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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99.1 162.8 84 it is the complementary color RGB 155.9 92.2 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99.1 162.8 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 99.1 162.8 84 shade: RGB 104.1 162.8 79, RGB 121.1 180.8 98, RGB 138.1 198.8 117, RGB 155.1 216.8 136 and RGB 172.1 234.8 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99.1 162.8 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 99.1 162.8 84 shade: RGB 99.1 162.8 84, RGB 82.1 144.8 65, RGB 65.1 126.8 46, RGB 48.1 108.8 27 and RGB 31.1 90.8 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 99.1 162.8 84 shade: RGB 98 162 83, RGB 119 162 83, RGB 140 162 83, RGB 162 162 83 and RGB 162 140 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 99.1 162.8 84 shade: RGB 98 162 83, RGB 83 162 89, RGB 83 162 110, RGB 83 162 132 and RGB 83 162 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 99.1 162.8 84 shade matches the following richer shades: RGB 98 162 83, RGB 86 181 63, RGB 74 201 44, RGB 62 221 24 and RGB 49 241 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 99.1 162.8 84 shade: RGB 98 162 83, RGB 110 142 103, RGB 123 122 123, RGB 135 102 143 and RGB 147 82 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 99.1 162.8 84 shade: RGB 141 162 83, RGB 120 162 83, RGB 99 162 83, RGB 83 162 88 and RGB 83 162 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 99.1 162.8 84 shade: RGB 65 107 55, RGB 82 134 69, RGB 98 162 83, RGB 121 179 107 and RGB 146 193 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 99.1 162.8 84 shade: RGB 99.1 162.8 84, RGB 83 162 162 and RGB 162 83 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 99.1 162.8 84 shade: RGB 99.1 162.8 84, RGB 83 99 162 and RGB 162 83 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 99.1 162.8 84 shade: RGB 99.1 162.8 84, RGB 83 162 162, RGB 146 83 162 and RGB 162 83 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 99.1 162.8 84 shade: RGB 99.1 162.8 84, RGB 83 138 162, RGB 146 83 162 and RGB 162 107 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 48 / 36

HEX #63A254

RGB 99.1 162.8 84

HSL 108.5, 0.32%, 0.48%

LAB 61.15, -36.06, 34.48

 

Complementary color

CMYK 9 / 46 / 0 / 33

HEX #9B5CAB

RGB 155.9 92.2 171

HSL 288.5, 0.32%, 0.52%

LAB 49.11, 39.21, -31.72

 

CMYK 36 / 0 / 51 / 36

HEX #68A24F

RGB 104.1 162.8 79

HSL 102.03, 0.35%, 0.47%

LAB 61.34, -35.01, 37.31

 

CMYK 33 / 0 / 46 / 29

HEX #79B462

RGB 121.1 180.8 98

HSL 103.26, 0.36%, 0.55%

LAB 67.96, -34.91, 36.08

 

CMYK 31 / 0 / 41 / 22

HEX #8AC675

RGB 138.1 198.8 117

HSL 104.52, 0.42%, 0.62%

LAB 74.48, -34.75, 34.86

 

CMYK 28 / 0 / 37 / 15

HEX #9BD888

RGB 155.1 216.8 136

HSL 105.82, 0.51%, 0.69%

LAB 80.89, -34.58, 33.69

 

CMYK 27 / 0 / 34 / 8

HEX #ACEA9B

RGB 172.1 234.8 155

HSL 107.14, 0.66%, 0.76%

LAB 87.22, -34.39, 32.56

 

CMYK 39 / 0 / 48 / 36

HEX #63A254

RGB 99.1 162.8 84

HSL 108.5, 0.32%, 0.48%

LAB 61.15, -36.06, 34.48

 

CMYK 43 / 0 / 55 / 43

HEX #529041

RGB 82.1 144.8 65

HSL 107.14, 0.38%, 0.41%

LAB 54.42, -36.13, 35.76

 

CMYK 49 / 0 / 64 / 50

HEX #417E2E

RGB 65.1 126.8 46

HSL 105.82, 0.47%, 0.34%

LAB 47.56, -36.03, 36.93

 

CMYK 56 / 0 / 75 / 57

HEX #306C1B

RGB 48.1 108.8 27

HSL 104.52, 0.6%, 0.27%

LAB 40.58, -35.62, 37.72

 

CMYK 66 / 0 / 91 / 64

HEX #1F5A08

RGB 31.1 90.8 8

HSL 103.26, 0.84%, 0.19%

LAB 33.47, -34.6, 37.37

 

CMYK 40 / 0 / 49 / 36

HEX #62A253

RGB 98 162 83

HSL 108.61, 0.32%, 0.48%

LAB 60.84, -36.2, 34.59

 

CMYK 27 / 0 / 49 / 36

HEX #77A253

RGB 119 162 83

HSL 92.66, 0.32%, 0.48%

LAB 61.99, -28.74, 36.27

 

CMYK 14 / 0 / 49 / 36

HEX #8CA253

RGB 140 162 83

HSL 76.71, 0.32%, 0.48%

LAB 63.38, -20.52, 38.29

 

CMYK 0 / 0 / 49 / 36

HEX #A2A253

RGB 162 162 83

HSL 60, 0.32%, 0.48%

LAB 65.08, -11.4, 40.74

 

CMYK 0 / 14 / 49 / 36

HEX #A28C53

RGB 162 140 83

HSL 43.29, 0.32%, 0.48%

LAB 59.03, 0.49, 33.36

 

CMYK 40 / 0 / 49 / 36

HEX #62A253

RGB 98 162 83

HSL 108.61, 0.32%, 0.48%

LAB 60.84, -36.2, 34.59

 

CMYK 49 / 0 / 45 / 36

HEX #53A259

RGB 83 162 89

HSL 124.56, 0.32%, 0.48%

LAB 60.25, -39.99, 30.59

 

CMYK 49 / 0 / 32 / 36

HEX #53A26E

RGB 83 162 110

HSL 140.51, 0.32%, 0.48%

LAB 60.61, -36.32, 19.75

 

CMYK 49 / 0 / 19 / 36

HEX #53A284

RGB 83 162 132

HSL 157.22, 0.32%, 0.48%

LAB 61.09, -31.67, 8.18

 

CMYK 49 / 0 / 6 / 36

HEX #53A299

RGB 83 162 153

HSL 173.16, 0.32%, 0.48%

LAB 61.64, -26.55, -2.82

 

CMYK 40 / 0 / 49 / 36

HEX #62A253

RGB 98 162 83

HSL 108.61, 0.32%, 0.48%

LAB 60.84, -36.2, 34.59

 

CMYK 52 / 0 / 65 / 29

HEX #56B53F

RGB 86 181 63

HSL 108.31, 0.48%, 0.48%

LAB 66.05, -50.14, 50

 

CMYK 63 / 0 / 78 / 21

HEX #4AC92C

RGB 74 201 44

HSL 108.54, 0.64%, 0.48%

LAB 71.83, -61.84, 62.77

 

CMYK 72 / 0 / 89 / 13

HEX #3EDD18

RGB 62 221 24

HSL 108.43, 0.8%, 0.48%

LAB 77.76, -71.41, 72.7

 

CMYK 80 / 0 / 98 / 5

HEX #31F104

RGB 49 241 4

HSL 108.61, 0.97%, 0.48%

LAB 83.74, -79.42, 79.79

 

CMYK 40 / 0 / 49 / 36

HEX #62A253

RGB 98 162 83

HSL 108.61, 0.32%, 0.48%

LAB 60.84, -36.2, 34.59

 

CMYK 23 / 0 / 27 / 44

HEX #6E8E67

RGB 110 142 103

HSL 109.23, 0.16%, 0.48%

LAB 55.73, -19.13, 17.22

 

CMYK 0 / 1 / 0 / 52

HEX #7B7A7B

RGB 123 122 123

HSL 300, 0%, 0.48%

LAB 51.34, 0.58, -0.42

 

CMYK 6 / 29 / 0 / 44

HEX #87668F

RGB 135 102 143

HSL 288.29, 0.17%, 0.48%

LAB 47.8, 20.91, -17.43

 

CMYK 9 / 49 / 0 / 36

HEX #9352A2

RGB 147 82 162

HSL 288.75, 0.33%, 0.48%

LAB 45.42, 40.23, -32.28

 

CMYK 13 / 0 / 49 / 36

HEX #8DA253

RGB 141 162 83

HSL 75.95, 0.32%, 0.48%

LAB 63.45, -20.11, 38.39

 

CMYK 26 / 0 / 49 / 36

HEX #78A253

RGB 120 162 83

HSL 91.9, 0.32%, 0.48%

LAB 62.05, -28.36, 36.36

 

CMYK 39 / 0 / 49 / 36

HEX #63A253

RGB 99 162 83

HSL 107.85, 0.32%, 0.48%

LAB 60.89, -35.87, 34.66

 

CMYK 49 / 0 / 46 / 36

HEX #53A258

RGB 83 162 88

HSL 123.8, 0.32%, 0.48%

LAB 60.23, -40.15, 31.1

 

CMYK 49 / 0 / 33 / 36

HEX #53A26D

RGB 83 162 109

HSL 139.75, 0.32%, 0.48%

LAB 60.59, -36.51, 20.27

 

CMYK 39 / 0 / 49 / 58

HEX #416B37

RGB 65 107 55

HSL 108.46, 0.32%, 0.32%

LAB 41.08, -25.76, 24.55

 

CMYK 39 / 0 / 49 / 47

HEX #528645

RGB 82 134 69

HSL 108, 0.32%, 0.4%

LAB 51.01, -30.68, 29.51

 

CMYK 40 / 0 / 49 / 36

HEX #62A253

RGB 98 162 83

HSL 108.61, 0.32%, 0.48%

LAB 60.84, -36.2, 34.59

 

CMYK 32 / 0 / 40 / 30

HEX #79B36B

RGB 121 179 107

HSL 108.33, 0.32%, 0.56%

LAB 67.55, -32.84, 30.9

 

CMYK 24 / 0 / 31 / 24

HEX #92C186

RGB 146 193 134

HSL 107.8, 0.32%, 0.64%

LAB 73.53, -26.74, 24.84

 

CMYK 39 / 0 / 48 / 36

HEX #63A254

RGB 99.1 162.8 84

HSL 108.5, 0.32%, 0.48%

LAB 61.15, -36.06, 34.48

 

CMYK 49 / 0 / 0 / 36

HEX #53A2A2

RGB 83 162 162

HSL 180, 0.32%, 0.48%

LAB 61.9, -24.17, -7.5

 

CMYK 0 / 49 / 20 / 36

HEX #A25382

RGB 162 83 130

HSL 324.3, 0.32%, 0.48%

LAB 46.28, 38.63, -11.63

 

CMYK 39 / 0 / 48 / 36

HEX #63A254

RGB 99.1 162.8 84

HSL 108.5, 0.32%, 0.48%

LAB 61.15, -36.06, 34.48

 

CMYK 49 / 39 / 0 / 36

HEX #5363A2

RGB 83 99 162

HSL 227.85, 0.32%, 0.48%

LAB 43.32, 11.8, -36.02

 

CMYK 0 / 49 / 39 / 36

HEX #A25363

RGB 162 83 99

HSL 347.85, 0.32%, 0.48%

LAB 45.32, 34.32, 5.77

 

CMYK 39 / 0 / 48 / 36

HEX #63A254

RGB 99.1 162.8 84

HSL 108.5, 0.32%, 0.48%

LAB 61.15, -36.06, 34.48

 

CMYK 49 / 0 / 0 / 36

HEX #53A2A2

RGB 83 162 162

HSL 180, 0.32%, 0.48%

LAB 61.9, -24.17, -7.5

 

CMYK 10 / 49 / 0 / 36

HEX #9253A2

RGB 146 83 162

HSL 287.85, 0.32%, 0.48%

LAB 45.51, 39.4, -32.16

 

CMYK 0 / 49 / 49 / 36

HEX #A25353

RGB 162 83 83

HSL 0, 0.32%, 0.48%

LAB 44.93, 32.54, 14.97

 

CMYK 39 / 0 / 48 / 36

HEX #63A254

RGB 99.1 162.8 84

HSL 108.5, 0.32%, 0.48%

LAB 61.15, -36.06, 34.48

 

CMYK 49 / 15 / 0 / 36

HEX #538AA2

RGB 83 138 162

HSL 198.23, 0.32%, 0.48%

LAB 54.68, -11.41, -18.37

 

CMYK 10 / 49 / 0 / 36

HEX #9253A2

RGB 146 83 162

HSL 287.85, 0.32%, 0.48%

LAB 45.51, 39.4, -32.16

 

CMYK 0 / 34 / 49 / 36

HEX #A26B53

RGB 162 107 83

HSL 18.23, 0.32%, 0.48%

LAB 50.48, 19.14, 22.4

 

Description

Color code: RGB 99.1 162.8 84 | qconv.com Color code: RGB 99.1 162.8 84 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99.1 red, 162.8 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99.1 162.8 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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