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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 103 251 it is the complementary color RGB 157 152 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 103 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 103 251 shade: RGB 103 103 246, RGB 120 121 255, RGB 137 139 255, RGB 154 157 255 and RGB 171 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 103 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 103 251 shade: RGB 98 103 251, RGB 81 85 232, RGB 64 67 213, RGB 47 49 194 and RGB 30 31 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 103 251 shade: RGB 96 101 251, RGB 133 96 251, RGB 174 96 251, RGB 216 96 251 and RGB 251 96 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 103 251 shade: RGB 96 101 251 and RGB 96 96 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 103 251 shade matches the following richer shades: RGB 96 101 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 103 251 shade: RGB 96 101 251, RGB 109 113 238, RGB 122 126 225, RGB 135 138 211 and RGB 149 150 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 103 251 shade: RGB 96 184 251, RGB 96 142 251, RGB 96 101 251, RGB 132 96 251 and RGB 173 96 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 103 251 shade: RGB 15 23 249, RGB 56 62 250, RGB 96 101 251, RGB 136 140 252 and RGB 176 179 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 103 251 shade: RGB 98 103 251, RGB 251 96 225 and RGB 163 251 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 103 251 shade: RGB 98 103 251, RGB 251 96 101 and RGB 101 251 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 103 251 shade: RGB 98 103 251, RGB 251 96 225, RGB 251 246 96 and RGB 96 251 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 103 251 shade: RGB 98 103 251, RGB 251 96 179, RGB 251 246 96 and RGB 96 251 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 59 / 0 / 2

HEX #6267FB

RGB 98 103 251

HSL 238.04, 0.95%, 0.68%

LAB 50.99, 41.14, -74.63

 

Complementary color

CMYK 0 / 3 / 97 / 38

HEX #9D9804

RGB 157 152 4

HSL 58.04, 0.95%, 0.32%

LAB 61.34, -12.33, 64.15

 

CMYK 58 / 58 / 0 / 4

HEX #6767F6

RGB 103 103 246

HSL 240, 0.89%, 0.68%

LAB 50.96, 40.36, -71.88

 

CMYK 53 / 53 / 0 / 0

HEX #7879FF

RGB 120 121 255

HSL 239.56, 1%, 0.74%

LAB 56.97, 35.61, -67.1

 

CMYK 46 / 45 / 0 / 0

HEX #898BFF

RGB 137 139 255

HSL 238.98, 1%, 0.77%

LAB 62.51, 28.63, -58.14

 

CMYK 40 / 38 / 0 / 0

HEX #9A9DFF

RGB 154 157 255

HSL 238.22, 1%, 0.8%

LAB 68.17, 22.32, -49.08

 

CMYK 33 / 31 / 0 / 0

HEX #ABAFFF

RGB 171 175 255

HSL 237.14, 1%, 0.84%

LAB 73.89, 16.63, -40.03

 

CMYK 61 / 59 / 0 / 2

HEX #6267FB

RGB 98 103 251

HSL 238.04, 0.95%, 0.68%

LAB 50.99, 41.14, -74.63

 

CMYK 65 / 63 / 0 / 9

HEX #5155E8

RGB 81 85 232

HSL 238.41, 0.77%, 0.61%

LAB 44.34, 43.19, -74.88

 

CMYK 70 / 69 / 0 / 16

HEX #4043D5

RGB 64 67 213

HSL 238.79, 0.64%, 0.54%

LAB 37.68, 45.46, -75

 

CMYK 76 / 75 / 0 / 24

HEX #2F31C2

RGB 47 49 194

HSL 239.18, 0.61%, 0.47%

LAB 31.1, 47.85, -74.81

 

CMYK 83 / 82 / 0 / 31

HEX #1E1FAF

RGB 30 31 175

HSL 239.59, 0.71%, 0.4%

LAB 24.8, 50.02, -74

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 47 / 62 / 0 / 2

HEX #8560FB

RGB 133 96 251

HSL 254.32, 0.95%, 0.68%

LAB 52.19, 51.22, -72.55

 

CMYK 31 / 62 / 0 / 2

HEX #AE60FB

RGB 174 96 251

HSL 270.19, 0.95%, 0.68%

LAB 56.42, 59.57, -65.52

 

CMYK 14 / 62 / 0 / 2

HEX #D860FB

RGB 216 96 251

HSL 286.45, 0.95%, 0.68%

LAB 61.59, 68.94, -56.93

 

CMYK 0 / 62 / 3 / 2

HEX #FB60F4

RGB 251 96 244

HSL 302.71, 0.95%, 0.68%

LAB 66.06, 75.9, -45.68

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 62 / 62 / 0 / 2

HEX #6060FB

RGB 96 96 251

HSL 240, 0.95%, 0.68%

LAB 49.27, 44.96, -77.43

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 54 / 53 / 0 / 7

HEX #6D71EE

RGB 109 113 238

HSL 238.14, 0.79%, 0.68%

LAB 53.21, 32.98, -63.77

 

CMYK 46 / 44 / 0 / 12

HEX #7A7EE1

RGB 122 126 225

HSL 237.67, 0.63%, 0.68%

LAB 56.58, 24.06, -51.04

 

CMYK 36 / 35 / 0 / 17

HEX #878AD3

RGB 135 138 211

HSL 237.63, 0.46%, 0.68%

LAB 59.92, 16.35, -37.87

 

CMYK 25 / 24 / 0 / 22

HEX #9596C6

RGB 149 150 198

HSL 238.78, 0.3%, 0.68%

LAB 63.57, 10.18, -24.83

 

CMYK 62 / 27 / 0 / 2

HEX #60B8FB

RGB 96 184 251

HSL 205.94, 0.95%, 0.68%

LAB 72.05, -6.79, -41.05

 

CMYK 62 / 43 / 0 / 2

HEX #608EFB

RGB 96 142 251

HSL 222.19, 0.95%, 0.68%

LAB 60.6, 17.32, -59.13

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 47 / 62 / 0 / 2

HEX #8460FB

RGB 132 96 251

HSL 253.94, 0.95%, 0.68%

LAB 52.1, 51.04, -72.7

 

CMYK 31 / 62 / 0 / 2

HEX #AD60FB

RGB 173 96 251

HSL 269.81, 0.95%, 0.68%

LAB 56.3, 59.35, -65.71

 

CMYK 94 / 91 / 0 / 2

HEX #0F17F9

RGB 15 23 249

HSL 237.95, 0.95%, 0.52%

LAB 33.04, 73.64, -103.26

 

CMYK 78 / 75 / 0 / 2

HEX #383EFA

RGB 56 62 250

HSL 238.14, 0.95%, 0.6%

LAB 39.9, 59.45, -92.37

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 46 / 44 / 0 / 1

HEX #888CFC

RGB 136 140 252

HSL 237.93, 0.95%, 0.76%

LAB 62.52, 26.96, -56.48

 

CMYK 30 / 29 / 0 / 1

HEX #B0B3FD

RGB 176 179 253

HSL 237.66, 0.95%, 0.84%

LAB 75.18, 15.28, -36.93

 

CMYK 61 / 59 / 0 / 2

HEX #6267FB

RGB 98 103 251

HSL 238.04, 0.95%, 0.68%

LAB 50.99, 41.14, -74.63

 

CMYK 0 / 62 / 10 / 2

HEX #FB60E1

RGB 251 96 225

HSL 310.06, 0.95%, 0.68%

LAB 65.21, 72.98, -36.48

 

CMYK 35 / 0 / 62 / 2

HEX #A3FB60

RGB 163 251 96

HSL 94.06, 0.95%, 0.68%

LAB 90.61, -51.34, 64.14

 

CMYK 61 / 59 / 0 / 2

HEX #6267FB

RGB 98 103 251

HSL 238.04, 0.95%, 0.68%

LAB 50.99, 41.14, -74.63

 

CMYK 0 / 62 / 60 / 2

HEX #FB6065

RGB 251 96 101

HSL 358.06, 0.95%, 0.68%

LAB 61.49, 59.43, 28.9

 

CMYK 60 / 0 / 62 / 2

HEX #65FB60

RGB 101 251 96

HSL 118.06, 0.95%, 0.68%

LAB 88.26, -68.63, 60.87

 

CMYK 61 / 59 / 0 / 2

HEX #6267FB

RGB 98 103 251

HSL 238.04, 0.95%, 0.68%

LAB 50.99, 41.14, -74.63

 

CMYK 0 / 62 / 10 / 2

HEX #FB60E1

RGB 251 96 225

HSL 310.06, 0.95%, 0.68%

LAB 65.21, 72.98, -36.48

 

CMYK 0 / 2 / 62 / 2

HEX #FBF660

RGB 251 246 96

HSL 58.06, 0.95%, 0.68%

LAB 94.85, -16.07, 70.37

 

CMYK 62 / 0 / 51 / 2

HEX #60FB7A

RGB 96 251 122

HSL 130.06, 0.95%, 0.68%

LAB 88.39, -66.63, 49.52

 

CMYK 61 / 59 / 0 / 2

HEX #6267FB

RGB 98 103 251

HSL 238.04, 0.95%, 0.68%

LAB 50.99, 41.14, -74.63

 

CMYK 0 / 62 / 29 / 2

HEX #FB60B3

RGB 251 96 179

HSL 327.87, 0.95%, 0.68%

LAB 63.45, 66.75, -13.2

 

CMYK 0 / 2 / 62 / 2

HEX #FBF660

RGB 251 246 96

HSL 58.06, 0.95%, 0.68%

LAB 94.85, -16.07, 70.37

 

CMYK 62 / 0 / 33 / 2

HEX #60FBA8

RGB 96 251 168

HSL 147.87, 0.95%, 0.68%

LAB 89.07, -59.21, 27.95

 

Description

Color code: RGB 98 103 251 | qconv.com Color code: RGB 98 103 251 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 103 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 103 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 59 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 59% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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