 177 189, RGB 8 129 189, RGB 8 80 189, RGB 8 31 189 and RGB 35 8 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 176 188 shade: RGB 8 177 189, RGB 8 129 189, RGB 8 80 189, RGB 8 31 189 and RGB 8 8 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 176 188 shade matches the following richer shades: RGB 8 177 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 176 188 shade: RGB 8 177 189, RGB 25 163 173, RGB 41 149 157, RGB 57 136 141 and RGB 73 122 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 176 188 shade: RGB 8 189 105, RGB 8 189 153, RGB 8 177 189, RGB 8 129 189 and RGB 8 81 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 176 188 shade: RGB 5 104 111, RGB 7 140 150, RGB 8 177 189, RGB 10 214 229 and RGB 36 230 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 176 188 shade: RGB 9 176 188, RGB 57 8 189 and RGB 189 129 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 176 188 shade: RGB 9 176 188, RGB 189 8 177 and RGB 177 189 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 176 188 shade: RGB 9 176 188, RGB 57 8 189, RGB 189 21 8 and RGB 141 189 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 176 188 shade: RGB 9 176 188, RGB 111 8 189, RGB 189 21 8 and RGB 87 189 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 6 / 0 / 26

HEX #09B0BC

RGB 9 176 188

HSL 184.02, 0.91%, 0.39%

LAB 65.55, -32.35, -16.71

 

Complementary color

CMYK 0 / 68 / 73 / 4

HEX #F64F43

RGB 246 79 67

HSL 4.02, 0.91%, 0.61%

LAB 57.65, 62.84, 43.05

 

CMYK 92 / 4 / 0 / 28

HEX #0EB0B7

RGB 14 176 183

HSL 182.49, 0.86%, 0.39%

LAB 65.41, -33.75, -14.14

 

CMYK 85 / 4 / 0 / 21

HEX #1FC2CA

RGB 31 194 202

HSL 182.81, 0.73%, 0.46%

LAB 71.65, -35.42, -15.18

 

CMYK 78 / 4 / 0 / 13

HEX #30D4DD

RGB 48 212 221

HSL 183.12, 0.72%, 0.53%

LAB 77.84, -36.73, -16.11

 

CMYK 73 / 4 / 0 / 6

HEX #41E6F0

RGB 65 230 240

HSL 183.43, 0.85%, 0.6%

LAB 83.97, -37.76, -16.96

 

CMYK 68 / 3 / 0 / 0

HEX #52F8FF

RGB 82 248 255

HSL 182.43, 1%, 0.66%

LAB 89.93, -39.69, -15.83

 

CMYK 95 / 6 / 0 / 26

HEX #09B0BC

RGB 9 176 188

HSL 184.02, 0.91%, 0.39%

LAB 65.55, -32.35, -16.71

 

CMYK 100 / 7 / 0 / 34

HEX #009EA9

RGB 0 158 169

HSL 183.91, 1%, 0.33%

LAB 59.27, -30.1, -15.57

 

CMYK 100 / 7 / 0 / 41

HEX #008C96

RGB 0 140 150

HSL 184, 1%, 0.29%

LAB 52.9, -27.5, -14.33

 

CMYK 100 / 7 / 0 / 49

HEX #007A83

RGB 0 122 131

HSL 184.12, 1%, 0.26%

LAB 46.39, -24.84, -13.07

 

CMYK 100 / 7 / 0 / 56

HEX #006870

RGB 0 104 112

HSL 184.29, 1%, 0.22%

LAB 39.7, -22.11, -11.77

 

CMYK 96 / 6 / 0 / 26

HEX #08B1BD

RGB 8 177 189

HSL 183.98, 0.92%, 0.39%

LAB 65.88, -32.54, -16.76

 

CMYK 96 / 32 / 0 / 26

HEX #0881BD

RGB 8 129 189

HSL 199.89, 0.92%, 0.39%

LAB 51.18, -7.12, -39.48

 

CMYK 96 / 58 / 0 / 26

HEX #0850BD

RGB 8 80 189

HSL 216.13, 0.92%, 0.39%

LAB 36.86, 24.05, -62.47

 

CMYK 96 / 84 / 0 / 26

HEX #081FBD

RGB 8 31 189

HSL 232.38, 0.92%, 0.39%

LAB 25.88, 53.75, -80.57

 

CMYK 81 / 96 / 0 / 26

HEX #2308BD

RGB 35 8 189

HSL 248.95, 0.92%, 0.39%

LAB 24.34, 61.9, -83.12

 

CMYK 96 / 6 / 0 / 26

HEX #08B1BD

RGB 8 177 189

HSL 183.98, 0.92%, 0.39%

LAB 65.88, -32.54, -16.76

 

CMYK 96 / 32 / 0 / 26

HEX #0881BD

RGB 8 129 189

HSL 199.89, 0.92%, 0.39%

LAB 51.18, -7.12, -39.48

 

CMYK 96 / 58 / 0 / 26

HEX #0850BD

RGB 8 80 189

HSL 216.13, 0.92%, 0.39%

LAB 36.86, 24.05, -62.47

 

CMYK 96 / 84 / 0 / 26

HEX #081FBD

RGB 8 31 189

HSL 232.38, 0.92%, 0.39%

LAB 25.88, 53.75, -80.57

 

CMYK 96 / 96 / 0 / 26

HEX #0808BD

RGB 8 8 189

HSL 240, 0.92%, 0.39%

LAB 23.34, 61.44, -84.82

 

CMYK 96 / 6 / 0 / 26

HEX #08B1BD

RGB 8 177 189

HSL 183.98, 0.92%, 0.39%

LAB 65.88, -32.54, -16.76

 

CMYK 96 / 6 / 0 / 26

HEX #08B1BD

RGB 8 177 189

HSL 183.98, 0.92%, 0.39%

LAB 65.88, -32.54, -16.76

 

CMYK 86 / 6 / 0 / 32

HEX #19A3AD

RGB 25 163 173

HSL 184.05, 0.75%, 0.39%

LAB 61.15, -30.07, -14.96

 

CMYK 74 / 5 / 0 / 38

HEX #29959D

RGB 41 149 157

HSL 184.14, 0.59%, 0.39%

LAB 56.49, -26.66, -12.9

 

CMYK 60 / 4 / 0 / 45

HEX #39888D

RGB 57 136 141

HSL 183.57, 0.42%, 0.39%

LAB 52.29, -22.36, -9.94

 

CMYK 42 / 2 / 0 / 51

HEX #497A7D

RGB 73 122 125

HSL 183.46, 0.26%, 0.39%

LAB 48.03, -15.69, -6.86

 

CMYK 96 / 0 / 44 / 26

HEX #08BD69

RGB 8 189 105

HSL 152.15, 0.92%, 0.39%

LAB 67.63, -58.92, 31.45

 

CMYK 96 / 0 / 19 / 26

HEX #08BD99

RGB 8 189 153

HSL 168.07, 0.92%, 0.39%

LAB 68.57, -48.28, 7.06

 

CMYK 96 / 6 / 0 / 26

HEX #08B1BD

RGB 8 177 189

HSL 183.98, 0.92%, 0.39%

LAB 65.88, -32.54, -16.76

 

CMYK 96 / 32 / 0 / 26

HEX #0881BD

RGB 8 129 189

HSL 199.89, 0.92%, 0.39%

LAB 51.18, -7.12, -39.48

 

CMYK 96 / 57 / 0 / 26

HEX #0851BD

RGB 8 81 189

HSL 215.8, 0.92%, 0.39%

LAB 37.13, 23.38, -62.02

 

CMYK 95 / 6 / 0 / 56

HEX #05686F

RGB 5 104 111

HSL 183.96, 0.91%, 0.23%

LAB 39.72, -22.11, -11.13

 

CMYK 95 / 7 / 0 / 41

HEX #078C96

RGB 7 140 150

HSL 184.2, 0.91%, 0.31%

LAB 52.95, -27.19, -14.25

 

CMYK 96 / 6 / 0 / 26

HEX #08B1BD

RGB 8 177 189

HSL 183.98, 0.92%, 0.39%

LAB 65.88, -32.54, -16.76

 

CMYK 96 / 7 / 0 / 10

HEX #0AD6E5

RGB 10 214 229

HSL 184.11, 0.92%, 0.47%

LAB 78.35, -37.34, -19.65

 

CMYK 85 / 6 / 0 / 4

HEX #24E6F4

RGB 36 230 244

HSL 184.04, 0.9%, 0.55%

LAB 83.7, -39.05, -19.51

 

CMYK 95 / 6 / 0 / 26

HEX #09B0BC

RGB 9 176 188

HSL 184.02, 0.91%, 0.39%

LAB 65.55, -32.35, -16.71

 

CMYK 70 / 96 / 0 / 26

HEX #3908BD

RGB 57 8 189

HSL 256.24, 0.92%, 0.39%

LAB 25.91, 62.7, -80.45

 

CMYK 0 / 32 / 96 / 26

HEX #BD8108

RGB 189 129 8

HSL 40.11, 0.92%, 0.39%

LAB 58.54, 14.84, 62.99

 

CMYK 95 / 6 / 0 / 26

HEX #09B0BC

RGB 9 176 188

HSL 184.02, 0.91%, 0.39%

LAB 65.55, -32.35, -16.71

 

CMYK 0 / 96 / 6 / 26

HEX #BD08B1

RGB 189 8 177

HSL 303.98, 0.92%, 0.39%

LAB 44.47, 75.99, -42.25

 

CMYK 6 / 0 / 96 / 26

HEX #B1BD08

RGB 177 189 8

HSL 63.98, 0.92%, 0.39%

LAB 73.39, -22.29, 73.45

 

CMYK 95 / 6 / 0 / 26

HEX #09B0BC

RGB 9 176 188

HSL 184.02, 0.91%, 0.39%

LAB 65.55, -32.35, -16.71

 

CMYK 70 / 96 / 0 / 26

HEX #3908BD

RGB 57 8 189

HSL 256.24, 0.92%, 0.39%

LAB 25.91, 62.7, -80.45

 

CMYK 0 / 89 / 96 / 26

HEX #BD1508

RGB 189 21 8

HSL 4.31, 0.92%, 0.39%

LAB 40.2, 61.45, 51.16

 

CMYK 25 / 0 / 96 / 26

HEX #8DBD08

RGB 141 189 8

HSL 75.91, 0.92%, 0.39%

LAB 70.92, -37.19, 70.48

 

CMYK 95 / 6 / 0 / 26

HEX #09B0BC

RGB 9 176 188

HSL 184.02, 0.91%, 0.39%

LAB 65.55, -32.35, -16.71

 

CMYK 41 / 96 / 0 / 26

HEX #6F08BD

RGB 111 8 189

HSL 274.14, 0.92%, 0.39%

LAB 32.32, 66.81, -69.65

 

CMYK 0 / 89 / 96 / 26

HEX #BD1508

RGB 189 21 8

HSL 4.31, 0.92%, 0.39%

LAB 40.2, 61.45, 51.16

 

CMYK 54 / 0 / 96 / 26

HEX #57BD08

RGB 87 189 8

HSL 93.81, 0.92%, 0.39%

LAB 68.34, -55.75, 67.33

 

Description

Color code: RGB 9 176 188 | qconv.com Color code: RGB 9 176 188 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 176 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 176 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 6 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 6% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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