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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 162 238 it is the complementary color RGB 157 93 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 162 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 162 238 shade: RGB 103 162 233, RGB 120 180 252, RGB 137 198 255, RGB 154 216 255 and RGB 171 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 162 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 162 238 shade: RGB 98 162 238, RGB 81 144 219, RGB 64 126 200, RGB 47 108 181 and RGB 30 90 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 162 238 shade: RGB 98 162 237, RGB 98 124 237, RGB 110 98 237, RGB 147 98 237 and RGB 185 98 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 162 238 shade: RGB 98 162 237, RGB 98 124 237 and RGB 98 98 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 162 238 shade matches the following richer shades: RGB 98 162 237 and RGB 84 161 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 162 238 shade: RGB 98 162 237, RGB 112 163 223, RGB 126 164 209, RGB 141 165 195 and RGB 155 167 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 162 238 shade: RGB 98 237 237, RGB 98 200 237, RGB 98 163 237, RGB 98 126 237 and RGB 108 98 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 162 238 shade: RGB 25 118 228, RGB 61 140 233, RGB 98 162 237, RGB 136 184 241 and RGB 173 206 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 162 238 shade: RGB 98 162 238, RGB 200 98 237 and RGB 219 237 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 162 238 shade: RGB 98 162 238, RGB 237 98 163 and RGB 163 237 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 162 238 shade: RGB 98 162 238, RGB 200 98 237, RGB 237 172 98 and RGB 135 237 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 162 238 shade: RGB 98 162 238, RGB 237 98 233, RGB 237 172 98 and RGB 98 237 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 32 / 0 / 7

HEX #62A2EE

RGB 98 162 238

HSL 212.57, 0.8%, 0.66%

LAB 65.44, 1.75, -44.32

 

Complementary color

CMYK 0 / 41 / 89 / 38

HEX #9D5D11

RGB 157 93 17

HSL 32.57, 0.8%, 0.34%

LAB 45.69, 20.82, 49.6

 

CMYK 56 / 30 / 0 / 9

HEX #67A2E9

RGB 103 162 233

HSL 212.77, 0.75%, 0.66%

LAB 65.44, 1.16, -41.56

 

CMYK 52 / 29 / 0 / 1

HEX #78B4FC

RGB 120 180 252

HSL 212.73, 0.96%, 0.73%

LAB 72, 0.42, -41.59

 

CMYK 46 / 22 / 0 / 0

HEX #89C6FF

RGB 137 198 255

HSL 208.98, 1%, 0.77%

LAB 77.83, -4.73, -34.08

 

CMYK 40 / 15 / 0 / 0

HEX #9AD8FF

RGB 154 216 255

HSL 203.17, 1%, 0.8%

LAB 83.55, -10.09, -25.24

 

CMYK 33 / 8 / 0 / 0

HEX #ABEAFF

RGB 171 234 255

HSL 195, 1%, 0.84%

LAB 89.26, -14.87, -16.51

 

CMYK 59 / 32 / 0 / 7

HEX #62A2EE

RGB 98 162 238

HSL 212.57, 0.8%, 0.66%

LAB 65.44, 1.75, -44.32

 

CMYK 63 / 34 / 0 / 14

HEX #5190DB

RGB 81 144 219

HSL 212.61, 0.66%, 0.59%

LAB 58.8, 2.8, -44.32

 

CMYK 68 / 37 / 0 / 22

HEX #407EC8

RGB 64 126 200

HSL 212.65, 0.55%, 0.52%

LAB 52.04, 4.11, -44.33

 

CMYK 74 / 40 / 0 / 29

HEX #2F6CB5

RGB 47 108 181

HSL 212.69, 0.59%, 0.45%

LAB 45.17, 5.77, -44.34

 

CMYK 81 / 44 / 0 / 36

HEX #1E5AA2

RGB 30 90 162

HSL 212.73, 0.69%, 0.38%

LAB 38.19, 7.93, -44.33

 

CMYK 59 / 32 / 0 / 7

HEX #62A2ED

RGB 98 162 237

HSL 212.37, 0.79%, 0.66%

LAB 65.4, 1.43, -43.84

 

CMYK 59 / 48 / 0 / 7

HEX #627CED

RGB 98 124 237

HSL 228.78, 0.79%, 0.66%

LAB 55.2, 23.92, -60.03

 

CMYK 54 / 59 / 0 / 7

HEX #6E62ED

RGB 110 98 237

HSL 245.18, 0.79%, 0.66%

LAB 49.7, 41.76, -68.88

 

CMYK 38 / 59 / 0 / 7

HEX #9362ED

RGB 147 98 237

HSL 261.15, 0.79%, 0.66%

LAB 53.01, 49.25, -63.36

 

CMYK 22 / 59 / 0 / 7

HEX #B962ED

RGB 185 98 237

HSL 277.55, 0.79%, 0.66%

LAB 57.23, 57.97, -56.35

 

CMYK 59 / 32 / 0 / 7

HEX #62A2ED

RGB 98 162 237

HSL 212.37, 0.79%, 0.66%

LAB 65.4, 1.43, -43.84

 

CMYK 59 / 48 / 0 / 7

HEX #627CED

RGB 98 124 237

HSL 228.78, 0.79%, 0.66%

LAB 55.2, 23.92, -60.03

 

CMYK 59 / 59 / 0 / 7

HEX #6262ED

RGB 98 98 237

HSL 240, 0.79%, 0.66%

LAB 48.82, 39.65, -70.35

 

CMYK 59 / 32 / 0 / 7

HEX #62A2ED

RGB 98 162 237

HSL 212.37, 0.79%, 0.66%

LAB 65.4, 1.43, -43.84

 

CMYK 67 / 36 / 0 / 2

HEX #54A1FB

RGB 84 161 251

HSL 212.34, 0.95%, 0.66%

LAB 65.23, 4.15, -51.8

 

CMYK 59 / 32 / 0 / 7

HEX #62A2ED

RGB 98 162 237

HSL 212.37, 0.79%, 0.66%

LAB 65.4, 1.43, -43.84

 

CMYK 50 / 27 / 0 / 13

HEX #70A3DF

RGB 112 163 223

HSL 212.43, 0.63%, 0.66%

LAB 65.72, -0.48, -35.58

 

CMYK 40 / 22 / 0 / 18

HEX #7EA4D1

RGB 126 164 209

HSL 212.53, 0.47%, 0.66%

LAB 66.21, -1.54, -27.04

 

CMYK 28 / 15 / 0 / 24

HEX #8DA5C3

RGB 141 165 195

HSL 213.33, 0.31%, 0.66%

LAB 66.91, -1.43, -18.12

 

CMYK 14 / 8 / 0 / 29

HEX #9BA7B5

RGB 155 167 181

HSL 212.31, 0.15%, 0.66%

LAB 67.98, -1.3, -8.64

 

CMYK 59 / 0 / 0 / 7

HEX #62EDED

RGB 98 237 237

HSL 180, 0.79%, 0.66%

LAB 86.64, -37.17, -11.3

 

CMYK 59 / 16 / 0 / 7

HEX #62C8ED

RGB 98 200 237

HSL 195.97, 0.79%, 0.66%

LAB 76.08, -19.18, -27.26

 

CMYK 59 / 31 / 0 / 7

HEX #62A3ED

RGB 98 163 237

HSL 211.94, 0.79%, 0.66%

LAB 65.68, 0.86, -43.41

 

CMYK 59 / 47 / 0 / 7

HEX #627EED

RGB 98 126 237

HSL 227.91, 0.79%, 0.66%

LAB 55.72, 22.7, -59.21

 

CMYK 54 / 59 / 0 / 7

HEX #6C62ED

RGB 108 98 237

HSL 244.32, 0.79%, 0.66%

LAB 49.54, 41.39, -69.14

 

CMYK 89 / 48 / 0 / 11

HEX #1976E4

RGB 25 118 228

HSL 212.51, 0.8%, 0.5%

LAB 50.41, 15.45, -62.85

 

CMYK 74 / 40 / 0 / 9

HEX #3D8CE9

RGB 61 140 233

HSL 212.44, 0.8%, 0.58%

LAB 57.69, 7.01, -53.93

 

CMYK 59 / 32 / 0 / 7

HEX #62A2ED

RGB 98 162 237

HSL 212.37, 0.79%, 0.66%

LAB 65.4, 1.43, -43.84

 

CMYK 44 / 24 / 0 / 5

HEX #88B8F1

RGB 136 184 241

HSL 212.57, 0.79%, 0.74%

LAB 73.46, -1.25, -33.32

 

CMYK 29 / 16 / 0 / 4

HEX #ADCEF5

RGB 173 206 245

HSL 212.5, 0.78%, 0.82%

LAB 81.63, -2.19, -22.75

 

CMYK 59 / 32 / 0 / 7

HEX #62A2EE

RGB 98 162 238

HSL 212.57, 0.8%, 0.66%

LAB 65.44, 1.75, -44.32

 

CMYK 16 / 59 / 0 / 7

HEX #C862ED

RGB 200 98 237

HSL 284.03, 0.79%, 0.66%

LAB 59.09, 61.56, -53.28

 

CMYK 8 / 0 / 59 / 7

HEX #DBED62

RGB 219 237 98

HSL 67.77, 0.79%, 0.66%

LAB 90.1, -24.37, 63.69

 

CMYK 59 / 32 / 0 / 7

HEX #62A2EE

RGB 98 162 238

HSL 212.57, 0.8%, 0.66%

LAB 65.44, 1.75, -44.32

 

CMYK 0 / 59 / 31 / 7

HEX #ED62A3

RGB 237 98 163

HSL 331.94, 0.79%, 0.66%

LAB 61.12, 59.88, -7.73

 

CMYK 31 / 0 / 59 / 7

HEX #A3ED62

RGB 163 237 98

HSL 91.94, 0.79%, 0.66%

LAB 86.62, -45.29, 58.85

 

CMYK 59 / 32 / 0 / 7

HEX #62A2EE

RGB 98 162 238

HSL 212.57, 0.8%, 0.66%

LAB 65.44, 1.75, -44.32

 

CMYK 16 / 59 / 0 / 7

HEX #C862ED

RGB 200 98 237

HSL 284.03, 0.79%, 0.66%

LAB 59.09, 61.56, -53.28

 

CMYK 0 / 27 / 59 / 7

HEX #EDAC62

RGB 237 172 98

HSL 31.94, 0.79%, 0.66%

LAB 75.07, 16.08, 46.93

 

CMYK 43 / 0 / 59 / 7

HEX #87ED62

RGB 135 237 98

HSL 104.03, 0.79%, 0.66%

LAB 85.3, -54.36, 57

 

CMYK 59 / 32 / 0 / 7

HEX #62A2EE

RGB 98 162 238

HSL 212.57, 0.8%, 0.66%

LAB 65.44, 1.75, -44.32

 

CMYK 0 / 59 / 2 / 7

HEX #ED62E9

RGB 237 98 233

HSL 301.73, 0.79%, 0.66%

LAB 63.85, 69.92, -43.2

 

CMYK 0 / 27 / 59 / 7

HEX #EDAC62

RGB 237 172 98

HSL 31.94, 0.79%, 0.66%

LAB 75.07, 16.08, 46.93

 

CMYK 59 / 0 / 57 / 7

HEX #62ED67

RGB 98 237 103

HSL 122.16, 0.79%, 0.66%

LAB 84.04, -63.61, 52.99

 

Description

Color code: RGB 98 162 238 | qconv.com Color code: RGB 98 162 238 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 162 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 162 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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