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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 134 140 it is the complementary color RGB 156 121 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 134 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 134 140: RGB 104 134 135, RGB 121 152 154, RGB 138 170 173, RGB 155 188 192 and RGB 172 206 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 134 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 134 140: RGB 99 134 140, RGB 82 116 121, RGB 65 98 102, RGB 48 80 83 and RGB 31 62 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

Complementary color

CMYK 0 / 22 / 26 / 39

HEX #9C7973

RGB 156 121 115

HSL 8.78, 0.17%, 0.53%

LAB 54.01, 12.7, 8.52

 

CMYK 23 / 1 / 0 / 47

HEX #688687

RGB 104 134 135

HSL 181.94, 0.13%, 0.47%

LAB 53.75, -10.33, -4.04

 

CMYK 21 / 1 / 0 / 40

HEX #79989A

RGB 121 152 154

HSL 183.64, 0.14%, 0.54%

LAB 60.65, -10.27, -4.62

 

CMYK 20 / 2 / 0 / 32

HEX #8AAAAD

RGB 138 170 173

HSL 185.14, 0.18%, 0.61%

LAB 67.4, -10.23, -5.18

 

CMYK 19 / 2 / 0 / 25

HEX #9BBCC0

RGB 155 188 192

HSL 186.49, 0.23%, 0.68%

LAB 74.02, -10.2, -5.72

 

CMYK 18 / 2 / 0 / 17

HEX #ACCED3

RGB 172 206 211

HSL 187.69, 0.31%, 0.75%

LAB 80.53, -10.17, -6.25

 

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

CMYK 32 / 4 / 0 / 53

HEX #527479

RGB 82 116 121

HSL 187.69, 0.19%, 0.4%

LAB 46.53, -10.76, -6.66

 

CMYK 36 / 4 / 0 / 60

HEX #416266

RGB 65 98 102

HSL 186.49, 0.22%, 0.33%

LAB 39.27, -10.81, -6.09

 

CMYK 42 / 4 / 0 / 67

HEX #305053

RGB 48 80 83

HSL 185.14, 0.27%, 0.26%

LAB 31.78, -10.84, -5.49

 

CMYK 52 / 3 / 0 / 75

HEX #1F3E40

RGB 31 62 64

HSL 183.64, 0.35%, 0.19%

LAB 24.02, -10.83, -4.81

 

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

CMYK 29 / 9 / 0 / 45

HEX #637F8C

RGB 99 127 140

HSL 199.02, 0.17%, 0.47%

LAB 51.52, -6.78, -10.3

 

CMYK 29 / 14 / 0 / 45

HEX #63798C

RGB 99 121 140

HSL 207.8, 0.17%, 0.47%

LAB 49.76, -3.32, -12.96

 

CMYK 29 / 19 / 0 / 45

HEX #63728C

RGB 99 114 140

HSL 218.05, 0.17%, 0.47%

LAB 47.73, 0.79, -16.04

 

CMYK 29 / 24 / 0 / 45

HEX #636B8C

RGB 99 107 140

HSL 228.29, 0.17%, 0.47%

LAB 45.72, 4.99, -19.12

 

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

CMYK 29 / 4 / 0 / 25

HEX #87B7BF

RGB 135 183 191

HSL 188.57, 0.3%, 0.64%

LAB 71.41, -13.88, -9.19

 

CMYK 29 / 4 / 0 / 5

HEX #ABE8F2

RGB 171 232 242

HSL 188.45, 0.73%, 0.81%

LAB 88.34, -16.88, -11.07

 

CMYK 29 / 5 / 0 / 85

HEX #1B2426

RGB 27 36 38

HSL 190.91, 0.17%, 0.13%

LAB 13.44, -3.38, -2.65

 

CMYK 29 / 4 / 0 / 65

HEX #3F5559

RGB 63 85 89

HSL 189.23, 0.17%, 0.3%

LAB 34.55, -7.29, -5.07

 

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

CMYK 19 / 29 / 0 / 45

HEX #71638C

RGB 113 99 140

HSL 260.49, 0.17%, 0.47%

LAB 44.7, 14.47, -20.58

 

CMYK 0 / 8 / 29 / 45

HEX #8C8163

RGB 140 129 99

HSL 43.9, 0.17%, 0.47%

LAB 54.21, -0.77, 17.81

 

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

CMYK 0 / 29 / 4 / 45

HEX #8C6386

RGB 140 99 134

HSL 308.78, 0.17%, 0.47%

LAB 47.26, 22.62, -12.83

 

CMYK 4 / 0 / 29 / 45

HEX #868C63

RGB 134 140 99

HSL 68.78, 0.17%, 0.47%

LAB 56.81, -9.35, 21.22

 

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

CMYK 19 / 29 / 0 / 45

HEX #71638C

RGB 113 99 140

HSL 260.49, 0.17%, 0.47%

LAB 44.7, 14.47, -20.58

 

CMYK 0 / 26 / 29 / 45

HEX #8C6863

RGB 140 104 99

HSL 7.32, 0.17%, 0.47%

LAB 47.47, 13.67, 8.44

 

CMYK 10 / 0 / 29 / 45

HEX #7E8C63

RGB 126 140 99

HSL 80.49, 0.17%, 0.47%

LAB 56.18, -12.57, 20.27

 

CMYK 29 / 4 / 0 / 45

HEX #63868C

RGB 99 134 140

HSL 188.78, 0.17%, 0.47%

LAB 53.6, -10.72, -7.2

 

CMYK 11 / 29 / 0 / 45

HEX #7D638C

RGB 125 99 140

HSL 278.05, 0.17%, 0.47%

LAB 45.88, 18.57, -18.67

 

CMYK 0 / 26 / 29 / 45

HEX #8C6863

RGB 140 104 99

HSL 7.32, 0.17%, 0.47%

LAB 47.47, 13.67, 8.44

 

CMYK 19 / 0 / 29 / 45

HEX #728C63

RGB 114 140 99

HSL 98.05, 0.17%, 0.47%

LAB 55.31, -17.25, 18.95

 

Description

Color code: RGB 99 134 140 | qconv.com Color code: RGB 99 134 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 134 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 134 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 4 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 4% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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