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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 110 96 it is the complementary color RGB 157 145 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 110 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 110 96 shade: RGB 103 110 91, RGB 120 128 110, RGB 137 146 129, RGB 154 164 148 and RGB 171 182 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 110 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 110 96 shade: RGB 98 110 96, RGB 81 92 77, RGB 64 74 58, RGB 47 56 39 and RGB 30 38 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 110 96 shade: RGB 96 109 94, RGB 100 109 94, RGB 104 109 94, RGB 108 109 94 and RGB 109 105 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 110 96 shade: RGB 96 109 94, RGB 94 109 96, RGB 94 109 100, RGB 94 109 104 and RGB 94 109 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 110 96 shade matches the following richer shades: RGB 96 109 94, RGB 85 125 78, RGB 73 142 61, RGB 61 158 45 and RGB 49 175 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 110 96 shade: RGB 96 109 94, RGB 108 92 111, RGB 120 76 127, RGB 132 59 144 and RGB 144 43 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 110 96 shade: RGB 104 109 94, RGB 100 109 94, RGB 97 109 94, RGB 94 109 96 and RGB 94 109 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 110 96 shade: RGB 57 64 56, RGB 77 87 75, RGB 96 109 94, RGB 116 131 114 and RGB 137 151 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 110 96 shade: RGB 98 110 96, RGB 94 108 109 and RGB 109 94 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 110 96 shade: RGB 98 110 96, RGB 94 97 109 and RGB 109 94 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 110 96 shade: RGB 98 110 96, RGB 94 108 109, RGB 106 94 109 and RGB 109 95 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 110 96 shade: RGB 98 110 96, RGB 94 104 109, RGB 106 94 109 and RGB 109 99 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 13 / 57

HEX #626E60

RGB 98 110 96

HSL 111.43, 0.07%, 0.4%

LAB 45.07, -7.46, 6.28

 

Complementary color

CMYK 1 / 9 / 0 / 38

HEX #9D919F

RGB 157 145 159

HSL 291.43, 0.07%, 0.6%

LAB 61.59, 7.09, -5.77

 

CMYK 6 / 0 / 17 / 57

HEX #676E5B

RGB 103 110 91

HSL 82.11, 0.09%, 0.39%

LAB 45.35, -6.43, 9.71

 

CMYK 6 / 0 / 14 / 50

HEX #78806E

RGB 120 128 110

HSL 86.67, 0.08%, 0.47%

LAB 52.46, -6.48, 8.77

 

CMYK 6 / 0 / 12 / 43

HEX #899281

RGB 137 146 129

HSL 91.76, 0.07%, 0.54%

LAB 59.4, -6.54, 7.9

 

CMYK 6 / 0 / 10 / 36

HEX #9AA494

RGB 154 164 148

HSL 97.5, 0.08%, 0.61%

LAB 66.18, -6.59, 7.08

 

CMYK 6 / 0 / 8 / 29

HEX #ABB6A7

RGB 171 182 167

HSL 104, 0.09%, 0.68%

LAB 72.83, -6.64, 6.31

 

CMYK 11 / 0 / 13 / 57

HEX #626E60

RGB 98 110 96

HSL 111.43, 0.07%, 0.4%

LAB 45.07, -7.46, 6.28

RGB 98 110 96

CMYK 12 / 0 / 16 / 64

HEX #515C4D

RGB 81 92 77

HSL 104, 0.09%, 0.33%

LAB 37.73, -7.49, 7.21

RGB 81 92 77

CMYK 14 / 0 / 22 / 71

HEX #404A3A

RGB 64 74 58

HSL 97.5, 0.12%, 0.26%

LAB 30.14, -7.54, 8.23

RGB 64 74 58

CMYK 16 / 0 / 30 / 78

HEX #2F3827

RGB 47 56 39

HSL 91.76, 0.18%, 0.19%

LAB 22.23, -7.6, 9.41

RGB 47 56 39

CMYK 21 / 0 / 47 / 85

HEX #1E2614

RGB 30 38 20

HSL 86.67, 0.31%, 0.11%

LAB 13.9, -7.65, 10.79

RGB 30 38 20

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 8 / 0 / 14 / 57

HEX #646D5E

RGB 100 109 94

HSL 96, 0.07%, 0.4%

LAB 44.88, -6.49, 7.22

 

CMYK 5 / 0 / 14 / 57

HEX #686D5E

RGB 104 109 94

HSL 80, 0.07%, 0.4%

LAB 45.2, -4.9, 7.73

 

CMYK 1 / 0 / 14 / 57

HEX #6C6D5E

RGB 108 109 94

HSL 64, 0.07%, 0.4%

LAB 45.54, -3.28, 8.26

 

CMYK 0 / 4 / 14 / 57

HEX #6D695E

RGB 109 105 94

HSL 44, 0.07%, 0.4%

LAB 44.47, -0.53, 6.74

 

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 14 / 0 / 12 / 57

HEX #5E6D60

RGB 94 109 96

HSL 128, 0.07%, 0.4%

LAB 44.46, -8.43, 5.37

 

CMYK 14 / 0 / 8 / 57

HEX #5E6D64

RGB 94 109 100

HSL 144, 0.07%, 0.4%

LAB 44.57, -7.59, 3.12

 

CMYK 14 / 0 / 5 / 57

HEX #5E6D68

RGB 94 109 104

HSL 160, 0.07%, 0.4%

LAB 44.68, -6.73, 0.88

 

CMYK 14 / 0 / 1 / 57

HEX #5E6D6C

RGB 94 109 108

HSL 176, 0.07%, 0.4%

LAB 44.8, -5.84, -1.35

 

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 32 / 0 / 38 / 51

HEX #557D4E

RGB 85 125 78

HSL 111.06, 0.23%, 0.4%

LAB 48.45, -23.82, 21.3

 

CMYK 49 / 0 / 57 / 44

HEX #498E3D

RGB 73 142 61

HSL 111.11, 0.4%, 0.4%

LAB 53.06, -38.32, 36.04

 

CMYK 61 / 0 / 72 / 38

HEX #3D9E2D

RGB 61 158 45

HSL 111.5, 0.56%, 0.4%

LAB 57.69, -49.7, 48.25

 

CMYK 72 / 0 / 84 / 31

HEX #31AF1C

RGB 49 175 28

HSL 111.43, 0.72%, 0.4%

LAB 62.84, -59.19, 58.69

 

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 3 / 17 / 0 / 56

HEX #6C5C6F

RGB 108 92 111

HSL 290.53, 0.09%, 0.4%

LAB 41.2, 10.27, -8.38

 

CMYK 6 / 40 / 0 / 50

HEX #784C7F

RGB 120 76 127

HSL 291.76, 0.25%, 0.4%

LAB 39.06, 27.74, -21.34

 

CMYK 8 / 59 / 0 / 44

HEX #843B90

RGB 132 59 144

HSL 291.53, 0.42%, 0.4%

LAB 37.93, 44.29, -33.41

 

CMYK 10 / 73 / 0 / 37

HEX #902BA0

RGB 144 43 160

HSL 291.79, 0.58%, 0.4%

LAB 38.19, 57.28, -42.57

 

CMYK 5 / 0 / 14 / 57

HEX #686D5E

RGB 104 109 94

HSL 80, 0.07%, 0.4%

LAB 45.2, -4.9, 7.73

 

CMYK 8 / 0 / 14 / 57

HEX #646D5E

RGB 100 109 94

HSL 96, 0.07%, 0.4%

LAB 44.88, -6.49, 7.22

 

CMYK 11 / 0 / 14 / 57

HEX #616D5E

RGB 97 109 94

HSL 108, 0.07%, 0.4%

LAB 44.64, -7.67, 6.85

 

CMYK 14 / 0 / 12 / 57

HEX #5E6D60

RGB 94 109 96

HSL 128, 0.07%, 0.4%

LAB 44.46, -8.43, 5.37

 

CMYK 14 / 0 / 8 / 57

HEX #5E6D64

RGB 94 109 100

HSL 144, 0.07%, 0.4%

LAB 44.57, -7.59, 3.12

 

CMYK 11 / 0 / 13 / 75

HEX #394038

RGB 57 64 56

HSL 112.5, 0.07%, 0.24%

LAB 26.22, -4.74, 3.91

 

CMYK 11 / 0 / 14 / 66

HEX #4D574B

RGB 77 87 75

HSL 110, 0.07%, 0.32%

LAB 35.8, -6.54, 5.65

 

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 11 / 0 / 13 / 49

HEX #748372

RGB 116 131 114

HSL 112.94, 0.07%, 0.48%

LAB 53.12, -8.94, 7.35

 

CMYK 9 / 0 / 11 / 41

HEX #899787

RGB 137 151 135

HSL 112.5, 0.07%, 0.56%

LAB 60.96, -8.16, 6.73

 

CMYK 11 / 0 / 13 / 57

HEX #626E60

RGB 98 110 96

HSL 111.43, 0.07%, 0.4%

LAB 45.07, -7.46, 6.28

RGB 98 110 96

CMYK 14 / 1 / 0 / 57

HEX #5E6C6D

RGB 94 108 109

HSL 184, 0.07%, 0.4%

LAB 44.53, -5.03, -2.35

RGB 94 108 109

CMYK 0 / 14 / 6 / 57

HEX #6D5E66

RGB 109 94 102

HSL 328, 0.07%, 0.4%

LAB 41.56, 7.58, -2.33

RGB 109 94 102

CMYK 11 / 0 / 13 / 57

HEX #626E60

RGB 98 110 96

HSL 111.43, 0.07%, 0.4%

LAB 45.07, -7.46, 6.28

RGB 98 110 96

CMYK 14 / 11 / 0 / 57

HEX #5E616D

RGB 94 97 109

HSL 228, 0.07%, 0.4%

LAB 41.27, 1.53, -7.19

RGB 94 97 109

CMYK 0 / 14 / 11 / 57

HEX #6D5E61

RGB 109 94 97

HSL 348, 0.07%, 0.4%

LAB 41.41, 6.61, 0.51

RGB 109 94 97

CMYK 11 / 0 / 13 / 57

HEX #626E60

RGB 98 110 96

HSL 111.43, 0.07%, 0.4%

LAB 45.07, -7.46, 6.28

RGB 98 110 96

CMYK 14 / 1 / 0 / 57

HEX #5E6C6D

RGB 94 108 109

HSL 184, 0.07%, 0.4%

LAB 44.53, -5.03, -2.35

RGB 94 108 109

CMYK 3 / 14 / 0 / 57

HEX #6A5E6D

RGB 106 94 109

HSL 288, 0.07%, 0.4%

LAB 41.49, 7.86, -6.74

RGB 106 94 109

CMYK 11 / 0 / 13 / 57

HEX #626E60

RGB 98 110 96

HSL 111.43, 0.07%, 0.4%

LAB 45.07, -7.46, 6.28

RGB 98 110 96

CMYK 14 / 5 / 0 / 57

HEX #5E686D

RGB 94 104 109

HSL 200, 0.07%, 0.4%

LAB 43.34, -2.67, -4.11

RGB 94 104 109

CMYK 3 / 14 / 0 / 57

HEX #6A5E6D

RGB 106 94 109

HSL 288, 0.07%, 0.4%

LAB 41.49, 7.86, -6.74

RGB 106 94 109

CMYK 0 / 9 / 14 / 57

HEX #6D635E

RGB 109 99 94

HSL 20, 0.07%, 0.4%

LAB 42.74, 3.03, 4.27

RGB 109 99 94

Description

Color code: RGB 98 110 96 | qconv.com Color code: RGB 98 110 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 110 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 110 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 13 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 13% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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