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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 58 52 it is the complementary color RGB 156 197 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 58 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 58 52: RGB 104 58 47, RGB 121 76 66, RGB 138 94 85, RGB 155 112 104 and RGB 172 130 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 58 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 58 52: RGB 99 58 52, RGB 82 40 33, RGB 65 22 14, RGB 48 4 0 and RGB 31 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

 

Complementary color

CMYK 23 / 3 / 0 / 20

HEX #9CC5CB

RGB 156 197 203

HSL 187.66, 0.31%, 0.7%

LAB 76.87, -12.17, -7.47

 

CMYK 0 / 44 / 55 / 59

HEX #683A2F

RGB 104 58 47

HSL 11.58, 0.38%, 0.3%

LAB 29.85, 19.05, 15.62

 

CMYK 0 / 37 / 45 / 53

HEX #794C42

RGB 121 76 66

HSL 10.91, 0.29%, 0.37%

LAB 37.16, 17.8, 13.87

 

CMYK 0 / 32 / 38 / 46

HEX #8A5E55

RGB 138 94 85

HSL 10.19, 0.24%, 0.44%

LAB 44.33, 16.76, 12.41

 

CMYK 0 / 28 / 33 / 39

HEX #9B7068

RGB 155 112 104

HSL 9.41, 0.2%, 0.51%

LAB 51.33, 15.89, 11.16

 

CMYK 0 / 24 / 28 / 33

HEX #AC827B

RGB 172 130 123

HSL 8.57, 0.23%, 0.58%

LAB 58.19, 15.14, 10.06

 

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

RAL® 8015

CMYK 0 / 51 / 60 / 68

HEX #522821

RGB 82 40 33

HSL 8.57, 0.43%, 0.23%

LAB 21.66, 18.74, 13.41

 

CMYK 0 / 66 / 78 / 75

HEX #41160E

RGB 65 22 14

HSL 9.41, 0.65%, 0.15%

LAB 14, 20.31, 15.34

 

CMYK 0 / 92 / 100 / 81

HEX #300400

RGB 48 4 0

HSL 5, 1%, 0.09%

LAB 6.46, 21.6, 10.12

 

CMYK 0 / 100 / 100 / 88

HEX #1F0000

RGB 31 0 0

HSL 0, 1%, 0.06%

LAB 2.63, 11.81, 4.16

 

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

RAL® 8015

CMYK 0 / 34 / 48 / 61

HEX #644234

RGB 100 66 52

HSL 17.5, 0.32%, 0.3%

LAB 31.47, 12.88, 14.49

 

CMYK 0 / 26 / 48 / 61

HEX #644A34

RGB 100 74 52

HSL 27.5, 0.32%, 0.3%

LAB 33.68, 7.91, 17.41

 

CMYK 0 / 18 / 48 / 61

HEX #645234

RGB 100 82 52

HSL 37.5, 0.32%, 0.3%

LAB 35.97, 2.98, 20.37

 

CMYK 0 / 11 / 48 / 61

HEX #645934

RGB 100 89 52

HSL 46.25, 0.32%, 0.3%

LAB 38.02, -1.25, 22.98

 

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

RAL® 8015

CMYK 0 / 41 / 47 / 41

HEX #96584F

RGB 150 88 79

HSL 7.61, 0.31%, 0.45%

LAB 44.27, 24.54, 16.21

 

CMYK 0 / 41 / 47 / 21

HEX #C9766A

RGB 201 118 106

HSL 7.58, 0.47%, 0.6%

LAB 58.43, 31.2, 20.66

 

CMYK 0 / 41 / 48 / 1

HEX #FC9484

RGB 252 148 132

HSL 8, 0.95%, 0.75%

LAB 71.92, 37.43, 25.41

 

CMYK 0 / 42 / 48 / 81

HEX #301C19

RGB 48 28 25

HSL 7.83, 0.32%, 0.14%

LAB 12.79, 9.41, 6.15

 

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

RAL® 8015

CMYK 15 / 0 / 48 / 61

HEX #556434

RGB 85 100 52

HSL 78.75, 0.32%, 0.3%

LAB 40.07, -14.44, 25.25

 

CMYK 48 / 34 / 0 / 61

HEX #344264

RGB 52 66 100

HSL 222.5, 0.32%, 0.3%

LAB 28.24, 4.62, -21.77

 

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

RAL® 8015

CMYK 48 / 0 / 42 / 61

HEX #34643A

RGB 52 100 58

HSL 127.5, 0.32%, 0.3%

LAB 38.11, -26.31, 18.89

 

CMYK 42 / 48 / 0 / 61

HEX #3A3464

RGB 58 52 100

HSL 247.5, 0.32%, 0.3%

LAB 24.56, 15.86, -27.54

 

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

RAL® 8015

CMYK 15 / 0 / 48 / 61

HEX #556434

RGB 85 100 52

HSL 78.75, 0.32%, 0.3%

LAB 40.07, -14.44, 25.25

 

CMYK 48 / 6 / 0 / 61

HEX #345E64

RGB 52 94 100

HSL 187.5, 0.32%, 0.3%

LAB 37.22, -12.86, -8.01

 

CMYK 33 / 48 / 0 / 61

HEX #433464

RGB 67 52 100

HSL 258.75, 0.32%, 0.3%

LAB 25.47, 18.58, -26.04

 

CMYK 0 / 41 / 47 / 61

HEX #633A34

RGB 99 58 52

HSL 7.66, 0.31%, 0.3%

LAB 29.23, 17.38, 11.44

RAL® 8015

CMYK 30 / 0 / 48 / 61

HEX #466434

RGB 70 100 52

HSL 97.5, 0.32%, 0.3%

LAB 39.01, -20.73, 23.7

 

CMYK 48 / 6 / 0 / 61

HEX #345E64

RGB 52 94 100

HSL 187.5, 0.32%, 0.3%

LAB 37.22, -12.86, -8.01

 

CMYK 18 / 48 / 0 / 61

HEX #523464

RGB 82 52 100

HSL 277.5, 0.32%, 0.3%

LAB 27.21, 23.4, -23.17

 

Description

Color code: RGB 99 58 52 | qconv.com Color code: RGB 99 58 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 58 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 58 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 47 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 47% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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