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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 158 146 it is the complementary color RGB 246 97 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 158 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 158 146 shade: RGB 14 158 141, RGB 31 176 160, RGB 48 194 179, RGB 65 212 198 and RGB 82 230 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 158 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 158 146 shade: RGB 9 158 146, RGB 0 140 127, RGB 0 122 108, RGB 0 104 89 and RGB 0 86 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 158 146 shade: RGB 9 159 147, RGB 9 159 107, RGB 9 159 66, RGB 9 159 26 and RGB 33 159 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 158 146 shade: RGB 9 159 147, RGB 9 131 159, RGB 9 90 159, RGB 9 50 159 and RGB 9 10 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 158 146 shade matches the following richer shades: RGB 9 159 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 158 146 shade: RGB 9 159 147, RGB 23 145 136, RGB 36 132 124, RGB 50 118 113 and RGB 64 105 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 158 146 shade: RGB 9 159 67, RGB 9 159 107, RGB 9 159 147, RGB 9 132 159 and RGB 9 92 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 158 146 shade: RGB 5 81 75, RGB 7 120 111, RGB 9 159 147, RGB 12 198 183 and RGB 14 237 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 158 146 shade: RGB 9 158 146, RGB 27 9 159 and RGB 159 87 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 158 146 shade: RGB 9 158 146, RGB 147 9 159 and RGB 159 147 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 158 146 shade: RGB 9 158 146, RGB 27 9 159, RGB 159 9 22 and RGB 142 159 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 158 146 shade: RGB 9 158 146, RGB 72 9 159, RGB 159 9 22 and RGB 97 159 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 8 / 38

HEX #099E92

RGB 9 158 146

HSL 175.17, 0.89%, 0.33%

LAB 58.59, -36.91, -3.53

 

Complementary color

CMYK 0 / 61 / 56 / 4

HEX #F6616D

RGB 246 97 109

HSL 355.17, 0.89%, 0.67%

LAB 61, 57.93, 23.52

 

CMYK 91 / 0 / 11 / 38

HEX #0E9E8D

RGB 14 158 141

HSL 172.92, 0.84%, 0.34%

LAB 58.48, -38.14, -0.86

 

CMYK 82 / 0 / 9 / 31

HEX #1FB0A0

RGB 31 176 160

HSL 173.38, 0.7%, 0.41%

LAB 64.87, -39.56, -2.14

 

CMYK 75 / 0 / 8 / 24

HEX #30C2B3

RGB 48 194 179

HSL 173.84, 0.6%, 0.47%

LAB 71.19, -40.59, -3.28

 

CMYK 69 / 0 / 7 / 17

HEX #41D4C6

RGB 65 212 198

HSL 174.29, 0.63%, 0.54%

LAB 77.45, -41.33, -4.31

 

CMYK 64 / 0 / 6 / 10

HEX #52E6D9

RGB 82 230 217

HSL 174.73, 0.75%, 0.61%

LAB 83.65, -41.86, -5.25

 

CMYK 94 / 0 / 8 / 38

HEX #099E92

RGB 9 158 146

HSL 175.17, 0.89%, 0.33%

LAB 58.59, -36.91, -3.53

 

CMYK 100 / 0 / 9 / 45

HEX #008C7F

RGB 0 140 127

HSL 174.43, 1%, 0.27%

LAB 52.16, -34.81, -2.1

 

CMYK 100 / 0 / 11 / 52

HEX #007A6C

RGB 0 122 108

HSL 173.11, 1%, 0.24%

LAB 45.64, -32.29, -0.52

 

CMYK 100 / 0 / 14 / 59

HEX #006859

RGB 0 104 89

HSL 171.35, 1%, 0.2%

LAB 38.94, -29.7, 1.16

 

CMYK 100 / 0 / 19 / 66

HEX #005646

RGB 0 86 70

HSL 168.84, 1%, 0.17%

LAB 32.03, -27.04, 2.95

 

CMYK 94 / 0 / 8 / 38

HEX #099F93

RGB 9 159 147

HSL 175.2, 0.89%, 0.33%

LAB 58.94, -37.07, -3.59

 

CMYK 94 / 0 / 33 / 38

HEX #099F6B

RGB 9 159 107

HSL 159.2, 0.89%, 0.33%

LAB 57.96, -47.59, 17.52

 

CMYK 94 / 0 / 58 / 38

HEX #099F42

RGB 9 159 66

HSL 142.8, 0.89%, 0.33%

LAB 57.32, -55.18, 38.28

 

CMYK 94 / 0 / 84 / 38

HEX #099F1A

RGB 9 159 26

HSL 126.8, 0.89%, 0.33%

LAB 57.01, -59.08, 53.69

 

CMYK 79 / 0 / 94 / 38

HEX #219F09

RGB 33 159 9

HSL 110.4, 0.89%, 0.33%

LAB 57.21, -57.46, 57.48

 

CMYK 94 / 0 / 8 / 38

HEX #099F93

RGB 9 159 147

HSL 175.2, 0.89%, 0.33%

LAB 58.94, -37.07, -3.59

 

CMYK 94 / 18 / 0 / 38

HEX #09839F

RGB 9 131 159

HSL 191.2, 0.89%, 0.33%

LAB 50.45, -19.32, -23.31

 

CMYK 94 / 43 / 0 / 38

HEX #095A9F

RGB 9 90 159

HSL 207.6, 0.89%, 0.33%

LAB 37.61, 5.16, -43.48

 

CMYK 94 / 69 / 0 / 38

HEX #09329F

RGB 9 50 159

HSL 223.6, 0.89%, 0.33%

LAB 26.28, 32.32, -61.9

 

CMYK 94 / 94 / 0 / 38

HEX #090A9F

RGB 9 10 159

HSL 239.6, 0.89%, 0.33%

LAB 19.13, 52.81, -73.76

 

CMYK 94 / 0 / 8 / 38

HEX #099F93

RGB 9 159 147

HSL 175.2, 0.89%, 0.33%

LAB 58.94, -37.07, -3.59

 

CMYK 94 / 0 / 8 / 38

HEX #099F93

RGB 9 159 147

HSL 175.2, 0.89%, 0.33%

LAB 58.94, -37.07, -3.59

 

CMYK 84 / 0 / 6 / 43

HEX #179188

RGB 23 145 136

HSL 175.57, 0.73%, 0.33%

LAB 54.25, -33.06, -4.21

 

CMYK 73 / 0 / 6 / 48

HEX #24847C

RGB 36 132 124

HSL 175, 0.57%, 0.33%

LAB 49.9, -28.98, -3.64

 

CMYK 58 / 0 / 4 / 54

HEX #327671

RGB 50 118 113

HSL 175.59, 0.4%, 0.33%

LAB 45.4, -22.66, -3.74

 

CMYK 39 / 0 / 4 / 59

HEX #406965

RGB 64 105 101

HSL 174.15, 0.24%, 0.33%

LAB 41.43, -15.36, -2.3

 

CMYK 94 / 0 / 58 / 38

HEX #099F43

RGB 9 159 67

HSL 143.2, 0.89%, 0.33%

LAB 57.33, -55.04, 37.81

 

CMYK 94 / 0 / 33 / 38

HEX #099F6B

RGB 9 159 107

HSL 159.2, 0.89%, 0.33%

LAB 57.96, -47.59, 17.52

 

CMYK 94 / 0 / 8 / 38

HEX #099F93

RGB 9 159 147

HSL 175.2, 0.89%, 0.33%

LAB 58.94, -37.07, -3.59

 

CMYK 94 / 17 / 0 / 38

HEX #09849F

RGB 9 132 159

HSL 190.8, 0.89%, 0.33%

LAB 50.76, -19.85, -22.82

 

CMYK 94 / 42 / 0 / 38

HEX #095C9F

RGB 9 92 159

HSL 206.8, 0.89%, 0.33%

LAB 38.23, 3.85, -42.5

 

CMYK 94 / 0 / 7 / 68

HEX #05514B

RGB 5 81 75

HSL 175.26, 0.88%, 0.17%

LAB 30.46, -22.45, -2.5

 

CMYK 94 / 0 / 8 / 53

HEX #07786F

RGB 7 120 111

HSL 175.22, 0.89%, 0.25%

LAB 45.12, -29.99, -3.06

 

CMYK 94 / 0 / 8 / 38

HEX #099F93

RGB 9 159 147

HSL 175.2, 0.89%, 0.33%

LAB 58.94, -37.07, -3.59

 

CMYK 94 / 0 / 8 / 22

HEX #0CC6B7

RGB 12 198 183

HSL 175.16, 0.89%, 0.41%

LAB 72.15, -43.77, -4.09

 

CMYK 94 / 0 / 8 / 7

HEX #0EEDDB

RGB 14 237 219

HSL 175.16, 0.89%, 0.49%

LAB 84.88, -50.25, -4.59

 

CMYK 94 / 0 / 8 / 38

HEX #099E92

RGB 9 158 146

HSL 175.17, 0.89%, 0.33%

LAB 58.59, -36.91, -3.53

 

CMYK 83 / 94 / 0 / 38

HEX #1B099F

RGB 27 9 159

HSL 247.2, 0.89%, 0.33%

LAB 19.77, 53.47, -72.68

 

CMYK 0 / 45 / 94 / 38

HEX #9F5709

RGB 159 87 9

HSL 31.2, 0.89%, 0.33%

LAB 44.53, 24.93, 51.03

 

CMYK 94 / 0 / 8 / 38

HEX #099E92

RGB 9 158 146

HSL 175.17, 0.89%, 0.33%

LAB 58.59, -36.91, -3.53

 

CMYK 8 / 94 / 0 / 38

HEX #93099F

RGB 147 9 159

HSL 295.2, 0.89%, 0.33%

LAB 35.79, 65.93, -45.78

 

CMYK 0 / 8 / 94 / 38

HEX #9F9309

RGB 159 147 9

HSL 55.2, 0.89%, 0.33%

LAB 60.12, -8.69, 62.58

 

CMYK 94 / 0 / 8 / 38

HEX #099E92

RGB 9 158 146

HSL 175.17, 0.89%, 0.33%

LAB 58.59, -36.91, -3.53

 

CMYK 83 / 94 / 0 / 38

HEX #1B099F

RGB 27 9 159

HSL 247.2, 0.89%, 0.33%

LAB 19.77, 53.47, -72.68

 

CMYK 0 / 94 / 86 / 38

HEX #9F0916

RGB 159 9 22

HSL 354.8, 0.89%, 0.33%

LAB 33.19, 55.4, 37.25

 

CMYK 11 / 0 / 94 / 38

HEX #8E9F09

RGB 142 159 9

HSL 66.8, 0.89%, 0.33%

LAB 62.14, -22.53, 63.52

 

CMYK 94 / 0 / 8 / 38

HEX #099E92

RGB 9 158 146

HSL 175.17, 0.89%, 0.33%

LAB 58.59, -36.91, -3.53

 

CMYK 55 / 94 / 0 / 38

HEX #48099F

RGB 72 9 159

HSL 265.2, 0.89%, 0.33%

LAB 23.92, 56.06, -65.66

 

CMYK 0 / 94 / 86 / 38

HEX #9F0916

RGB 159 9 22

HSL 354.8, 0.89%, 0.33%

LAB 33.19, 55.4, 37.25

 

CMYK 39 / 0 / 94 / 38

HEX #619F09

RGB 97 159 9

HSL 84.8, 0.89%, 0.33%

LAB 59.3, -40.8, 60.06

 

Description

Color code: RGB 9 158 146 | qconv.com Color code: RGB 9 158 146 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 158 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 158 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 8 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 8% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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