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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 96 216 it is the complementary color RGB 158 159 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 96 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 96 216: RGB 102 96 211, RGB 119 114 230, RGB 136 132 249, RGB 153 150 255 and RGB 170 168 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 96 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 96 216: RGB 97 96 216, RGB 80 78 197, RGB 63 60 178, RGB 46 42 159 and RGB 29 24 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

Complementary color

CMYK 1 / 0 / 75 / 38

HEX #9E9F27

RGB 158 159 39

HSL 60.5, 0.61%, 0.39%

LAB 63.52, -14.61, 58.06

 

CMYK 52 / 55 / 0 / 17

HEX #6660D3

RGB 102 96 211

HSL 243.13, 0.57%, 0.6%

LAB 46.83, 33.44, -58.82

 

CMYK 48 / 50 / 0 / 10

HEX #7772E6

RGB 119 114 230

HSL 242.59, 0.7%, 0.67%

LAB 53.67, 32.01, -58.5

 

CMYK 45 / 47 / 0 / 2

HEX #8884F9

RGB 136 132 249

HSL 242.05, 0.91%, 0.75%

LAB 60.41, 30.76, -58.21

 

CMYK 40 / 41 / 0 / 0

HEX #9996FF

RGB 153 150 255

HSL 241.71, 1%, 0.79%

LAB 66.37, 26.07, -51.93

 

CMYK 33 / 34 / 0 / 0

HEX #AAA8FF

RGB 170 168 255

HSL 241.38, 1%, 0.83%

LAB 72.08, 20.27, -42.87

 

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

CMYK 59 / 60 / 0 / 23

HEX #504EC5

RGB 80 78 197

HSL 241.01, 0.51%, 0.54%

LAB 39.89, 35.8, -62.08

 

CMYK 65 / 66 / 0 / 30

HEX #3F3CB2

RGB 63 60 178

HSL 241.53, 0.5%, 0.47%

LAB 32.93, 37.85, -62.32

 

CMYK 71 / 74 / 0 / 38

HEX #2E2A9F

RGB 46 42 159

HSL 242.05, 0.58%, 0.39%

LAB 25.98, 40.1, -62.35

 

CMYK 79 / 83 / 0 / 45

HEX #1D188C

RGB 29 24 140

HSL 242.59, 0.71%, 0.32%

LAB 19.26, 42.2, -61.78

 

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

CMYK 47 / 56 / 0 / 15

HEX #735ED8

RGB 115 94 216

HSL 250.33, 0.61%, 0.61%

LAB 47.76, 38.84, -60.12

 

CMYK 38 / 56 / 0 / 15

HEX #875ED8

RGB 135 94 216

HSL 260.16, 0.61%, 0.61%

LAB 49.63, 43.28, -57.01

 

CMYK 28 / 56 / 0 / 15

HEX #9B5ED8

RGB 155 94 216

HSL 270, 0.61%, 0.61%

LAB 51.76, 48.04, -53.48

 

CMYK 19 / 56 / 0 / 15

HEX #AF5ED8

RGB 175 94 216

HSL 279.84, 0.61%, 0.61%

LAB 54.11, 53.01, -49.6

 

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

CMYK 58 / 58 / 0 / 95

HEX #05050C

RGB 5 5 12

HSL 240, 0.41%, 0.03%

LAB 1.51, 0.99, -2.69

 

CMYK 56 / 56 / 0 / 75

HEX #1C1C3F

RGB 28 28 63

HSL 240, 0.38%, 0.18%

LAB 12.2, 11.52, -22.45

 

CMYK 55 / 55 / 0 / 55

HEX #333372

RGB 51 51 114

HSL 240, 0.38%, 0.32%

LAB 24.6, 19.42, -36.53

 

CMYK 55 / 56 / 0 / 35

HEX #4A49A5

RGB 74 73 165

HSL 240.65, 0.39%, 0.47%

LAB 35.86, 27.27, -49.75

 

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

CMYK 0 / 56 / 12 / 15

HEX #D85EBF

RGB 216 94 191

HSL 312.3, 0.61%, 0.61%

LAB 58.38, 59.39, -28.26

 

CMYK 34 / 0 / 56 / 15

HEX #8FD85E

RGB 143 216 94

HSL 95.9, 0.61%, 0.61%

LAB 79.48, -43.51, 52.16

 

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

CMYK 0 / 56 / 56 / 15

HEX #D85E5E

RGB 216 94 94

HSL 0, 0.61%, 0.61%

LAB 55.49, 47.96, 24.04

 

CMYK 56 / 0 / 56 / 15

HEX #5ED85E

RGB 94 216 94

HSL 120, 0.61%, 0.61%

LAB 77.46, -57.96, 49.3

 

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

CMYK 0 / 56 / 12 / 15

HEX #D85EBF

RGB 216 94 191

HSL 312.3, 0.61%, 0.61%

LAB 58.38, 59.39, -28.26

 

CMYK 0 / 0 / 56 / 15

HEX #D8D85E

RGB 216 216 94

HSL 60, 0.61%, 0.61%

LAB 84.24, -15.66, 58.85

 

CMYK 56 / 0 / 45 / 15

HEX #5ED877

RGB 94 216 119

HSL 132.3, 0.61%, 0.61%

LAB 77.77, -54.54, 37.7

 

CMYK 55 / 56 / 0 / 15

HEX #6160D8

RGB 97 96 216

HSL 240.5, 0.61%, 0.61%

LAB 46.8, 34.01, -61.75

 

CMYK 0 / 56 / 28 / 15

HEX #D85E9B

RGB 216 94 155

HSL 330, 0.61%, 0.61%

LAB 57.05, 54.25, -9.5

 

CMYK 0 / 0 / 56 / 15

HEX #D8D85E

RGB 216 216 94

HSL 60, 0.61%, 0.61%

LAB 84.24, -15.66, 58.85

 

CMYK 56 / 0 / 28 / 15

HEX #5ED89B

RGB 94 216 155

HSL 150, 0.61%, 0.61%

LAB 78.38, -48.12, 20.01

 

Description

Color code: RGB 97 96 216 | qconv.com Color code: RGB 97 96 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 96 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 96 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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