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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 128 103 it is the complementary color RGB 246 127 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 128 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 9 128 103 shade: RGB 14 128 98, RGB 31 146 117, RGB 48 164 136, RGB 65 182 155 and RGB 82 200 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 128 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 9 128 103 shade: RGB 9 128 103, RGB 0 110 84, RGB 0 92 65, RGB 0 74 46 and RGB 0 56 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 9 128 103 shade: RGB 9 129 104, RGB 9 129 71, RGB 9 129 39, RGB 11 129 9 and RGB 44 129 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 9 128 103 shade: RGB 9 129 104, RGB 9 122 129, RGB 9 89 129, RGB 9 57 129 and RGB 9 25 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 9 128 103 shade matches the following richer shades: RGB 9 129 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 9 128 103 shade: RGB 9 129 104, RGB 20 118 97, RGB 31 106 91, RGB 42 95 84 and RGB 54 84 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 9 128 103 shade: RGB 9 129 39, RGB 9 129 71, RGB 9 129 103, RGB 9 123 129 and RGB 9 91 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 9 128 103 shade: RGB 4 52 42, RGB 6 90 73, RGB 9 129 104, RGB 12 167 135 and RGB 14 206 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 9 128 103 shade: RGB 9 128 103, RGB 9 11 129 and RGB 129 55 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 9 128 103 shade: RGB 9 128 103, RGB 103 9 129 and RGB 129 103 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 9 128 103 shade: RGB 9 128 103, RGB 9 11 129, RGB 129 9 35 and RGB 129 127 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 9 128 103 shade: RGB 9 128 103, RGB 43 9 129, RGB 129 9 35 and RGB 95 129 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 20 / 50

HEX #098067

RGB 9 128 103

HSL 167.39, 0.87%, 0.27%

LAB 47.59, -35.88, 5.28

 

Complementary color

CMYK 0 / 48 / 38 / 4

HEX #F67F98

RGB 246 127 152

HSL 347.39, 0.87%, 0.73%

LAB 67.31, 47.92, 7.74

 

CMYK 89 / 0 / 23 / 50

HEX #0E8062

RGB 14 128 98

HSL 164.21, 0.8%, 0.28%

LAB 47.51, -36.9, 8.1

 

CMYK 79 / 0 / 20 / 43

HEX #1F9275

RGB 31 146 117

HSL 164.87, 0.65%, 0.35%

LAB 54.17, -38.05, 6.61

 

CMYK 71 / 0 / 17 / 36

HEX #30A488

RGB 48 164 136

HSL 165.52, 0.55%, 0.42%

LAB 60.74, -38.75, 5.31

 

CMYK 64 / 0 / 15 / 29

HEX #41B69B

RGB 65 182 155

HSL 166.15, 0.47%, 0.48%

LAB 67.24, -39.17, 4.16

 

CMYK 59 / 0 / 13 / 22

HEX #52C8AE

RGB 82 200 174

HSL 166.78, 0.52%, 0.55%

LAB 73.65, -39.4, 3.12

 

CMYK 93 / 0 / 20 / 50

HEX #098067

RGB 9 128 103

HSL 167.39, 0.87%, 0.27%

LAB 47.59, -35.88, 5.28

 

CMYK 100 / 0 / 24 / 57

HEX #006E54

RGB 0 110 84

HSL 165.82, 1%, 0.22%

LAB 40.88, -33.86, 6.99

RGB 0 110 84

CMYK 100 / 0 / 29 / 64

HEX #005C41

RGB 0 92 65

HSL 162.39, 1%, 0.18%

LAB 34.06, -31.19, 8.95

RGB 0 92 65

CMYK 100 / 0 / 38 / 71

HEX #004A2E

RGB 0 74 46

HSL 157.3, 1%, 0.15%

LAB 27, -28.37, 11.08

RGB 0 74 46

CMYK 100 / 0 / 52 / 78

HEX #00381B

RGB 0 56 27

HSL 148.93, 1%, 0.11%

LAB 19.67, -25.28, 13.41

RGB 0 56 27

CMYK 93 / 0 / 19 / 49

HEX #098168

RGB 9 129 104

HSL 167.5, 0.87%, 0.27%

LAB 47.95, -36.04, 5.21

 

CMYK 93 / 0 / 45 / 49

HEX #098147

RGB 9 129 71

HSL 151, 0.87%, 0.27%

LAB 47.25, -43.9, 23.21

 

CMYK 93 / 0 / 70 / 49

HEX #098127

RGB 9 129 39

HSL 135, 0.87%, 0.27%

LAB 46.85, -48.82, 38.96

 

CMYK 91 / 0 / 93 / 49

HEX #0B8109

RGB 11 129 9

HSL 119, 0.87%, 0.27%

LAB 46.7, -50.79, 48.49

 

CMYK 66 / 0 / 93 / 49

HEX #2C8109

RGB 44 129 9

HSL 102.5, 0.87%, 0.27%

LAB 47.31, -45.51, 49.25

 

CMYK 93 / 0 / 19 / 49

HEX #098168

RGB 9 129 104

HSL 167.5, 0.87%, 0.27%

LAB 47.95, -36.04, 5.21

 

CMYK 93 / 5 / 0 / 49

HEX #097A81

RGB 9 122 129

HSL 183.5, 0.87%, 0.27%

LAB 46.39, -25.02, -11.86

 

CMYK 93 / 31 / 0 / 49

HEX #095981

RGB 9 89 129

HSL 200, 0.87%, 0.27%

LAB 35.57, -6.44, -28.55

 

CMYK 93 / 56 / 0 / 49

HEX #093981

RGB 9 57 129

HSL 216, 0.87%, 0.27%

LAB 25.47, 15.09, -44.71

 

CMYK 93 / 81 / 0 / 49

HEX #091981

RGB 9 25 129

HSL 232, 0.87%, 0.27%

LAB 17.17, 36.86, -58.34

 

CMYK 93 / 0 / 19 / 49

HEX #098168

RGB 9 129 104

HSL 167.5, 0.87%, 0.27%

LAB 47.95, -36.04, 5.21

 

CMYK 93 / 0 / 19 / 49

HEX #098168

RGB 9 129 104

HSL 167.5, 0.87%, 0.27%

LAB 47.95, -36.04, 5.21

 

CMYK 83 / 0 / 18 / 54

HEX #147661

RGB 20 118 97

HSL 167.14, 0.71%, 0.27%

LAB 44.19, -32.17, 3.96

 

CMYK 71 / 0 / 14 / 58

HEX #1F6A5B

RGB 31 106 91

HSL 168, 0.55%, 0.27%

LAB 40.17, -26.64, 1.8

 

CMYK 56 / 0 / 12 / 63

HEX #2A5F54

RGB 42 95 84

HSL 167.55, 0.39%, 0.27%

LAB 36.59, -20.67, 0.93

 

CMYK 36 / 0 / 7 / 67

HEX #36544E

RGB 54 84 78

HSL 168, 0.22%, 0.27%

LAB 33.3, -12.66, -0.04

 

CMYK 93 / 0 / 70 / 49

HEX #098127

RGB 9 129 39

HSL 135, 0.87%, 0.27%

LAB 46.85, -48.82, 38.96

 

CMYK 93 / 0 / 45 / 49

HEX #098147

RGB 9 129 71

HSL 151, 0.87%, 0.27%

LAB 47.25, -43.9, 23.21

 

CMYK 93 / 0 / 20 / 49

HEX #098167

RGB 9 129 103

HSL 167, 0.87%, 0.27%

LAB 47.93, -36.32, 5.76

 

CMYK 93 / 5 / 0 / 49

HEX #097B81

RGB 9 123 129

HSL 183, 0.87%, 0.27%

LAB 46.72, -25.53, -11.37

 

CMYK 93 / 29 / 0 / 49

HEX #095B81

RGB 9 91 129

HSL 199, 0.87%, 0.27%

LAB 36.22, -7.67, -27.53

 

CMYK 92 / 0 / 19 / 80

HEX #04342A

RGB 4 52 42

HSL 167.5, 0.86%, 0.11%

LAB 18.58, -18.39, 1.94

 

CMYK 93 / 0 / 19 / 65

HEX #065A49

RGB 6 90 73

HSL 167.86, 0.88%, 0.19%

LAB 33.63, -27.41, 3.39

 

CMYK 93 / 0 / 19 / 49

HEX #098168

RGB 9 129 104

HSL 167.5, 0.87%, 0.27%

LAB 47.95, -36.04, 5.21

 

CMYK 93 / 0 / 19 / 35

HEX #0CA787

RGB 12 167 135

HSL 167.61, 0.87%, 0.35%

LAB 61.19, -43.77, 6.45

 

CMYK 93 / 0 / 19 / 19

HEX #0ECEA6

RGB 14 206 166

HSL 167.5, 0.87%, 0.43%

LAB 74.18, -51.59, 8.06

 

CMYK 93 / 0 / 20 / 50

HEX #098067

RGB 9 128 103

HSL 167.39, 0.87%, 0.27%

LAB 47.59, -35.88, 5.28

 

CMYK 93 / 91 / 0 / 49

HEX #090B81

RGB 9 11 129

HSL 239, 0.87%, 0.27%

LAB 14.86, 43.69, -62.19

 

CMYK 0 / 57 / 93 / 49

HEX #813709

RGB 129 55 9

HSL 23, 0.87%, 0.27%

LAB 32.74, 29.58, 40.3

 

CMYK 93 / 0 / 20 / 50

HEX #098067

RGB 9 128 103

HSL 167.39, 0.87%, 0.27%

LAB 47.59, -35.88, 5.28

 

CMYK 20 / 93 / 0 / 49

HEX #670981

RGB 103 9 129

HSL 287, 0.87%, 0.27%

LAB 25.75, 53.31, -43.86

 

CMYK 0 / 20 / 93 / 49

HEX #816709

RGB 129 103 9

HSL 47, 0.87%, 0.27%

LAB 44.78, 1.76, 49.51

 

CMYK 93 / 0 / 20 / 50

HEX #098067

RGB 9 128 103

HSL 167.39, 0.87%, 0.27%

LAB 47.59, -35.88, 5.28

 

CMYK 93 / 91 / 0 / 49

HEX #090B81

RGB 9 11 129

HSL 239, 0.87%, 0.27%

LAB 14.86, 43.69, -62.19

 

CMYK 0 / 93 / 73 / 49

HEX #810923

RGB 129 9 35

HSL 347, 0.87%, 0.27%

LAB 26.69, 47.67, 20.36

 

CMYK 0 / 2 / 93 / 49

HEX #817F09

RGB 129 127 9

HSL 59, 0.87%, 0.27%

LAB 51.68, -11.74, 54.89

 

CMYK 93 / 0 / 20 / 50

HEX #098067

RGB 9 128 103

HSL 167.39, 0.87%, 0.27%

LAB 47.59, -35.88, 5.28

 

CMYK 67 / 93 / 0 / 49

HEX #2B0981

RGB 43 9 129

HSL 257, 0.87%, 0.27%

LAB 16.96, 45.98, -58.63

 

CMYK 0 / 93 / 73 / 49

HEX #810923

RGB 129 9 35

HSL 347, 0.87%, 0.27%

LAB 26.69, 47.67, 20.36

 

CMYK 26 / 0 / 93 / 49

HEX #5F8109

RGB 95 129 9

HSL 77, 0.87%, 0.27%

LAB 49.68, -28.04, 52.19

 

Description

Color code: RGB 9 128 103 | qconv.com Color code: RGB 9 128 103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 128 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 128 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 20 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 20% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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