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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 72.8 141.4 it is the complementary color RGB 157 182.2 113.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 72.8 141.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 72.8 141.4 shade: RGB 103 72.8 136.4, RGB 120 90.8 155.4, RGB 137 108.8 174.4, RGB 154 126.8 193.4 and RGB 171 144.8 212.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 72.8 141.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 72.8 141.4 shade: RGB 98 72.8 141.4, RGB 81 54.8 122.4, RGB 64 36.8 103.4, RGB 47 18.8 84.4 and RGB 30 0.8 65.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 72.8 141.4 shade: RGB 98 73 141, RGB 116 73 141, RGB 135 73 141, RGB 141 73 129 and RGB 141 73 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 72.8 141.4 shade: RGB 98 73 141, RGB 80 73 141 and RGB 73 73 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 72.8 141.4 shade matches the following richer shades: RGB 98 73 141, RGB 93 55 159, RGB 89 38 176, RGB 84 21 193 and RGB 80 4 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 72.8 141.4 shade: RGB 98 73 141, RGB 103 90 124, RGB 107 107 107, RGB 112 125 89 and RGB 116 142 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 72.8 141.4 shade: RGB 73 84 141, RGB 80 73 141, RGB 98 73 141, RGB 116 73 141 and RGB 135 73 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 72.8 141.4 shade: RGB 60 45 87, RGB 79 59 114, RGB 98 73 141, RGB 117 87 168 and RGB 139 114 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 72.8 141.4 shade: RGB 98 72.8 141.4, RGB 141 73 103 and RGB 75 141 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 72.8 141.4 shade: RGB 98 72.8 141.4, RGB 141 98 73 and RGB 73 141 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 72.8 141.4 shade: RGB 98 72.8 141.4, RGB 141 73 103, RGB 116 141 73 and RGB 73 141 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 72.8 141.4 shade: RGB 98 72.8 141.4, RGB 141 73 82, RGB 116 141 73 and RGB 73 141 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 49 / 0 / 45

HEX #62488D

RGB 98 72.8 141.4

HSL 262.04, 0.32%, 0.42%

LAB 36.5, 26.23, -34.35

 

Complementary color

CMYK 14 / 0 / 38 / 29

HEX #9DB671

RGB 157 182.2 113.6

HSL 82.04, 0.32%, 0.58%

LAB 70.81, -20.33, 32.11

 

CMYK 24 / 47 / 0 / 47

HEX #674888

RGB 103 72.8 136.4

HSL 268.49, 0.3%, 0.41%

LAB 36.76, 26.4, -30.84

 

CMYK 23 / 42 / 0 / 39

HEX #785A9B

RGB 120 90.8 155.4

HSL 267.12, 0.26%, 0.48%

LAB 43.98, 25.5, -30.85

 

CMYK 21 / 38 / 0 / 32

HEX #896CAE

RGB 137 108.8 174.4

HSL 265.79, 0.29%, 0.56%

LAB 51.02, 24.69, -30.88

 

CMYK 20 / 34 / 0 / 24

HEX #9A7EC1

RGB 154 126.8 193.4

HSL 264.5, 0.35%, 0.63%

LAB 57.91, 23.97, -30.95

 

CMYK 19 / 32 / 0 / 17

HEX #AB90D4

RGB 171 144.8 212.4

HSL 263.25, 0.44%, 0.7%

LAB 64.66, 23.31, -31.04

 

CMYK 31 / 49 / 0 / 45

HEX #62488D

RGB 98 72.8 141.4

HSL 262.04, 0.32%, 0.42%

LAB 36.5, 26.23, -34.35

 

CMYK 34 / 55 / 0 / 52

HEX #51367A

RGB 81 54.8 122.4

HSL 263.25, 0.38%, 0.35%

LAB 29.1, 27.31, -34.47

 

CMYK 38 / 64 / 0 / 59

HEX #402467

RGB 64 36.8 103.4

HSL 264.5, 0.48%, 0.27%

LAB 21.54, 28.48, -34.56

 

CMYK 44 / 78 / 0 / 67

HEX #2F1254

RGB 47 18.8 84.4

HSL 265.79, 0.64%, 0.2%

LAB 13.88, 29.52, -34.42

 

CMYK 54 / 99 / 0 / 74

HEX #1E0041

RGB 30 0.8 65.4

HSL 267.12, 0.98%, 0.13%

LAB 6.14, 30.26, -33.99

 

CMYK 30 / 48 / 0 / 45

HEX #62498D

RGB 98 73 141

HSL 262.06, 0.32%, 0.42%

LAB 36.53, 26, -34.07

 

CMYK 18 / 48 / 0 / 45

HEX #74498D

RGB 116 73 141

HSL 277.94, 0.32%, 0.42%

LAB 38.55, 31.36, -30.73

 

CMYK 4 / 48 / 0 / 45

HEX #87498D

RGB 135 73 141

HSL 294.71, 0.32%, 0.42%

LAB 40.96, 37.2, -26.79

 

CMYK 0 / 48 / 9 / 45

HEX #8D4981

RGB 141 73 129

HSL 310.59, 0.32%, 0.42%

LAB 41.24, 36.81, -18.98

 

CMYK 0 / 48 / 21 / 45

HEX #8D496F

RGB 141 73 111

HSL 326.47, 0.32%, 0.42%

LAB 40.53, 33.75, -8.98

 

CMYK 30 / 48 / 0 / 45

HEX #62498D

RGB 98 73 141

HSL 262.06, 0.32%, 0.42%

LAB 36.53, 26, -34.07

 

CMYK 43 / 48 / 0 / 45

HEX #50498D

RGB 80 73 141

HSL 246.18, 0.32%, 0.42%

LAB 34.79, 20.98, -36.93

 

CMYK 48 / 48 / 0 / 45

HEX #49498D

RGB 73 73 141

HSL 240, 0.32%, 0.42%

LAB 34.2, 19.17, -37.91

 

CMYK 30 / 48 / 0 / 45

HEX #62498D

RGB 98 73 141

HSL 262.06, 0.32%, 0.42%

LAB 36.53, 26, -34.07

 

CMYK 42 / 65 / 0 / 38

HEX #5D379F

RGB 93 55 159

HSL 261.92, 0.49%, 0.42%

LAB 33.06, 40.35, -50.6

 

CMYK 49 / 78 / 0 / 31

HEX #5926B0

RGB 89 38 176

HSL 262.17, 0.64%, 0.42%

LAB 30.98, 52.76, -64.22

 

CMYK 56 / 89 / 0 / 24

HEX #5415C1

RGB 84 21 193

HSL 261.98, 0.8%, 0.42%

LAB 30.09, 62.55, -75.81

 

CMYK 62 / 98 / 0 / 17

HEX #5004D3

RGB 80 4 211

HSL 262.03, 0.96%, 0.42%

LAB 30.63, 69.87, -85.45

 

CMYK 30 / 48 / 0 / 45

HEX #62498D

RGB 98 73 141

HSL 262.06, 0.32%, 0.42%

LAB 36.53, 26, -34.07

 

CMYK 17 / 27 / 0 / 51

HEX #675A7C

RGB 103 90 124

HSL 262.94, 0.16%, 0.42%

LAB 40.66, 12.66, -17.2

 

CMYK 0 / 0 / 0 / 58

HEX #6B6B6B

RGB 107 107 107

HSL 0, 0%, 0.42%

LAB 45.22, 0, -0.01

 

CMYK 10 / 0 / 29 / 51

HEX #707D59

RGB 112 125 89

HSL 81.67, 0.17%, 0.42%

LAB 50.49, -11.57, 18.08

 

CMYK 18 / 0 / 49 / 44

HEX #748E48

RGB 116 142 72

HSL 82.29, 0.33%, 0.42%

LAB 55.61, -21.3, 34.08

 

CMYK 48 / 40 / 0 / 45

HEX #49548D

RGB 73 84 141

HSL 230.29, 0.32%, 0.42%

LAB 37.26, 12.04, -33.04

 

CMYK 43 / 48 / 0 / 45

HEX #50498D

RGB 80 73 141

HSL 246.18, 0.32%, 0.42%

LAB 34.79, 20.98, -36.93

 

CMYK 30 / 48 / 0 / 45

HEX #62498D

RGB 98 73 141

HSL 262.06, 0.32%, 0.42%

LAB 36.53, 26, -34.07

 

CMYK 18 / 48 / 0 / 45

HEX #74498D

RGB 116 73 141

HSL 277.94, 0.32%, 0.42%

LAB 38.55, 31.36, -30.73

 

CMYK 4 / 48 / 0 / 45

HEX #87498D

RGB 135 73 141

HSL 294.71, 0.32%, 0.42%

LAB 40.96, 37.2, -26.79

 

CMYK 31 / 48 / 0 / 66

HEX #3C2D57

RGB 60 45 87

HSL 261.43, 0.32%, 0.26%

LAB 22.04, 17.23, -23

 

CMYK 31 / 48 / 0 / 55

HEX #4F3B72

RGB 79 59 114

HSL 261.82, 0.32%, 0.34%

LAB 29.43, 21.72, -28.67

 

CMYK 30 / 48 / 0 / 45

HEX #62498D

RGB 98 73 141

HSL 262.06, 0.32%, 0.42%

LAB 36.53, 26, -34.07

 

CMYK 30 / 48 / 0 / 34

HEX #7557A8

RGB 117 87 168

HSL 262.22, 0.32%, 0.5%

LAB 43.4, 30.11, -39.26

 

CMYK 24 / 37 / 0 / 29

HEX #8B72B6

RGB 139 114 182

HSL 262.06, 0.32%, 0.58%

LAB 52.84, 24.09, -32.42

 

CMYK 31 / 49 / 0 / 45

HEX #62488D

RGB 98 72.8 141.4

HSL 262.04, 0.32%, 0.42%

LAB 36.5, 26.23, -34.35

 

CMYK 0 / 48 / 27 / 45

HEX #8D4967

RGB 141 73 103

HSL 333.53, 0.32%, 0.42%

LAB 40.26, 32.52, -4.43

 

CMYK 47 / 0 / 48 / 45

HEX #4B8D49

RGB 75 141 73

HSL 118.24, 0.32%, 0.42%

LAB 52.98, -35.62, 29.78

 

CMYK 31 / 49 / 0 / 45

HEX #62488D

RGB 98 72.8 141.4

HSL 262.04, 0.32%, 0.42%

LAB 36.5, 26.23, -34.35

 

CMYK 0 / 30 / 48 / 45

HEX #8D6249

RGB 141 98 73

HSL 22.06, 0.32%, 0.42%

LAB 45.47, 14.28, 21.17

 

CMYK 48 / 0 / 30 / 45

HEX #498D62

RGB 73 141 98

HSL 142.06, 0.32%, 0.42%

LAB 53.33, -31.8, 16.44

 

CMYK 31 / 49 / 0 / 45

HEX #62488D

RGB 98 72.8 141.4

HSL 262.04, 0.32%, 0.42%

LAB 36.5, 26.23, -34.35

 

CMYK 0 / 48 / 27 / 45

HEX #8D4967

RGB 141 73 103

HSL 333.53, 0.32%, 0.42%

LAB 40.26, 32.52, -4.43

 

CMYK 18 / 0 / 48 / 45

HEX #748D49

RGB 116 141 73

HSL 82.06, 0.32%, 0.42%

LAB 55.32, -20.67, 33.2

 

CMYK 48 / 0 / 21 / 45

HEX #498D70

RGB 73 141 112

HSL 154.41, 0.32%, 0.42%

LAB 53.64, -28.79, 8.89

 

CMYK 31 / 49 / 0 / 45

HEX #62488D

RGB 98 72.8 141.4

HSL 262.04, 0.32%, 0.42%

LAB 36.5, 26.23, -34.35

 

CMYK 0 / 48 / 42 / 45

HEX #8D4952

RGB 141 73 82

HSL 352.06, 0.32%, 0.42%

LAB 39.64, 29.7, 7.77

 

CMYK 18 / 0 / 48 / 45

HEX #748D49

RGB 116 141 73

HSL 82.06, 0.32%, 0.42%

LAB 55.32, -20.67, 33.2

 

CMYK 48 / 0 / 6 / 45

HEX #498D84

RGB 73 141 132

HSL 172.06, 0.32%, 0.42%

LAB 54.17, -23.87, -1.87

 

Description

Color code: RGB 98 72.8 141.4 | qconv.com Color code: RGB 98 72.8 141.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 72.8 green and 141.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 72.8 141.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 49 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 49% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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