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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 151 114 it is the complementary color RGB 246 104 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 151 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 151 114 shade: RGB 14 151 109, RGB 31 169 128, RGB 48 187 147, RGB 65 205 166 and RGB 82 223 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 151 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 151 114 shade: RGB 9 151 114, RGB 0 133 95, RGB 0 115 76, RGB 0 97 57 and RGB 0 79 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 151 114 shade: RGB 9 149 113, RGB 9 149 75, RGB 9 149 37, RGB 18 149 9 and RGB 56 149 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 151 114 shade: RGB 9 149 113, RGB 9 148 149, RGB 9 110 149, RGB 9 72 149 and RGB 9 34 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 151 114 shade matches the following richer shades: RGB 9 149 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 151 114 shade: RGB 9 149 113, RGB 21 137 107, RGB 34 124 100, RGB 47 111 94 and RGB 60 98 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 151 114 shade: RGB 9 149 37, RGB 9 149 74, RGB 9 149 112, RGB 9 149 149 and RGB 9 112 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 151 114 shade: RGB 4 71 54, RGB 6 110 83, RGB 9 149 113, RGB 11 188 142 and RGB 13 227 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 151 114 shade: RGB 9 151 114, RGB 9 18 149 and RGB 149 56 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 151 114 shade: RGB 9 151 114, RGB 112 9 149 and RGB 149 112 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 151 114 shade: RGB 9 151 114, RGB 9 18 149, RGB 149 9 46 and RGB 149 140 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 151 114 shade: RGB 9 151 114, RGB 42 9 149, RGB 149 9 46 and RGB 117 149 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 25 / 41

HEX #099772

RGB 9 151 114

HSL 164.37, 0.89%, 0.31%

LAB 55.49, -42.73, 10.16

 

Complementary color

CMYK 0 / 58 / 43 / 4

HEX #F6688D

RGB 246 104 141

HSL 344.37, 0.89%, 0.69%

LAB 62.86, 57.61, 7.66

 

CMYK 91 / 0 / 28 / 41

HEX #0E976D

RGB 14 151 109

HSL 161.61, 0.83%, 0.32%

LAB 55.41, -43.7, 12.89

 

CMYK 82 / 0 / 24 / 34

HEX #1FA980

RGB 31 169 128

HSL 162.17, 0.69%, 0.39%

LAB 61.85, -45.01, 11.31

 

CMYK 74 / 0 / 21 / 27

HEX #30BB93

RGB 48 187 147

HSL 162.73, 0.59%, 0.46%

LAB 68.22, -45.88, 9.91

 

CMYK 68 / 0 / 19 / 20

HEX #41CDA6

RGB 65 205 166

HSL 163.29, 0.58%, 0.53%

LAB 74.53, -46.45, 8.65

 

CMYK 63 / 0 / 17 / 13

HEX #52DFB9

RGB 82 223 185

HSL 163.83, 0.69%, 0.6%

LAB 80.78, -46.8, 7.51

 

CMYK 94 / 0 / 25 / 41

HEX #099772

RGB 9 151 114

HSL 164.37, 0.89%, 0.31%

LAB 55.49, -42.73, 10.16

 

CMYK 100 / 0 / 29 / 48

HEX #00855F

RGB 0 133 95

HSL 162.86, 1%, 0.26%

LAB 49.01, -40.66, 11.93

 

CMYK 100 / 0 / 34 / 55

HEX #00734C

RGB 0 115 76

HSL 159.65, 1%, 0.23%

LAB 42.43, -38.03, 13.91

 

CMYK 100 / 0 / 41 / 62

HEX #006139

RGB 0 97 57

HSL 155.26, 1%, 0.19%

LAB 35.68, -35.26, 16.02

 

CMYK 100 / 0 / 52 / 69

HEX #004F26

RGB 0 79 38

HSL 148.86, 1%, 0.15%

LAB 28.73, -32.25, 18.26

 

CMYK 94 / 0 / 24 / 42

HEX #099571

RGB 9 149 113

HSL 164.57, 0.89%, 0.31%

LAB 54.81, -42.16, 9.77

 

CMYK 94 / 0 / 50 / 42

HEX #09954B

RGB 9 149 75

HSL 148.29, 0.89%, 0.31%

LAB 54.09, -50.38, 29.79

 

CMYK 94 / 0 / 75 / 42

HEX #099525

RGB 9 149 37

HSL 132, 0.89%, 0.31%

LAB 53.69, -55.31, 46.92

 

CMYK 88 / 0 / 94 / 42

HEX #129509

RGB 18 149 9

HSL 116.14, 0.89%, 0.31%

LAB 53.65, -56.2, 54.41

 

CMYK 62 / 0 / 94 / 42

HEX #389509

RGB 56 149 9

HSL 99.86, 0.89%, 0.31%

LAB 54.4, -49.68, 55.35

 

CMYK 94 / 0 / 24 / 42

HEX #099571

RGB 9 149 113

HSL 164.57, 0.89%, 0.31%

LAB 54.81, -42.16, 9.77

 

CMYK 94 / 1 / 0 / 42

HEX #099495

RGB 9 148 149

HSL 180.43, 0.89%, 0.31%

LAB 55.49, -31.34, -9.85

 

CMYK 94 / 26 / 0 / 42

HEX #096E95

RGB 9 110 149

HSL 196.71, 0.89%, 0.31%

LAB 43.33, -11.24, -28.47

 

CMYK 94 / 52 / 0 / 42

HEX #094895

RGB 9 72 149

HSL 213, 0.89%, 0.31%

LAB 31.49, 13.08, -47.3

 

CMYK 94 / 77 / 0 / 42

HEX #092295

RGB 9 34 149

HSL 229.29, 0.89%, 0.31%

LAB 21.48, 38.75, -63.71

 

CMYK 94 / 0 / 24 / 42

HEX #099571

RGB 9 149 113

HSL 164.57, 0.89%, 0.31%

LAB 54.81, -42.16, 9.77

 

CMYK 94 / 0 / 24 / 42

HEX #099571

RGB 9 149 113

HSL 164.57, 0.89%, 0.31%

LAB 54.81, -42.16, 9.77

 

CMYK 85 / 0 / 22 / 46

HEX #15896B

RGB 21 137 107

HSL 164.48, 0.73%, 0.31%

LAB 50.82, -37.81, 7.57

 

CMYK 73 / 0 / 19 / 51

HEX #227C64

RGB 34 124 100

HSL 164, 0.57%, 0.31%

LAB 46.55, -32.24, 5.6

 

CMYK 58 / 0 / 15 / 56

HEX #2F6F5E

RGB 47 111 94

HSL 164.06, 0.41%, 0.31%

LAB 42.43, -25.01, 3.31

 

CMYK 39 / 0 / 10 / 62

HEX #3C6258

RGB 60 98 88

HSL 164.21, 0.24%, 0.31%

LAB 38.55, -16.08, 1.42

 

CMYK 94 / 0 / 75 / 42

HEX #099525

RGB 9 149 37

HSL 132, 0.89%, 0.31%

LAB 53.69, -55.31, 46.92

 

CMYK 94 / 0 / 50 / 42

HEX #09954A

RGB 9 149 74

HSL 147.86, 0.89%, 0.31%

LAB 54.08, -50.56, 30.3

 

CMYK 94 / 0 / 25 / 42

HEX #099570

RGB 9 149 112

HSL 164.14, 0.89%, 0.31%

LAB 54.79, -42.41, 10.3

 

CMYK 94 / 0 / 0 / 42

HEX #099595

RGB 9 149 149

HSL 180, 0.89%, 0.31%

LAB 55.81, -31.82, -9.38

 

CMYK 94 / 25 / 0 / 42

HEX #097095

RGB 9 112 149

HSL 195.86, 0.89%, 0.31%

LAB 43.97, -12.4, -27.47

 

CMYK 94 / 0 / 24 / 72

HEX #044736

RGB 4 71 54

HSL 164.78, 0.89%, 0.15%

LAB 26.15, -24.22, 4.78

 

CMYK 95 / 0 / 25 / 57

HEX #066E53

RGB 6 110 83

HSL 164.42, 0.9%, 0.23%

LAB 40.92, -33.67, 7.65

 

CMYK 94 / 0 / 24 / 42

HEX #099571

RGB 9 149 113

HSL 164.57, 0.89%, 0.31%

LAB 54.81, -42.16, 9.77

 

CMYK 94 / 0 / 24 / 26

HEX #0BBC8E

RGB 11 188 142

HSL 164.41, 0.89%, 0.39%

LAB 68.01, -50.53, 12.28

 

CMYK 94 / 0 / 24 / 11

HEX #0DE3AC

RGB 13 227 172

HSL 164.58, 0.89%, 0.47%

LAB 80.74, -58.32, 14.18

 

CMYK 94 / 0 / 25 / 41

HEX #099772

RGB 9 151 114

HSL 164.37, 0.89%, 0.31%

LAB 55.49, -42.73, 10.16

 

CMYK 94 / 88 / 0 / 42

HEX #091295

RGB 9 18 149

HSL 236.14, 0.89%, 0.31%

LAB 18.63, 47.06, -68.44

 

CMYK 0 / 62 / 94 / 42

HEX #953809

RGB 149 56 9

HSL 20.14, 0.89%, 0.31%

LAB 36.44, 37.14, 44.57

 

CMYK 94 / 0 / 25 / 41

HEX #099772

RGB 9 151 114

HSL 164.37, 0.89%, 0.31%

LAB 55.49, -42.73, 10.16

 

CMYK 25 / 94 / 0 / 42

HEX #700995

RGB 112 9 149

HSL 284.14, 0.89%, 0.31%

LAB 28.93, 58.59, -51.09

 

CMYK 0 / 25 / 94 / 42

HEX #957009

RGB 149 112 9

HSL 44.14, 0.89%, 0.31%

LAB 49.49, 6.09, 54.09

 

CMYK 94 / 0 / 25 / 41

HEX #099772

RGB 9 151 114

HSL 164.37, 0.89%, 0.31%

LAB 55.49, -42.73, 10.16

 

CMYK 94 / 88 / 0 / 42

HEX #091295

RGB 9 18 149

HSL 236.14, 0.89%, 0.31%

LAB 18.63, 47.06, -68.44

 

CMYK 0 / 94 / 69 / 42

HEX #95092E

RGB 149 9 46

HSL 344.14, 0.89%, 0.31%

LAB 31.31, 53.61, 19.78

 

CMYK 0 / 6 / 94 / 42

HEX #958C09

RGB 149 140 9

HSL 56.14, 0.89%, 0.31%

LAB 57.24, -9.51, 59.97

 

CMYK 94 / 0 / 25 / 41

HEX #099772

RGB 9 151 114

HSL 164.37, 0.89%, 0.31%

LAB 55.49, -42.73, 10.16

 

CMYK 72 / 94 / 0 / 42

HEX #2A0995

RGB 42 9 149

HSL 254.14, 0.89%, 0.31%

LAB 19.46, 51.37, -67.01

 

CMYK 0 / 94 / 69 / 42

HEX #95092E

RGB 149 9 46

HSL 344.14, 0.89%, 0.31%

LAB 31.31, 53.61, 19.78

 

CMYK 21 / 0 / 94 / 42

HEX #759509

RGB 117 149 9

HSL 73.71, 0.89%, 0.31%

LAB 57.36, -28.38, 58.99

 

Description

Color code: RGB 9 151 114 | qconv.com Color code: RGB 9 151 114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 151 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 151 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 25 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 25% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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