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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 136 81 it is the complementary color RGB 246 119 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 136 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 136 81 shade: RGB 14 136 76, RGB 31 154 95, RGB 48 172 114, RGB 65 190 133 and RGB 82 208 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 136 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 136 81 shade: RGB 9 136 81, RGB 0 118 62, RGB 0 100 43, RGB 0 82 24 and RGB 0 64 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 136 81 shade: RGB 9 134 80, RGB 9 134 46, RGB 9 134 12, RGB 39 134 9 and RGB 73 134 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 136 81 shade: RGB 9 134 80, RGB 9 134 114, RGB 9 121 134, RGB 9 87 134 and RGB 9 53 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 136 81 shade matches the following richer shades: RGB 9 134 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 136 81 shade: RGB 9 134 80, RGB 20 123 78, RGB 32 111 77, RGB 43 100 75 and RGB 55 88 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 136 81 shade: RGB 9 134 13, RGB 9 134 46, RGB 9 134 80, RGB 9 134 113 and RGB 9 122 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 136 81 shade: RGB 4 57 34, RGB 6 95 57, RGB 9 134 80, RGB 11 173 103 and RGB 14 212 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 136 81 shade: RGB 9 136 81, RGB 9 38 134 and RGB 134 30 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 136 81 shade: RGB 9 136 81, RGB 80 9 134 and RGB 134 80 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 136 81 shade: RGB 9 136 81, RGB 9 38 134, RGB 134 9 63 and RGB 134 105 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 136 81 shade: RGB 9 136 81, RGB 17 9 134, RGB 134 9 63 and RGB 126 134 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 40 / 47

HEX #098851

RGB 9 136 81

HSL 154.02, 0.88%, 0.28%

LAB 49.81, -44.5, 21

 

Complementary color

CMYK 0 / 52 / 29 / 4

HEX #F677AE

RGB 246 119 174

HSL 334.02, 0.88%, 0.72%

LAB 66.4, 54.4, -6.03

 

CMYK 90 / 0 / 44 / 47

HEX #0E884C

RGB 14 136 76

HSL 150.49, 0.81%, 0.29%

LAB 49.77, -45.17, 23.72

 

CMYK 80 / 0 / 38 / 40

HEX #1F9A5F

RGB 31 154 95

HSL 151.22, 0.66%, 0.36%

LAB 56.32, -46.48, 21.95

 

CMYK 72 / 0 / 34 / 33

HEX #30AC72

RGB 48 172 114

HSL 151.94, 0.56%, 0.43%

LAB 62.8, -47.26, 20.37

 

CMYK 66 / 0 / 30 / 25

HEX #41BE85

RGB 65 190 133

HSL 152.64, 0.49%, 0.5%

LAB 69.22, -47.69, 18.94

 

CMYK 61 / 0 / 27 / 18

HEX #52D098

RGB 82 208 152

HSL 153.33, 0.57%, 0.57%

LAB 75.56, -47.89, 17.64

 

CMYK 93 / 0 / 40 / 47

HEX #098851

RGB 9 136 81

HSL 154.02, 0.88%, 0.28%

LAB 49.81, -44.5, 21

 

CMYK 100 / 0 / 47 / 54

HEX #00763E

RGB 0 118 62

HSL 151.53, 1%, 0.23%

LAB 43.22, -42.25, 22.99

 

CMYK 100 / 0 / 57 / 61

HEX #00642B

RGB 0 100 43

HSL 145.8, 1%, 0.2%

LAB 36.53, -39.18, 25.13

 

CMYK 100 / 0 / 71 / 68

HEX #005218

RGB 0 82 24

HSL 137.56, 1%, 0.16%

LAB 29.66, -35.68, 27.09

 

CMYK 100 / 0 / 92 / 75

HEX #004005

RGB 0 64 5

HSL 124.69, 1%, 0.13%

LAB 22.58, -31.52, 28.12

 

CMYK 93 / 0 / 40 / 47

HEX #098650

RGB 9 134 80

HSL 154.08, 0.87%, 0.28%

LAB 49.11, -43.95, 20.63

 

CMYK 93 / 0 / 66 / 47

HEX #09862E

RGB 9 134 46

HSL 137.76, 0.87%, 0.28%

LAB 48.64, -49.64, 37.77

 

CMYK 93 / 0 / 91 / 47

HEX #09860C

RGB 9 134 12

HSL 121.44, 0.87%, 0.28%

LAB 48.43, -52.34, 49.39

 

CMYK 71 / 0 / 93 / 47

HEX #278609

RGB 39 134 9

HSL 105.6, 0.87%, 0.28%

LAB 48.89, -48.36, 50.54

 

CMYK 46 / 0 / 93 / 47

HEX #498609

RGB 73 134 9

HSL 89.28, 0.87%, 0.28%

LAB 50.08, -38.81, 52.02

 

CMYK 93 / 0 / 40 / 47

HEX #098650

RGB 9 134 80

HSL 154.08, 0.87%, 0.28%

LAB 49.11, -43.95, 20.63

 

CMYK 93 / 0 / 15 / 47

HEX #098672

RGB 9 134 114

HSL 170.4, 0.87%, 0.28%

LAB 49.89, -35.44, 2.15

 

CMYK 93 / 10 / 0 / 47

HEX #097986

RGB 9 121 134

HSL 186.24, 0.87%, 0.28%

LAB 46.25, -22.8, -15.05

 

CMYK 93 / 35 / 0 / 47

HEX #095786

RGB 9 87 134

HSL 202.56, 0.87%, 0.28%

LAB 35.19, -3.16, -32.21

 

CMYK 93 / 60 / 0 / 47

HEX #093586

RGB 9 53 134

HSL 218.88, 0.87%, 0.28%

LAB 24.72, 20.07, -49.06

 

CMYK 93 / 0 / 40 / 47

HEX #098650

RGB 9 134 80

HSL 154.08, 0.87%, 0.28%

LAB 49.11, -43.95, 20.63

 

CMYK 93 / 0 / 40 / 47

HEX #098650

RGB 9 134 80

HSL 154.08, 0.87%, 0.28%

LAB 49.11, -43.95, 20.63

 

CMYK 84 / 0 / 37 / 52

HEX #147B4E

RGB 20 123 78

HSL 153.79, 0.72%, 0.28%

LAB 45.45, -39.13, 16.88

 

CMYK 71 / 0 / 31 / 56

HEX #206F4D

RGB 32 111 77

HSL 154.18, 0.55%, 0.28%

LAB 41.55, -32.47, 12.18

 

CMYK 57 / 0 / 25 / 61

HEX #2B644B

RGB 43 100 75

HSL 153.68, 0.4%, 0.28%

LAB 38.09, -25.32, 8.61

 

CMYK 38 / 0 / 16 / 65

HEX #37584A

RGB 55 88 74

HSL 154.55, 0.23%, 0.28%

LAB 34.57, -15.62, 4.32

 

CMYK 93 / 0 / 90 / 47

HEX #09860D

RGB 9 134 13

HSL 121.92, 0.87%, 0.28%

LAB 48.43, -52.3, 49.18

 

CMYK 93 / 0 / 66 / 47

HEX #09862E

RGB 9 134 46

HSL 137.76, 0.87%, 0.28%

LAB 48.64, -49.64, 37.77

 

CMYK 93 / 0 / 40 / 47

HEX #098650

RGB 9 134 80

HSL 154.08, 0.87%, 0.28%

LAB 49.11, -43.95, 20.63

 

CMYK 93 / 0 / 16 / 47

HEX #098671

RGB 9 134 113

HSL 169.92, 0.87%, 0.28%

LAB 49.86, -35.73, 2.69

 

CMYK 93 / 9 / 0 / 47

HEX #097A86

RGB 9 122 134

HSL 185.76, 0.87%, 0.28%

LAB 46.58, -23.32, -14.55

 

CMYK 93 / 0 / 40 / 78

HEX #043922

RGB 4 57 34

HSL 153.96, 0.87%, 0.12%

LAB 20.31, -23.2, 9.75

 

CMYK 94 / 0 / 40 / 63

HEX #065F39

RGB 6 95 57

HSL 154.38, 0.88%, 0.2%

LAB 35.04, -33.84, 15.18

 

CMYK 93 / 0 / 40 / 47

HEX #098650

RGB 9 134 80

HSL 154.08, 0.87%, 0.28%

LAB 49.11, -43.95, 20.63

 

CMYK 94 / 0 / 40 / 32

HEX #0BAD67

RGB 11 173 103

HSL 154.07, 0.88%, 0.36%

LAB 62.45, -53.56, 25.75

 

CMYK 93 / 0 / 41 / 17

HEX #0ED47E

RGB 14 212 126

HSL 153.94, 0.88%, 0.44%

LAB 75.26, -62.68, 30.63

 

CMYK 93 / 0 / 40 / 47

HEX #098851

RGB 9 136 81

HSL 154.02, 0.88%, 0.28%

LAB 49.81, -44.5, 21

 

CMYK 93 / 72 / 0 / 47

HEX #092686

RGB 9 38 134

HSL 226.08, 0.87%, 0.28%

LAB 20.7, 30.53, -55.66

 

CMYK 0 / 78 / 93 / 47

HEX #861E09

RGB 134 30 9

HSL 10.08, 0.87%, 0.28%

LAB 29.45, 42.8, 38.27

 

CMYK 93 / 0 / 40 / 47

HEX #098851

RGB 9 136 81

HSL 154.02, 0.88%, 0.28%

LAB 49.81, -44.5, 21

 

CMYK 40 / 93 / 0 / 47

HEX #500986

RGB 80 9 134

HSL 274.08, 0.87%, 0.28%

LAB 22.38, 51, -52.67

 

CMYK 0 / 40 / 93 / 47

HEX #865009

RGB 134 80 9

HSL 34.08, 0.87%, 0.28%

LAB 39.28, 17.65, 45.57

 

CMYK 93 / 0 / 40 / 47

HEX #098851

RGB 9 136 81

HSL 154.02, 0.88%, 0.28%

LAB 49.81, -44.5, 21

 

CMYK 93 / 72 / 0 / 47

HEX #092686

RGB 9 38 134

HSL 226.08, 0.87%, 0.28%

LAB 20.7, 30.53, -55.66

 

CMYK 0 / 93 / 53 / 47

HEX #86093F

RGB 134 9 63

HSL 334.08, 0.87%, 0.28%

LAB 28.44, 50.82, 3.98

 

CMYK 0 / 22 / 93 / 47

HEX #866909

RGB 134 105 9

HSL 46.08, 0.87%, 0.28%

LAB 45.89, 3.01, 50.61

 

CMYK 93 / 0 / 40 / 47

HEX #098851

RGB 9 136 81

HSL 154.02, 0.88%, 0.28%

LAB 49.81, -44.5, 21

 

CMYK 87 / 93 / 0 / 47

HEX #110986

RGB 17 9 134

HSL 243.84, 0.87%, 0.28%

LAB 15.67, 46.11, -63.99

 

CMYK 0 / 93 / 53 / 47

HEX #86093F

RGB 134 9 63

HSL 334.08, 0.87%, 0.28%

LAB 28.44, 50.82, 3.98

 

CMYK 6 / 0 / 93 / 47

HEX #7E8609

RGB 126 134 9

HSL 63.84, 0.87%, 0.28%

LAB 53.5, -16.87, 56.21

 

Description

Color code: RGB 9 136 81 | qconv.com Color code: RGB 9 136 81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 136 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 136 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 40 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 40% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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