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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 184 224 it is the complementary color RGB 157 71 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 184 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 184 224 shade: RGB 103 184 219, RGB 120 202 238, RGB 137 220 255, RGB 154 238 255 and RGB 171 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 184 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 184 224 shade: RGB 98 184 224, RGB 81 166 205, RGB 64 148 186, RGB 47 130 167 and RGB 30 112 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 184 224 shade: RGB 97 184 224, RGB 97 150 224, RGB 97 116 224, RGB 113 97 224 and RGB 148 97 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 184 224 shade: RGB 97 184 224, RGB 97 150 224, RGB 97 116 224 and RGB 97 97 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 184 224 shade matches the following richer shades: RGB 97 184 224, RGB 82 189 239 and RGB 67 195 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 184 224 shade: RGB 97 184 224, RGB 113 178 209, RGB 128 173 193, RGB 143 167 178 and RGB 158 161 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 184 224 shade: RGB 97 224 196, RGB 97 218 224, RGB 97 184 224, RGB 97 150 224 and RGB 97 116 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 184 224 shade: RGB 39 149 199, RGB 63 168 217, RGB 97 184 224, RGB 132 199 231 and RGB 166 215 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 184 224 shade: RGB 98 184 224, RGB 163 97 224 and RGB 224 213 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 184 224 shade: RGB 98 184 224, RGB 224 97 184 and RGB 184 224 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 184 224 shade: RGB 98 184 224, RGB 163 97 224, RGB 224 137 97 and RGB 159 224 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 184 224 shade: RGB 98 184 224, RGB 201 97 224, RGB 224 137 97 and RGB 121 224 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 18 / 0 / 12

HEX #62B8E0

RGB 98 184 224

HSL 199.05, 0.67%, 0.63%

LAB 71.05, -14.69, -27.95

 

Complementary color

CMYK 0 / 55 / 80 / 38

HEX #9D471F

RGB 157 71 31

HSL 19.05, 0.67%, 0.37%

LAB 40.85, 33.33, 39.67

 

CMYK 53 / 16 / 0 / 14

HEX #67B8DB

RGB 103 184 219

HSL 198.1, 0.62%, 0.63%

LAB 71.06, -15.12, -25.18

 

CMYK 50 / 15 / 0 / 7

HEX #78CAEE

RGB 120 202 238

HSL 198.31, 0.78%, 0.7%

LAB 77.52, -15.46, -25.52

 

CMYK 46 / 14 / 0 / 0

HEX #89DCFF

RGB 137 220 255

HSL 197.8, 1%, 0.77%

LAB 83.82, -16.26, -24.9

 

CMYK 40 / 7 / 0 / 0

HEX #9AEEFF

RGB 154 238 255

HSL 190.1, 1%, 0.8%

LAB 89.5, -21.24, -16.23

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 56 / 18 / 0 / 12

HEX #62B8E0

RGB 98 184 224

HSL 199.05, 0.67%, 0.63%

LAB 71.05, -14.69, -27.95

 

CMYK 60 / 19 / 0 / 20

HEX #51A6CD

RGB 81 166 205

HSL 198.87, 0.55%, 0.56%

LAB 64.51, -14.13, -27.61

 

CMYK 66 / 20 / 0 / 27

HEX #4094BA

RGB 64 148 186

HSL 198.69, 0.49%, 0.49%

LAB 57.86, -13.4, -27.26

 

CMYK 72 / 22 / 0 / 35

HEX #2F82A7

RGB 47 130 167

HSL 198.5, 0.56%, 0.42%

LAB 51.11, -12.42, -26.88

 

CMYK 80 / 24 / 0 / 42

HEX #1E7094

RGB 30 112 148

HSL 198.31, 0.66%, 0.35%

LAB 44.24, -11.09, -26.44

 

CMYK 57 / 18 / 0 / 12

HEX #61B8E0

RGB 97 184 224

HSL 198.9, 0.67%, 0.63%

LAB 71.01, -14.88, -28.01

 

CMYK 57 / 33 / 0 / 12

HEX #6196E0

RGB 97 150 224

HSL 214.96, 0.67%, 0.63%

LAB 61.43, 4, -42.91

 

CMYK 57 / 48 / 0 / 12

HEX #6174E0

RGB 97 116 224

HSL 231.02, 0.67%, 0.63%

LAB 52.3, 24.36, -57.41

 

CMYK 50 / 57 / 0 / 12

HEX #7161E0

RGB 113 97 224

HSL 247.56, 0.67%, 0.63%

LAB 48.81, 39.02, -62.98

 

CMYK 34 / 57 / 0 / 12

HEX #9461E0

RGB 148 97 224

HSL 264.09, 0.67%, 0.63%

LAB 52.09, 46.71, -57.52

 

CMYK 57 / 18 / 0 / 12

HEX #61B8E0

RGB 97 184 224

HSL 198.9, 0.67%, 0.63%

LAB 71.01, -14.88, -28.01

 

CMYK 57 / 33 / 0 / 12

HEX #6196E0

RGB 97 150 224

HSL 214.96, 0.67%, 0.63%

LAB 61.43, 4, -42.91

 

CMYK 57 / 48 / 0 / 12

HEX #6174E0

RGB 97 116 224

HSL 231.02, 0.67%, 0.63%

LAB 52.3, 24.36, -57.41

 

CMYK 57 / 57 / 0 / 12

HEX #6161E0

RGB 97 97 224

HSL 240, 0.67%, 0.63%

LAB 47.59, 35.94, -65.01

 

CMYK 57 / 18 / 0 / 12

HEX #61B8E0

RGB 97 184 224

HSL 198.9, 0.67%, 0.63%

LAB 71.01, -14.88, -28.01

 

CMYK 66 / 21 / 0 / 6

HEX #52BDEF

RGB 82 189 239

HSL 199.11, 0.83%, 0.63%

LAB 72.51, -15.58, -33.89

 

CMYK 74 / 23 / 0 / 0

HEX #43C3FE

RGB 67 195 254

HSL 198.93, 0.99%, 0.63%

LAB 74.43, -15.98, -39.02

 

CMYK 57 / 18 / 0 / 12

HEX #61B8E0

RGB 97 184 224

HSL 198.9, 0.67%, 0.63%

LAB 71.01, -14.88, -28.01

 

CMYK 46 / 15 / 0 / 18

HEX #71B2D1

RGB 113 178 209

HSL 199.38, 0.51%, 0.63%

LAB 69.44, -12.5, -22.15

 

CMYK 34 / 10 / 0 / 24

HEX #80ADC1

RGB 128 173 193

HSL 198.46, 0.34%, 0.63%

LAB 68.26, -10.11, -15.05

 

CMYK 20 / 6 / 0 / 30

HEX #8FA7B2

RGB 143 167 178

HSL 198.86, 0.19%, 0.63%

LAB 67.04, -5.88, -8.45

 

CMYK 3 / 1 / 0 / 36

HEX #9EA1A3

RGB 158 161 163

HSL 204, 0.03%, 0.63%

LAB 66.06, -0.68, -1.42

 

CMYK 57 / 0 / 13 / 12

HEX #61E0C4

RGB 97 224 196

HSL 166.77, 0.67%, 0.63%

LAB 81.75, -41.87, 3.14

 

CMYK 57 / 3 / 0 / 12

HEX #61DAE0

RGB 97 218 224

HSL 182.83, 0.67%, 0.63%

LAB 80.78, -31.95, -13.19

 

CMYK 57 / 18 / 0 / 12

HEX #61B8E0

RGB 97 184 224

HSL 198.9, 0.67%, 0.63%

LAB 71.01, -14.88, -28.01

 

CMYK 57 / 33 / 0 / 12

HEX #6196E0

RGB 97 150 224

HSL 214.96, 0.67%, 0.63%

LAB 61.43, 4, -42.91

 

CMYK 57 / 48 / 0 / 12

HEX #6174E0

RGB 97 116 224

HSL 231.02, 0.67%, 0.63%

LAB 52.3, 24.36, -57.41

 

CMYK 80 / 25 / 0 / 22

HEX #2795C7

RGB 39 149 199

HSL 198.75, 0.67%, 0.47%

LAB 58.08, -12.83, -34.31

 

CMYK 71 / 23 / 0 / 15

HEX #3FA8D9

RGB 63 168 217

HSL 199.09, 0.67%, 0.55%

LAB 65.02, -14.26, -33.51

 

CMYK 57 / 18 / 0 / 12

HEX #61B8E0

RGB 97 184 224

HSL 198.9, 0.67%, 0.63%

LAB 71.01, -14.88, -28.01

 

CMYK 43 / 14 / 0 / 9

HEX #84C7E7

RGB 132 199 231

HSL 199.39, 0.67%, 0.71%

LAB 76.99, -12.99, -22.52

 

CMYK 30 / 9 / 0 / 7

HEX #A6D7ED

RGB 166 215 237

HSL 198.59, 0.66%, 0.79%

LAB 83.35, -10.78, -15.94

 

CMYK 56 / 18 / 0 / 12

HEX #62B8E0

RGB 98 184 224

HSL 199.05, 0.67%, 0.63%

LAB 71.05, -14.69, -27.95

 

CMYK 27 / 57 / 0 / 12

HEX #A361E0

RGB 163 97 224

HSL 271.18, 0.67%, 0.63%

LAB 53.73, 50.29, -54.81

 

CMYK 0 / 5 / 57 / 12

HEX #E0D561

RGB 224 213 97

HSL 54.8, 0.67%, 0.63%

LAB 84.12, -10.67, 57.56

 

CMYK 56 / 18 / 0 / 12

HEX #62B8E0

RGB 98 184 224

HSL 199.05, 0.67%, 0.63%

LAB 71.05, -14.69, -27.95

 

CMYK 0 / 57 / 18 / 12

HEX #E061B8

RGB 224 97 184

HSL 318.9, 0.67%, 0.63%

LAB 59.76, 59.26, -22.04

 

CMYK 18 / 0 / 57 / 12

HEX #B8E061

RGB 184 224 97

HSL 78.9, 0.67%, 0.63%

LAB 84.16, -31.93, 56.81

 

CMYK 56 / 18 / 0 / 12

HEX #62B8E0

RGB 98 184 224

HSL 199.05, 0.67%, 0.63%

LAB 71.05, -14.69, -27.95

 

CMYK 27 / 57 / 0 / 12

HEX #A361E0

RGB 163 97 224

HSL 271.18, 0.67%, 0.63%

LAB 53.73, 50.29, -54.81

 

CMYK 0 / 39 / 57 / 12

HEX #E08961

RGB 224 137 97

HSL 18.9, 0.67%, 0.63%

LAB 65.44, 29.34, 35.35

 

CMYK 29 / 0 / 57 / 12

HEX #9FE061

RGB 159 224 97

HSL 90.71, 0.67%, 0.63%

LAB 82.67, -41.14, 54.72

 

CMYK 56 / 18 / 0 / 12

HEX #62B8E0

RGB 98 184 224

HSL 199.05, 0.67%, 0.63%

LAB 71.05, -14.69, -27.95

 

CMYK 10 / 57 / 0 / 12

HEX #C961E0

RGB 201 97 224

HSL 289.13, 0.67%, 0.63%

LAB 58.37, 59.74, -47.15

 

CMYK 0 / 39 / 57 / 12

HEX #E08961

RGB 224 137 97

HSL 18.9, 0.67%, 0.63%

LAB 65.44, 29.34, 35.35

 

CMYK 46 / 0 / 57 / 12

HEX #79E061

RGB 121 224 97

HSL 108.66, 0.67%, 0.63%

LAB 80.87, -53.46, 52.17

 

Description

Color code: RGB 98 184 224 | qconv.com Color code: RGB 98 184 224 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 184 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 184 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 18 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 18% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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