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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 16 181 it is the complementary color RGB 156 239 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 16 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99 16 181 shade: RGB 104 16 176, RGB 121 34 195, RGB 138 52 214, RGB 155 70 233 and RGB 172 88 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 16 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99 16 181 shade: RGB 99 16 181, RGB 82 0 162, RGB 65 0 143, RGB 48 0 124 and RGB 31 0 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99 16 181 shade: RGB 99 15 182, RGB 145 15 182, RGB 182 15 175, RGB 182 15 130 and RGB 182 15 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99 16 181 shade: RGB 99 15 182, RGB 54 15 182 and RGB 15 15 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99 16 181 shade matches the following richer shades: RGB 99 15 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99 16 181 shade: RGB 99 15 182, RGB 99 32 166, RGB 99 48 150, RGB 99 64 134 and RGB 99 80 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99 16 181 shade: RGB 15 21 182, RGB 54 15 182, RGB 99 15 182, RGB 144 15 182 and RGB 182 15 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99 16 181 shade: RGB 58 9 107, RGB 79 12 145, RGB 99 15 182, RGB 120 19 220 and RGB 141 44 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99 16 181 shade: RGB 99 16 181, RGB 182 15 66 and RGB 15 182 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99 16 181 shade: RGB 99 16 181, RGB 182 99 15 and RGB 15 182 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99 16 181 shade: RGB 99 16 181, RGB 182 15 66, RGB 99 182 15 and RGB 15 182 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99 16 181 shade: RGB 99 16 181, RGB 182 15 15, RGB 99 182 15 and RGB 15 182 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 91 / 0 / 29

HEX #6310B5

RGB 99 16 181

HSL 270.18, 0.84%, 0.39%

LAB 30.3, 62.4, -68.28

 

Complementary color

CMYK 35 / 0 / 69 / 6

HEX #9CEF4A

RGB 156 239 74

HSL 90.18, 0.84%, 0.61%

LAB 86.65, -50.43, 68.37

 

CMYK 41 / 91 / 0 / 31

HEX #6810B0

RGB 104 16 176

HSL 273, 0.83%, 0.38%

LAB 30.52, 61.85, -64.92

 

CMYK 38 / 83 / 0 / 24

HEX #7922C3

RGB 121 34 195

HSL 272.42, 0.7%, 0.45%

LAB 36.27, 63.46, -66.64

 

CMYK 36 / 76 / 0 / 16

HEX #8A34D6

RGB 138 52 214

HSL 271.85, 0.66%, 0.52%

LAB 42.33, 63.94, -67.67

 

CMYK 33 / 70 / 0 / 9

HEX #9B46E9

RGB 155 70 233

HSL 271.29, 0.79%, 0.59%

LAB 48.55, 63.76, -68.28

 

CMYK 32 / 65 / 0 / 1

HEX #AC58FC

RGB 172 88 252

HSL 270.73, 0.96%, 0.67%

LAB 54.84, 63.22, -68.62

 

CMYK 45 / 91 / 0 / 29

HEX #6310B5

RGB 99 16 181

HSL 270.18, 0.84%, 0.39%

LAB 30.3, 62.4, -68.28

 

CMYK 49 / 100 / 0 / 36

HEX #5200A2

RGB 82 0 162

HSL 270.37, 1%, 0.32%

LAB 24.96, 59.5, -65.73

 

CMYK 55 / 100 / 0 / 44

HEX #41008F

RGB 65 0 143

HSL 267.27, 1%, 0.28%

LAB 20.47, 53.76, -61.54

 

CMYK 61 / 100 / 0 / 51

HEX #30007C

RGB 48 0 124

HSL 263.23, 1%, 0.24%

LAB 15.92, 47.96, -57.15

 

CMYK 70 / 100 / 0 / 59

HEX #1F0069

RGB 31 0 105

HSL 257.71, 1%, 0.21%

LAB 11.35, 42.1, -52.45

 

CMYK 46 / 92 / 0 / 29

HEX #630FB6

RGB 99 15 182

HSL 270.18, 0.85%, 0.39%

LAB 30.33, 62.84, -68.83

 

CMYK 20 / 92 / 0 / 29

HEX #910FB6

RGB 145 15 182

HSL 286.71, 0.85%, 0.39%

LAB 37.37, 68.79, -57.03

 

CMYK 0 / 92 / 4 / 29

HEX #B60FAF

RGB 182 15 175

HSL 302.51, 0.85%, 0.39%

LAB 43.33, 73.75, -42.95

 

CMYK 0 / 92 / 29 / 29

HEX #B60F82

RGB 182 15 130

HSL 318.68, 0.85%, 0.39%

LAB 41.05, 67.86, -19.3

 

CMYK 0 / 92 / 53 / 29

HEX #B60F55

RGB 182 15 85

HSL 334.85, 0.85%, 0.39%

LAB 39.48, 63.61, 6.66

 

CMYK 46 / 92 / 0 / 29

HEX #630FB6

RGB 99 15 182

HSL 270.18, 0.85%, 0.39%

LAB 30.33, 62.84, -68.83

 

CMYK 70 / 92 / 0 / 29

HEX #360FB6

RGB 54 15 182

HSL 254.01, 0.85%, 0.39%

LAB 25.27, 59.22, -77.37

 

CMYK 92 / 92 / 0 / 29

HEX #0F0FB6

RGB 15 15 182

HSL 240, 0.85%, 0.39%

LAB 23.07, 57.89, -81.09

 

CMYK 46 / 92 / 0 / 29

HEX #630FB6

RGB 99 15 182

HSL 270.18, 0.85%, 0.39%

LAB 30.33, 62.84, -68.83

 

CMYK 46 / 92 / 0 / 29

HEX #630FB6

RGB 99 15 182

HSL 270.18, 0.85%, 0.39%

LAB 30.33, 62.84, -68.83

 

CMYK 40 / 81 / 0 / 35

HEX #6320A6

RGB 99 32 166

HSL 270, 0.68%, 0.39%

LAB 30.49, 54.17, -58.97

 

CMYK 34 / 68 / 0 / 41

HEX #633096

RGB 99 48 150

HSL 270, 0.52%, 0.39%

LAB 31.74, 43.02, -47.23

 

CMYK 26 / 52 / 0 / 47

HEX #634086

RGB 99 64 134

HSL 270, 0.35%, 0.39%

LAB 34.07, 29.92, -33.66

 

CMYK 16 / 32 / 0 / 54

HEX #635076

RGB 99 80 118

HSL 270, 0.19%, 0.39%

LAB 37.29, 16.02, -18.72

 

CMYK 92 / 88 / 0 / 29

HEX #0F15B6

RGB 15 21 182

HSL 237.84, 0.85%, 0.39%

LAB 23.72, 55.91, -80

 

CMYK 70 / 92 / 0 / 29

HEX #360FB6

RGB 54 15 182

HSL 254.01, 0.85%, 0.39%

LAB 25.27, 59.22, -77.37

 

CMYK 46 / 92 / 0 / 29

HEX #630FB6

RGB 99 15 182

HSL 270.18, 0.85%, 0.39%

LAB 30.33, 62.84, -68.83

 

CMYK 21 / 92 / 0 / 29

HEX #900FB6

RGB 144 15 182

HSL 286.35, 0.85%, 0.39%

LAB 37.2, 68.64, -57.31

 

CMYK 0 / 92 / 3 / 29

HEX #B60FB1

RGB 182 15 177

HSL 301.8, 0.85%, 0.39%

LAB 43.45, 74.04, -43.95

 

CMYK 46 / 92 / 0 / 58

HEX #3A096B

RGB 58 9 107

HSL 270, 0.84%, 0.23%

LAB 16.29, 41.66, -45.49

 

CMYK 46 / 92 / 0 / 43

HEX #4F0C91

RGB 79 12 145

HSL 270.23, 0.85%, 0.31%

LAB 23.57, 52.74, -57.59

 

CMYK 46 / 92 / 0 / 29

HEX #630FB6

RGB 99 15 182

HSL 270.18, 0.85%, 0.39%

LAB 30.33, 62.84, -68.83

 

CMYK 45 / 91 / 0 / 14

HEX #7813DC

RGB 120 19 220

HSL 270.15, 0.84%, 0.47%

LAB 37.16, 72.63, -79.68

 

CMYK 40 / 81 / 0 / 7

HEX #8D2CEC

RGB 141 44 236

HSL 270.31, 0.83%, 0.55%

LAB 43.54, 72.16, -78.23

 

CMYK 45 / 91 / 0 / 29

HEX #6310B5

RGB 99 16 181

HSL 270.18, 0.84%, 0.39%

LAB 30.3, 62.4, -68.28

 

CMYK 0 / 92 / 64 / 29

HEX #B60F42

RGB 182 15 66

HSL 341.68, 0.85%, 0.39%

LAB 39.04, 62.36, 18.2

 

CMYK 92 / 0 / 82 / 29

HEX #0FB620

RGB 15 182 32

HSL 126.11, 0.85%, 0.39%

LAB 64.69, -65.08, 59.17

 

CMYK 45 / 91 / 0 / 29

HEX #6310B5

RGB 99 16 181

HSL 270.18, 0.84%, 0.39%

LAB 30.3, 62.4, -68.28

 

CMYK 0 / 46 / 92 / 29

HEX #B6630F

RGB 182 99 15

HSL 30.18, 0.85%, 0.39%

LAB 50.57, 28.37, 55.44

 

CMYK 92 / 0 / 46 / 29

HEX #0FB663

RGB 15 182 99

HSL 150.18, 0.85%, 0.39%

LAB 65.32, -57.28, 31.59

 

CMYK 45 / 91 / 0 / 29

HEX #6310B5

RGB 99 16 181

HSL 270.18, 0.84%, 0.39%

LAB 30.3, 62.4, -68.28

 

CMYK 0 / 92 / 64 / 29

HEX #B60F42

RGB 182 15 66

HSL 341.68, 0.85%, 0.39%

LAB 39.04, 62.36, 18.2

 

CMYK 46 / 0 / 92 / 29

HEX #63B60F

RGB 99 182 15

HSL 89.82, 0.85%, 0.39%

LAB 66.63, -49.35, 65.23

 

CMYK 92 / 0 / 27 / 29

HEX #0FB684

RGB 15 182 132

HSL 162.04, 0.85%, 0.39%

LAB 65.92, -50.41, 14.8

 

CMYK 45 / 91 / 0 / 29

HEX #6310B5

RGB 99 16 181

HSL 270.18, 0.84%, 0.39%

LAB 30.3, 62.4, -68.28

 

CMYK 0 / 92 / 92 / 29

HEX #B60F0F

RGB 182 15 15

HSL 0, 0.85%, 0.39%

LAB 38.41, 60.6, 46.81

 

CMYK 46 / 0 / 92 / 29

HEX #63B60F

RGB 99 182 15

HSL 89.82, 0.85%, 0.39%

LAB 66.63, -49.35, 65.23

 

CMYK 92 / 0 / 0 / 29

HEX #0FB6B6

RGB 15 182 182

HSL 180, 0.85%, 0.39%

LAB 67.23, -36.82, -10.85

 

Description

Color code: RGB 99 16 181 | qconv.com Color code: RGB 99 16 181 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 16 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 16 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 91 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 91% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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