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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 241 233 it is the complementary color RGB 156 14 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 241 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 241 233: RGB 104 241 228, RGB 121 255 247, RGB 138 255 255, RGB 155 255 255 and RGB 172 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 241 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 241 233: RGB 99 241 233, RGB 82 223 214, RGB 65 205 195, RGB 48 187 176 and RGB 31 169 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

Complementary color

CMYK 0 / 91 / 86 / 39

HEX #9C0E16

RGB 156 14 22

HSL 356.62, 0.84%, 0.33%

LAB 32.79, 53.84, 36.64

 

CMYK 57 / 0 / 5 / 5

HEX #68F1E4

RGB 104 241 228

HSL 174.31, 0.83%, 0.68%

LAB 87.71, -40.26, -4.99

 

CMYK 53 / 0 / 3 / 0

HEX #79FFF7

RGB 121 255 247

HSL 176.42, 1%, 0.74%

LAB 92.71, -38.62, -7.43

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

CMYK 63 / 0 / 4 / 13

HEX #52DFD6

RGB 82 223 214

HSL 176.17, 0.69%, 0.6%

LAB 81.52, -39.51, -6.8

 

CMYK 68 / 0 / 5 / 20

HEX #41CDC3

RGB 65 205 195

HSL 175.71, 0.58%, 0.53%

LAB 75.28, -39, -5.9

 

CMYK 74 / 0 / 6 / 27

HEX #30BBB0

RGB 48 187 176

HSL 175.25, 0.59%, 0.46%

LAB 68.97, -38.28, -4.91

 

CMYK 82 / 0 / 7 / 34

HEX #1FA99D

RGB 31 169 157

HSL 174.78, 0.69%, 0.39%

LAB 62.59, -37.27, -3.81

 

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

CMYK 59 / 6 / 0 / 5

HEX #64E3F1

RGB 100 227 241

HSL 185.96, 0.83%, 0.67%

LAB 83.96, -31.05, -17.41

 

CMYK 59 / 16 / 0 / 5

HEX #64CBF1

RGB 100 203 241

HSL 196.17, 0.83%, 0.67%

LAB 77.14, -19.17, -27.78

 

CMYK 59 / 25 / 0 / 5

HEX #64B4F1

RGB 100 180 241

HSL 205.96, 0.83%, 0.67%

LAB 70.67, -6.99, -37.78

 

CMYK 59 / 35 / 0 / 5

HEX #649CF1

RGB 100 156 241

HSL 216.17, 0.83%, 0.67%

LAB 64.03, 6.55, -48.19

 

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

CMYK 59 / 0 / 3 / 85

HEX #0F2524

RGB 15 37 36

HSL 177.27, 0.42%, 0.1%

LAB 12.94, -9.04, -2.05

 

CMYK 59 / 0 / 3 / 65

HEX #245855

RGB 36 88 85

HSL 176.54, 0.42%, 0.24%

LAB 34, -18.05, -3.51

 

CMYK 59 / 0 / 4 / 45

HEX #398B86

RGB 57 139 134

HSL 176.34, 0.42%, 0.38%

LAB 53.01, -25.93, -4.8

 

CMYK 59 / 0 / 3 / 25

HEX #4EBEB8

RGB 78 190 184

HSL 176.79, 0.46%, 0.53%

LAB 70.81, -32.95, -6.51

 

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

CMYK 51 / 59 / 0 / 5

HEX #7764F1

RGB 119 100 241

HSL 248.09, 0.83%, 0.67%

LAB 51.14, 43.48, -68.75

 

CMYK 0 / 27 / 59 / 5

HEX #F1AF64

RGB 241 175 100

HSL 31.91, 0.83%, 0.67%

LAB 76.24, 16.28, 47.43

 

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

CMYK 4 / 59 / 0 / 5

HEX #E864F1

RGB 232 100 241

HSL 296.17, 0.83%, 0.67%

LAB 63.85, 69.19, -47.69

 

CMYK 0 / 4 / 59 / 5

HEX #F1E864

RGB 241 232 100

HSL 56.17, 0.83%, 0.67%

LAB 90.48, -13, 63.73

 

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

CMYK 51 / 59 / 0 / 5

HEX #7764F1

RGB 119 100 241

HSL 248.09, 0.83%, 0.67%

LAB 51.14, 43.48, -68.75

 

CMYK 0 / 59 / 55 / 5

HEX #F1646D

RGB 241 100 109

HSL 356.17, 0.83%, 0.67%

LAB 60.71, 54.95, 23

 

CMYK 8 / 0 / 59 / 5

HEX #DEF164

RGB 222 241 100

HSL 68.09, 0.83%, 0.67%

LAB 91.4, -24.95, 64.34

 

CMYK 59 / 0 / 3 / 5

HEX #63F1E9

RGB 99 241 233

HSL 176.62, 0.84%, 0.67%

LAB 87.7, -39.87, -7.63

 

CMYK 33 / 59 / 0 / 5

HEX #A164F1

RGB 161 100 241

HSL 265.96, 0.83%, 0.67%

LAB 55.12, 52.3, -62.13

 

CMYK 0 / 59 / 55 / 5

HEX #F1646D

RGB 241 100 109

HSL 356.17, 0.83%, 0.67%

LAB 60.71, 54.95, 23

 

CMYK 25 / 0 / 59 / 5

HEX #B4F164

RGB 180 241 100

HSL 85.96, 0.83%, 0.67%

LAB 88.7, -40.85, 60.59

 

Description

Color code: RGB 99 241 233 | qconv.com Color code: RGB 99 241 233 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 241 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 241 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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